Anthems Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Packaging is 5 x 4-panel, 1-tray, 1-flap Digipaks in a card slip-case.

Annotazione modificata l'ultima volta il 2018-10-03 13:58 UTC.

Elenco tracce

1▶CD: Dance
2▼CD: 80's
#TitoloArtistaValutazioneDurata
1Blue Monday
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order4:59
2Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
3Smalltown Boy
tecnico di registrazione:
Pete Griffiths (UK studio technician, programmer & producer)
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
registrazione di:
Smalltown Boy
autore:
Steve Bronski, Jimmy Somerville e Larry Steinbachek
editore:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
Gotcha! (1985 film soundtrack)
Bronski Beat3.654:57
4Cars
registrazione di:
Cars
paroliere e compositore:
Gary Numan
autore:
Nick Hemming e Gary Numan
editore:
Beggars Banquet Music Ltd. e Momentum Music Ltd.
Gary Numan3:52
5Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
basso :
Peter Hook
batteria :
Stephen Morris (New Order)
chitarra :
Bernard Albrecht
voce:
Bernard Albrecht e Ian Curtis
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1988)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (numero: 5), Q50 – December 2005 (numero: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 14), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 179)
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:21
6Beat The Clock
produttore:
Giorgio Moroder
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 44)
registrazione di:
Beat the Clock
autore:
Ron Mael e Russell Mael
Sparks54:22
7Running Up That Hill
assistente tecnico:
Pearse Dunne
tecnico:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench e Nigel Walker (UK producer/engineer/guitarist)
produttore:
Kate Bush
tecnico di missaggio:
Brian Tench
balalaika :
Paddy Bush
basso :
Del Palmer
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Alan Murphy (UK session guitarist)
voce:
Kate Bush
diritti fonografici (℗) detenuti da:
EMI America Records (holding – file NO releases here!) (nel 1985), EMI Korea (nel 1985), EMI Records (not for release label use!) (nel 1985), EMI Records Group N.A. (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Noble & Brite Ltd. (nel 1985), Novercia Ltd. (nel 1985), Oasis (nel 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (nel 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (nel 2006), Noble and Brite (nel 2011) e Noble & Brite Ltd (nel 2018)
registrata presso:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
video musicali:
Running Up That Hill (music video) di Kate Bush
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 7), Billboard Year-End Hot 100 singles of 2022 (numero: 23), Billboard Hot 100: 2026-01-17 (numero: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 60), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 279)
registrazione di:
Running Up That Hill
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:59
8Close (to the Edit)
registrazione di:
Close (to the Edit)
compositore:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan e Paul Morley
Art of Noise5:26
9Duel
tecnico:
Bobby Kraushaar
produttore:
S. J. Lipson
tecnico di missaggio:
Horn e Lipson
esecutore:
Claudia Brücken, Michael Mertens (German musician & producer), Ralf Dorper e Suzanne Freytag
diritti fonografici (℗) detenuti da:
ZTT (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1985)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 6)
registrazione di:
Duel
paroliere:
Ralf Dörper
compositore:
Claudia Brücken, Ralf Dörper, Susanne Freytag e Michael Mertens (German musician & producer)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Propaganda3.654:47
10Waiting For A Train
registrazione di:
Waiting for a Train
paroliere e compositore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
Flash and the Pan3:43
11Just An Illusion
registrazione di:
Just an Illusion
autore:
Ashley Ingram, Leee John, Steve Jolley e Tony Swain (songwriter, producer)
editore:
Broadley Music (International) Ltd. (PRS)
Imagination4.353:55
12I.O.U.
registrazione di:
I.O.U.
autore:
Arthur Baker (American record producer and DJ) e John Robie
editore:
Shakin’ Baker Music
Freeez3:48
13You're The One For Me
registrazione di:
You’re the One for Me
autore:
Hubert Eaves III e James “D Train” Williams (R&B vocalist & songwriter)
editore:
Diesel Music AB, Franmar Music e Zella Music
D‐Train4:09
14Pump Up The Volume
tecnico:
John Fryer (British producer and engineer)
produttore:
Martyn Young
campionatore :
John Fryer (British producer and engineer)
chitarra :
A.R. Kane (British dreampop duo)
piatto (giradischi) :
Dave Dorrell e C.J. Mackintosh
registrazione di:
Pump Up the Volume
compositore:
Martyn Young e Steven Young (UK musician, member of Colourbox & MARRS)
parte di:
American Psycho
MARRS3.84:06
15Let The Music Play
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 417)
registrazione di:
Let the Music Play
autore:
Chris Barbosa (Rhythm Method) e Ed Chisolm
editore:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. e Shapiro, Bernstein & Co., Inc.
Shannon3.653:36
3▶CD: Disco
4▶CD: Hip‐Hop
5▶CD: Chillout

Accreditamenti

Gruppo di pubblicazioni

Allmusic:https://www.allmusic.com/album/mw0002291581 [info]