| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | I Took A Pill In Ibiza (SeeB Remix) | Mike Posner | 4.35 | 3:18 |
| 2 | How Deep Is Your Love- Sound-Engineering:
- Mike Marsh
- Produzent(in):
- Disciples und Calvin Harris
- Mix:
- Calvin Harris
- vocals:
- Ina Wroldsen
- Interpret(in):
- Disciples und Calvin Harris
- phonographisches Urheberrecht (℗) von:
- Sony Music Entertainment Germany GmbH (in 2015) und Sony Music Entertainment UK Limited (in 2015)
- Teil von:
- Billboard Year-End Hot 100 singles of 2015 (Nummer: 100)
- recording of:
- How Deep Is Your Love
- Verfasser(in):
- Calvin Harris , Gavin Koolmon, Luke Mac, Nathan Duvall und Ina Wroldsen
- arranger:
- Disciples und Calvin Harris
- publisher:
- BMG Platinum Songs US, EMI Blackwood Music Inc., EMI Music Publishing France, EMI Music Publishing Ltd. , Fly Eye Publishing Ltd., Melmax, Phrased Differently Music Ltd. , Reverb America Music, Reverb Music, Sony/ATV Music Publishing France, TSJ Merlyn Licensing B.V., アルスターミュージック , フジパシフィックミュージック , イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (vom 2021-07-01 bis heute)
| Calvin Harris + Disciples | 3.3 | 3:34 |
| 3 | Wake Me Up- recording engineer:
- Chris Cheney und Kyle VandeKerkhoff
- zusätzliche(r) Techniker(in):
- Mike Einziger
- Produzent(in) und Mix:
- Tim Bergling
- Gitarre:
- Mike Einziger
- Keyboard [keys]:
- Peter Dyer
- vocals:
- Aloe Blacc
- phonographisches Urheberrecht (℗) von:
- Avicii Music AB (in 2013)
- aufgenommen bei:
- Interscope Studios in Santa Monica, California , Vereinigte Staaten
- additionally engineered at:
- Casa Chica in Malibu, California , Vereinigte Staaten
- Teil von:
- Billboard Year-End Hot 100 singles of 2013 (Nummer: 19), Billboard Year-End Hot 100 singles of 2014 (Nummer: 22) und BILLIONS CLUB
- recording of:
- Wake Me Up
- Verfasser(in):
- Aloe Blacc, Mike Einziger und Tim Bergling
- publisher:
- Aloe Blacc Publishing Inc., Elementary Particle Music, EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Kobalt Music Group Ltd. und Sony/ATV Music Publishing
| Avicii | 3.75 | 4:12 |
| 4 | Stole The Show | Kygo feat. Parson James | | 3:33 |
| 5 | Faded | Alan Walker | 3.7 | 3:33 |
| 6 | Are You With Me | Lost Frequencies | 3.8 | 2:20 |
| 7 | Changes | Faul & Wad Ad vs. PNAU | 5 | 3:23 |
| 8 | Perfect Strangers | Jonas Blue feat. JP Cooper | 4 | 3:16 |
| 9 | Dance Again | Jennifer Lopez feat. Pitbull | 2 | 4:08 |
| 10 | The Ocean | Mike Perry feat. SHY Martin | | 3:05 |
| 11 | My Love | Route 94 feat. Jess Glynne | 4 | 4:22 |
| 12 | Ain't Nobody (Loves Me Better) | Felix Jaehn feat. Jasmine Thompson | 3.5 | 4:02 |
| 13 | This Is What It Feels Like | Armin van Buuren feat. Trevor Guthrie | | 3:25 |
| 14 | Hide Away | Daya | 3.75 | 3:13 |
| 15 | Don't Wake Me Up- Assistent recording engineer:
- Iain Findley
- recording engineer:
- Brian Springer
- assistierende(r) Techniker(in):
- Phil Seaford (Aufgabe: assistant engineered for mix)
- Techniker(in):
- John Hanes (Aufgabe: engineered for mix)
- Koproduzent(in):
- Brian “BK” Kennedy
- Produzent(in):
