Bach 333 - J.S. Bach The New Complete Edition

~ Uitgave van Johann Sebastian Bach (Bekijk alle versies van deze uitgave, 11 beschikbaar)

Aantekening

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Aantekening het laatst bewerkt op 2020-03-13 23:27 UTC.

Nummerlijst

1▶cd: Cantatas 150, 4, 71, 196 (1706-1708)
2▶cd: Cantatas 131, 106, 143, 18 (1708-1713)
3▶cd: Cantatas 182, 12, 54, 172 (1714)
4▶cd: Cantatas 21, 199 (1714)
5▶cd: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶cd: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶cd: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶cd: Cantatas 75, 76, 24 (1723)
9▶cd: Cantatas 167, 147, 186, 136 (1723)
10▶cd: Cantatas 105, 46, 179, 50, 69a (1723)
11▶cd: Cantatas 77, 25, 119, 138 (1723)
12▶cd: Cantatas 95, 148, 48, 109 (1723)
13▶cd: Cantatas 89, 60, 90, 70, 40 (1723)
14▶cd: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶cd: Cantatas 73, 81, 83, 144, 181 (1724)
16▶cd: Cantatas 18, 66, 134, 67 (1724)
17▶cd: Cantatas 104, 166, 86, 37, 44 (1724)
18▶cd: Cantatas 173, 184, 194 (1724)
19▶cd: Cantatas 20, 2, 7, 135 (1724)
20▶cd: Cantatas 10, 93, 107, 178 (1724)
21▶cd: Cantatas 94, 101, 113 (1724)
22▶cd: Cantatas 33, 78, 99, 8 (1724)
23▶cd: Cantatas 130, 114, 96, 5 (1724)
24▶cd: Cantatas 180, 38, 115, 139 (1724)
25▶cd: Cantatas 26, 116, 62, 91, 121 (1724)
26▶cd: Cantatas 133, 122, 41, 123 (1724-1725)
27▶cd: Cantatas 124, 3, 111, 92 (1725)
28▶cd: Cantatas 125, 126, 127 (1725)
29▶cd: Cantatas 1, 6, 42 (1725)
30▶cd: Cantatas 85, 103, 108, 87, 128 (1725)
31▶cd: Cantatas 183, 74, 68, 175, 176 (1725)
32▶cd: Cantatas 168, 137, 164, 79, 110 (1725)
33▶cd: Cantatas 57, 151, 28, 16 (1725-1726)
34▶cd: Cantatas 32, 13, 72, 43 (1726)
35▶cd: Cantatas 146, 129, 39 (1726)
36▶cd: Cantatas 88, 170, 187, 45 (1726)
37▶cd: Cantatas 102, 35, 17, 19 (1726)
38▶cd: Cantatas 27, 47, 169, 56 (1726)
39▶cd: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶cd: Cantatas 82, 157, 84 (1727)
41▶cd: Cantatas 34, 193, 117, 188 (1727-1728)
42▶cd: Cantatas 171, 156, 159, 120a (1729)
43▶cd: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶cd: Cantatas 29, 140, 36 (1731)
45▶cd: Cantatas 177, 9, 97, 14 (1732-1735)
46▶cd: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶cd: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶cd: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶cd: 4-Part Chorales, BWV 250-318 AC-GO
50▶cd: 4-Part Chorales, BWV 319-381 GO-ME
51▶cd: 4-Part Chorales, BWV 382-438 MI-WO
52▶cd: Magnificat BWV 243, 243a
53▶cd: Motets
54▶cd: Mass in B minor (1 Mortensen)
55▶cd: Mass in B minor (2 Mortensen)
56▶cd: Mass in B minor (1 Brüggen)
57▶cd: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶cd: Missas BWV 234-236
59▶cd: St. John Passion (1724) (1 Gardiner)
60▶cd: St. John Passion (1724) (2 Gardiner)
61▶cd: St. John Passion (1749) (1 Suzuki)
62▶cd: St. John Passion (1749) (2 Suzuki)
63▶cd: St. Matthew Passion (1 Gardiner)
64▶cd: St. Matthew Passion (2 Gardiner)
65▶cd: St. Matthew Passion (1 McCreesh)
66▶cd: St. Matthew Passion (2 McCreesh)
67▶cd: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶cd: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶cd: Christmas Oratorio (1 Gardiner)
70▶cd: Christmas Oratorio (2 Gardiner)
71▶cd: Christmas Oratorio (1 Chailly)
72▶cd: Christmas Oratorio (2 Chailly)
73▶cd: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶cd: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶cd: Cantatas 36c, 205, 34a (1725-1726)
76▶cd: Cantatas 207, 204, 216a (1726-1728)
77▶cd: Cantatas 198, 201 (1727-1729)
78▶cd: Cantatas 213, 214 (1733)
79▶cd: Cantatas 211, 215 (1734)
80▶cd: Cantatas 206, 30a (1736-1737)
81▶cd: Cantatas 209, 210, 212 (1730s-1740s)
82▶cd: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶cd: Cantatas 56, 82, 4
84▶cd: Cantatas 31, 104, 57
85▶cd: Cantatas 199, 173, 74, 151
86▶cd: Easter Oratorio / Cantata 140
87▶cd: Cantatas 170, 159, 102
88▶cd: Cantatas 80, 52, 84, 209
89▶cd: Cantatas 82, 158, 56
90▶cd: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶cd: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶cd: Cantatas 92, 126, 182 (Easter)
93▶cd: Cantatas 1, 4, 67, 104 (Easter)
94▶cd: Cantatas 34, 68, 39 (Whitsun)
95▶cd: Cantatas 30, 147 (Whitsun)
96▶cd: Cantatas 76, 21 (Trinity)
97▶cd: Cantatas 135, 10, 45, 105 (Trinity)
98▶cd: Cantatas 51, 78, 8, 130 (Trinity)
99▶cd: Cantatas 27, 5, 60, 26 (Trinity)
100▶cd: St. Matthew Passion (1 Richter)
101▶cd: St. Matthew Passion (2 Richter)
102▶cd: St. Matthew Passion (3 Richter)
103▶cd: Great Singers (1952-1965)
104▶cd: Great Singers (1967-2011)
105▶cd: Great Singers (Period Instruments)
106▶cd: Organ Works (Introduction 1)
