Bach 333 - J.S. Bach The New Complete Edition

~ Veröffentlichung von Johann Sebastian Bach (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Anmerkung

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Anmerkung zuletzt geändert am 2020-03-13 23:27 UTC.

Titelliste

1CD: Cantatas 150, 4, 71, 196 (1706-1708)
2CD: Cantatas 131, 106, 143, 18 (1708-1713)
3CD: Cantatas 182, 12, 54, 172 (1714)
Nr.TitelBewertungLänge
1Himmelskönig, sei willkommen, BWV 182: 1. Sinfonia
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (in 1996-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-03-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
[anonymous] (special purpose artist)
Version von:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
Teil von:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
1:57
2Himmelskönig, sei willkommen, BWV 182: 2. Chorus: Himmelskönig, sei willkommen
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: II. Chor „Himmelskönig, sei willkommen“ (in 1996-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-03-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
3:25
3Himmelskönig, sei willkommen, BWV 182: 3. Recitative: Siehe, ich komme
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
Bass-Gesang:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: III. Rezitativ (Bass) „Siehe, ich komme“ (in 1996-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-03-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
0:35
4Himmelskönig, sei willkommen, BWV 182: 4. Aria: Starkes Lieben
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
Bass-Gesang:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: IV. Arie (Bass) „Starkes Lieben“ (in 1996-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-03-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
2:38
5Himmelskönig, sei willkommen, BWV 182: 5. Aria: Leget euch dem Heiland unter
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
Hochgesang:
Yoshikazu Mera (Yoshizaku Mera, Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: V. Arie (Alt) „Leget euch dem Heiland unter“ (in 1996-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-03-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
8:58
6Himmelskönig, sei willkommen, BWV 182: 6. Aria: Jesu, lass durch Wohl und Weh
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
Tenor-Gesang:
Makoto Sakurada (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VI. Arie (Tenor) „Jesu, laß durch Wohl und Weh“ (in 1996-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-03-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
3:56
7Himmelskönig, sei willkommen, BWV 182: 7. Chorale: Jesu, deine Passion ist mir lauter Freude
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VII. Choral „Jesu, deine Passion“ (in 1996-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-03-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
Paul Stockmann (in 1633)
Version von:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
Teil von:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
3:10
8Himmelskönig, sei willkommen, BWV 182: 8. Chorus: So lasset uns gehen in Salem der Freuden
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VIII. Chor „So lasset uns gehen in Salem der Freuden“ (in 1996-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-03-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
3:49
9Weinen, Klagen, Sorgen, Zagen, BWV 12: 1. Sinfonia
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (in 1996-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
2:31
10Weinen, Klagen, Sorgen, Zagen, BWV 12: 2. [Chorus:] Weinen, Klagen, Sorgen, Zagen
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (in 1996-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
6:57
11Weinen, Klagen, Sorgen, Zagen, BWV 12: 3. Recitative: Wir müssen durch viel Trübsal
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
Countertenorgesang:
Yoshikazu Mera (Yoshizaku Mera, Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 1996-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
0:47
12Weinen, Klagen, Sorgen, Zagen, BWV 12: 4. Aria: Kreuz und Kronen sind verbunden
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
Countertenorgesang:
Yoshikazu Mera (Yoshizaku Mera, Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 1996-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
6:04
13Weinen, Klagen, Sorgen, Zagen, BWV 12: 5. Aria: Ich folge Christo nach
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
