Peggy Sue

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Love Me
recording of:
Love Me (Buddy Holly Song)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Sue Parrish
publisher:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) and Universal Cedarwood Publishing
2:11
2Don’t Come Back Knockin’
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar [lead guitar]:
Sonny Curtis (on 1956-01-26)
guitar [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26)
recording of:
Don’t Come Back Knockin’ (on 1956-01-26)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Sue Parrish
publisher:
BMG Platinum Songs US, Palace Music, Unichappell Music, Inc. and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:14
3Midnight Shift
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar:
Sonny Curtis (on 1956-01-26), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26) and Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Midnight Shift (on 1956-01-26)
writer:
Jimmie Ainsworth and Earl Lee (Luke McDaniel, track "Midnight Shift")
publisher:
Good Music (UK Publisher (1950s - 1970s)) and Sony Tree Publishing Co., Inc.
42:12
4Blue Days Black Nights
recording of:
Blue Days, Black Nights
lyricist and composer:
Ben Hall (Texas based singer, songwriter, label owner, active 1950s/60s; studio owner through 1990s)
publisher:
Palace Music, Unichappell Music, Inc. and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:09
5I’m Changin’ All Those Changes
recording of:
I’m Changing All These Changes
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Cedarwood Music and Cedarwood Pub. Co., Inc.
2:16
6Girl on My Mind
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
recording of:
Girl on My Mind (on 1956-07-22)
writer:
Don Guess (best known for his association with Buddy Holly)
publisher:
Cedarwood Pub. Co., Inc., Southern Music (publisher) and Universal Cedarwood Publishing
52:20
7Rock Around With Ollie Vee
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
recording of:
Rock Around With Ollie Vee (on 1956-07-22)
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
52:16
8Ting‐a‐Ling
cover recording of:
Ting-a-Ling
lyricist and composer:
Ahmet Ertegun (US songwriter/producer)
writer:
Nugetre (US songwriter/producer)
publisher:
Carlin Music Corp., Cedarwood Music and Unichappell Music, Inc.
2:44
9That’ll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
2:38
10Rock Around With Ollie Vee
recording of:
Rock Around With Ollie Vee
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:21
11Modern Don Juan
recording of:
Modern Don Juan
writer:
Don Guess (best known for his association with Buddy Holly) and Jack Neal
publisher:
Cedarwood Music and Universal Cedarwood Publishing
2:45
12You Are My One Desire
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly)
guitar:
Grady Martin (country/rockabilly guitarist)
piano:
Floyd Cramer
tenor saxophone:
Dutch McMillin (saxophonist)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1956) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1956)
recording of:
You Are My One Desire
writer:
Don Guess (best known for his association with Buddy Holly) and Jack Neal
publisher:
Palace Music, Unichappell Music, Inc. and Valley Music Ltd (publisher)
2:24
13I’m Lookin’ for Someone to Love
recording of:
I’m Lookin’ for Someone to Love
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and Wren Music Co.
2:02
14That’ll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
2:18
15Last Night
recorded in:
Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
producer:
Norman Petty
double bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-03-01)
drums (drum set):
Jerry Allison (on 1957-03-01)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01) and Niki Sullivan (on 1957-03-01)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14), John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14) and The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-10-12 until 1957-10-14)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-03-01)
recording of:
Last Night (from 1957-03-01 until 1957-10-14)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) and Norman Petty
publisher:
Wren Music Co.
51:56
16Words of Love
recording of:
Words of Love (Buddy Holly song)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. and Southern Music Publishing Company Limited
1:59
17Mailman Bring Me No More Blues
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-04-08)
drums (drum set):
Jerry Allison (on 1957-04-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
piano:
Vi Petty (on 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-04-08)
cover recording of:
Mailman, Bring Me No More Blues (on 1957-04-08)
writer:
Bill Katz, Ruth Roberts and Bob Thiele (producer & songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
42:15
18Everyday
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:11
19Not Fade Away
recording of:
Not Fade Away
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
2:27
20Ready Teddy
cover recording of:
Ready Teddy
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
1:34
21Valley of Tears
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
drums (drum set):
Jerry Allison
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter)
organ:
Norman Petty
piano:
Vi Petty
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
cover recording of:
Valley of Tears
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter (publisher) and Travis Music Co.
42:09
22Tell Me How
recording of:
Tell Me How
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
BMG Platinum Songs US and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:02
23Oh Boy!
recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
2:13
24I’m Gonna Love You Too
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
I’m Gonna Love You Too (from 1957-06-29 until 1957-07-01)
writer:
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
4.52:16
25Listen to Me
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
Listen to Me (from 1957-06-29 until 1957-07-01)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
writer:
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
3.52:24
26Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
4.52:30
2▶CD

Credits

Release

manufactured in:Austria
copyrighted (©) by and phonographic copyright (℗) by:Le Chant du Monde (in 2010)
Discogs:https://www.discogs.com/release/4974201 [info]