Tracklist

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1CD
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1Fidelio: Ouvertüre
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:54
2Fidelio: Akt I. No. 1. Duett: „Jetzt Schätzchen, jetzt sind wir allein“ (Marzelline, Jaquino)
soprano vocals [Marzelline]:
Elizabeth Norberg-Schulz (soprano)
tenor vocals [Jaquino]:
Michael Schade (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:59
3Fidelio: Akt I. No. 2. Arie: „O wär ich schon mit dir vereint“ (Marzelline)
soprano vocals [Marzelline]:
Elizabeth Norberg-Schulz (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:10
4Fidelio: Akt I. No. 3. Quartett: „Mir ist so wunderbar“ (Marzelline, Jaquino, Leonore, Rocco)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
soprano vocals [Marzelline]:
Elizabeth Norberg-Schulz (soprano)
tenor vocals [Jaquino]:
Michael Schade (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:20
5Fidelio: Akt I. No. 4. Arie: „Hat man nicht auch Gold beineben“ (Rocco)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:03
6Fidelio: Akt I. No. 5. Terzett: „Gut, Söhnchen, gut, hab immer Mut“ (Marzelline, Leonore, Rocco)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
soprano vocals [Marzelline]:
Elizabeth Norberg-Schulz (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:20
7Fidelio: Akt I. No. 6. Marsch
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:07
8Fidelio: Akt I. No. 7. Arie mit Chor: „Ha, welch ein Augenblick“ (Pizarro, Männerchor)
baritone vocals [Pizarro]:
Günter von Kannen (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:43
9Fidelio: Akt I. No. 8. Duett: „Jetzt, Alter, jetzt hat es Eile“ (Pizarro, Rocco)
baritone vocals [Pizarro]:
Günter von Kannen (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:46
10Fidelio: Akt I. No. 9. Recitativ und Arie: „Abscheulicher, wo eilst du hin?“ (Leonore)Ludwig van Beethoven9:02
11Fidelio: Akt I. No. 10/1. Finale: „O welche Lust, in freier Luft“ (Marzelline, Jaquino, Leonore, Rocco, Pizarro, Männerchor)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:59
12Fidelio: Akt I. No. 10/2. „Nun sprecht, wie gings?“ (Leonore, Rocco)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:08
13Fidelio: Akt I. No. 10/3. „Ach Vater, eilt“ (Marzelline, Jaquino, Leonore, Rocco)
baritone vocals [Pizarro]:
Günter von Kannen (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
soprano vocals [Marzelline]:
Elizabeth Norberg-Schulz (soprano)
tenor vocals [Jaquino]:
Michael Schade (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:42
14Fidelio: Akt I. No. 10/4. „Verwegner Alter“ (Pizarro, Rocco)
baritone vocals [Pizarro]:
Günter von Kannen (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:52
15Fidelio: Akt I. No. 10/5. „Leb wohl, du warmes Sonnenlicht“ (Marzelline, Jaquino, Leonore, Rocco, Pizarro, Männerchor)
baritone vocals [Pizarro]:
Günter von Kannen (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
soprano vocals [Marzelline]:
Elizabeth Norberg-Schulz (soprano)
tenor vocals [Jaquino]:
Michael Schade (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:28
2CD
#TitleArtistRatingLength
1Fidelio: Akt II. No. 11. Introduktion und Arie: „Gott, welch Dunkel hier“ (Florestan)
tenor vocals [Florestan]:
Ben Heppner (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven11:57
2Fidelio: Akt II. No. 12/1. Melodram
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:34
3Fidelio: Akt II. No. 12/2. Duett: „Nur hurtig fort, nur frisch gegraben“ (Leonore, Rocco)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:56
4Fidelio: Akt II. No. 13. Terzett: „Euch werde Lohn in besseren Welten“ (Leonore, Florestan, Rocco)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
tenor vocals [Florestan]:
Ben Heppner (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven7:25
5Fidelio: Akt II. No. 14/1. Quartett: „Er sterbe!“ (Pizarro, Leonore, Florestan, Rocco)
baritone vocals [Pizarro]:
Günter von Kannen (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
tenor vocals [Florestan]:
Ben Heppner (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:29
6Fidelio: Akt II. No. 14/2. „Es schlägt der Rache Stunde“ (Pizarro, Leonore, Florestan, Rocco)
baritone vocals [Pizarro]:
Günter von Kannen (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
tenor vocals [Florestan]:
Ben Heppner (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:12
7Fidelio: Akt II. No. 15. Duett: „O namenlose Freude“ (Leonore, Florestan)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
tenor vocals [Florestan]:
Ben Heppner (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:47
8Fidelio: Akt II. No. 16/1. Finale: „Heil sei dem Tag, heil sei der Stunde“ (Chor)Ludwig van Beethoven2:15
9Fidelio: Akt II. No. 16/2. „Des beste Königs Wink and Wille“ (Don Fernando, Leonore, Marzelline, Rocco, Pizarro, Chor)
baritone vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone)
baritone vocals [Pizarro]:
Günter von Kannen (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
soprano vocals [Marzelline]:
Elizabeth Norberg-Schulz (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven8:33
10Fidelio: Akt II. No. 16/3. „Wer ein holdes Weib errungen“ (Don Fernando, Leonore, Florestan, Marzelline, Jaquino, Rocco, Pizarro, Chor)
baritone vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone)
bass vocals [Rocco]:
Matthias Hölle (operatic bass)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Leonore]:
Deborah Voigt (soprano)
soprano vocals [Marzelline]:
Elizabeth Norberg-Schulz (soprano)
tenor vocals [Florestan]:
Ben Heppner (tenor)
tenor vocals [Jaquino]:
Michael Schade (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven3:54
11Leonore Ouvertüre Nr. 2
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Overture “Leonore” no. 2 in C major, op. 72a
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72a)
part of:
Leonore, Hess 109
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven15:36