107▶cd: Organ Works (Introduction 2)
108▶cd: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶cd: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶cd: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶cd: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶cd: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶cd: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶cd: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶cd: Early Chorale Preludes / Chorale Partitas
116▶cd: Chorale Preludes (Mühlhausen & Weimar)
117▶cd: Breitkopf Collection, BWV 690-713
118▶cd: Orgelbüchlein (Preston)
119▶cd: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶cd: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶cd: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶cd: Clavier-Übung III (1) (Preston)
123▶cd: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶cd: Free Works of Unproven Authenticity
125▶cd: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶cd: Keyboard Works (Introduction 1: Harpsichord)
127▶cd: Keyboard Works (Introduction 2: Piano)
128▶cd: Early Fugues & Capriccios
129▶cd: Early Suites & Sonatas
130▶cd: Toccatas, BWV 910-916
131▶cd: Virtuoso Fantasias & Fugues
132▶cd: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶cd: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶cd: English Suites 1-3 (Dreyfus)
135▶cd: English Suites 4-6 (Dreyfus)
136▶cd: French Suites 1-4 (Hogwood)
137▶cd: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶cd: Partitas 1, 2, 6 (Rousset)
139▶cd: Partitas 3-5 (Rousset)
140▶cd: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶cd: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶cd: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶cd: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶cd: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶cd: Goldberg Variations (Rousset)
146▶cd: Goldberg Variations (Esfahani)
147▶cd: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶cd: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶cd: French Suites 1-3 (Perahia)
150▶cd: French Suites 4-6 (Perahia)
151▶cd: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶cd: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶cd: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶cd: The Well-Tempered Clavier, Book I (1 Pollini)
155▶cd: The Well-Tempered Clavier, Book I (2 Pollini)
156▶cd: The Well-Tempered Clavier, Book II (1 Schiff)
157▶cd: The Well-Tempered Clavier, Book II (2 Schiff)
158▶cd: Goldberg Variations (Schiff)
159▶cd: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶cd: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶cd: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶cd: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶cd: Orgelbüchlein (Walcha)
164▶cd: Brandenburg Concertos 1-6 (Goebel)
165▶cd: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶cd: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶cd: Orchestral Suites 1-3 (Goebel)
168▶cd: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶cd: Orchestral Suites 1-4 (Pinnock)
170▶cd: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶cd: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶cd: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶cd: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶cd: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶cd: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶cd: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶cd: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶cd: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶cd: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶cd: Concertos (Alternative Instrumentations)
181▶cd: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶cd: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶cd: Suites for "Lute"
184▶cd: Cello Suites 1, 3, 5 (Watkin)
185▶cd: Cello Suites 2, 4, 6 (Watkin)
186▶cd: Violin Sonatas BWV 1014-1018
187▶cd: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶cd: 5 Flute Sonatas / Partita for Solo Flute
189▶cd: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶cd: Musical Offering / Canons (Goebel)
191▶cd: The Art of Fugue (Accademia Bizantina, Dantone)
192▶cd: The Art of Fugue (Aimard)
193▶cd: The Art of Fugue (1742) (Gilbert)
194▶cd: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶cd: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶cd: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶cd: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶cd: Cello Suites 1-3 (Fournier)
199▶cd: Cello Suites 4-6 (Fournier)
200▶cd: Solo & Chamber Works (Alternative Instrumentations)
201▶cd: Clavier-Büchlein W. F. Bach (1)