Bass-Gesang:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 1996-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
2:19
14Weinen, Klagen, Sorgen, Zagen, BWV 12: 6. Aria: Sei getreu, alle Pein
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
Tenor-Gesang:
Makoto Sakurada (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 1996-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
3:59
15Weinen, Klagen, Sorgen, Zagen, BWV 12: 7. Chorale: Was Gott tut, das ist wohlgetan
Sound-Engineering:
Jens Braun (classical engineer) (in 1996-04)
Produzent(in):
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
Interpret(in):
Bach Collegium Japan (in 1996-04)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 1996-04)
Texter:
Samuel Rodigast (German poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Breitkopf 389 Choralgesänge (Nummer: 340)
Teil von:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
0:58
16Widerstehe doch der Sünde, BWV 54: 1. Aria: Widerstehe doch der Sünde
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (in 1997-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Kantate, BWV 54 "Widerstehe doch der Sünde"
6:58
17Widerstehe doch der Sünde, BWV 54: 2. Recitative: Die Art verruchter Sünden
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden" (in 1997-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Kantate, BWV 54 "Widerstehe doch der Sünde"
1:09
18Widerstehe doch der Sünde, BWV 54: 3. [Aria:] Wer Sünde tut, der ist vom Teufel
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel (in 1997-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Kantate, BWV 54 "Widerstehe doch der Sünde"
3:06
19Erschallet, ihr Lieder, BWV 172: 1. Chorus: Erschallet, ihr Lieder, erklinget, ihr Saiten!
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter und Andrew Wedman (producer and engineer)
leitende(r) Produzent(in):
David R. Murray
Produzent(in):
Mark Howells (classical producer)
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
Tonmeister(in):
Erdo Groot (sound engineer for recordings of classical music)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (in 1999-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-05-20)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
3:51
20Erschallet, ihr Lieder, BWV 172: 2. Recitative: Wer mich liebet, der wird mein Wort halten
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter und Andrew Wedman (producer and engineer)
leitende(r) Produzent(in):
David R. Murray
Produzent(in):
Mark Howells (classical producer)
Bass-Gesang:
Reinhard Hagen (in 1999-04)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
Tonmeister(in):
Erdo Groot (sound engineer for recordings of classical music)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (in 1999-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-05-20)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Teil von:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
0:51
21Erschallet, ihr Lieder, BWV 172: 3. Aria: Heiligste Dreieinigkeit
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter und Andrew Wedman (producer and engineer)
leitende(r) Produzent(in):
David R. Murray
Produzent(in):
Mark Howells (classical producer)
Bass-Gesang:
Reinhard Hagen (in 1999-04)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
Tonmeister(in):
Erdo Groot (sound engineer for recordings of classical music)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (in 1999-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-05-20)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
1:59
22Erschallet, ihr Lieder, BWV 172: 4. Aria: O Seelenparadies
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter und Andrew Wedman (producer and engineer)
leitende(r) Produzent(in):
David R. Murray
Produzent(in):
Mark Howells (classical producer)
Tenor-Gesang:
Christoph Genz (tenor) (in 1999-04)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
Tonmeister(in):
Erdo Groot (sound engineer for recordings of classical music)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (in 1999-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-05-20)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
5:12
23Erschallet, ihr Lieder, BWV 172: 5. Aria: Komm, lass mich nicht länger warten
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter und Andrew Wedman (producer and engineer)
leitende(r) Produzent(in):
David R. Murray
Produzent(in):
Mark Howells (classical producer)
Countertenorgesang [alto]:
Robin Blaze (countertenor) (in 1999-04)
Soprangesang:
Martina Janková (soprano) (in 1999-04)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
Tonmeister(in):
Erdo Groot (sound engineer for recordings of classical music)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (in 1999-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-05-20)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
4:20
24Erschallet, ihr Lieder, BWV 172: 6. Chorale: Von Gott kömmt mir ein Freudenschein
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter und Andrew Wedman (producer and engineer)
leitende(r) Produzent(in):
David R. Murray
Produzent(in):
Mark Howells (classical producer)
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
Tonmeister(in):
Erdo Groot (sound engineer for recordings of classical music)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (in 1999-04)
Premiere in:
Weimar, Thüringen, Deutschland (am 1714-05-20)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
Librettist:
Philipp Nicolai (in 1599)
Teil von:
Breitkopf 389 Choralgesänge (Nummer: 376)
Teil von:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
1:18
4CD: Cantatas 21, 199 (1714)
5CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8CD: Cantatas 75, 76, 24 (1723)
9CD: Cantatas 167, 147, 186, 136 (1723)
10CD: Cantatas 105, 46, 179, 50, 69a (1723)
11CD: Cantatas 77, 25, 119, 138 (1723)
12CD: Cantatas 95, 148, 48, 109 (1723)
13CD: Cantatas 89, 60, 90, 70, 40 (1723)
14CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15CD: Cantatas 73, 81, 83, 144, 181 (1724)
16CD: Cantatas 18, 66, 134, 67 (1724)
17CD: Cantatas 104, 166, 86, 37, 44 (1724)
18CD: Cantatas 173, 184, 194 (1724)
19CD: Cantatas 20, 2, 7, 135 (1724)
20CD: Cantatas 10, 93, 107, 178 (1724)
21CD: Cantatas 94, 101, 113 (1724)
22CD: Cantatas 33, 78, 99, 8 (1724)
23CD: Cantatas 130, 114, 96, 5 (1724)
24CD: Cantatas 180, 38, 115, 139 (1724)
25CD: Cantatas 26, 116, 62, 91, 121 (1724)
26CD: Cantatas 133, 122, 41, 123 (1724-1725)
27CD: Cantatas 124, 3, 111, 92 (1725)
28CD: Cantatas 125, 126, 127 (1725)
29CD: Cantatas 1, 6, 42 (1725)
30CD: Cantatas 85, 103, 108, 87, 128 (1725)
31CD: Cantatas 183, 74, 68, 175, 176 (1725)
32CD: Cantatas 168, 137, 164, 79, 110 (1725)
33CD: Cantatas 57, 151, 28, 16 (1725-1726)
34CD: Cantatas 32, 13, 72, 43 (1726)
35CD: Cantatas 146, 129, 39 (1726)
36CD: Cantatas 88, 170, 187, 45 (1726)
37CD: Cantatas 102, 35, 17, 19 (1726)
38CD: Cantatas 27, 47, 169, 56 (1726)
39CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40CD: Cantatas 82, 157, 84 (1727)
41CD: Cantatas 34, 193, 117, 188 (1727-1728)
42CD: Cantatas 171, 156, 159, 120a (1729)
43CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44CD: Cantatas 29, 140, 36 (1731)
45CD: Cantatas 177, 9, 97, 14 (1732-1735)
46CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49CD: 4-Part Chorales, BWV 250-318 AC-GO
50CD: 4-Part Chorales, BWV 319-381 GO-ME
51CD: 4-Part Chorales, BWV 382-438 MI-WO
52CD: Magnificat BWV 243, 243a
53CD: Motets
54CD: Mass in B minor (1 Mortensen)
55CD: Mass in B minor (2 Mortensen)
56CD: Mass in B minor (1 Brüggen)
57CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58CD: Missas BWV 234-236
59CD: St. John Passion (1724) (1 Gardiner)
60CD: St. John Passion (1724) (2 Gardiner)
61CD: St. John Passion (1749) (1 Suzuki)
62CD: St. John Passion (1749) (2 Suzuki)
63CD: St. Matthew Passion (1 Gardiner)
64CD: St. Matthew Passion (2 Gardiner)
65CD: St. Matthew Passion (1 McCreesh)
66CD: St. Matthew Passion (2 McCreesh)
67CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69CD: Christmas Oratorio (1 Gardiner)
70CD: Christmas Oratorio (2 Gardiner)
71CD: Christmas Oratorio (1 Chailly)
72CD: Christmas Oratorio (2 Chailly)
73CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75CD: Cantatas 36c, 205, 34a (1725-1726)
76CD: Cantatas 207, 204, 216a (1726-1728)
77CD: Cantatas 198, 201 (1727-1729)
78CD: Cantatas 213, 214 (1733)
79CD: Cantatas 211, 215 (1734)
80CD: Cantatas 206, 30a (1736-1737)
81CD: Cantatas 209, 210, 212 (1730s-1740s)
82CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83CD: Cantatas 56, 82, 4
84CD: Cantatas 31, 104, 57
85CD: Cantatas 199, 173, 74, 151
86CD: Easter Oratorio / Cantata 140
87CD: Cantatas 170, 159, 102
88CD: Cantatas 80, 52, 84, 209
89CD: Cantatas 82, 158, 56
90CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92CD: Cantatas 92, 126, 182 (Easter)
93CD: Cantatas 1, 4, 67, 104 (Easter)
94CD: Cantatas 34, 68, 39 (Whitsun)
95CD: Cantatas 30, 147 (Whitsun)
