The Three Tenors at Christmas

~ Veröffentlichung von The Three Tenors (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Adeste fideles (O Come, All Ye Faithful)
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
London Voices (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Terry Edwards (British choir director) (in 1976-01)
arranger:
Douglas Gamley (film composer)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Adeste fideles (original latin version) (in 1976-01)
Texter und Komponist(in):
John Francis Wade (von 1740 bis 1743)
John Francis Wade?:??
2Panis angelicus
Chorgesang:
Wandsworth School Boys’ Choir
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
Texter:
St. Thomas Aquinas
Komponist(in):
César Franck (Belgian‐born French composer) (in 1860)
Teil von:
Messe solennelle en la majeur, op. 12
César Franck?:??
3Agnus Dei
recorded in:
Wien, Österreich
Orgel:
Michael G. Gormley (organist)
Chorgesang:
Chorus Viennensis und Wiener Sängerknaben
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Uwe Christian Harrer (chorus master/conductor)
recording of:
Agnus Dei
Komponist(in):
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
basiert auf:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet?:??
4Pietà, signore
recorded in:
Wien, Österreich
Orgel:
Michael G. Gormley (organist)
Chorgesang:
Chorus Viennensis und Wiener Sängerknaben
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Uwe Christian Harrer (chorus master/conductor)
recording of:
Pietà, Signore
Texter und vorher zugeschrieben zu:
Alessandro Stradella (composer)
Komponist(in):
Louis Niedermeyer
publisher:
G. Schirmer Inc.
Alessandro Stradella?:??
5Ave Maria
Tenor-Gesang:
Plácido Domingo (tenor)
vocals:
Sissel
Orchester:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Marcello Viotti (conductor)
aufgenommen bei:
Auditorium di Milano in Milano (Milan), Milano, Lombardia, Italien
recording of:
Ave Maria (by Pietro Mascagni, adapted from the Intermezzo of his Cavalleria Rusticana)
Texter:
Pietro Mazzoni
Komponist(in):
Pietro Mascagni (composer & conductor)
basiert auf:
Cavalleria rusticana: Intermezzo
Pietro Mascagni?:??
6Frondi teneri … Ombra mai fu
recording engineer und Tonmeister(in):
Stephan Flock (in 2002-02)
Techniker(in):
Jürgen Bulgrin (sound engineer) (in 2002-02), Wolf‐Dieter Karwatky (in 2002-02) und Chris Nelson (recording engineer) (in 2002-02)
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Stephan Flock (in 2002-02) und Ingmar Haas (engineer) (in 2002-02)
Tenor-Gesang:
Plácido Domingo (tenor) (in 2002-02)
Orchester:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (in 2002-02)
conductor:
Marcello Viotti (conductor) (in 2002-02)
aufgenommen bei:
Auditorium di Milano, Fondazione Cariplo in Milano (Milan), Milano, Lombardia, Italien (in 2002-02)
recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse) (in 2002-02)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1738)
Teil von:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (in 2002-02)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
George Frideric Handel?:??
7Ave Maria
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
Komponist(in):
Franz Schubert (composer)
Arrangement von:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer)
Version von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
Komponist(in):
Franz Schubert (composer) (in 1825)
Arrangement von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Texter:
Jairo (Argentinean singer) und Sir Walter Scott (19th-century Scottish author)
Komponist(in):
Franz Schubert (composer) (in 1825)
Übersetzer:
Adam Storck
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 839)
Franz Schubert?:??
8O Holy Night (Minuit, chrétiens)
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Techniker(in):
John Dunkerley (engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
Decca Records Company (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
O Holy Night (catch-all for arrangements)
Komponist(in):
Adolphe Adam (French composer)
Arrangement von:
O Holy Night
Adolphe Adam?:??