202▶cd: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶cd: Notenbüchlein A. M. Bach (1725) (1)
204▶cd: Notenbüchlein A. M. Bach (1725) (2)
205▶cd: Schemelli Gesangbuch BWV 439-474
206▶cd: Schemelli Gesangbuch BWV 475-507
207▶cd: Bach: Early Influences
208▶cd: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶cd: Concertos at Weimar (Vivaldi)
210▶cd: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶cd: The Bach Family
212▼cd: Bach & Other Composers (c. 1715-1730)
#TitelArtiestWaarderingDuur
1Mass in A minor, BWV App. D (ex Anh. 24) from Missa Sancti Lamberti (after Johann Christoph Pez (1664–1716)): 1. Kyrie
producent:
Stephan Schmidt (classical producer and editor)
koor:
Alsfelder Vokalensemble (German vocal ensemble) (van 2009-03 tot 2009-05)
orkest:
Hannoversche Hofkapelle (van 2009-03 tot 2009-05)
was dirigent:
Wolfgang Helbich (van 2009-03 tot 2009-05)
balanstechnicus:
Olaf Mielke
opgenomen bij:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Duitsland (van 2009-03 tot 2009-05)
is een opname van:
Mass in A minor, BWV Anh. 24: 1. Kyrie (van 2009-03 tot 2009-05)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Mass in A minor, BWV Anh. 24 (from Missa Sancti Lamberti, after Johann Christoph Pez (1664–1716))
Johann Sebastian Bach0:46
2Mass in A minor, BWV App. D (ex Anh. 24) from Missa Sancti Lamberti (after Johann Christoph Pez (1664–1716)): 2. Gloria
opnametechnicus:
Olaf Mielke (van 2009-03 tot 2009-05)
producent:
Stephan Schmidt (classical producer and editor)
koor:
Alsfelder Vokalensemble (German vocal ensemble) (van 2009-03 tot 2009-05)
orkest:
Hannoversche Hofkapelle (van 2009-03 tot 2009-05)
was dirigent:
Wolfgang Helbich (van 2009-03 tot 2009-05)
balanstechnicus:
Olaf Mielke
fonografisch auteursrecht (℗):
Deutschlandradio (in 2012)
opgenomen bij:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Duitsland (van 2009-03 tot 2009-05)
is een opname van:
Mass in A minor, BWV Anh. 24: 2. Gloria (van 2009-03 tot 2009-05)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Mass in A minor, BWV Anh. 24 (from Missa Sancti Lamberti, after Johann Christoph Pez (1664–1716))
Johann Sebastian Bach3:39
3Mass in A minor: 1. Kyrie
producent:
Thore Brinkmann
koor:
Bach Collegium Japan (in 2015-02)
orkest:
Bach Collegium Japan (in 2015-02)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
balanstechnicus:
Hans Kipfer
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2015)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
is een opname van:
Missa in A minor: Kyrie (in 2015-02)
componist:
Marco Giuseppe Peranda (composer)
deel van:
Missa in A minor
Marco Giuseppe Peranda5:39
4Languet anima mea, BWV App. C (after Francesco Bartolomeo Conti (1681–1732)): 1. Recitative: Languet, languet anima mea
opnametechnicus:
Jürgen Bulgrin (sound engineer)
leidinggevend producent:
Marita Prohmann
producent:
Christopher Alder (editor/engineer/producer)
mezzo-sopraanvocalen:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orkest:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
was dirigent:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balanstechnicus:
Hans‐Ulrich Bastin
opgenomen bij:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Duitsland (in 2003-02)
is een opname van:
Languet anima mea: I. Recitativo: Languet anima mea amore tuo (in 2003-02)
componist:
Francesco Bartolomeo Conti (composer)
deel van:
Languet anima mea
Johann Sebastian Bach0:52
5Languet anima mea, BWV App. C (after Francesco Bartolomeo Conti (1681–1732)): 2. Aria: O vulnera, vita coelestis
opnametechnicus:
Jürgen Bulgrin (sound engineer)
leidinggevend producent:
Marita Prohmann
producent:
Christopher Alder (editor/engineer/producer)
mezzo-sopraanvocalen:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orkest:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
was dirigent:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balanstechnicus:
Hans‐Ulrich Bastin
opgenomen bij:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Duitsland (in 2003-02)
is een opname van:
Languet anima mea: II. Aria: O vulnera, vita coelestis (in 2003-02)
componist:
Francesco Bartolomeo Conti (composer)
deel van:
Languet anima mea
Johann Sebastian Bach3:20
6Languet anima mea, BWV App. C (after Francesco Bartolomeo Conti (1681–1732)): 3. Recitative: Amoris tui jaculo
opnametechnicus:
Jürgen Bulgrin (sound engineer)
leidinggevend producent:
Marita Prohmann
producent:
Christopher Alder (editor/engineer/producer)
mezzo-sopraanvocalen:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orkest:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
was dirigent:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balanstechnicus:
