Sarah Vaughan Vol.2 (Eight Classic Albums)

~ Veröffentlichung von Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

List of subparts
CD1 tracks 1 to 9: No Count Sarah (1958)
CD1 tracks 10 to 20: Vaughan & Violins (1958)
CD2 tracks 1 to 12: Dreamy (1960)
CD2 tracks 13 to 23: The Divine One (1960)
CD3 tracks 1 to 11: Count Basie / Sarah Vaughan (1961)
CD3 tracks 12 to 22: After Hours (1961)
CD4 tracks 1 to 12: You're Mine You (1962)
CD4 tracks 13 to 23: Sarah + 2 (1962)

Issued in a "fat boy" jewel case.

Other Identifiers
Rights Society (Logo): mcps

Anmerkung zuletzt geändert am 2025-04-23 21:18 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Smoke Gets in Your Eyes
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1958-12-15)
Gitarre:
Freddie Green (am 1958-12-15)
Holzblasinstrumente:
Frank Wess (am 1958-12-15)
Klavier:
Ronnell Bright (am 1958-12-15)
Kontrabass:
Richard Davis (American jazz bassist) (am 1958-12-15)
Posaune:
Henry Coker (jazz trombonist) (am 1958-12-15), Benny Powell (jazz trombonist) (am 1958-12-15) und Al Grey (trombone) (am 1958-12-23)
Rohrblattinstrumente:
Marshall Royal (am 1958-12-15)
Schlagzeug:
Sonny Payne (am 1958-12-15)
Tenorsaxophon:
Frank Foster (saxophonist) (von 1958-12-01 bis 1958-12-15) und Billy Mitchell (US jazz saxophonist) (am 1958-12-15)
Trompete:
Wendell Culley (jazz trumpeter) (am 1958-12-15), Eugene Young (am 1958-12-15) und Thad Jones (American jazz trumpeter) (am 1958-12-23)
vocals:
Sarah Vaughan (am 1958-12-15)
cover recording of:
Smoke Gets in Your Eyes (am 1958-12-15)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
3:59
2Doodlin'
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1958-01-05)
Bass:
Richard Davis (American jazz bassist)
Gitarre:
Freddie Green (am 1958-01-05)
Holzblasinstrumente:
Frank Wess (am 1958-01-05)
Klavier:
Ronnell Bright (am 1958-01-05)
Kontrabass:
Richard Davis (American jazz bassist) (am 1958-01-05)
Posaune:
Henry Coker (jazz trombonist) (am 1958-01-05), Al Grey (trombone) (am 1958-01-05) und Benny Powell (jazz trombonist) (am 1958-01-05)
Rohrblattinstrumente:
Marshall Royal (am 1958-01-05)
Saxophon:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal und Frank Wess
Schlagzeug:
Sonny Payne (am 1958-01-05)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1958-01-05) und Billy Mitchell (US jazz saxophonist) (am 1958-01-05)
Trompete:
Wendell Culley (jazz trumpeter) (am 1958-01-05), Eugene Young (am 1958-01-05) und Thad Jones (American jazz trumpeter) (am 1958-01-05)
vocals:
Sarah Vaughan (am 1958-01-05)
cover recording of:
Doodlin’ (vocal version, lyrics by Jon Hendricks) (am 1958-01-05)
Texter:
Jon Hendricks
Komponist(in):
Horace Silver
publisher:
Silhouette Music Corp.
Version von:
Doodlin’ (original instrumental version)
4:36
3Darn That Dream
Bass:
Richard Davis (American jazz bassist)
Gitarre:
Freddie Green
Klavier:
Ronnell Bright
membranophone:
Sonny Payne
Posaune:
Henry Coker (jazz trombonist), Al Grey (trombone) und Benny Powell (jazz trombonist)
Saxophon:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal und Frank Wess
Trompete:
Wendell Culley (jazz trumpeter), Eugene Young und Thad Jones (American jazz trumpeter)
vocals:
Sarah Vaughan
cover recording of:
Darn That Dream
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
3:45
4Just One of Those Things
alto saxophone, flute und Holzblasinstrumente:
Frank Wess (am 1958-12-23)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1958-12-23)
Gitarre:
Freddie Green (am 1958-12-23)
Klarinette und Rohrblattinstrumente:
Marshall Royal (am 1958-12-23)
Klavier:
Ronnell Bright (am 1958-12-23)
Kontrabass:
Richard Davis (American jazz bassist) (am 1958-12-23)
Posaune:
Henry Coker (jazz trombonist) (am 1958-12-23), Al Grey (trombone) (am 1958-12-23) und Benny Powell (jazz trombonist) (am 1958-12-23)
Schlagzeug:
Sonny Payne (am 1958-12-23)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1958-12-23) und Billy Mitchell (US jazz saxophonist) (am 1958-12-23)
Trompete:
Wendell Culley (jazz trumpeter) (am 1958-12-23), Eugene Young (am 1958-12-23) und Thad Jones (American jazz trumpeter) (am 1958-12-23)
vocals:
Sarah Vaughan (am 1958-12-23)
cover recording of:
