Tracklist

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1Fidelio: Akt II. No. 11. Introduktion und Arie: „Gott, welch Dunkel hier“ (Florestan)
tenor vocals [Florestan]:
Ben Heppner (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven11:57
2Fidelio: Akt II. No. 12/1. Melodram
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:34
3Fidelio: Akt II. No. 12/2. Duett: „Nur hurtig fort, nur frisch gegraben“ (Leonore, Rocco)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:56
4Fidelio: Akt II. No. 13. Terzett: „Euch werde Lohn in besseren Welten“ (Leonore, Florestan, Rocco)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
tenor vocals [Florestan]:
Ben Heppner (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven7:25
5Fidelio: Akt II. No. 14/1. Quartett: „Er sterbe!“ (Pizarro, Leonore, Florestan, Rocco)
baritone vocals [Pizarro]:
Günter von Kannen (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
tenor vocals [Florestan]:
Ben Heppner (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:29
6Fidelio: Akt II. No. 14/2. „Es schlägt der Rache Stunde“ (Pizarro, Leonore, Florestan, Rocco)
baritone vocals [Pizarro]:
Günter von Kannen (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
tenor vocals [Florestan]:
Ben Heppner (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:12
7Fidelio: Akt II. No. 15. Duett: „O namenlose Freude“ (Leonore, Florestan)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
tenor vocals [Florestan]:
Ben Heppner (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:47
8Fidelio: Akt II. No. 16/1. Finale: „Heil sei dem Tag, heil sei der Stunde“ (Chor)Ludwig van Beethoven2:15
9Fidelio: Akt II. No. 16/2. „Des beste Königs Wink and Wille“ (Don Fernando, Leonore, Marzelline, Rocco, Pizarro, Chor)
baritone vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone)
baritone vocals [Pizarro]:
Günter von Kannen (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
soprano vocals [Marzelline]:
Elizabeth Norberg-Schulz (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven8:33
10Fidelio: Akt II. No. 16/3. „Wer ein holdes Weib errungen“ (Don Fernando, Leonore, Florestan, Marzelline, Jaquino, Rocco, Pizarro, Chor)
baritone vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
soprano vocals [Marzelline]:
Elizabeth Norberg-Schulz (soprano)
tenor vocals [Florestan]:
Ben Heppner (tenor)
tenor vocals [Jaquino]:
Michael Schade (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven3:54
11Leonore Ouvertüre Nr. 2
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Overture “Leonore” no. 2 in C major, op. 72a
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72a)
part of:
Leonore, Hess 109
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven15:36