Cantatas, Vol. 2

~ Release by J.S. Bach; Fritz Werner, Agnes Giebel, Helmut Krebs, Heinrich-Schütz Choir, Heilbronn, Pforzheim Chamber Orchestra (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▼CD
#TitleArtistRatingLength
1Ich will den Kreuzstab gerne tragen, BWV 56: 1. Aria (Basso): "Ich will den Kreuzstab gerne tragen"
recording engineer:
Peter Willemoës (in 1964-11)
producer:
Michel Garcin (French producer)
bass vocals:
Barry McDaniel (baritone) (in 1964-11)
orchestra:
Pforzheim Chamber Orchestra (in 1964-11)
conductor:
Fritz Werner (German conductor and organist) (in 1964-11)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-11)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1964-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:22
2Ich will den Kreuzstab gerne tragen, BWV 56: 2. Recitativo (Basso): "Mein Wandel auf der Welt"
recording engineer:
Peter Willemoës (in 1964-11)
producer:
Michel Garcin (French producer)
bass vocals:
Barry McDaniel (baritone) (in 1964-11)
orchestra:
Pforzheim Chamber Orchestra (in 1964-11)
conductor:
Fritz Werner (German conductor and organist) (in 1964-11)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-11)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1964-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:17
3Ich will den Kreuzstab gerne tragen, BWV 56: 3. Aria (Basso): "Endlich, endlich wird mein Joch"
recording engineer:
Peter Willemoës (in 1964-11)
producer:
Michel Garcin (French producer)
bass vocals:
Barry McDaniel (baritone) (in 1964-11)
orchestra:
Pforzheim Chamber Orchestra (in 1964-11)
conductor:
Fritz Werner (German conductor and organist) (in 1964-11)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-11)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1964-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach7:05
4Ich will den Kreuzstab gerne tragen, BWV 56: 4. Recitativo (Basso): "Ich stehe fertig und bereit"
recording engineer:
Peter Willemoës (in 1964-11)
producer:
Michel Garcin (French producer)
bass vocals:
Barry McDaniel (baritone) (in 1964-11)
orchestra:
Pforzheim Chamber Orchestra (in 1964-11)
conductor:
Fritz Werner (German conductor and organist) (in 1964-11)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-11)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1964-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:54
5Ich will den Kreuzstab gerne tragen, BWV 56: 5. Choral (Coro): "Komm, o Tod, du Schlafes Bruder"
recording engineer:
Peter Willemoës (in 1964-11)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-11)
orchestra:
Pforzheim Chamber Orchestra (in 1964-11)
conductor:
Fritz Werner (German conductor and organist) (in 1964-11)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-11)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1964-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:46
6Was Gott tut, das ist wohlgetan, BWV 98: 1. [Coro]: "Was Gott tut, das ist wohlgetan"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": I. Coro "Was Gott tut, das ist wohlgetan" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:59
7Was Gott tut, das ist wohlgetan, BWV 98: 2. Recitativo (Tenore): "Ach Gott! wenn wirst du mich einmal"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer)
tenor vocals:
Helmut Krebs (tenor) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": II. Recitativo (Tenor) "Ach Gott! wenn wirst du mich einmal" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:05
8Was Gott tut, das ist wohlgetan, BWV 98: 3. Aria (Soprano): "Hört, ihr Augen, auf zu weinen"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer)
soprano vocals:
Agnes Giebel (soprano) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Hört, ihr Augen, auf zu weinen!" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:57
9Was Gott tut, das ist wohlgetan, BWV 98: 4. Recitativo (Alto): "Gott hat ein Herz, das des Erbarmens Überfluß"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": IV. Recitativo (Alt) "Gott hat ein Herz, das des Erbarmens Überfluß" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:31
10Was Gott tut, das ist wohlgetan, BWV 98: 5. Aria (Basso): "Meinen Jesum laß ich nicht"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer)
bass vocals:
Erich Wenk (bass-baritone) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": V. Aria (Bass) "Meinen Jesum laß ich nicht" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach5:40
11Ach wie flüchtig, ach wie nichtig, BWV 26: 1. [Coro]: "Ach wie flüchtig, ach wie nichtig"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach4:17
12Ach wie flüchtig, ach wie nichtig, BWV 26: 2. Aria (Tenore): "So schnell ein rauschend Wasser schießt"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
tenor vocals:
Helmut Krebs (tenor) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach6:53
13Ach wie flüchtig, ach wie nichtig, BWV 26: 3. Recitativo (Alto): "Die Freude wird zur Traurigkeit"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach1:14
14Ach wie flüchtig, ach wie nichtig, BWV 26: 4. Aria (Basso): "An irdische Schätze das Herze zu hängen"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach4:33
15Ach wie flüchtig, ach wie nichtig, BWV 26: 5. Recitativo (Soprano): "Die höchste Herrlichkeit und Pracht"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
soprano vocals:
Friederike Sailer (German soprano) (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:51
16Ach wie flüchtig, ach wie nichtig, BWV 26: 6. Choral (Coro): "Ach wie flüchtig, ach wie nichtig"
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording engineer:
Peter Willemoës (in 1961)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Pforzheim Chamber Orchestra (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (in 1961)
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach1:02
17Es reißet euch ein schrecklich Ende, BWV 90: 1. Aria(Tenore): "Es reißet euch ein schrecklich Ende"
sound engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Helmut Krebs (tenor) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach7:02
18Es reißet euch ein schrecklich Ende, BWV 90: 2. Recitativo (Alto): "Des Höchsten Güte wird von Tag zu Tage neu"
sound engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer) (task: recording supervision)
alto vocals:
Claudia Hellmann (contralto) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach2:00
19Es reißet euch ein schrecklich Ende, BWV 90: 3. Aria (Basso): "So löschet im Eifer der rächende Richter"
sound engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Erich Wenk (bass-baritone) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach3:39
20Es reißet euch ein schrecklich Ende, BWV 90: 4. Recitativo (Tenore): "Doch Gottes Auge sieht auf uns"
sound engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Helmut Krebs (tenor) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns" (in 1963-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach0:51
21Es reißet euch ein schrecklich Ende, BWV 90: 5. Choral (Coro): "Leit uns mit deiner rechten Hand"
sound engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1964)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (in 1963-06)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach1:21
7▶CD
8▶CD
9▶CD
10▶CD

Credits

Release

manufactured in:EU (Europe)
art direction:Stuart Wilson (Art director)
liner notes:Nele Anders
Nicholas Anderson (producer and liner notes writer)
Alfred Dürr (German musicologist)
Ludwig Finscher (musicologist and author)
Wolfgang Marx (liner notes)
Gerhard Schumacher
remastering:Tony Bridge (mastering engineer)
Stephen Frost (sound engineer)
Tony Harrison (producer and sound engineer for classical music)
Mike Hatch (engineer/editor)
Limo Hearn
David Hinitt (UK recording engineer, early 21c)
Geoff Miles (editor and engineer)
Raphael Mouterde
booklet editor:Fabian Watkinson
artwork:Pieter Bruegel de Oude (in 1562: task: cover "The Fall of the Rebel Angel")
phonographic copyright (℗) by:Warner Classics (in 2004)
Warner Music UK Ltd. (not for release label use!) (in 2004)
art direction:WLP Ltd. (graphic design agency)
remastered at:Floating Earth Ltd. in London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/31180624 [info]