Just One of Those Things (am 1958-12-23)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
2:32
5Moonlight in Vermont
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1958-12-23)
Gitarre:
Freddie Green (am 1958-12-23)
Holzblasinstrumente:
Frank Wess (am 1958-12-23)
Klavier:
Ronnell Bright (am 1958-12-23)
Kontrabass:
Richard Davis (American jazz bassist) (am 1958-12-23)
Posaune:
Henry Coker (jazz trombonist) (am 1958-12-23), Al Grey (trombone) (am 1958-12-23) und Benny Powell (jazz trombonist) (am 1958-12-23)
Rohrblattinstrumente:
Marshall Royal (am 1958-12-23)
Schlagzeug:
Sonny Payne (am 1958-12-23)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1958-12-23) und Billy Mitchell (US jazz saxophonist) (am 1958-12-23)
Trompete:
Wendell Culley (jazz trumpeter) (am 1958-12-23), Eugene Young (am 1958-12-23) und Thad Jones (American jazz trumpeter) (am 1958-12-23)
vocals:
Sarah Vaughan (am 1958-12-23)
cover recording of:
Moonlight in Vermont (am 1958-12-23)
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:20
6No Count Blues
Bass:
Richard Davis (American jazz bassist)
Gitarre:
Freddie Green
Klavier:
Ronnell Bright
membranophone:
Sonny Payne
Posaune:
Henry Coker (jazz trombonist), Al Grey (trombone) und Benny Powell (jazz trombonist)
Saxophon:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal und Frank Wess
Trompete:
Wendell Culley (jazz trumpeter), Eugene Young und Thad Jones (American jazz trumpeter)
vocals:
Sarah Vaughan
5:28
7Cheek to Cheek
Bass:
Richard Davis (American jazz bassist)
Gitarre:
Freddie Green
Klavier:
Ronnell Bright
membranophone:
Sonny Payne
Posaune:
Henry Coker (jazz trombonist), Al Grey (trombone) und Benny Powell (jazz trombonist)
Saxophon:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal und Frank Wess
Trompete:
Wendell Culley (jazz trumpeter), Eugene Young und Thad Jones (American jazz trumpeter)
vocals:
Sarah Vaughan
cover recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
5:09
8Starlight
3:18
9Missing You
Bass:
Richard Davis (American jazz bassist)
Gitarre:
Freddie Green
Klavier:
Ronnell Bright
membranophone:
Sonny Payne
Posaune:
Henry Coker (jazz trombonist), Al Grey (trombone) und Benny Powell (jazz trombonist)
Saxophon:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal und Frank Wess
Trompete:
Wendell Culley (jazz trumpeter), Eugene Young und Thad Jones (American jazz trumpeter)
vocals:
Sarah Vaughan
recording of:
Missing You
Verfasser(in):
Ronnell Bright
3:28
10Please Be Kind
alto saxophone:
Marcel Hrasko (am 1958-07-07)
baritone saxophone:
William Boucaya (am 1958-07-07) und Jo Hrasko (am 1958-07-07)
Gitarre:
Pierre Cullaz (am 1958-07-07)
Klavier:
Ronnell Bright (am 1958-07-07)
Schlagzeug:
Kenny Clarke (am 1958-07-07)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1958-07-07)
Vibraphon:
Michel Hausser (am 1958-07-07)
arranger:
Quincy Jones
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1958-07-07)
cover recording of:
Please Be Kind (am 1958-07-07)
Texter:
Sammy Cahn (in 1938)
Komponist(in):
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
3:13
11The Midnight Sun Will Never Set
alto saxophone:
Marcel Hrasko (am 1958-07-07)
baritone saxophone:
William Boucaya (am 1958-07-07) und Jo Hrasko (am 1958-07-07)
Gitarre:
Pierre Cullaz (am 1958-07-07)
Klavier:
Ronnell Bright (am 1958-07-07)
Schlagzeug:
Kenny Clarke (am 1958-07-07)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1958-07-07)
Vibraphon:
Michel Hausser (am 1958-07-07)
arranger:
Quincy Jones
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1958-07-07)
recording of:
The Midnight Sun Will Never Set (Sarah Vaughan) (am 1958-07-07)
Texter:
Dorcas Cochran
Komponist(in):
Quincy Jones und Henri Salvador
2:49
12Live for Love
alto saxophone:
Marcel Hrasko (am 1958-07-07)
baritone saxophone:
William Boucaya (am 1958-07-07) und Jo Hrasko (am 1958-07-07)
Gitarre:
Pierre Cullaz (am 1958-07-07)
Klavier:
Ronnell Bright (am 1958-07-07)
Schlagzeug:
Kenny Clarke (am 1958-07-07)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1958-07-07)
Vibraphon:
Michel Hausser (am 1958-07-07)
arranger:
Quincy Jones
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1958-07-07)
recording of:
Live for Love (am 1958-07-07)