9Ave Maria
recorded in:
Wien, Österreich
Orgel:
Michael G. Gormley (organist)
Chorgesang:
Wiener Sängerknaben
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Wiener Philharmoniker und Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Uwe Christian Harrer (chorus master/conductor)
arranger:
Job Maarse
recording of:
Ave Maria (Bach/Gounod)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer) (in 1853)
basiert auf:
Méditation sur le Premier Prélude de Piano de S. Bach
basiert auf:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Arrangement von:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach / Charles Gounod?:??
10Pregária
recorded in:
Wien, Österreich
Orgel:
Michael G. Gormley (organist)
Chorgesang:
Chorus Viennensis und Wiener Sängerknaben
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Uwe Christian Harrer (chorus master/conductor)
recording of:
Pregária (Lo cant de l’ànima a la Verge)
Texter und Komponist(in):
Fermín María Álvarez (composer)
Fermín María Álvarez?:??
11Domine Deus
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Marcello Viotti (conductor)
aufgenommen bei:
Auditorium di Milano in Milano (Milan), Milano, Lombardia, Italien
recording of:
Petite Messe solennelle: II. Gloria: Domine Deus (T - tenor solo)
Komponist(in):
Gioachino Rossini (composer) (in 1863)
Teil von:
Petite Messe solennelle
Gioachino Rossini?:??
12Bist du bei mir
recording engineer und Tonmeister(in):
Stephan Flock (in 2002-02)
Techniker(in):
Jürgen Bulgrin (sound engineer) (in 2002-02), Wolf‐Dieter Karwatky (in 2002-02) und Chris Nelson (recording engineer) (in 2002-02)
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Stephan Flock (in 2002-02) und Ingmar Haas (engineer) (in 2002-02)
Soprangesang:
Sissel
Tenor-Gesang:
Plácido Domingo (tenor) (in 2002-02)
vocals:
Sissel (in 2002-02)
Orchester:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (in 2002-02)
conductor:
Marcello Viotti (conductor) (in 2002-02)
arranger:
Robert Sadin
aufgenommen bei:
Auditorium di Milano, Fondazione Cariplo in Milano (Milan), Milano, Lombardia, Italien (in 2002-02)
recording of:
Bist du bei mir, BWV 508 (previously attributed to Bach, catch-all for arrangements) (in 2002-02)
Komponist(in):
Gottfried Heinrich Stölzel (composer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
Teil von:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
Texter:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Komponist(in):
Gottfried Heinrich Stölzel (composer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bachs Notenbibliothek (BNB) (Nummer: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (Nummer: BWV 508), Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 508) und Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 508)
Johann Sebastian Bach?:??
13Ingemisco
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Wiener Philharmoniker
conductor:
Sir Georg Solti (conductor)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1873 bis 1874)
Teil von:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi?:??
14Che farò senza Euridice?
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Piero Gamba (conductor and pianist)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Ranieri de’ Calzabigi
Teil von:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck?:??
15Jesus bleibet meine Freude
recorded in:
Wien, Österreich
Orgel:
Michael G. Gormley (organist)
Chorgesang:
Chorus Viennensis und Wiener Sängerknaben
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Uwe Christian Harrer (chorus master/conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach?:??
16Caro mio ben
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
English Chamber Orchestra
conductor:
Vjekoslav Šutej
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Caro mio ben
Texter:
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Giuseppe Giordani und Tommaso Giordani
publisher:
G. Schirmer Inc.
Tommaso Giordani?:??
17Repentir (O Divine Redeemer)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Marcello Viotti (conductor)
aufgenommen bei:
Auditorium di Milano in Milano (Milan), Milano, Lombardia, Italien
recording of:
Repentir (“O Divine Redeemer”)
Komponist(in):
Charles Gounod (French composer)
Charles Gounod?:??
18Climb Ev'ry Mountain
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Marcello Viotti (conductor)
aufgenommen bei:
Auditorium di Milano in Milano (Milan), Milano, Lombardia, Italien
recording of:
Climb Ev’ry Mountain (The Sound of Music)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., The Rodgers & Hammerstein Organization und Williamson Music Company
Teil von:
MJ: The Musical
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
Richard Rodgers, Oscar Hammerstein II?:??