Bach 333 - J.S. Bach The New Complete Edition

~ Veröffentlichung von Johann Sebastian Bach (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Anmerkung

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Anmerkung zuletzt geändert am 2020-03-13 23:27 UTC.

Titelliste

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)
10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
11▶CD: Cantatas 77, 25, 119, 138 (1723)
12▶CD: Cantatas 95, 148, 48, 109 (1723)
13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
16▶CD: Cantatas 18, 66, 134, 67 (1724)
17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
18▶CD: Cantatas 173, 184, 194 (1724)
19▶CD: Cantatas 20, 2, 7, 135 (1724)
20▶CD: Cantatas 10, 93, 107, 178 (1724)
21▶CD: Cantatas 94, 101, 113 (1724)
22▶CD: Cantatas 33, 78, 99, 8 (1724)
23▶CD: Cantatas 130, 114, 96, 5 (1724)
24▶CD: Cantatas 180, 38, 115, 139 (1724)
25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)
27▶CD: Cantatas 124, 3, 111, 92 (1725)
28▶CD: Cantatas 125, 126, 127 (1725)
29▶CD: Cantatas 1, 6, 42 (1725)
30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)
32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
34▶CD: Cantatas 32, 13, 72, 43 (1726)
35▶CD: Cantatas 146, 129, 39 (1726)
36▶CD: Cantatas 88, 170, 187, 45 (1726)
37▶CD: Cantatas 102, 35, 17, 19 (1726)
38▶CD: Cantatas 27, 47, 169, 56 (1726)
39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶CD: Cantatas 82, 157, 84 (1727)
41▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
42▶CD: Cantatas 171, 156, 159, 120a (1729)
43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶CD: Cantatas 29, 140, 36 (1731)
45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶CD: 4-Part Chorales, BWV 250-318 AC-GO
50▶CD: 4-Part Chorales, BWV 319-381 GO-ME
51▶CD: 4-Part Chorales, BWV 382-438 MI-WO
52▶CD: Magnificat BWV 243, 243a
53▶CD: Motets
54▶CD: Mass in B minor (1 Mortensen)
55▶CD: Mass in B minor (2 Mortensen)
56▶CD: Mass in B minor (1 Brüggen)
57▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶CD: Missas BWV 234-236
59▶CD: St. John Passion (1724) (1 Gardiner)
60▶CD: St. John Passion (1724) (2 Gardiner)
61▶CD: St. John Passion (1749) (1 Suzuki)
62▶CD: St. John Passion (1749) (2 Suzuki)
63▶CD: St. Matthew Passion (1 Gardiner)
64▶CD: St. Matthew Passion (2 Gardiner)
65▶CD: St. Matthew Passion (1 McCreesh)
66▶CD: St. Matthew Passion (2 McCreesh)
67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶CD: Christmas Oratorio (1 Gardiner)
70▶CD: Christmas Oratorio (2 Gardiner)
71▶CD: Christmas Oratorio (1 Chailly)
72▶CD: Christmas Oratorio (2 Chailly)
73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶CD: Cantatas 36c, 205, 34a (1725-1726)
76▶CD: Cantatas 207, 204, 216a (1726-1728)
77▶CD: Cantatas 198, 201 (1727-1729)
78▶CD: Cantatas 213, 214 (1733)
79▶CD: Cantatas 211, 215 (1734)
80▶CD: Cantatas 206, 30a (1736-1737)
81▶CD: Cantatas 209, 210, 212 (1730s-1740s)
82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶CD: Cantatas 56, 82, 4
84▶CD: Cantatas 31, 104, 57
85▶CD: Cantatas 199, 173, 74, 151
86▶CD: Easter Oratorio / Cantata 140
87▼CD: Cantatas 170, 159, 102
Nr.TitelBewertungLänge
1"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 1. Aria "Vergnügte Ruh, beliebte Seelenlust"
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Orgel:
Philip Ledger (in 1966-01)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
Orchester:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
Tonmeister(in):
Kenneth Wilkinson (engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 1966-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-07-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:58
2"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 2. Recitative: "Die Welt, das Sündenhaus"
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Orgel:
Philip Ledger (in 1966-01)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
Orchester:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
Tonmeister(in):
Kenneth Wilkinson (engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 1966-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-07-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
1:47
3"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 3. Aria: "Wie jammern mich doch die verkehrten Herzen"
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Orgel:
Philip Ledger (in 1966-01)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
Orchester:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
Tonmeister(in):
Kenneth Wilkinson (engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 1966-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-07-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
7:26
4"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 4. Recitative: "Wer sollte sich demnach"
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Orgel:
Philip Ledger (in 1966-01)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
Orchester:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
Tonmeister(in):
Kenneth Wilkinson (engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 1966-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-07-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
1:24
5"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 5. Aria: "Mir ekelt mehr zu leben"
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Orgel:
Philip Ledger (in 1966-01)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
Orchester:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
Tonmeister(in):
Kenneth Wilkinson (engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 1966-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-07-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:53