Texter:
Paul Misraki
Komponist(in):
Paul Misraki und Carl Sigman
3:22
13Misty
alto saxophone:
Marcel Hrasko (am 1958-07-07)
baritone saxophone:
William Boucaya (am 1958-07-07) und Jo Hrasko (am 1958-07-07)
Gitarre:
Pierre Cullaz (am 1958-07-07)
Klavier:
Ronnell Bright (am 1958-07-07)
Schlagzeug:
Kenny Clarke (am 1958-07-07)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1958-07-07)
Vibraphon:
Michel Hausser (am 1958-07-07)
Orchester:
Quincy Jones and His Orchestra
arranger:
Quincy Jones
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1958-07-07)
cover recording of:
Misty (am 1958-07-07)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
33:00
14I'm Lost
alto saxophone:
Marcel Hrasko (am 1958-07-07)
baritone saxophone:
William Boucaya (am 1958-07-07) und Jo Hrasko (am 1958-07-07)
Gitarre:
Pierre Cullaz (am 1958-07-07)
Klavier:
Ronnell Bright (am 1958-07-07)
Schlagzeug:
Kenny Clarke (am 1958-07-07)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1958-07-07)
Vibraphon:
Michel Hausser (am 1958-07-07)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1958-07-07)
cover recording of:
I’m Lost (am 1958-07-07)
Verfasser(in):
Otis René
3:38
15Love Me
alto saxophone:
Marcel Hrasko (am 1958-07-07)
baritone saxophone:
William Boucaya (am 1958-07-07) und Jo Hrasko (am 1958-07-07)
Gitarre:
Pierre Cullaz (am 1958-07-07)
Klavier:
Ronnell Bright (am 1958-07-07)
Schlagzeug:
Kenny Clarke (am 1958-07-07)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1958-07-07)
Vibraphon:
Michel Hausser (am 1958-07-07)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1958-07-07)
recording of:
Love Me (am 1958-07-07)
Verfasser(in):
Johnny Lehmann und John Lewis (pianist, member of Modern Jazz Quartet)
3:10
16That's All
alto saxophone:
Marcel Hrasko (am 1958-07-07)
baritone saxophone:
William Boucaya (am 1958-07-07) und Jo Hrasko (am 1958-07-07)
Gitarre:
Pierre Cullaz (am 1958-07-07)
Klavier:
Ronnell Bright (am 1958-07-07)
Schlagzeug:
Kenny Clarke (am 1958-07-07)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1958-07-07)
Vibraphon:
Michel Hausser (am 1958-07-07)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1958-07-07)
cover recording of:
That’s All (am 1958-07-07)
Texter:
Alan Brandt
Komponist(in):
Alan Brandt und Bob Haymes
publisher:
Mixed Bag Music Inc. und Travis Music
3:29
17Day by Day
Klavier:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
Schlagzeug:
Kansas Fields (in 1958-07)
vocals:
Sarah Vaughan (am 1958-07-12)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (von 1958-07-07 bis 1958-07-12)
cover recording of:
Day by Day (am 1958-07-12)
Texter:
Sammy Cahn
Komponist(in):
Axel Stordahl und Paul Weston
publisher:
Barton Music Corp. und Hanover Music Corp.
3:08
18Gone With the Wind
Klavier:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
Schlagzeug:
Kansas Fields (in 1958-07)
vocals:
Sarah Vaughan (am 1958-07-12)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (von 1958-07-07 bis 1958-07-12)
cover recording of:
Gone With the Wind (am 1958-07-12)
Texter:
Herb Magidson
Komponist(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:25
19I'll Close My Eyes
Klavier:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
Schlagzeug:
Kansas Fields (am 1958-07-12)
vocals:
Sarah Vaughan (am 1958-07-12)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (von 1958-07-07 bis 1958-07-12)
cover recording of:
I’ll Close My Eyes (am 1958-07-12)
Texter:
Buddy Kaye
Komponist(in):
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. und Peter Maurice Music
3:38
20The Thrill Is Gone
baritone saxophone:
William Boucaya
Klavier:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
Schlagzeug:
Kansas Fields (in 1958-07)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (von 1958-07-07 bis 1958-07-12)
cover recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931) (in 1958-07)
Texter:
Lew Brown
Komponist(in):
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. und Redwood Music Ltd. (Carlin)
2:25
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Nennungen

Veröffentlichungsgruppe

Teil von:… Classic Albums (Real Gone Jazz) (Reihenfolge: 31)
Discogs:https://www.discogs.com/master/3301729 [Info]