Hans‐Ulrich Bastin
opgenomen bij:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Duitsland (in 2003-02)
is een opname van:
Languet anima mea: III. Recitativo: Amoris tui jaculo (in 2003-02)
componist:
Francesco Bartolomeo Conti (composer)
deel van:
Languet anima mea
Johann Sebastian Bach0:39
7Languet anima mea, BWV App. C (after Francesco Bartolomeo Conti (1681–1732)): 4. Aria: Tu lumen mentis es
opnametechnicus:
Jürgen Bulgrin (sound engineer)
leidinggevend producent:
Marita Prohmann
producent:
Christopher Alder (editor/engineer/producer)
mezzo-sopraanvocalen:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orkest:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
was dirigent:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balanstechnicus:
Hans‐Ulrich Bastin
opgenomen bij:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Duitsland (in 2003-02)
is een opname van:
Languet anima mea: IV. Aria: Tu lumen mentis es (in 2003-02)
componist:
Francesco Bartolomeo Conti (composer)
deel van:
Languet anima mea
Johann Sebastian Bach7:03
8Languet anima mea, BWV App. C (after Francesco Bartolomeo Conti (1681–1732)): 5. Alleluja
opnametechnicus:
Jürgen Bulgrin (sound engineer)
leidinggevend producent:
Marita Prohmann
producent:
Christopher Alder (editor/engineer/producer)
mezzo-sopraanvocalen:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orkest:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
was dirigent:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balanstechnicus:
Hans‐Ulrich Bastin
opgenomen bij:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Duitsland (in 2003-02)
is een opname van:
Languet anima mea: V. Alleluja (in 2003-02)
componist:
Francesco Bartolomeo Conti (composer)
deel van:
Languet anima mea
Johann Sebastian Bach1:33
9Jauchzet dem Herrn, alle Welt, BWV App. A 4 (ex Anh. 160): 1. Jauchzet dem Herrn, alle Welt, TWV 8:10
producent:
Matthias Stiehler (German conductor)
koor:
Capella Thomana (in 1997-02) en Thomanerchor Leipzig (in 1997-02)
orkest:
Baroque Brass of London (in 1997-02) en Capella Thomana (in 1997-02)
was dirigent:
Georg Christoph Biller (conductor) (in 1997-02)
balanstechnicus:
Matthias Stiehler (German conductor) (in 1997-02)
opgenomen bij:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Duitsland (in 1997-02)
is een gedeeltelijke opname van:
Motet, "Jauchzet, dem Herrn, alle Welt", TWV 8:10 (BWV Anh. 160) (in 1997-02)
componist:
Georg Philipp Telemann (composer)
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bachs Notenbibliothek (BNB) (nummer: BNB II/T/7), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV Anh. III 160), Telemann-Werke-Verzeichnis (nummer: TWV 8:10), Bach Compendium (nummer: BC C 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV Anh. 160), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV App C, S. 718) en Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV Anh. 160)
Johann Sebastian Bach with Georg Philipp Telemann4:30
10Jauchzet dem Herrn, alle Welt, BWV App. A 4 (ex Anh. 160): 2. Sei Lob und Preis mit Ehren, BWV 28/2a
producent:
Matthias Stiehler (German conductor)
koor:
Capella Thomana (in 1997-02) en Thomanerchor Leipzig (in 1997-02)
orkest:
Baroque Brass of London (in 1997-02) en Capella Thomana (in 1997-02)
was dirigent:
Georg Christoph Biller (conductor) (in 1997-02)
balanstechnicus:
Matthias Stiehler (German conductor) (in 1997-02)
opgenomen bij:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Duitsland (in 1997-02)
is een gedeeltelijke opname van:
Motet, "Jauchzet, dem Herrn, alle Welt", TWV 8:10 (BWV Anh. 160) (in 1997-02)
componist:
Georg Philipp Telemann (composer)
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bachs Notenbibliothek (BNB) (nummer: BNB II/T/7), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV Anh. III 160), Telemann-Werke-Verzeichnis (nummer: TWV 8:10), Bach Compendium (nummer: BC C 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV Anh. 160), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV App C, S. 718) en Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV Anh. 160)
Johann Sebastian Bach with Georg Philipp Telemann4:35
11Jauchzet dem Herrn, alle Welt, BWV App. A 4 (ex Anh. 160): 3. Amen, Lob und Ehre und Weisheit und Dank, TWV 1:1066
producent:
Matthias Stiehler (German conductor)
koor:
Capella Thomana (in 1997-02) en Thomanerchor Leipzig (in 1997-02)
orkest:
Baroque Brass of London (in 1997-02) en Capella Thomana (in 1997-02)
was dirigent:
Georg Christoph Biller (conductor) (in 1997-02)
balanstechnicus:
Matthias Stiehler (German conductor) (in 1997-02)
opgenomen bij:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Duitsland (in 1997-02)
