Richard Tauber – Superstar

~ Release by Richard Tauber (see all versions of this release, 1 available)

Tracklist

1▶CD: Tauberlieder – Zauberlieder
2▶CD: Lehár dirigiert, Tauber singt und dirigiert
3▶CD: Zarensohn und Teufelsgeiger – Der Lehár‐Tenor
4▶CD: Der König der Operette
5▼CD: Der Opernsänger I
#TitleRatingLength
1Der Rosenkavalier: “Di rigori armato il seno”
tenor vocals:
Richard Tauber (tenor) (in 1920)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1920)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (in 1920)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
2:48
2Don Giovanni: “Il mio tesoro” („Folget der Heißgeliebten”)
tenor vocals:
Richard Tauber (tenor) (in 1939, on 1939-06-12)
vocals:
Richard Tauber (tenor)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1939)
conductor:
Walter Goehr (conductor and composer) (in 1939, on 1939-06-12)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (on 1939-06-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1939)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:12
3Don Giovanni: “Dalla sua pace“ („Nur ihrem Frieden”)
tenor vocals:
Richard Tauber (tenor) (in 1939)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1939)
conductor:
Walter Goehr (conductor and composer) (in 1939)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (in 1939)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
4:06
4Die Zauberflöte: „Dies Bildnis ist bezaubernd schön”
tenor vocals:
Richard Tauber (tenor) (in 1922)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1922)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1922)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:52
5Der Freischütz: „Durch die Wälder, durch die Auen”
tenor vocals:
Richard Tauber (tenor) (in 1946)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1946)
conductor:
Henry Ernest Geehl (pianist, conductor and composer) (in 1946)
recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (in 1946)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
6:15
6Die Meistersinger von Nürnberg: „Am stillen Herd”
tenor vocals:
Richard Tauber (tenor) (in 1927)
orchestra:
Orchester der Deutschen Staatsoper Berlin (in 1927)
conductor:
George Szell (conductor, pianist, composer) (in 1927)
partial recording of:
Die Meistersinger von Nürnberg, WWV 96 (in 1927)
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer)
premiered at:
Königliches Hof- und Nationaltheater in München (Munich), Bayern (Bavaria), Germany (on 1868-06-21)
part of:
Wagner-Werk-Verzeichnis (number: 96)
3:35
7Die Meistersinger von Nürnberg: „Morgenlich leuchtend”
tenor vocals:
Richard Tauber (tenor) (in 1927)
orchestra:
Orchester der Deutschen Staatsoper Berlin (in 1927)
conductor:
George Szell (conductor, pianist, composer) (in 1927)
recording of:
Excerpt from Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Morgenlich leuchtend" (Preislied) (in 1927)
composer:
Richard Wagner (composer)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
3:31
8Die Walküre: „Winterstürme wichen dem Wonnemond”
tenor vocals:
Richard Tauber (tenor) (in 1920)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1920)
recording of:
Die Walküre: Akt I, Scene 3. “Winterstürme wichen dem Wonnemond” (Siegmund, Sieglinde) (in 1920)
composer and librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
3:15
9Tiefland: Traumerzählung „Wie ich nun gestern Abend in der Hütte liege”
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Staatskapelle Berlin (in 1928)
conductor:
Ernst Hauke (conductor) (in 1928)
recording of:
Tiefland: Vorspiel. Traumerzählung „Wie ich nun gestern Abend in der Hütte liege” (Pedro) (in 1928)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
3:46
10Tiefland: Wolfserzählung „Mein Leben wagt' ich drum”
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Staatskapelle Berlin (in 1928)
conductor:
Ernst Hauke (conductor) (in 1928)
recording of:
Tiefland: Aufzug I. Wolfserzählung „Mein Leben wagt' ich drum” … „Es kam in jeder Nacht ein Wolf…” (Pedro) (in 1928)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
