Cantatas, Vol. 2

~ Release by J.S. Bach; Fritz Werner, Agnes Giebel, Helmut Krebs, Heinrich-Schütz Choir, Heilbronn, Pforzheim Chamber Orchestra (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 1. Sinfonia.
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:42
2Ich hatte viel Bekümmernis, BWV 21: Prima Parte: Coro: "Ich hatte viel Bekümmernis"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:05
3Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 3. Aria (Soprano): "Seufzer, Tränen, Kummer, Not"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
soprano vocals:
Édith Selig (soprano) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:50
4Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 4. Recitativo (Tenore): "Wie hast du dich, mein Gott"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:50
5Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 5. Aria (Tenore): "Bäche von gesalznen Zähren"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach5:58
6Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 6. Coro: "Was betrübst du dich, meine Seele"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:35
7Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 7. Recitativo (Soprano, Basso): "Ach Jesu, meine Ruh"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Erich Wenk (bass-baritone) (in 1962-04)
soprano vocals:
Édith Selig (soprano) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:38
8Ich hatte viel Bekümmernis, BWV 21: Seconda Parte: 8. Duetto (Soprano, Basso): "Komm, mein Jesu"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Erich Wenk (bass-baritone) (in 1962-04)
soprano vocals:
Édith Selig (soprano) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:34
9Ich hatte viel Bekümmernis, BWV 21: Seconda Parte: 9. Coro: "Sei nun wieder zufrieden"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach6:09
10Ich hatte viel Bekümmernis, BWV 21: Seconda Parte: 10. Aria (Tenore): "Erfreue dich, Seele"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:52
11Ich hatte viel Bekümmernis, BWV 21: Seconda Parte: 11. Coro: "Das Lamm, das erwürget ist"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:46
12Meine Seel erhebt den Herren, BWV 10: 1. [Coro]: "Meine Seel erhebt den Herren"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:49
13Meine Seel erhebt den Herren, BWV 10: 2. Aria (Soprano): "Herr, der du stark und mächtig bist"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
soprano vocals:
Maria Friesenhausen (German soprano) (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach8:05
14Meine Seel erhebt den Herren, BWV 10: 3. Recitativo (Tenore): "Des Höchsten Güt und Treu"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:23
15Meine Seel erhebt den Herren, BWV 10: 4. Aria (Basso): "Gewaltige Stößt Gott vom Stuhl"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
bass vocals:
Barry McDaniel (baritone) (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach3:07
16Meine Seel erhebt den Herren, BWV 10: 5. Duetto (Alto, Tenore): "Er denket der Barmherzigkeit"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
alto vocals:
Emmy Lisken (contralto) (in 1965)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:06
17Meine Seel erhebt den Herren, BWV 10: 6. Recitativo (Tenore): "Was Gott den Vätern alter Zeiten"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:13
18Meine Seel erhebt den Herren, BWV 10: 7. Choral (Coro): "Lob und Preis sei Gott dem VateR"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:12
19Schlage doch, gewünschte Stunde, BWV 53/Anh. II 23
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer)
cello:
Jacoba Muckel (cellist) (in 1963-06)
organ:
Eva Hölderlin (organist) (in 1963-06)
violin:
György Terebesi (violinist) (in 1963-06)
alto vocals:
Claudia Hellmann (contralto) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Aria, BWV 53 "Schlage doch, gewünschte Stunde" (in 1963-06)
composer:
[anonymous] (special purpose artist)
librettist:
Salomon Franck
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician) and Georg Melchior Hoffmann (composer and organist)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 53), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 53 / Anh. II 23‑>) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 703)
Johann Sebastian Bach8:25
2▼CD
#TitleArtistRatingLength
1Herz und Mund und Tat und Leben, BWV 147: 1. Coro: "Herz und Mund und Tat und Lebens"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963)
tenor vocals:
