The Complete Clef/Mercury Studio Recordings of the Oscar Peterson Trio (1951–1953)

~ Release by The Oscar Peterson Trio (see all versions of this release, 1 available)

Tracklist

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#TitleRatingLength
1Without a Song
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
instrumental recording of:
Without a Song (on 1953-12-07)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild and WB Music Corp. (1929–2019)
part of:
Great Day!
2:57
2Sometimes I’m Happy
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
instrumental recording of:
Sometimes I’m Happy (on 1953-12-07)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
3:16
3Time on My Hands
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
instrumental recording of:
Time on My Hands (on 1953-12-07)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
2:39
4More Than You Know
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
instrumental recording of:
More Than You Know (on 1953-12-07)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
3:02
5This Can’t Be Love
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
This Can’t Be Love (on 1953-12-07)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
3:04
6Blue Moon
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
instrumental recording of:
Blue Moon (on 1953-12-07)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
2:57
7The Lady Is a Tramp
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1953-12-07)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
2:55
8It Might as Well Be Spring
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
It Might as Well Be Spring (State Fair) (on 1953-12-07)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
3:10
9Bewitched
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (on 1953-12-07)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
2:33
10The Way You Look Tonight
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
The Way You Look Tonight (from “Swing Time”) (on 1953-12-07)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
2:28
11Ol’ Man River
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
Ol’ Man River (Show Boat) (on 1953-12-07)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
3:22
12Can’t Help Lovin’ That Man
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (on 1953-12-07)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, volume I)
2:42
13The Song Is You
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
The Song Is You (on 1953-12-07)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
2:27
14Lovely to Look At
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
Lovely to Look at (on 1953-12-07)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1935)
additional composer:
Jimmy McHugh (songwriter)
composer:
Jerome Kern (in 1935)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
2:07
15Johnny One Note
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
Johnny One Note (on 1953-12-07)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co.
part of:
Babes in Arms (full musical)
2:30
16Smoke Gets in Your Eyes
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
Smoke Gets in Your Eyes (on 1953-12-07)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:52
17Bill
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
instrumental recording of:
Bill (Show Boat) (on 1953-12-07)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and P. G. Wodehouse
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
2:33
18Look for the Silver Lining
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
Look for the Silver Lining (on 1953-12-07)
lyricist:
Buddy DeSylva
composer:
Jerome Kern
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Sally (1920 musical)
2:30
19The Surrey With the Fringe on Top
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
instrumental recording of:
The Surrey With the Fringe on Top (on 1953-12-07)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
3:56
20Lover
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
recording of:
Lover (on 1953-12-07)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
7:17