is een gedeeltelijke opname van:
Motet, "Jauchzet, dem Herrn, alle Welt", TWV 8:10 (BWV Anh. 160) (in 1997-02)
componist:
Georg Philipp Telemann (composer)
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bachs Notenbibliothek (BNB) (nummer: BNB II/T/7), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV Anh. III 160), Telemann-Werke-Verzeichnis (nummer: TWV 8:10), Bach Compendium (nummer: BC C 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV Anh. 160), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV App C, S. 718) en Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV Anh. 160)
Johann Sebastian Bach with Georg Philipp Telemann3:16
12St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 53. Chorus: Geh, Jesu, geh zu deiner Pein! (BWV 198/1)
producent:
Michael Ponder
altvocalen:
William Towers (Countertenor) (in 1998-06)
koor:
Choir of Gonville & Caius College, Cambridge (in 1998-06, van 1998-06-23 tot 1998-06-26)
sopraanvocalen:
Ruth Gomme (British Soprano) (in 1998-06)
tenorvocalen:
Jeremy Ovenden (tenor) (in 1998-06)
orkest:
The Cambridge Baroque Camerata (in 1998-06, van 1998-06-23 tot 1998-06-26)
was dirigent:
Geoffrey Webber (in 1998-06, van 1998-06-23 tot 1998-06-26)
balanstechnicus:
Andrew Lang (engineer)
opgenomen bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (in 1998-06)
techniek verzorgd bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (van 1998-06-23 tot 1998-06-26)
is een opname van:
Chorus: Geh, Jesu, geh zu deiner Pein (van 1998-06-23 tot 1998-06-26)
deel van:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
is een gedeeltelijke opname van:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
had de première bij:
[premiere of Markus-Passion, BWV 247.1] (1731-03-23)
deel van:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV 247.1), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV 247) en Bach Compendium (nummer: BC D 4)
Johann Sebastian Bach5:25
13St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 54. Chorale: Keinen hat Gott verlassen (BWV 369)
producent:
Michael Ponder
altvocalen:
William Towers (Countertenor) (in 1998-06)
koor:
Choir of Gonville & Caius College, Cambridge (in 1998-06, van 1998-06-23 tot 1998-06-26)
sopraanvocalen:
Ruth Gomme (British Soprano) (in 1998-06)
tenorvocalen:
Jeremy Ovenden (tenor) (in 1998-06)
orkest:
The Cambridge Baroque Camerata (in 1998-06, van 1998-06-23 tot 1998-06-26)
was dirigent:
Geoffrey Webber (in 1998-06, van 1998-06-23 tot 1998-06-26)
balanstechnicus:
Andrew Lang (engineer)
opgenomen bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (in 1998-06)
techniek verzorgd bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (van 1998-06-23 tot 1998-06-26)
is een opname van:
Chorale: Keinen hat Gott verlassen (van 1998-06-23 tot 1998-06-26)
deel van:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
is een gedeeltelijke opname van:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
had de première bij:
[premiere of Markus-Passion, BWV 247.1] (1731-03-23)
deel van:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV 247.1), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV 247) en Bach Compendium (nummer: BC D 4)
Johann Sebastian Bach1:08
14St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 55. Recitative: Und etliche, die dabeistunden
producent:
Michael Ponder
altvocalen:
William Towers (Countertenor) (in 1998-06)
koor:
Choir of Gonville & Caius College, Cambridge (in 1998-06)
sopraanvocalen:
Ruth Gomme (British Soprano) (in 1998-06)
tenorvocalen:
Jeremy Ovenden (tenor) (in 1998-06)
tenorvocalen [Evangelist]:
Jeremy Ovenden (tenor) (van 1998-06-23 tot 1998-06-26)
orkest:
The Cambridge Baroque Camerata (in 1998-06, van 1998-06-23 tot 1998-06-26)
was dirigent:
Geoffrey Webber (in 1998-06, van 1998-06-23 tot 1998-06-26)
balanstechnicus:
Andrew Lang (engineer)
opgenomen bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (in 1998-06)
techniek verzorgd bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (van 1998-06-23 tot 1998-06-26)
is een opname van:
Recitative (Evangelist): Und etliche, die dabei stunden (van 1998-06-23 tot 1998-06-26)
deel van:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
is een gedeeltelijke opname van:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
had de première bij:
[premiere of Markus-Passion, BWV 247.1] (1731-03-23)
deel van:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV 247.1), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV 247) en Bach Compendium (nummer: BC D 4)
Johann Sebastian Bach0:11
15St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 56. Chorus: Siehe, er rufet den Elias!