Helmut Krebs (tenor) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach5:08
2Herz und Mund und Tat und Leben, BWV 147: 2. Recitativo: (Tenore) "Gebenedeiter Mund!"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Helmut Krebs (tenor) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:42
3Herz und Mund und Tat und Leben, BWV 147: 3. Aria: (Alto) "Schäme dich, o Seele, nicht"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
alto vocals:
Claudia Hellmann (contralto) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:21
4Herz und Mund und Tat und Leben, BWV 147: 4. Recitativo: (Basso) "Verstockung kann Gewaltige verblenden"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:57
5Herz und Mund und Tat und Leben, BWV 147: 5. Aria: (Soprano) "Bereite dir, Jesu, noch itzo die Bahn"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
soprano vocals:
Agnes Giebel (soprano) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:29
6Herz und Mund und Tat und Leben, BWV 147: 6. Choral: "Wohl mir, daß ich Jesum habe"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:00
7Herz und Mund und Tat und Leben, BWV 147: 7. Aria: (Tenore) "Hilf, Jesu, hilf"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Helmut Krebs (tenor) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:03
8Herz und Mund und Tat und Leben, BWV 147: 8. Recitativo: (Alto) "Der höchsten Allmacht Wunderhand"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
alto vocals:
Claudia Hellmann (contralto) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:35
9Herz und Mund und Tat und Leben, BWV 147: 9. Aria: (Basso) "Ich will von Jesu Wunden singen"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1963)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:19
10Herz und Mund und Tat und Leben, BWV 147: 10. Choral: "Jesus bleibet meine Freude"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963)
orchestra:
Pforzheim Chamber Orchestra (in 1963)
conductor:
Fritz Werner (German conductor and organist) (in 1963)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1963)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach4:13
11Herr, gehe nicht ins Gericht, BWV 105: 1. Coro: "Herr, gehe nicht ins Gericht"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach8:01
12Herr, gehe nicht ins Gericht, BWV 105: 2. Recitativo: (Alto) "Mein Gott, verwirf mich nicht"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
alto vocals:
Claudia Hellmann (contralto) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:22
13Herr, gehe nicht ins Gericht, BWV 105: 3. Aria: (Soprano) "Wie zittern und wanken"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
soprano vocals:
Agnes Giebel (soprano) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:11
14Herr, gehe nicht ins Gericht, BWV 105: 4. Recitativo: (Basso) "Wohl aber dem, der seinen Bürgen weiß"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
bass vocals:
Erich Wenk (bass-baritone) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach2:25
15Herr, gehe nicht ins Gericht, BWV 105: 5. Aria: (Tenore) "Kann ich nur Jesum mir zum Freunde machen"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
tenor vocals:
Helmut Krebs (tenor) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:31
16Herr, gehe nicht ins Gericht, BWV 105: 6. Choral: "Nun, ich weiß, du wirst mir stillen"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach2:08
17Ich weiß, daß mein Erlöser lebt, BWV 160: 1. Aria: (Tenore) "Ich weiß, daß mein Erlöser lebt"
tenor vocals:
Helmut Krebs (tenor) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : I. Aria (tenor). "Ich weiß, daß mein Erlöser lebt" (from 1957-03-02 until 1957-03-04)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach4:09
18Ich weiß, daß mein Erlöser lebt, BWV 160: 2. Recitativo: (Tenore) "Er lebt und ist von Toten auferstanden!"
tenor vocals:
Helmut Krebs (tenor) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : II. Recitative (tenor). "Er lebt und ist von Toten auferstanden" (from 1957-03-02 until 1957-03-04)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach2:56
19Ich weiß, daß mein Erlöser lebt, BWV 160: 3. Aria: (Tenore) "Gott Lob, daß mein Erlöser lebt"
tenor vocals:
Helmut Krebs (tenor) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : III. Aria (tenor). "Gott Lob! Daß mein Erlöser lebt" (from 1957-03-02 until 1957-03-04)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach2:50
20Ich weiß, daß mein Erlöser lebt, BWV 160: 4. Recitativo: (Tenore) "So biet" ich allen Teufeln Trutz!"
