The Rossini Edition

~ Release by Gioachino Rossini (see all versions of this release, 1 available)

Tracklist

1▶CD: L’inganno felice (cond. M. Minkowski)
2▶CD: La scala di seta - Disc 1 (cond. G. Ferro)
3▶CD: La scala di seta - Disc 2 (cond. G. Ferro)
4▶CD: Tancredi - Disc 1 (cond. G. Ferro)
5▶CD: Tancredi - Disc 2 (cond. G. Ferro)
6▶CD: Tancredi - Disc 3 (cond. G. Ferro)
7▶CD: L’italiana in Algeri - Disc 1 (cond. C. Scimone)
8▶CD: L’italiana in Algeri - Disc 2 (cond. C. Scimone)
9▶CD: Il turco in Italia - Disc 1 (cond. G. Gavazzeni)
10▶CD: Il turco in Italia - Disc 2 (cond. G. Gavazzeni)
11▶CD: Il barbiere di Siviglia - Disc 1 (cond. J. Levine)
12▶CD: Il barbiere di Siviglia - Disc 2 (cond. J. Levine)
13▶CD: La Cenerentola - Disc 1 (cond. V. Gui)
14▶CD: La Cenerentola - Disc 2 (cond. V. Gui)
15▶CD: Ermione - Disc 1 (cond. C. Scimone)
16▶CD: Ermione - Disc 2 (cond. C. Scimone)
17▶CD: Bianca e Falliero - Disc 1 (cond. D. Renzetti)
18▶CD: Bianca e Falliero - Disc 2 (cond. D. Renzetti)
19▶CD: Bianca e Falliero - Disc 3 (cond. D. Renzetti)
20▶CD: Zelmira (1822 version) - Disc 1 (cond. C. Scimone)
21▶CD: Zelmira (1822 version) - Disc 2 (cond. C. Scimone)
22▶CD: Semiramide - Disc 1 (cond. A. Zedda)
23▶CD: Semiramide - Disc 2 (cond. A. Zedda)
24▶CD: Semiramide - Disc 3 (cond. A. Zedda)
25▶CD: L’assedio di Corinto - Disc 1 (cond. T. Schippers; mixed 1820/1826 version)
26▶CD: L’assedio di Corinto - Disc 2 (cond. T. Schippers; mixed 1820/1826 version)
27▶CD: L’assedio di Corinto - Disc 3 (cond. T. Schippers; mixed 1820/1826 version)
28▶CD: Le Comte Ory - Disc 1 (cond. V. Gui)
29▶CD: Le Comte Ory - Disc 2 (cond. V. Gui)
30▶CD: Guillaume Tell - Disc 1 (cond. L. Gardelli)
31▼CD: Guillaume Tell - Disc 2 (cond. L. Gardelli)
#TitleRatingLength
1Guillaume Tell, Acte I, Scène 9: "Pâle et tremblant, se soutenant à peine" (Jemmy, Fisherman, Leuthold, Hedwige, Melchthal)
bass vocals [Leuthold]:
Nicolas Christou (Belgian Bass-Baritone)
bass vocals [Melchthal]:
Gwynne Howell (operatic bass)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
tenor vocals [Ruodi]:
Charles Burles (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte I. Récitatif: « Pâle et tremblant » (Jemmy, Ruodi, Leuthold, Hedwige, Melchthal, Guillaume, Chœur)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte I
2:07
2Guillaume Tell, Acte I, Scène 10: "Arnold a disparu" (Tell, Chorus, Leuthold, Hedwige)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Leuthold]:
Nicolas Christou (Belgian Bass-Baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte I. Récitatif: « Pâle et tremblant » (Jemmy, Ruodi, Leuthold, Hedwige, Melchthal, Guillaume, Chœur)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte I
1:24
3Guillaume Tell, Acte I, Scène 11 No. 7: Final "Dieu de bonté, Dieu tout-puissant" (Chorus, Rodolphe, Jemmy, Hedwige, Melchthal)
bass vocals [Melchthal]:
Gwynne Howell (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
tenor vocals [Rodolphe]:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte I. Final: No 7 « Dieu de bonté » … « Restez ! Il est plus d'un coupable » (Chœur, Rodolphe, Jemmy, Hedwige, Melchthal, Ruodi)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte I
3:05
4Guillaume Tell, Acte I, Scène 11: Final "Ils vont parler"
bass vocals [Melchthal]:
Gwynne Howell (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
tenor vocals [Rodolphe]:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte I. Final: No 7 « Dieu de bonté » … « Restez ! Il est plus d'un coupable » (Chœur, Rodolphe, Jemmy, Hedwige, Melchthal, Ruodi)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte I
2:28
5Guillaume Tell, Acte I, Scène 11: Final "Ce qu'il a fait, tous, nous l'aurions dû faire" (Jemmy, Hedwige, Rodolphe, Chorus, Fisherman, Melchthal)
bass vocals [Melchthal]:
Gwynne Howell (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Hedwige]:
Jocelyne Taillon (mezzo-soprano)
soprano vocals [Jemmy]:
Mady Mesplé (soprano)
tenor vocals [Rodolphe]:
Ricardo Cassinelli (Argentine operatic tenor)
tenor vocals [Ruodi]:
Charles Burles (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte I. Final: « Comme lui nous aurions du faire » (Chœur, Rodolphe, Jemmy, Hedwige, Melchthal, Ruodi)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte I
4:18
6Guillaume Tell, Acte II, Scène 1 No. 8: "Quelle sauvage harmonie" (Chorus)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte II. No. 8 Chœur : « Quelle sauvage harmonie » … « Quel est ce bruit ? » (Chœur, un chasseur)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
1:48
7Guillaume Tell, Acte II, Scène 1: "Quel est ce bruit?" (Hunter, Chorus)
baritone vocals [un chasseur]:
Leslie Fyson (baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte II. No. 8 Chœur : « Quelle sauvage harmonie » … « Quel est ce bruit ? » (Chœur, un chasseur)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
2:47
8Guillaume Tell, Acte II, Scène 2 No. 9: "Ils s'éloignent enfin"
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte II. No. 9 Récitatif : « Ils s’éloignent enfin » (Mathilde)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
3:21
9Guillaume Tell, Acte II, Scène 2: Romance "Sombre forêt" (Mathilde)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte II. Romance : « Sombre forêt » (Mathilde)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
4:51
10Guillaume Tell, Acte II, Scène 3: "Ma présence pour vous est peut-être un outrage?"
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte II. Récitatif : « Ma présence » (Arnold, Mathilde)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
3:22