producent:
Michael Ponder
altvocalen:
William Towers (Countertenor) (in 1998-06)
koor:
Choir of Gonville & Caius College, Cambridge (in 1998-06, van 1998-06-23 tot 1998-06-26)
sopraanvocalen:
Ruth Gomme (British Soprano) (in 1998-06)
tenorvocalen:
Jeremy Ovenden (tenor) (in 1998-06)
orkest:
The Cambridge Baroque Camerata (in 1998-06, van 1998-06-23 tot 1998-06-26)
was dirigent:
Geoffrey Webber (in 1998-06, van 1998-06-23 tot 1998-06-26)
balanstechnicus:
Andrew Lang (engineer)
opgenomen bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (in 1998-06)
techniek verzorgd bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (van 1998-06-23 tot 1998-06-26)
is een opname van:
Chorus: Siehe, er rufet dem Elias (van 1998-06-23 tot 1998-06-26)
deel van:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
is een gedeeltelijke opname van:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
had de première bij:
[premiere of Markus-Passion, BWV 247.1] (1731-03-23)
deel van:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV 247.1), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV 247) en Bach Compendium (nummer: BC D 4)
Johann Sebastian Bach0:24
16St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 57. Recitative: Da lief einer und füllet einen Schwamm
producent:
Michael Ponder
altvocalen:
William Towers (Countertenor) (in 1998-06)
koor:
Choir of Gonville & Caius College, Cambridge (in 1998-06)
sopraanvocalen:
Ruth Gomme (British Soprano) (in 1998-06)
tenorvocalen:
Jeremy Ovenden (tenor) (in 1998-06)
tenorvocalen [Evangelist]:
Jeremy Ovenden (tenor) (van 1998-06-23 tot 1998-06-26)
orkest:
The Cambridge Baroque Camerata (in 1998-06, van 1998-06-23 tot 1998-06-26)
was dirigent:
Geoffrey Webber (in 1998-06, van 1998-06-23 tot 1998-06-26)
balanstechnicus:
Andrew Lang (engineer)
opgenomen bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (in 1998-06)
techniek verzorgd bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (van 1998-06-23 tot 1998-06-26)
is een opname van:
Recitative (Evangelist & Soldier): Da lief einer (van 1998-06-23 tot 1998-06-26)
deel van:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
is een gedeeltelijke opname van:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
had de première bij:
[premiere of Markus-Passion, BWV 247.1] (1731-03-23)
deel van:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV 247.1), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV 247) en Bach Compendium (nummer: BC D 4)
Johann Sebastian Bach0:48
17St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 58. Aria: Welt und Himmel, nehmt zu Ohren (BWV 7/2)
producent:
Michael Ponder
altvocalen:
William Towers (Countertenor) (in 1998-06)
koor:
Choir of Gonville & Caius College, Cambridge (in 1998-06)
sopraanvocalen:
Ruth Gomme (British Soprano) (in 1998-06, van 1998-06-23 tot 1998-06-26)
tenorvocalen:
Jeremy Ovenden (tenor) (in 1998-06)
orkest:
The Cambridge Baroque Camerata (in 1998-06, van 1998-06-23 tot 1998-06-26)
was dirigent:
Geoffrey Webber (in 1998-06, van 1998-06-23 tot 1998-06-26)
balanstechnicus:
Andrew Lang (engineer)
opgenomen bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (in 1998-06)
techniek verzorgd bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (van 1998-06-23 tot 1998-06-26)
is een opname van:
Aria (soprano): Welt und Himmel (van 1998-06-23 tot 1998-06-26)
deel van:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
is een gedeeltelijke opname van:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
had de première bij:
[premiere of Markus-Passion, BWV 247.1] (1731-03-23)
deel van:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV 247.1), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV 247) en Bach Compendium (nummer: BC D 4)
Johann Sebastian Bach4:36
18St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 59. Recitative: Und der Vorhang im Tempel zerriss
producent:
Michael Ponder
altvocalen:
William Towers (Countertenor) (in 1998-06)
koor:
Choir of Gonville & Caius College, Cambridge (in 1998-06)
sopraanvocalen:
Ruth Gomme (British Soprano) (in 1998-06)
tenorvocalen:
Jeremy Ovenden (tenor) (in 1998-06)
tenorvocalen [Evangelist]:
Jeremy Ovenden (tenor) (van 1998-06-23 tot 1998-06-26)
orkest:
The Cambridge Baroque Camerata (in 1998-06, van 1998-06-23 tot 1998-06-26)
was dirigent:
Geoffrey Webber (in 1998-06, van 1998-06-23 tot 1998-06-26)
balanstechnicus:
Andrew Lang (engineer)
opgenomen bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (in 1998-06)
techniek verzorgd bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (van 1998-06-23 tot 1998-06-26)
is een opname van:
Recitative (Evangelist & Centurion): Und der Vorhang im Tempel (van 1998-06-23 tot 1998-06-26)
deel van:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
is een gedeeltelijke opname van:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
had de première bij:
[premiere of Markus-Passion, BWV 247.1] (1731-03-23)
deel van:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV 247.1), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV 247) en Bach Compendium (nummer: BC D 4)
Johann Sebastian Bach2:49
19J. S. Bach’s additions to ? G. Keiser’s St Mark Passion, BWV 1165: Chorale: O Traurigkeit, o Herzeleid!