tenor vocals:
Helmut Krebs (tenor) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : IV. Recitative (tenor). "So biet ich allen Teufeln Trutz" (from 1957-03-02 until 1957-03-04)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach1:01
21Ich weiß, daß mein Erlöser lebt, BWV 160: 5. Aria: (Tenore) "Nun, ich halte mich bereit"
tenor vocals:
Helmut Krebs (tenor) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : V. Aria (tenor). "Nun, ich halte mich bereit" (from 1957-03-02 until 1957-03-04)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Johann Sebastian Bach1:47
3▼CD
#TitleArtistRatingLength
1Herr, deine Augen sehen nach dem Glauben, BWV 102: 1. Coro: "Herr, deine Augen sehen nach dem Glauben!"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach6:58
2Herr, deine Augen sehen nach dem Glauben, BWV 102: 2. Recitativo (Basso): "Wo ist das Ebenbild"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
bass vocals:
Bruce Abel (American operatic bass) (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:26
3Herr, deine Augen sehen nach dem Glauben, BWV 102: 3. Aria (Alto): "Weh der Seele"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
alto vocals:
Barbara Scherler (German mezzo / contralto) (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach4:55
4Herr, deine Augen sehen nach dem Glauben, BWV 102: 4. Arioso (Basso): "Verachtest du den Reichtum seiner Gnade"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
bass vocals:
Bruce Abel (American operatic bass) (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": IV. Arioso (Bass) "Verachtest du den Reichtum deiner Gnad" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach2:56
5Herr, deine Augen sehen nach dem Glauben, BWV 102: 5. Aria (Tenore): "Erschrecke doch, du allzu sichre Seele!"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
revision of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
Johann Sebastian Bach5:22
6Herr, deine Augen sehen nach dem Glauben, BWV 102: 6. Recitativo (Alto): "Beim Warten ist Gefahr"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
alto vocals:
Barbara Scherler (German mezzo / contralto) (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:23
7Herr, deine Augen sehen nach dem Glauben, BWV 102: 7. Choral (Coro): "Heut lebst du, heut bekehre dich"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
vocals:
Heinrich-Schütz-Chor Heilbronn (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach2:00
8Lobe den Herren, den mächtigen König der Ehren, BWV 137: 1. Coro: "Lobe den Herren"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": I. Coro "Lobe den Herren, den mächtigen König der Ehren" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach4:10
9Lobe den Herren, den mächtigen König der Ehren, BWV 137: 2. Aria (Alto): "Lobe den Herren, der alles so herrlich regieret"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
alto vocals:
Barbara Scherler (German mezzo / contralto) (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": II. Aria (Alt) "Lobe den Herren, den mächtigen König der Ehren" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach4:16
10Lobe den Herren, den mächtigen König der Ehren, BWV 137: 3. Aria (Duetto: Soprano, Basso): "Lobe den Herren, der künstlich und fein dich bereitet"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
bass vocals:
Bruce Abel (American operatic bass) (in 1973-10)
soprano vocals:
Ingeborg Reichelt (German soprano) (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": III. Aria (Sopran, Bass) "Lobe den Herren, den mächtigen König der Ehren" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach4:39
11Lobe den Herren, den mächtigen König der Ehren, BWV 137: 4. Aria (Tenore): "Lobe den Herren, der deinen Stand sichtbar"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
tenor vocals:
Theo Altmeyer (German tenor) (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": IV. Aria (Tenor) "Lobe den Herren, den mächtigen König der Ehren" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach3:14
12Lobe den Herren, den mächtigen König der Ehren, BWV 137: 5. Choral (Coro): "Lobe den Herren, was in mir ist, lobe den Namen!"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1973-10)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1973-10)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1973-10)
conductor:
Fritz Werner (German conductor and organist) (in 1973-10)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": V. Choral "Lobe den Herren, den mächtigen König der Ehren" (in 1973-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Breitkopf 389 Choralgesänge (number: 230)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach1:02