11Guillaume Tell, Acte II, Scène 3 No. 10: Duo "Oui, vous l'arrachez à mon âme"
soprano vocals and soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
tenor vocals and tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte II. No. 10 Duo : « Oui, vous l’arrachez à mon âme » (Mathilde, Arnold)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
3:19
12Guillaume Tell, Acte II, Scène 3: "Doux aveu! ce tendre language" (Arnold, Mathilde)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte II. Duo : « Doux aveu » (Arnold, Mathilde)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
4:54
13Guillaume Tell, Acte II, Scène 3: "Il est digne de mon amour, oui ... Dans celle que j'aime ..." (Arnold, Mathilde)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte II. Duo : « Doux aveu » (Arnold, Mathilde)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
2:38
14Guillaume Tell, Acte II, Scène 3: "On vient, séparons-nous" (Arnold, Mathilde)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte II. Récitatif : « On vient » (Arnold, Mathilde)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
0:38
15Guillaume Tell, Acte II, Scène 4: "Tu n'étais pas seul en ces lieux?" (Arnold, Tell, Walter)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Walter]:
Kolos Kováts (operatic bass)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte II. « Tu n'étais pas seul en ces lieux ? » (Guillaume, Arnold, Walter)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
2:56
16Guillaume Tell, Acte II, Scène 4 No. 11: "Quand l'Helvétie est un champ de supplices" (Arnold, Tell, Walter)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Walter]:
Kolos Kováts (operatic bass)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte II. No. 11 Trio : « Quand l’Hélvétie » (Guillaume, Arnold, Walter)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
3:24
17Guillaume Tell, Acte II, Scène 4: "Ses jours qu'ils ont osé proscrire" (Arnold, Tell, Walter)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Walter]:
Kolos Kováts (operatic bass)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte II. No. 11 Trio : « Quand l’Hélvétie » (Guillaume, Arnold, Walter)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
3:53
18Guillaume Tell, Acte II, Scène 4: Trio "Il est donc vrai!" (Arnold, Tell, Walter)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Walter]:
Kolos Kováts (operatic bass)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte II. Trio : « Il est donc vrai ? » (Arnold, Walter, Guillaume)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
4:06
19Guillaume Tell, Acte II, Scènes 4-5 No. 12: "Des profondeurs du bois immense" (Tell, Arnold, Walter, Chorus)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Walter]:
Kolos Kováts (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte II. No. 12 Final II : « Des profondeurs du bois » (Guillaume, Arnold, Walter, Chœur)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
3:43
20Guillaume Tell, Acte II, Scène 6: "En ces temps de malheurs" (Chorus)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte II. Final : « En ces temps de malheurs » (Chœur, Guillaume, Arnold, Walter)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
3:34
21Guillaume Tell, Acte II, Scène 6: "On pardonne la crainte à de si grands malheurs" (Tell, Arnold, Walter, Chorus)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Walter]:
Kolos Kováts (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte II. Final : « En ces temps de malheurs » (Chœur, Guillaume, Arnold, Walter)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
0:56
22Guillaume Tell, Acte II, Scène 6: "De prompts effets la promesse est suivie" (Tell, Arnold, Walter, Chorus)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Walter]:
Kolos Kováts (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte II. Final : « En ces temps de malheurs » (Chœur, Guillaume, Arnold, Walter)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
2:49
23Guillaume Tell, Acte II, Scène 7: "L'avalanche roulant du haut de os montagnes" (Tell, Arnold, Walter, Chorus)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Walter]:
Kolos Kováts (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Guillaume Tell : Acte II. Final : « En ces temps de malheurs » (Chœur, Guillaume, Arnold, Walter)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
3:10
24Guillaume Tell, Acte II, Scène 7: Serment "Jurons, jurons par nos dangers" (Tell, Arnold, Walter, Chorus)
baritone vocals [Guillaume Tell]:
Gabriel Bacquier (French baritone)
bass vocals [Walter]:
Kolos Kováts (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Arnold]:
Nicolai Gedda (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte II. Le Serment : « Jurons, jurons par nos dangers » (Guillaume, Arnold, Walter, Chœur)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
3:30
32▶CD: Guillaume Tell - Disc 3 (cond. L. Gardelli)
33▶CD: Guillaume Tell - Disc 4 (cond. L. Gardelli)
34▶CD: Edipo a Colono (cond. C. Scimone)
35▶CD: Rossini: Bicentenary Gala Concert Disc 1
36▶CD: Rossini: Bicentenary Gala Concert Disc 2
37▶CD: Colbran, the Muse
38▶CD: The Rossini Tenor
39▶CD: Encore: Rossini
40▶CD: Rossini Mélodies
41▶CD: Giovanna d’Arco e Ariette rare
42▶CD
43▶CD
44▶CD
45▶CD: Stabat Mater (cond. A. Pappano)
46▶CD: Petite Messe solennelle (cond. A. Pappano)
47▶CD: Messa di Gloria (cond. S. Accardo) - Improvisations & Transcriptions
48▶CD: 6 Sonatas for Strings (cond. C. Scimone)
49▶CD: La Boutique fantasque - Péchés de vieillesse
50▶CD: Quartets for Flute, Clarinet, Horn & Bassoon - Introduction, Theme And Variations