producent:
Michael Ponder
altvocalen:
William Towers (Countertenor) (in 1998-06)
koor:
Choir of Gonville & Caius College, Cambridge (in 1998-06, van 1998-06-23 tot 1998-06-26)
sopraanvocalen:
Ruth Gomme (British Soprano) (in 1998-06)
tenorvocalen:
Jeremy Ovenden (tenor) (in 1998-06)
orkest:
The Cambridge Baroque Camerata (in 1998-06, van 1998-06-23 tot 1998-06-26)
was dirigent:
Geoffrey Webber (in 1998-06, van 1998-06-23 tot 1998-06-26)
balanstechnicus:
Andrew Lang (engineer)
opgenomen bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (in 1998-06)
techniek verzorgd bij:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, Verenigd Koninkrijk (van 1998-06-23 tot 1998-06-26)
is een opname van:
Chorale: O Traurigkeit, O Herzeleid (van 1998-06-23 tot 1998-06-26)
deel van:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
is een opname van:
Chorale: O Traurigkeit, O Herzeleid (in 1998-06)
deel van:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
Johann Sebastian Bach2:11
20J. S. Bach’s additions to ? G. Keiser’s St Mark Passion, BWV 1165: Chorale: O hilf, Christe, Gottes Sohn BWV 1084 (Leipzig version)
producent:
Johannes Kammann
koor:
Die Kölner Akademie (in 2018-01)
orkest:
Die Kölner Akademie (in 2018-01)
was dirigent:
Michael Alexander Willens (conductor) (in 2018-01)
balanstechnicus:
Gunther Rose (engineer)
opgenomen bij:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Duitsland (in 2018-01)
is een opname van:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.2: No. 14a. Chorale "O hilf Christe, Gottes Sohn" (former BWV 1084) (in 2018-01)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV 1084) en Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV 1084 / 438‑>)
deel van:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.2 (1st Leipzig version)
Johann Sebastian Bach1:01
21J. S. Bach’s additions to ? G. Keiser’s St Mark Passion, BWV 1165: Chorale: So gehst du nun, mein Jesu, hin BWV 500a (Leipzig version)
producent:
Johannes Kammann
koor:
Die Kölner Akademie (in 2018-01)
orkest:
Die Kölner Akademie (in 2018-01)
was dirigent:
Michael Alexander Willens (conductor) (in 2018-01)
balanstechnicus:
Gunther Rose (engineer)
opgenomen bij:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Duitsland (in 2018-01)
is een opname van:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.2: No. 9. Chorale "So gehst du nun, mein Jesu, hin" (former BWV 500a) (in 2018-01)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV 500a)
versie van:
Geistliche Lied, BWV 500 "So gehst du nun, mein Jesu, hin"
deel van:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.2 (1st Leipzig version)
Johann Sebastian Bach1:02
22J. S. Bach’s additions to ? G. Keiser’s St Mark Passion, BWV 1165: Sinfonia (Weimar version)
producent:
Johannes Kammann
orkest:
Die Kölner Akademie (in 2018-01)
was dirigent:
Michael Alexander Willens (conductor) (in 2018-01)
balanstechnicus:
Gunther Rose (engineer)
opgenomen bij:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Duitsland (in 2018-01)
is een opname van:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.1: No. 10. Sinfonia (in 2018-01)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.1 (Weimar version)
Johann Sebastian Bach0:51
23St Luke Passion, BWV 246 / Anh. II 30: 1. Chorus: Furcht und Zittern, Scham und Schmerzen
producent:
Hans Bernhard Bätzing (engineer, producer)
koor:
Alsfelder Vokalensemble (German vocal ensemble) (van 1996-03 tot 1996-04)
tenorvocalen:
Harry Van Berne (tenor) (van 1996-03 tot 1996-04)
orkest:
Barockorchester Antico Bremen (van 1996-03 tot 1996-04)
was dirigent:
Wolfgang Helbich (van 1996-03 tot 1996-04)
balanstechnicus:
Wolfgang Decker
opgenomen bij:
Walpurgiskirche Alsfeld (van 1996-03 tot 1996-04)
is een opname van:
Lukas Passion, BWV 246: 1. Chorus "Furcht und Zittern" (van 1996-03 tot 1996-04)
componist:
Johann Melchior Molter
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Lukas Passion, BWV 246
[anonymous]3:47
24St Luke Passion, BWV 246 / Anh. II 30: 39. Aria: Den Fels hat Moses’ Stab geschlagen
producent:
Hans Bernhard Bätzing (engineer, producer)
koor:
Alsfelder Vokalensemble (German vocal ensemble) (van 1996-03 tot 1996-04)
tenorvocalen:
Harry Van Berne (tenor) (van 1996-03 tot 1996-04)
orkest:
Barockorchester Antico Bremen (van 1996-03 tot 1996-04)
was dirigent:
Wolfgang Helbich (van 1996-03 tot 1996-04)