13Jesu, der du meine Seele, BWV 78: 1. Coro: "Jesu, der du meine Seele"
choir vocals:
Heinrich-Schütz-Chor Heilbronn (from 1960-10-24 until 1960-10-29)
orchestra:
Pforzheim Chamber Orchestra (from 1960-10-24 until 1960-10-29)
conductor:
Fritz Werner (German conductor and organist) (from 1960-10-24 until 1960-10-29)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1960-10-24 until 1960-10-29)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": I. Coro "Jesu, der du meine Seele" (from 1960-10-24 until 1960-10-29)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach7:27
14Jesu, der du meine Seele, BWV 78: 2. Aria (Duetto: Sopranos, Altos): "Wir eilen mit schwachen, doch emsigen Schritten"
choir vocals:
Heinrich-Schütz-Chor Heilbronn (from 1960-10-24 until 1960-10-29)
orchestra:
Pforzheim Chamber Orchestra (from 1960-10-24 until 1960-10-29)
conductor:
Fritz Werner (German conductor and organist) (from 1960-10-24 until 1960-10-29)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1960-10-24 until 1960-10-29)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (for piano, Rummel) (from 1960-10-24 until 1960-10-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Walter Rummel
arrangement of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten"
Johann Sebastian Bach5:36
15Jesu, der du meine Seele, BWV 78: 3. Recitativo (Tenore): "Ach! ich bin ein Kind der Sünden"
tenor vocals:
Helmut Krebs (tenor) (from 1960-10-24 until 1960-10-29)
orchestra:
Pforzheim Chamber Orchestra (from 1960-10-24 until 1960-10-29)
conductor:
Fritz Werner (German conductor and organist) (from 1960-10-24 until 1960-10-29)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1960-10-24 until 1960-10-29)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": III. Recitativo (Tenor) "Ach! ich bin ein Kind der Sünden" (from 1960-10-24 until 1960-10-29)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach2:01
16Jesu, der du meine Seele, BWV 78: 4. Aria (Tenore): "Das Blut, so meine Schuld durchstreicht"
tenor vocals:
Helmut Krebs (tenor) (from 1960-10-24 until 1960-10-29)
orchestra:
Pforzheim Chamber Orchestra (from 1960-10-24 until 1960-10-29)
conductor:
Fritz Werner (German conductor and organist) (from 1960-10-24 until 1960-10-29)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1960-10-24 until 1960-10-29)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": IV. Aria (Tenor) "Das Blut, so meine Schuld durchstreicht" (from 1960-10-24 until 1960-10-29)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach3:13
17Jesu, der du meine Seele, BWV 78: 5. Recitativo (Basso): "Die Wunden, Nägel, Kron und Grab"
bass vocals:
Franz Kelch (from 1960-10-24 until 1960-10-29)
orchestra:
Pforzheim Chamber Orchestra (from 1960-10-24 until 1960-10-29)
conductor:
Fritz Werner (German conductor and organist) (from 1960-10-24 until 1960-10-29)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1960-10-24 until 1960-10-29)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": V. Recitativo (Bass) "Die Wunden, Nägel, Kron und Grab" (from 1960-10-24 until 1960-10-29)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach2:57
18Jesu, der du meine Seele, BWV 78: 6. Aria (Basso): "Nun, du wirst mein Gewissen stillen"
bass vocals:
Franz Kelch (from 1960-10-24 until 1960-10-29)
orchestra:
Pforzheim Chamber Orchestra (from 1960-10-24 until 1960-10-29)
conductor:
Fritz Werner (German conductor and organist) (from 1960-10-24 until 1960-10-29)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1960-10-24 until 1960-10-29)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VI. Aria (Bass) "Nun du wirst mein Gewissen stillen" (from 1960-10-24 until 1960-10-29)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach3:57
19Jesu, der du meine Seele, BWV 78: 7. Choral (Coro): "Herr, ich glaube, hilf mir Schwachen"
choir vocals:
Heinrich-Schütz-Chor Heilbronn (from 1960-10-24 until 1960-10-29)
orchestra:
Pforzheim Chamber Orchestra (from 1960-10-24 until 1960-10-29)
conductor:
Fritz Werner (German conductor and organist) (from 1960-10-24 until 1960-10-29)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1960-10-24 until 1960-10-29)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen" (from 1960-10-24 until 1960-10-29)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 188)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach1:12
4▼CD
#TitleArtistRatingLength
1Jauchzet Gott in allen Landen, BWV 51: 1. Aria (Soprano): "Jauchzet Gott in allen Landen!"