- Alle Benassi, Benny Benassi , Free School und William Orbit
- assistierende(r) Mix:
- Phil Seaford
- Mix:
- Serban Ghenea
- Instrumente:
- Alle Benassi, Benny Benassi und Free School
- vocals:
- Chris Brown
- co-produced for:
- Team BK
- produced for:
- Empire Artist und Spaceship Management
- aufgenommen bei:
- Record Plant in Hollywood, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Mixstar Studios in Virginia Beach, Virginia, Vereinigte Staaten
- Teil von:
- Billboard Year-End Hot 100 singles of 2012 (Nummer: 56)
- recording of:
- Don’t Wake Me Up
- Verfasser(in):
- Alessandro “Alle” Benassi, Chris Brown , Jean‐Baptiste, Brian Kennedy , Marco “Benny” Benassi , Michael McHenry, Nick “Free School” Mash , William Orbit , Priscilla “Priscilla Renea” Hamilton, Ryan Buendia und Alain Whyte
- publisher:
- B‐Uneek Songs, Barrow Gang, Basic Studio srl, Cherry Lane Publishing, Cook an Ear Productions, Culture Beyond Ur Experience Publishing, Discovery One, Downtown DMP Songs, Guerilla Studios Limited, Jean‐Baptiste Music, Meloists Music, Michael McHenry Music, Off Limits srl, Power Pen Associated, Priscilla Renea Productions, Songs of Universal, Inc. , Ultra Empire Music, Universal Music Publishing, Inc. und WB Music Corp.
| Chris Brown | 2.5 | 3:43 |
| 16 | Work B**ch!- recording engineer, Programmierung und Techniker(in):
- Sebastian Ingrosso und Otto Knows
- leitende(r) Partner-Produzent(in):
- Anthony Preston
- leitende(r) Produzent(in):
- will.i.am
- Produzent(in):
- Sebastian Ingrosso, Otto Knows , Anthony Preston und will.i.am
- assistierende(r) Mix:
- Ghazi Hourani und Bradford Smith
- Mix:
- Joe Peluso
- Editing:
- Jacob Dennis , Chris Kahn, Padraic Kerin und Julian Prindle
- andere Instrumente [instrumentation]:
- Sebastian Ingrosso und Otto Knows
- Hintergrundgesang:
- Myah Marie , Anthony Preston und Britney Spears
- Sologesang:
- Britney Spears
- phonographisches Urheberrecht (℗) von:
- RCA Records
- produced for:
- Refune Records und will.i.am music, LLC
- aufgenommen bei:
- Glenwood Place Studios in Burbank, California , Vereinigte Staaten (sonstiger Gesang [vocal recording]) und KBK Studios in Stockholm, Stockholms län , Schweden
- mixed at:
- Record Plant in Hollywood, Los Angeles, California , Vereinigte Staaten
- engineered at:
- Glenwood Place Studios in Burbank, California , Vereinigte Staaten (sonstiger Gesang [vocal engineered]) und KBK Studios in Stockholm, Stockholms län , Schweden
- recording of:
- Work Bitch
- Verfasser(in):
- Sebastian Ingrosso, Otto Jettman , Anthony Preston, RuthAnne , Britney Spears und William Adams
- publisher:
- BMG Sapphire Songs, Britney Spears Music, i.am.composing llc, Refune Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing AB und Universal Music–Z Songs
| Britney Spears | 4 | 4:09 |
| 17 | Rio | Netsky feat. Digital Farm Animals | 3 | 3:50 |
| 18 | She Moves (Far Away) | Alle Farben feat. Graham Candy | | 3:05 |
| 19 | Ocean Drive | Duke Dumont | 3.65 | 3:27 |
| 20 | Scream | Usher | 3.7 | 3:57 |
| 21 | One Day (Vandaag) | Bakermat | | 3:38 |