Fidelio

~ Release by Beethoven; Rysanek, Seefried, Haefliger, Fischer‐Dieskau, Chor der Bayerischen Staatsoper, Bayerisches Staatsorchester, Ferenc Fricsay (see all versions of this release, 3 available)

Tracklist

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2▼CD
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1Fidelio op. 72: Zweiter Akt, Nr. 11. Introduktion
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan) (in 1957-09)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven3:38
2Fidelio op. 72: Zweiter Akt. [Rezitativ &] Arie: »Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen« (Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11b "In des Lebens Frühlingstagen" (Florestan) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11b "In des Lebens Frühlingstagen" (Florestan) (in 1957-09)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven7:07
3Fidelio op. 72: Zweiter Akt, Nr. 12. Melodram & Duett: »Wie kalt ist es in diesem unterirdischen Gewölbe!« (Leonore, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:50
4Fidelio op. 72: Zweiter Akt. »Nur hurtig fort, nur frisch gegraben« (Rocco, Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:59
5Fidelio op. 72: Zweiter Akt. »Er erwacht!« (Leonore, Rocco, Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Florestan]:
Siegmar Schneider (actor, voice actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:23
6Fidelio op. 72: Zweiter Akt, Nr. 13. Terzett: »Euch werde Lohn in bessern Welten« (Florestan, Rocco, Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:18
7Fidelio op. 72: Zweiter Akt. »Alles ist bereit« (Rocco, Leonore, Florestan, Pizarro)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Don Pizarro]:
Walter Franck (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Florestan]:
Siegmar Schneider (actor, voice actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:28
8Fidelio op. 72: Zweiter Akt, Nr. 14. Quartett: »Er sterbe! Doch er soll erst wissen« (Pizarro, Florestan, Leonore, Rocco, Jaquino) / »Vater Rocco! Der Herr Minister« (Jaquino, Rocco) /»Es schlägt der Rache Stunde« (Leonore, Florestan, Pizarro, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:55
9Fidelio op. 72: Zweiter Akt. »Meine Leonore, was hast du für mich getan!« (Florestan, Leonore) / Nr. 15. Duett: »O namenlose Freude« (Leonore, Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:56
10Fidelio op. 72: Zweiter Akt. Nr. 16. Finale: »Heil sei dem Tag« (Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven1:59
11Fidelio op. 72: Zweiter Akt. »Des besten Königs Wink und Wille« (Fernando, Chor, Rocco, Pizarro, Leonore, Marzelline, Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Don Fernando]:
Kieth Engen (operatic bass) (on 1957-05-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven7:19
12Fidelio op. 72: Zweiter Akt. »Wer ein holdes Weib errungen« (Tutti)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Don Fernando]:
Kieth Engen (operatic bass) (on 1957-05-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven3:45
13Overture "Leonore no. 3", op. 72b
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1958-09-30)
conductor:
Ferenc Fricsay (conductor) (on 1958-09-30)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1958-09-30)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (on 1958-09-30)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven14:14