6"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 1. Arioso & Recitative: "Sehet, wir gehn hinauf gen Jerusalem"
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Cembalo:
Philip Ledger (in 1966-01)
Oboe:
Roger Lord (oboist)
Bass-Gesang:
John Shirley‐Quirk (bass-baritone) (in 1966-01)
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
Orchester:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
Tonmeister(in):
Kenneth Wilkinson (engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso e recitativo (Alt, Bass) "Sehet, wir gehn hinauf gen Jerusalem" (in 1966-01)
Premiere in:
Leipzig, Sachsen, Deutschland
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
Teil von:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
3:26
7"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 2. Duet: "Ich folge dir nach" (Alto, Soprano)
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Cembalo:
Philip Ledger (in 1966-01)
Oboe:
Roger Lord (oboist)
Chorgesang:
St. Anthony Singers (in 1966-01)
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
Orchester:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
Tonmeister(in):
Kenneth Wilkinson (engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" (in 1966-01)
Premiere in:
Leipzig, Sachsen, Deutschland
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
Librettist:
Paul Gerhardt (17th century hymn writer) (in 1656)
Teil von:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
4:58
8"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 3. Recitative: "Nun will ich mich, mein Jesu" (Tenore)
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Cembalo:
Philip Ledger (in 1966-01)
Oboe:
Roger Lord (oboist)
Tenor-Gesang:
Robert Tear (tenor) (in 1966-01)
Orchester:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
Tonmeister(in):
Kenneth Wilkinson (engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu" (in 1966-01)
Premiere in:
Leipzig, Sachsen, Deutschland
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
Librettist:
Christian Friedrich Henrici (in 1728)
Teil von:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:28
9"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 4. Aria: "Es ist vollbracht" (Basso)
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Cembalo:
Philip Ledger (in 1966-01)
Oboe:
Roger Lord (oboist)
Bass-Gesang:
John Shirley‐Quirk (bass-baritone) (in 1966-01)
Orchester:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
Tonmeister(in):
Kenneth Wilkinson (engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht" (in 1966-01)
Premiere in:
Leipzig, Sachsen, Deutschland
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
Librettist:
Christian Friedrich Henrici (in 1728)
Teil von:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
5:29
10"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 5. Chorale: "Jesu, deine Passion ist mir lauter Freude"
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Cembalo:
Philip Ledger (in 1966-01)
Oboe:
Roger Lord (oboist)
Chorgesang:
St. Anthony Singers (in 1966-01)
Orchester:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
Tonmeister(in):
Kenneth Wilkinson (engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude" (in 1966-01)
Premiere in:
Leipzig, Sachsen, Deutschland
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
Librettist:
Paul Stockmann (in 1633)
Teil von:
Breitkopf 389 Choralgesänge (Nummer: 194)
Teil von:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:55
11"Herr, deine Augen sehen nach dem Glauben", BWV 102: 1. [Chorus:] "Herr, deine Augen sehen nach dem Glauben!"
Chorgesang:
Aldeburgh Festival Singers (in 1965-06)
Orchester:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
aufgenommen bei:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, Vereinigtes Königreich (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (in 1965-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Teil von:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
6:25
12"Herr, deine Augen sehen nach dem Glauben", BWV 102: 2. Recitative: "Wo ist das Ebenbild"
Bass-Gesang:
Dietrich Fischer‐Dieskau (baritone) (in 1965-06)
Orchester:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
aufgenommen bei:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, Vereinigtes Königreich (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (in 1965-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
1:23
13"Herr, deine Augen sehen nach dem Glauben", BWV 102: 3. Aria: "Weh, der Seele, die den Schaden"
Hochgesang:
Janet Baker (mezzo‐soprano and alto) (in 1965-06)
Orchester:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
aufgenommen bei:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, Vereinigtes Königreich (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (in 1965-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
5:45
14"Herr, deine Augen sehen nach dem Glauben", BWV 102: 4. Arioso: "Verachtest du den Reichtum seiner Gnade"
Chorgesang:
Aldeburgh Festival Singers (in 1965-06)
Orchester:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
aufgenommen bei:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, Vereinigtes Königreich (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (in 1965-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Teil von:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
3:24
15"Herr, deine Augen sehen nach dem Glauben", BWV 102: 5. Aria: "Erschrecke doch, du allzu sichre Seele!"
Tenor-Gesang:
Peter Pears (tenor) (in 1965-06)
Orchester:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
aufgenommen bei:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, Vereinigtes Königreich (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (in 1965-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Revision von:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