soprano vocals:
Ingeborg Reichelt (German soprano) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1957-03-02 until 1957-03-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach5:03
2Jauchzet Gott in allen Landen, BWV 51: 2. Recitativo (Soprano): "Wir beten zu dem Tempel an"
soprano vocals:
Ingeborg Reichelt (German soprano) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (from 1957-03-02 until 1957-03-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:27
3Jauchzet Gott in allen Landen, BWV 51: 3. Aria (Soprano): "Höchster, mache deine Güte"
soprano vocals:
Ingeborg Reichelt (German soprano) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (from 1957-03-02 until 1957-03-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:38
4Jauchzet Gott in allen Landen, BWV 51: 4. Choral (Soprano): "Sei Lob und Preis mit Ehren"
soprano vocals:
Ingeborg Reichelt (German soprano) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (from 1957-03-02 until 1957-03-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:00
5Jauchzet Gott in allen Landen, BWV 51: 5. [Aria]: (Soprano): "Alleluja!"
soprano vocals:
Ingeborg Reichelt (German soprano) (from 1957-03-02 until 1957-03-04)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra) (from 1957-03-02 until 1957-03-04)
conductor:
Fritz Werner (German conductor and organist) (from 1957-03-02 until 1957-03-04)
recorded at:
Johanneskirche (Weinsberg) in Weinsberg, Baden-Württemberg, Germany (from 1957-03-02 until 1957-03-04)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (from 1957-03-02 until 1957-03-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:42
6Liebster Gott, wenn werd ich sterben?, BWV 8: 1. [Coro]: "Liebster Gott, wenn werd ich sterben?"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (in 1961)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach7:09
7Liebster Gott, wenn werd ich sterben?, BWV 8: 2. Aria (Tenore): "Was willst du dich, mein Geist, entsetzen?"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
tenor vocals:
Helmut Krebs (tenor) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen" (in 1961)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach4:27
8Liebster Gott, wenn werd ich sterben?, BWV 8: 3. Recitativo (Alto): "Zwar fühlt mein schwaches Herz"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
alto vocals:
Claudia Hellmann (contralto) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" (in 1961)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:18
9Liebster Gott, wenn werd ich sterben?, BWV 8: 4. Aria (Basso): "Doch weichet, ihr tollen, vergeblichen Sorgen!"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
bass vocals:
Erich Wenk (bass-baritone) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (in 1961)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 8 appendix "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (Alternative version)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:49
10Liebster Gott, wenn werd ich sterben?, BWV 8: 5. Recitativo (Soprano): "Behalte nur, o Welt, das Meine!"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
soprano vocals:
Friederike Sailer (German soprano) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!" (in 1961)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:16
11Liebster Gott, wenn werd ich sterben?, BWV 8: 6. Choral (Coro): "Herrscher über Tod und Leben"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben" (in 1961)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Breitkopf 389 Choralgesänge (number: 227)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:43
12Herr Gott, dich loben alle wir, BWV 130: 1. [Coro]: "Herr Gott, dich loben alle wir"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": I. Coro "Herr Gott, dich loben alle wir" (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach3:40
13Herr Gott, dich loben alle wir, BWV 130: 2. Recitativo (Alto): "Ihr heller Glanz und hohe Weisheit zeigt"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": II. Recitativo (Alt) "Ihr heller Glanz und hohe Weisheit zeigt" (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:20
14Herr Gott, dich loben alle wir, BWV 130: 3. Aria (Basso): "Der alte Drache brennt vor Neid"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": III. Aria (Bass) "Der alte Drache brennt vor Neid" (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach4:02
15Herr Gott, dich loben alle wir, BWV 130: 4. Recitativo (Soprano, Tenore): "Wohl aber uns, daß Tag und Nacht"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
soprano vocals:
Friederike Sailer (German soprano) (in 1961)
tenor vocals:
Helmut Krebs (tenor) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": IV. Recitativo (Sopran, Tenor) "Wohl aber uns, daß Tag und Nacht" (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:20