3:18
11Die tote Stadt: „Glück, das mir verblieb”
soprano vocals:
Lotte Lehmann (soprano) (in 1924)
tenor vocals:
Richard Tauber (tenor) (in 1924)
orchestra:
Orchester der Deutschen Staatsoper Berlin (in 1924)
conductor:
George Szell (conductor, pianist, composer) (in 1924)
recording of:
Die tote Stadt: Akt I. „Glück, das mir verblieb” (Marietta's Lied) (in 1924)
composer and librettist:
Erich Wolfgang Korngold (Austrian composer and conductor)
part of:
Die tote Stadt, op. 12
4:07
12Die tote Stadt: „O Freund, ich werde sie nicht wiedersehen”
tenor vocals:
Richard Tauber (tenor) (in 1924)
orchestra:
Orchester der Deutschen Staatsoper Berlin (in 1924)
conductor:
George Szell (conductor, pianist, composer) (in 1924)
recording of:
Die tote Stadt: Akt III. „O Freund, ich werde sie nicht wiedersehen” (in 1924)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor)
part of:
Die tote Stadt, op. 12
3:59
13Der Evangelimann: „Selig sind, die Verfolgung leiden”
tenor vocals:
Richard Tauber (tenor) (in 1919)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1919)
recording of:
Der Evangelimann: Zweiter Aufzug, I. Teil. „Selig sind, die Verfolgung leiden“ (Mathias) (in 1919)
composer:
Wilhelm Kienzl (Austrian composer) (in 1894)
part of:
Der Evangelimann: Zweiter Aufzug
3:28
14Der Kuhreigen: „Lug, Dursel, lug, der Abend bricht herein”
tenor vocals:
Richard Tauber (tenor) (in 1920)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1920)
recording of:
Der Kuhreigen: „Lug, Dursel, lug, der Abend bricht herein” (in 1920)
composer:
Wilhelm Kienzl (Austrian composer)
part of:
Der Kuhreigen
3:47
15Martha: „Ach, so fromm”
tenor vocals:
Richard Tauber (tenor) (in 1919)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1919)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel) (in 1919)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
3:17
16Martha: „Wie das schnattert, wie das plappert”
baritone vocals:
Benno Ziegler (baritone) (in 1922)
tenor vocals:
Richard Tauber (tenor) (in 1922)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1922)
recording of:
Martha: Akt I. „Wie das schnattert, wie das plappert“ (in 1922)
composer:
Friedrich von Flotow (composer)
part of:
Martha: Akt I
3:56
17Der Trompeter von Säckingen: „Behüt' dich Gott, es wär' so schön gewesen”
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Orchester des Großen Schauspielhauses, Berlin (in 1928)
conductor:
Ernst Hauke (conductor) (in 1928)
recording of:
Der Trompeter von Säckingen: „Behüt' dich Gott, es wär' so schön gewesen” (in 1928)
composer:
Viktor Ernst Nessler
part of:
Der Trompeter von Säckingen
3:38
18Die verkaufte Braut: „Es muss gelingen”
tenor vocals:
Richard Tauber (tenor) (in 1919)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1919)
partial recording of:
Die verkaufte Braut (The Bartered Bride) (in 1919)
lyricist:
Karel Sabina
composer:
Bedřich Smetana (composer)
translated version of:
Prodaná nevěsta (The Bartered Bride)
version of:
Prodaná nevěsta (The Bartered Bride)
3:08
19Die verkaufte Braut: „Nun in Lust und Leide”
soprano vocals:
Elisabeth Rethberg (soprano) (in 1919)
tenor vocals:
Richard Tauber (tenor) (in 1919)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1919)
partial recording of:
Die verkaufte Braut (The Bartered Bride) (in 1919)
lyricist:
Karel Sabina
composer:
Bedřich Smetana (composer)
translated version of:
Prodaná nevěsta (The Bartered Bride)
version of:
Prodaná nevěsta (The Bartered Bride)
3:01
20Eugen Onegin: ”Wohin seid ihr entschwunden”
tenor vocals:
Richard Tauber (tenor) (in 1923)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1923)
conductor:
Karl Besl (german conductor) (in 1923)
recording of:
Eugen Onegin: Aufzug II. "Wohin seid ihr entschwunden" (Lensky) (in 1923)
composer:
Tschaikowsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin, op. 24 (German translation)
3:59
6▶CD: Der Opernsänger II
7▶CD: Der Konzertsänger
8▶CD: Volkslieder und Wiener Musik
9▶CD: Als Emigrant von Land zu Land
10▶CD: Der Emigrant – Fluchtpunkt London

Credits

Release

ASIN:DE: B0027LZ4BA [info]