4:55
16"Herr, deine Augen sehen nach dem Glauben", BWV 102: 6. Recitative: "Beim Warten ist Gefahr"
Hochgesang:
Janet Baker (mezzo‐soprano and alto) (in 1965-06)
Orchester:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
aufgenommen bei:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, Vereinigtes Königreich (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (in 1965-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
1:32
17"Herr, deine Augen sehen nach dem Glauben", BWV 102: 7. Chorale: "Heut lebst du, heut bekehre dich"
Chorgesang:
Aldeburgh Festival Singers (in 1965-06)
Orchester:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
aufgenommen bei:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, Vereinigtes Königreich (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (in 1965-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Johann Heermann (in 1630)
Teil von:
Breitkopf 389 Choralgesänge (Nummer: 320)
Teil von:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
2:48
88▶CD: Cantatas 80, 52, 84, 209
89▶CD: Cantatas 82, 158, 56
90▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶CD: Cantatas 92, 126, 182 (Easter)
93▶CD: Cantatas 1, 4, 67, 104 (Easter)
94▶CD: Cantatas 34, 68, 39 (Whitsun)
95▶CD: Cantatas 30, 147 (Whitsun)
96▶CD: Cantatas 76, 21 (Trinity)
97▶CD: Cantatas 135, 10, 45, 105 (Trinity)
98▶CD: Cantatas 51, 78, 8, 130 (Trinity)
99▶CD: Cantatas 27, 5, 60, 26 (Trinity)
100▶CD: St. Matthew Passion (1 Richter)
101▶CD: St. Matthew Passion (2 Richter)
102▶CD: St. Matthew Passion (3 Richter)
103▶CD: Great Singers (1952-1965)
104▶CD: Great Singers (1967-2011)
105▶CD: Great Singers (Period Instruments)
106▶CD: Organ Works (Introduction 1)
107▶CD: Organ Works (Introduction 2)
108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶CD: Early Chorale Preludes / Chorale Partitas
116▶CD: Chorale Preludes (Mühlhausen & Weimar)
117▶CD: Breitkopf Collection, BWV 690-713
118▶CD: Orgelbüchlein (Preston)
119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶CD: Clavier-Übung III (1) (Preston)
123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶CD: Free Works of Unproven Authenticity
125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶CD: Keyboard Works (Introduction 1: Harpsichord)
127▶CD: Keyboard Works (Introduction 2: Piano)
128▶CD: Early Fugues & Capriccios
129▶CD: Early Suites & Sonatas
130▶CD: Toccatas, BWV 910-916
131▶CD: Virtuoso Fantasias & Fugues
132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶CD: English Suites 1-3 (Dreyfus)
135▶CD: English Suites 4-6 (Dreyfus)
136▶CD: French Suites 1-4 (Hogwood)
137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶CD: Partitas 1, 2, 6 (Rousset)
139▶CD: Partitas 3-5 (Rousset)
140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶CD: Goldberg Variations (Rousset)
146▶CD: Goldberg Variations (Esfahani)
147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶CD: French Suites 1-3 (Perahia)
150▶CD: French Suites 4-6 (Perahia)
151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)
155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)
156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)
157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)
158▶CD: Goldberg Variations (Schiff)
159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶CD: Orgelbüchlein (Walcha)
164▶CD: Brandenburg Concertos 1-6 (Goebel)
165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶CD: Orchestral Suites 1-3 (Goebel)
168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶CD: Orchestral Suites 1-4 (Pinnock)
170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶CD: Concertos (Alternative Instrumentations)
181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶CD: Suites for "Lute"
184▶CD: Cello Suites 1, 3, 5 (Watkin)
185▶CD: Cello Suites 2, 4, 6 (Watkin)
186▶CD: Violin Sonatas BWV 1014-1018
187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶CD: 5 Flute Sonatas / Partita for Solo Flute
189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶CD: Musical Offering / Canons (Goebel)
191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
192▶CD: The Art of Fugue (Aimard)
193▶CD: The Art of Fugue (1742) (Gilbert)
194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶CD: Cello Suites 1-3 (Fournier)
199▶CD: Cello Suites 4-6 (Fournier)
200▶CD: Solo & Chamber Works (Alternative Instrumentations)
201▶CD: Clavier-Büchlein W. F. Bach (1)
202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶CD: Notenbüchlein A. M. Bach (1725) (1)
204▶CD: Notenbüchlein A. M. Bach (1725) (2)
205▶CD: Schemelli Gesangbuch BWV 439-474
206▶CD: Schemelli Gesangbuch BWV 475-507
207▶CD: Bach: Early Influences
208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶CD: Concertos at Weimar (Vivaldi)
210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶CD: The Bach Family
212▶CD: Bach & Other Composers (c. 1715-1730)
213▶CD: Bach & Other Composers (c. 1730-1742)
214▶CD: Bach & Other Composers (1742-1750)
215▶CD: Bach Renewed (From Bach's Sons to Mahler)
216▶CD: Bach Reimagined (Chaconne & Passacaglia)
217▶CD: Bach Orchestrated (Reger to Stokowski)
218▶CD: Inspired by Bach (Gounod to Pärt)
219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶CD: Bach & The Virtuoso Piano (The 20th Century)
221▶CD: Bach à la Jazz
222▶CD: New Colours of Bach
223▶DVD-Video: Bach: A Passionate Life

Nennungen

Veröffentlichung

ASIN:US: B07D2Y539K [Info]
Diskografieeintrag:https://www.bach333.com/en/ [Info]

Veröffentlichungsgruppe

Teil von:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (Reihenfolge: 1)
Eigenständige Webseite:US: B07D2Y539K [Info]
https://www.bach333.com/en/ [Info]
https://www.deutschegrammophon.com/en/cat/4798000 [Info]
Wikidata:Q113958674 [Info]