16Herr Gott, dich loben alle wir, BWV 130: 5. Aria (Tenore): "Laß, o Fürst der Cherubinen"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
tenor vocals:
Helmut Krebs (tenor) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": V. Aria (Tenor) "Laß, o Fürst der Cherubinen" (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach4:23
17Herr Gott, dich loben alle wir, BWV 130: 6. Choral (Coro): "Darum wir billig loben dich"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": VI. Choral "Darum wir billig loben dich" (in 1961)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 131)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:51
18Nun ist das Heil und die Kraft, BWV 50: 1. Coro: "Nun ist das Heil und die Kraft"
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 50 "Nun ist das Heil und die Kraft": Coro "Nun ist das Heil und die Kraft" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 50), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 50), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 50) and Bach Compendium (number: BC A 194)
Johann Sebastian Bach4:59
5▼CD
#TitleArtistRatingLength
1Es erhub sich ein Streit, BWV 19: 1. [Coro]: "Es erhub sich ein Streit"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach4:34
2Es erhub sich ein Streit, BWV 19: 2. Recitativo (Basso): "Gottlob! der Drache liegt"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": II. Recitativo (Basso) "Gottlob! der Drache liegt" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:08
3Es erhub sich ein Streit, BWV 19: 3. Aria (Soprano): "Gott schickt uns Mahanaim zu"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
soprano vocals:
Édith Selig (soprano) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": III. Aria (Soprano) "Gott schickt uns Mahanaim zu" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach4:40
4Es erhub sich ein Streit, BWV 19: 4. Recitativo (Tenore): "Was ist der schnöde Mensch"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": IV. Recitativo (Tenore) "Was ist der schnöde Mensch, das Erdenkind?" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:59
5Es erhub sich ein Streit, BWV 19: 5. Aria (Tenore): "Bleibt, ihr Engel, bleibt bei mir!"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach6:30
6Es erhub sich ein Streit, BWV 19: 6. Recitativo (Soprano): "Laßt uns das Angesicht"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
soprano vocals:
Édith Selig (soprano) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VI. Recitativo (Soprano) "Laßt uns das Angesicht" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:02
7Es erhub sich ein Streit, BWV 19: 7. Choral (Coro): "Laß dein Engel mit mir fahren"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:57
8Man singet mit Freuden vom Sieg, BWV 149: 1. Coro: "Man singet mit Freuden vom Sieg"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": I. Coro "Man singet mit Freuden vom Sieg" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach4:45
9Man singet mit Freuden vom Sieg, BWV 149: 2. Aria (Basso): "Kraft und Stärke sei gesungen"
producer:
Michel Garcin (French producer)
bass vocals:
Erich Wenk (bass-baritone) (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": II. Aria (Bass) "Kraft und Stärke sei gesungen" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach3:17
10Man singet mit Freuden vom Sieg, BWV 149: 3. Recitativo (Alto): "Ich fürchte mich vor tausend Feinde nicht"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": III. Recitativo (Alt) "Ich fürchte mich vor tausend Feinden nicht" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach1:02
11Man singet mit Freuden vom Sieg, BWV 149: 4. Aria (Soprano): "Gottes Engel weichen nie"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
soprano vocals:
Agnes Giebel (soprano) (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": IV. Aria (Sopran) "Gottes Engel weichen nie" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach6:16
12Man singet mit Freuden vom Sieg, BWV 149: 5. Recitativo (Tenore): "Ich danke dir, mein lieber Gott"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": V. Recitativo (Tenor) "Ich danke dir, mein lieber Gott, dafür" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach0:50
13Man singet mit Freuden vom Sieg, BWV 149: 6. Aria (Duetto: Alto, Tenore): "Seid wachsam, ihr heiligen Wächter"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1964-10)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VI. Aria (Duetto Alt, Tenor) "Seid wachsam, ihr heiligen Wächter" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach3:56
14Man singet mit Freuden vom Sieg, BWV 149: 7. Choral (Coro): "Ach Herr, laß dein lieb Engelein"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VII. Choral "Ach Herr, laß dein lieb Engelein" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1569)