96CD: Cantatas 76, 21 (Trinity)
97CD: Cantatas 135, 10, 45, 105 (Trinity)
98CD: Cantatas 51, 78, 8, 130 (Trinity)
99CD: Cantatas 27, 5, 60, 26 (Trinity)
100CD: St. Matthew Passion (1 Richter)
101CD: St. Matthew Passion (2 Richter)
102CD: St. Matthew Passion (3 Richter)
103CD: Great Singers (1952-1965)
104CD: Great Singers (1967-2011)
105CD: Great Singers (Period Instruments)
106CD: Organ Works (Introduction 1)
107CD: Organ Works (Introduction 2)
108CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115CD: Early Chorale Preludes / Chorale Partitas
116CD: Chorale Preludes (Mühlhausen & Weimar)
117CD: Breitkopf Collection, BWV 690-713
118CD: Orgelbüchlein (Preston)
119CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122CD: Clavier-Übung III (1) (Preston)
123CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124CD: Free Works of Unproven Authenticity
125CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126CD: Keyboard Works (Introduction 1: Harpsichord)
127CD: Keyboard Works (Introduction 2: Piano)
128CD: Early Fugues & Capriccios
129CD: Early Suites & Sonatas
130CD: Toccatas, BWV 910-916
131CD: Virtuoso Fantasias & Fugues
132CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134CD: English Suites 1-3 (Dreyfus)
135CD: English Suites 4-6 (Dreyfus)
136CD: French Suites 1-4 (Hogwood)
137CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138CD: Partitas 1, 2, 6 (Rousset)
139CD: Partitas 3-5 (Rousset)
140CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145CD: Goldberg Variations (Rousset)
146CD: Goldberg Variations (Esfahani)
147CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149CD: French Suites 1-3 (Perahia)
150CD: French Suites 4-6 (Perahia)
151CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154CD: The Well-Tempered Clavier, Book I (1 Pollini)
155CD: The Well-Tempered Clavier, Book I (2 Pollini)
156CD: The Well-Tempered Clavier, Book II (1 Schiff)
157CD: The Well-Tempered Clavier, Book II (2 Schiff)
158CD: Goldberg Variations (Schiff)
159CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163CD: Orgelbüchlein (Walcha)
164CD: Brandenburg Concertos 1-6 (Goebel)
165CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167CD: Orchestral Suites 1-3 (Goebel)
168CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169CD: Orchestral Suites 1-4 (Pinnock)
170CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180CD: Concertos (Alternative Instrumentations)
181CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183CD: Suites for "Lute"
184CD: Cello Suites 1, 3, 5 (Watkin)
185CD: Cello Suites 2, 4, 6 (Watkin)
186CD: Violin Sonatas BWV 1014-1018
187CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188CD: 5 Flute Sonatas / Partita for Solo Flute
189CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190CD: Musical Offering / Canons (Goebel)
191CD: The Art of Fugue (Accademia Bizantina, Dantone)
192CD: The Art of Fugue (Aimard)
193CD: The Art of Fugue (1742) (Gilbert)
194CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198CD: Cello Suites 1-3 (Fournier)
199CD: Cello Suites 4-6 (Fournier)
200CD: Solo & Chamber Works (Alternative Instrumentations)
201CD: Clavier-Büchlein W. F. Bach (1)
202CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203CD: Notenbüchlein A. M. Bach (1725) (1)
204CD: Notenbüchlein A. M. Bach (1725) (2)
205CD: Schemelli Gesangbuch BWV 439-474
206CD: Schemelli Gesangbuch BWV 475-507
207CD: Bach: Early Influences
208CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209CD: Concertos at Weimar (Vivaldi)
210CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211CD: The Bach Family
212CD: Bach & Other Composers (c. 1715-1730)
213CD: Bach & Other Composers (c. 1730-1742)
214CD: Bach & Other Composers (1742-1750)
215CD: Bach Renewed (From Bach's Sons to Mahler)
216CD: Bach Reimagined (Chaconne & Passacaglia)
217CD: Bach Orchestrated (Reger to Stokowski)
218CD: Inspired by Bach (Gounod to Pärt)
219CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220CD: Bach & The Virtuoso Piano (The 20th Century)
221CD: Bach à la Jazz
222CD: New Colours of Bach
223DVD-Video: Bach: A Passionate Life

Nennungen

Veröffentlichung

ASIN:US: B07D2Y539K [Info]
Diskografieeintrag:https://www.bach333.com/en/ [Info]

Veröffentlichungsgruppe

Teil von:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (Reihenfolge: 1)
Eigenständige Webseite:US: B07D2Y539K [Info]
https://www.bach333.com/en/ [Info]
https://www.deutschegrammophon.com/en/cat/4798000 [Info]
Wikidata:Q113958674 [Info]