150 Best Loved Melodies

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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C1On Wings of Song
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
direttore d'orchestra:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
registrazione di:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements)
compositore:
Felix Mendelssohn (composer)
arrangiamento di:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Felix Mendelssohn2:48
C2The Chestnut Tree
pianoforte :
Christian Steiner (classical pianist)
orchestra:
RCA Victor Symphony Orchestra
direttore d'orchestra:
Charles Gerhardt (conductor, producer, arranger)
registrazione strumentale di:
Myrthen, op. 25: Nr. 3. Der Nußbaum
paroliere:
Julius Mosen
compositore:
Robert Schumann (German classical composer)
parte di:
Myrthen, op. 25
Robert Schumann2:51
C3Last Spring
orchestra:
RCA Symphony Orchestra
direttore d'orchestra:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
registrazione di:
To elegiske melodier, op. 34: No. 2. Våren (Two Elegiac Melodies, op. 34: No. 2. The Last Spring, for strings)
orchestratore e compositore:
Edvard Grieg (composer)
orchestrazione di:
To elegiske melodier, op. 34: No. 2. Våren (for piano)
parte di:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg3:26
C4The Flight of the Bumble Bee
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
direttore d'orchestra:
René Leibowitz (conductor)
registrazione di:
Полёт шмеля (La fiaba dello zar Saltan: Il volo del calabrone, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
compositore:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (dal 1899 al 1900)
parte di:
The Tale of Tsar Saltan: Act III
Rimsky-Korsakov1:30
C5Dance of the Swans from 'Swan Lake'
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
direttore d'orchestra:
Massimo Freccia (conductor)
registrazione di:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (nel 1876)
parte di:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
parte di:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tchaikovsky1:27
C6Flower Song from 'Carmen'
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
direttore d'orchestra:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
registrazione strumentale di:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
compositore:
Georges Bizet (French composer) (nel 1875)
librettista:
Ludovic Halévy (French librettist) (nel 1875) e Henri Meilhac (nel 1875)
parte di:
Carmen : Acte II
Georges Bizet3:11
C7The Last Rose of Summer
orchestra:
Douglas Gamley and His Orchestra
registrazione strumentale di:
Martha: Akt II. „Letzte Rose“ (The Last Rose of Summer)
compositore:
Friedrich von Flotow (composer)
parte di:
Martha: Akt II
Friedrich von Flotow3:46
C8Greensleeves
orchestra:
Douglas Gamley and His Orchestra
registrazione strumentale di:
Greensleeves (generic entry for traditional and unknown arrangements)
paroliere e compositore:
[traditional] (special purpose artist)
[traditional]2:22
C9The Maid with the Flaxen Hair
orchestra:
Royal Philharmonic Orchestra
direttore d'orchestra:
Peter Knight (British arranger, conductor and composer)
registrazione di:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
compositore:
Claude Debussy (French composer) (dal 1909-12 al 1910-02)
eseguita per la prima volta presso:
[concert] (1910-06-02)
parte di:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:52
C10Humoresque
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
direttore d'orchestra:
Eric Robinson (conductor)
registrazione di:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
compositore:
Antonín Dvořák (composer) (nel 1894)
arrangiamento di:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Antonín Dvořák2:19
C11Summertime
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
direttore d'orchestra:
René Leibowitz (conductor)
registrazione strumentale di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin2:23
C12The Swan
orchestra:
The London Pops Orchestra
direttore d'orchestra:
Robert Mandell (American conductor)
registrazione di:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
compositore:
Camille Saint‐Saëns (composer) (nel 1886-02)
arrangiatore:
Pege Aladár
parte di:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:15
C13Plaisir d'Amour
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
direttore d'orchestra:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
registrazione strumentale di:
Plaisir d’amour (Romance du chevrier)
paroliere:
Jean-Pierre Claris de Florian
compositore:
Jean‐Paul‐Égide Martini (Plaisir d'amour)
editore:
Warlock Music Ltd.