balanstechnicus:
Wolfgang Decker
opgenomen bij:
Walpurgiskirche Alsfeld (van 1996-03 tot 1996-04)
is een opname van:
Lukas Passion, BWV 246: 45. Aria (Tenor) "Den Fels hat Moses' Stab geschlagen" (van 1996-03 tot 1996-04)
componist:
Johann Melchior Molter
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Lukas Passion, BWV 246
[anonymous]5:21
25St Luke Passion, BWV 246 / Anh. II 30: 40. Chorale: Aus der Tiefe rufe ich
producent:
Hans Bernhard Bätzing (engineer, producer)
koor:
Alsfelder Vokalensemble (German vocal ensemble) (van 1996-03 tot 1996-04)
tenorvocalen:
Harry Van Berne (tenor) (van 1996-03 tot 1996-04)
orkest:
Barockorchester Antico Bremen (van 1996-03 tot 1996-04)
was dirigent:
Wolfgang Helbich (van 1996-03 tot 1996-04)
balanstechnicus:
Wolfgang Decker
opgenomen bij:
Walpurgiskirche Alsfeld (van 1996-03 tot 1996-04)
is een opname van:
Lukas Passion, BWV 246: 46. Chorale "Aus der Tiefe rufe ich" (Petrus) (van 1996-03 tot 1996-04)
componist:
Johann Melchior Molter
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Lukas Passion, BWV 246
[anonymous]1:02
26St Luke Passion, BWV 246 / Anh. II 30: 40a. Chorale: Aus der Tiefe rufe ich (J. S. Bach’s version)
producent:
Hans Bernhard Bätzing (engineer, producer)
koor:
Alsfelder Vokalensemble (German vocal ensemble) (van 1996-03 tot 1996-04)
tenorvocalen:
Harry Van Berne (tenor) (van 1996-03 tot 1996-04)
orkest:
Barockorchester Antico Bremen (van 1996-03 tot 1996-04)
was dirigent:
Wolfgang Helbich (van 1996-03 tot 1996-04)
balanstechnicus:
Wolfgang Decker
opgenomen bij:
Walpurgiskirche Alsfeld (van 1996-03 tot 1996-04)
is een opname van:
Lukas Passion, BWV 246: 46. Chorale "Aus der Tiefe rufe ich" (Petrus) (van 1996-03 tot 1996-04)
componist:
Johann Melchior Molter
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Lukas Passion, BWV 246
[anonymous]1:24
27Mass in C minor, BWV App. D (ex Anh. 26): 1. Kyrie eleison I
producent:
Hans Kipfer
orkest:
Bach Collegium Japan (van 2014-09 tot 2015-10)
was dirigent:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (van 2014-09 tot 2015-10)
balanstechnicus:
Jens Braun (classical engineer)
opgenomen bij:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (van 2014-09 tot 2015-10)
is een gedeeltelijke opname van:
Mass in C minor, BWV Anh. 26 (van 2014-09 tot 2015-10)
componist:
Francesco Durante
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (nummer: BWV Anh. 26)
Francesco Durante2:44
28Mass in C minor, BWV App. D (ex Anh. 26): 2. Christe eleison, BWV 242
producent:
Hans Kipfer
orkest:
Bach Collegium Japan (van 2014-09 tot 2015-10)
was dirigent:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (van 2014-09 tot 2015-10)
balanstechnicus:
Jens Braun (classical engineer)
opgenomen bij:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (van 2014-09 tot 2015-10)
is een gedeeltelijke opname van:
Mass in C minor, BWV Anh. 26 (van 2014-09 tot 2015-10)
componist:
Francesco Durante
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (nummer: BWV Anh. 26)
Johann Sebastian Bach1:10
29Mass in C minor, BWV App. D (ex Anh. 26): 3. Kyrie eleison II
producent:
Hans Kipfer
orkest:
Bach Collegium Japan (van 2014-09 tot 2015-10)
was dirigent:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (van 2014-09 tot 2015-10)
balanstechnicus:
Jens Braun (classical engineer)
opgenomen bij:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (van 2014-09 tot 2015-10)
is een gedeeltelijke opname van:
Mass in C minor, BWV Anh. 26 (van 2014-09 tot 2015-10)
componist:
Francesco Durante
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (nummer: BWV Anh. 26)
Francesco Durante1:38
213▶cd: Bach & Other Composers (c. 1730-1742)
214▶cd: Bach & Other Composers (1742-1750)
215▶cd: Bach Renewed (From Bach's Sons to Mahler)
216▶cd: Bach Reimagined (Chaconne & Passacaglia)
217▶cd: Bach Orchestrated (Reger to Stokowski)
218▶cd: Inspired by Bach (Gounod to Pärt)
219▶cd: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶cd: Bach & The Virtuoso Piano (The 20th Century)
221▶cd: Bach à la Jazz
222▶cd: New Colours of Bach
223▶dvd-video: Bach: A Passionate Life

Relaties

Uitgave

ASIN:US: B07D2Y539K [info]
discografisch lemma:https://www.bach333.com/en/ [info]

Uitgavegroep

deel van:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (volgorde: 1)
eigen website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]