Maria Callas: 90 Opera Arias (Remastered 2023)

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Macbeth: “Nel dì della vittoria” … “Ambizoso spirto” … “Vieni! T’affretta”
recorded in:
London (Greater London), England, United Kingdom (in 1958)
soprano vocals [Lady]:
Maria Callas (soprano) (in 1958)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Macbeth: Atto I. N°3a Scena “Nel dì della vittoria io le incontrai” … “Ambizioso spirto” (Lady) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto I
part of:
Macbeth: Atto I
Giuseppe Verdi7:42
2Macbeth: “La luce langue”
recorded in:
London (Greater London), England, United Kingdom (in 1958)
soprano vocals [Lady]:
Maria Callas (soprano) (in 1958)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Macbeth: Atto II. N°7b Aria “La luce langue, il faro spegnesi” (Lady) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto II
Giuseppe Verdi4:07
3Macbeth: “Una macchia è qui tuttora”
recorded in:
London (Greater London), England, United Kingdom (in 1958)
soprano vocals [Lady]:
Maria Callas (soprano) (in 1958)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Macbeth: Atto IV. N°14c Scena del sonnambulismo "Una macchia è qui tuttora..." (Lady, Dama, Medico) (Sleepwalking Scene) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi11:13
4Macbeth: “Surta è la notte” … “Ernani, Ernani. Involami”
recorded in:
London (Greater London), England, United Kingdom (in 1958)
soprano vocals [Elvira]:
Maria Callas (soprano) (in 1958)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi6:12
5Macbeth: “Tu che le vanità”
recorded in:
London (Greater London), England, United Kingdom (in 1958)
soprano vocals [Elisabetta]:
Maria Callas (soprano) (in 1958)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi10:40
6Otello: “Mi parea. M’ingiunse di coricarmi”
recorded in:
Paris, Île-de-France, France (in 1964)
soprano vocals [Desdemona]:
Maria Callas (soprano) (in 1964)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:19
7Otello: “Piangea cantando”
recorded in:
Paris, Île-de-France, France (in 1964)
soprano vocals [Desdemona]:
Maria Callas (soprano) (in 1964)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi7:14
8Otello: “Ave Maria, piena di grazia”
recorded in:
Paris, Île-de-France, France (in 1964)
soprano vocals [Desdemona]:
Maria Callas (soprano) (in 1964)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi4:30
9Aroldo: “O, cielo! Dove son io?”
recorded in:
Paris, Île-de-France, France (in 1964)
soprano vocals [Mina]:
Maria Callas (soprano) (in 1964)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Aroldo: Atto II. N°4 “Oh cielo! Dove son io?” (Mina) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto II
Giuseppe Verdi9:37
10Don Carlo: “O don fatale”
recorded in:
Paris, Île-de-France, France (in 1964)
soprano vocals [Eboli]:
Maria Callas (soprano) (in 1964)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:39
11Aida: “Ritorna vincitor!”
recorded in:
Paris, Île-de-France, France (in 1964)
soprano vocals [Aida]:
Maria Callas (soprano) (in 1964)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964)
conductor:
Nicola Rescigno (conductor) (in 1964)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi7:08
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