Jean‐Paul‐Égide Martini3:29
C14Air on the G String
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
direttore d'orchestra:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
registrazione di:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1730)
parte di:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:43
D1The Skaters Waltz
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
direttore d'orchestra:
René Leibowitz (conductor)
registrazione di:
Les Patineurs, op. 183 (The Skaters, op. 183)
compositore:
Émile Waldteufel (classical composer) (nel 1882)
Émile Waldteufel2:31
D2Fast Track Polka
orchestra:
Orchester der Wiener Volksoper
direttore d'orchestra:
Josef Leo Gruber (conductor)
registrazione di:
Bahn frei!, op. 45
compositore:
Eduard Strauss (19th century composer)
parte di:
Works of Eduard Strauss by opus number (numero: op. 45)
Eduard Strauss2:10
D3Tales from the Vienna Woods
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
direttore d'orchestra:
Josef Leo Gruber (conductor)
registrazione di:
Geschichten aus dem Wienerwald, op. 325 (Tales From the Vienna Woods)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1868)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 325)
Johann Strauss II2:05
D4Hungarian Dance No.5
orchestra:
Orchester der Wiener Volksoper
direttore d'orchestra:
Josef Leo Gruber (conductor)
registrazione di:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
compositore:
Johannes Brahms (German composer) (dal 1858 al 1868)
parte di:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1
Johannes Brahms2:16
D5Schön Rosmarin
orchestra:
RCA Victor Symphony Orchestra
direttore d'orchestra:
Douglas Gamley (film composer)
registrazione di:
Schön Rosmarin (for violin and piano)
compositore:
Fritz Kreisler (Austrian‐American violinist and composer)
parte di:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler2:03
D6Solveig's Song
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra)
direttore d'orchestra:
René Leibowitz (conductor)
registrazione di:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer)
compositore:
Edvard Grieg (composer) (nel 1875)
rivista da:
Edvard Grieg (composer) (nel 1891)
versione di:
Peer Gynt, op. 23: 4. akt: Solveigs sang
parte di:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg1:45
D7Play Gypsies, Dance Gypsies from 'Countess Maritza'
orchestra:
Henri René & His Orchestra
registrazione di:
Gräfin Mariza: Akt I. „Komm Zigány“ (Tassilo)
compositore:
Emmerich Kálmán (Kálmán Imre - composer)
parte di:
Gräfin Mariza: Akt I
Imre Kálmán2:31
D8The Moldau
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
direttore d'orchestra:
Sir Alexander Gibson (conductor)
registrazione di:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
compositore:
Bedřich Smetana (composer) (dal 1874-11-20 al 1874-12-08)
parte di:
B. number catalogue by František Bartoš (numero: B. 111)
si basa su:
La Mantovana
parte di:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana2:56
D9Slavonic Dance in C, No.7
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
direttore d'orchestra:
Douglas Gamley (film composer)
registrazione di:
Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace (for orchestra)
compositore:
Antonín Dvořák (composer) (dal 1886-11 al 1887-01-05)
eseguita per la prima volta presso:
[concert] (1887-01-06)
parte di:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák1:46
D10Czardas from 'Die Fledermaus'
orchestra:
Royal Philharmonic Orchestra
direttore d'orchestra:
Charles Gerhardt (conductor, producer, arranger)
registrazione strumentale di:
Die Fledermaus, Act II: Echoes of Hungary! (Czárdás)
paroliere:
Mel Mandel (composer and lyricist) e Norman Sachs
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
parte di:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
Johann Strauss II2:39
D11Finlandia
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
direttore d'orchestra:
Charles Gerhardt (conductor, producer, arranger)
registrazione di:
Finlandia, op. 26 (for orchestra)
eseguita per la prima volta a:
Helsinki, Uusimaa, Finlandia (il 1900-07-02)
compositore:
Jean Sibelius (Finnish composer) (nel 1899)
rivista da:
Jean Sibelius (Finnish composer) (nel 1900)
eseguita per la prima volta presso:
Konsertti (1900-07-02)
editore:
Breitkopf & Härtel (nel 1905)
parte di:
Works of Jean Sibelius by opus number (numero: op. 26)
versione di:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
Jean Sibelius2:54
D12Triumphal March from 'Aida'
orchestra:
Orchestra Filarmonica di Roma (Freelance recording orchestra, mainly used by RCA & Reader’s Digest)
direttore d'orchestra:
Massimo Freccia (conductor)
registrazione di:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
compositore:
Giuseppe Verdi (Italian opera composer)
librettista:
Antonio Ghislanzoni
parte di:
Aida: Atto II
Giuseppe Verdi3:23
D13Emperor Waltz
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
direttore d'orchestra:
Josef Leo Gruber (conductor)
registrazione di:
Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437)
eseguita per la prima volta a:
Berlin, Germania (il 1889-10-21)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1889)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 437)
Johann Strauss II3:12
D14Military Polonaise
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
direttore d'orchestra:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
registrazione di:
Polonaise in A major, op. 40 no. 1 “Military”
compositore:
Fryderyk Chopin (Frédéric Chopin, composer) (nel 1838)
parte di:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (numero: 3), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (numero: B. 120) e Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (numero: C. 152)
parte di:
Polonaises, op. 40
Fryderyk Chopin3:00
D15Largo from 'Xerxes'
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
direttore d'orchestra:
Eric Robinson (conductor)
registrazione strumentale di:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
compositore:
George Frideric Handel (German‐British baroque composer)
arrangiamento di:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel3:47
D16Hornpipe from 'Water Music Suite No.2'
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
direttore d'orchestra:
Arturo Basile (Italian opera conductor)
registrazione di:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel1:20
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