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1Wachet! betet! betet! wachet!, BWV 70: Prima parte: 1. [Coro]: "Wachet! Betet! Betet! Wachet!"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willemoës (in 1970-02)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": I. Coro "Wachet! betet! betet! wachet!"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach4:39
2Wachet! betet! betet! wachet!, BWV 70: Prima parte: 2. Recitativo (Basso): "Erschrecket, ihr verstockten Sünder!"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willemoës (in 1970-02)
producer:
Michel Garcin (French producer)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": II. Recitativo (Bass) "Erschrecket, ihr verstockten Sünder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:23
3Wachet! betet! betet! wachet!, BWV 70: Prima parte: 3. Aria (Alto): "Wenn kömmt der Tag"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willemoës (in 1970-02)
producer:
Michel Garcin (French producer)
alto vocals:
Barbara Scherler (German mezzo / contralto) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": III. Aria (Alt) "Wenn kömmt der Tag"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach4:29
4Wachet! betet! betet! wachet!, BWV 70: Prima parte: 4. Recitativo (Tenore): "Auch bei dem himmlischen Verlangen"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willemoës (in 1970-02)
producer:
Michel Garcin (French producer)
tenor vocals:
Kurt Huber (Swiss tenor) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IV. Recitativo (Tenor) "Auch bei dem himmlischen Verlangen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach0:58
5Wachet! betet! betet! wachet!, BWV 70: Prima parte: 5. Aria (Soprano): "Laßt der spötter Zungen schmähen"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willemoës (in 1970-02)
producer:
Michel Garcin (French producer)
soprano vocals:
Hedy Graf (classical soprano) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": V. Aria (Sopran) "Laßt der Spötter Zungen schmähen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:59
6Wachet! betet! betet! wachet!, BWV 70: Prima parte: 6. Recitativo (Tenore): "Jedoch bei dem unartigen Geschlechte"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willemoës (in 1970-02)
producer:
Michel Garcin (French producer)
tenor vocals:
Kurt Huber (Swiss tenor) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VI. Recitativo (Tenor) "Jedoch bei dem unartigen Geschlechte"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach0:49
7Wachet! betet! betet! wachet!, BWV 70: Prima parte: 9. Choral (Coro): "Freu dich sehr, o meine Seele"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willemoës (in 1970-02)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VII. Choral "Freu dich sehr, o meine Seele"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 98)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:19
8Wachet! betet! betet! wachet!, BWV 70: Seconda parte: 10. Aria (Tenore): "Hebt euer Haupt empor"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willemoës (in 1970-02)
producer:
Michel Garcin (French producer)
tenor vocals:
Kurt Huber (Swiss tenor) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VIII. Aria (Tenor) "Hebt euer haupt empor"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach3:41
9Wachet! betet! betet! wachet!, BWV 70: Seconda parte: 11. Recitativo (Basso): "Ach, soll nicht dieser große Tag"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willemoës (in 1970-02)
producer:
Michel Garcin (French producer)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IX. Recitativo (Bass) "Ach, soll nicht dieser große Tag"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:11
10Wachet! betet! betet! wachet!, BWV 70: Seconda parte: 12. Aria (Basso): "Seligster Erquickungstag"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willemoës (in 1970-02)
producer:
Michel Garcin (French producer)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": X. Aria (Bass) "Seligster Erquickungstag"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach3:14
11Wachet! betet! betet! wachet!, BWV 70: Seconda parte: 13. Choral: "Nicht nach Welt, nach Himmel nicht"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willemoës (in 1970-02)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": XI. Choral "Nicht nach Welt, nach Himmel nicht"
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 243)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:05
12Wachet auf, ruft uns die Stimme, BWV 140: 1. [Coro]: "Wachet auf, ruft uns die Stimme"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach8:14
13Wachet auf, ruft uns die Stimme, BWV 140: 2. Recitativo (Tenore): "Er Kommt, der Bräutgam kommt!"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Kurt Huber (Swiss tenor) (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:20
14Wachet auf, ruft uns die Stimme, BWV 140: 3. Aria (Soprano, Basso): "Wann kömmst du mein heil?"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (from 1970 until 1970-02)
soprano vocals:
Hedy Graf (classical soprano) (from 1970 until 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1970 until 1970-02)
conductor:
Fritz Werner (German conductor and organist) (from 1970 until 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1970 until 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1970 until 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:32
15Wachet auf, ruft uns die Stimme, BWV 140: 4. Choral (Tenore): "Zion hört die wachter cingen"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Kurt Huber (Swiss tenor) (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:07
16Wachet auf, ruft uns die Stimme, BWV 140: 5. Recitativo (Basso): "So geh herein zu mir"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:38
17Wachet auf, ruft uns die Stimme, BWV 140: 6. Aria (Soprano, Basso): "Mein Freund ist mein! Und ich bin sein!"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (in 1970-02)
soprano vocals:
Hedy Graf (classical soprano) (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:34
18Wachet auf, ruft uns die Stimme, BWV 140: 7. Choral (Coro): "Gloria sei dir gesungen"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1970-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1970-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:14
19Gott der Herr ist Sonn und Schild, BWV 79: 1. [Coro]: "Gott, der herr, ist Sonn und Schild"
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach5:36
20Gott der Herr ist Sonn und Schild, BWV 79: 2. Aria (Alto): "Gott ist unsre Sonn und Schild!"
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:33
21Gott der Herr ist Sonn und Schild, BWV 79: 3. Choral (Coro): "Nun danket alle Gott"
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach2:11
22Gott der Herr ist Sonn und Schild, BWV 79: 4. Recitativo (Basso): "Gottlob, wir wissen den rechten Weg"
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach1:10
23Gott der Herr ist Sonn und Schild, BWV 79: 5. Aria (Soprano, Basso): "Gott, ach Gott, Verlaß die"
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
soprano vocals:
Édith Selig (soprano) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:47
24Gott der Herr ist Sonn und Schild, BWV 79: 6. Choral (Coro): "Erhalt uns in der Wahrheit"
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:52
8CD
9CD
10CD

Credits

Release

manufactured in:EU (Europe)
art direction:Stuart Wilson (Art director)
liner notes:Nele Anders
Nicholas Anderson (producer and liner notes writer)
Alfred Dürr (German musicologist)
Ludwig Finscher (musicologist and author)
Wolfgang Marx (liner notes)
Gerhard Schumacher
remastering:Tony Bridge (mastering engineer)
Stephen Frost (sound engineer)
Tony Harrison (producer and sound engineer for classical music)
Mike Hatch (engineer/editor)
Limo Hearn
David Hinitt (UK recording engineer, early 21c)
Geoff Miles (editor and engineer)
Raphael Mouterde
booklet editor:Fabian Watkinson
artwork:Pieter Bruegel de Oude (in 1562: task: cover "The Fall of the Rebel Angel")
phonographic copyright (℗) by:Warner Classics (in 2004)
Warner Music UK Ltd. (not for release label use!) (in 2004)
art direction:WLP Ltd. (graphic design agency)
remastered at:Floating Earth Ltd. in London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/31180624 [info]