part of:
Breitkopf 389 Choralgesänge (number: 155)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach2:29
15Schmücke dich, o liebe Seele, BWV 180: 1. [Coro] "Schmücke dich, o liebe Seele"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willimoës (engineer) (in 1970-02)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": I. Choral "Schmücke dich, o liebe Seele" (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach8:28
16Schmücke dich, o liebe Seele, BWV 180: 2. Aria (Tenore) "Ermuntre dich"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willimoës (engineer) (in 1970-02)
producer:
Michel Garcin (French producer)
tenor vocals:
Kurt Huber (Swiss tenor) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": II. Aria (Tenor) "Ermuntre dich: dein Heiland klopft" (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach6:36
17Schmücke dich, o liebe Seele, BWV 180: 3. Recitativo (Soprano) "Wie teuer sind des heiligen Mahles Gaben!"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willimoës (engineer) (in 1970-02)
producer:
Michel Garcin (French producer)
soprano vocals:
Hedy Graf (classical soprano) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
partial recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": III. Recitativo e Choral (Sopran) "Wie teuer sind des heilgen Mahles Gaben" (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach0:36
18Schmücke dich, o liebe Seele, BWV 180: 4. Arioso (Soprano) "Ach wie hungert mein Gemüte"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willimoës (engineer) (in 1970-02)
producer:
Michel Garcin (French producer)
soprano vocals:
Hedy Graf (classical soprano) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
partial recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": III. Recitativo e Choral (Sopran) "Wie teuer sind des heilgen Mahles Gaben" (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach3:00
19Schmücke dich, o liebe Seele, BWV 180: 5. Recitativo (Alto) "Mein Herz fühlt in sich Furcht und Freude"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willimoës (engineer) (in 1970-02)
producer:
Michel Garcin (French producer)
alto vocals:
Barbara Scherler (German mezzo / contralto) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": IV. Recitativo (Alt) "Mein Herz fühlt in sich Furcht und Freude" (from 1907-02 until 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:40
20Schmücke dich, o liebe Seele, BWV 180: 6. Aria (Soprano) "Lebens Sonne, Licht der Sinnen"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willimoës (engineer) (in 1970-02)
producer:
Michel Garcin (French producer)
soprano vocals:
Hedy Graf (classical soprano) (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": V. Aria (Sopran) "Lebens Sonne, Licht der Sinnen" (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach5:14
21Schmücke dich, o liebe Seele, BWV 180: 7. Recitativo (Basso) "Herr, laß an mir dein treues Lieben"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willimoës (engineer) (in 1970-02)
producer:
Michel Garcin (French producer)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VI. Recitativo (Bass) "Herr, laß an mir dein treues Lieben" (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:09
22Schmücke dich, o liebe Seele, BWV 180: 8. Choral (Coro) "Jesu, wahres Brot des Lebens"
recorded in:
Schwaigern, Baden-Württemberg, Germany (in 1970-02)
recording engineer:
Peter Willimoës (engineer) (in 1970-02)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1970-02)
orchestra:
Pforzheim Chamber Orchestra (in 1970-02)
conductor:
Fritz Werner (German conductor and organist) (in 1970-02)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VII. Choral "Jesu, wahres Brot des Lebens" (in 1970-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 304)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:32
6▶CD
7▶CD
8▶CD
9▶CD
10▶CD

Credits

Release

manufactured in:EU (Europe)
art direction:Stuart Wilson (Art director)
liner notes:Nele Anders
Nicholas Anderson (producer and liner notes writer)
Alfred Dürr (German musicologist)
Ludwig Finscher (musicologist and author)
Wolfgang Marx (liner notes)
Gerhard Schumacher
remastering:Tony Bridge (mastering engineer)
Stephen Frost (sound engineer)
Tony Harrison (producer and sound engineer for classical music)
Mike Hatch (engineer/editor)
Limo Hearn
David Hinitt (UK recording engineer, early 21c)
Geoff Miles (editor and engineer)
Raphael Mouterde
booklet editor:Fabian Watkinson
artwork:Pieter Bruegel de Oude (in 1562: task: cover "The Fall of the Rebel Angel")
phonographic copyright (℗) by:Warner Classics (in 2004)
Warner Music UK Ltd. (not for release label use!) (in 2004)
art direction:WLP Ltd. (graphic design agency)
remastered at:Floating Earth Ltd. in London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/31180624 [info]