Credits

Release group

includes:Bianca e Falliero by Gioachino Rossini (composer); Katia Ricciarelli (soprano), Chris Merritt (American opera singer, tenor), Marilyn Horne (American operatic mezzo-soprano), Giorgio Surjan (bass-baritone), The London Sinfonietta Opera Orchestra, Donato Renzetti (Italian conductor)
Edipo a Colono by Rossini (composer); Ghiuselev (operatic bass), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Claudio Scimone (conductor)
Ermione by Rossini (composer); Gasdia (Italian operatic soprano), Zimmermann (mezzo-soprano), Merritt (American opera singer, tenor), Chœur Philharmonique de Prague (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Claudio Scimone (conductor)
Il barbiere di Siviglia (London, 1975) by Gioachino Rossini (composer); Beverly Sills (soprano), Sherrill Milnes (baritone), Nicolai Gedda (tenor), Renato Capecchi (baritone), Fedora Barbieri (mezzo-soprano), Ruggero Raimondi (bass-baritone), The John Alldis Choir, London Symphony Orchestra, James Levine (US conductor and pianist)
Il turco in Italia (1954 studio cast) by Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
L’assedio di Corinto (Live, 1969-04-11, Milano) by Gioachino Rossini (composer); Beverly Sills (soprano), Marilyn Horne (American operatic mezzo-soprano), Franco Bonisolli (tenor), Thomas Schippers (conductor and composer)
L’inganno felice by Gioachino Rossini (composer); Annick Massis (soprano), Raúl Giménez (tenor), Rodney Gilfry (baritone), Pietro Spagnoli (baritone), Lorenzo Regazzo (bass-baritone), Le Concert des Tuileries, Marc Minkowski (bassoonist and conductor)
L’italiana in Algeri (1980 studio cast) by Gioachino Rossini (composer); Marilyn Horne (American operatic mezzo-soprano), Samuel Ramey (bass-baritone), Ernesto Palacio (Peruvian tenor), Kathleen Battle (soprano), Clara Foti (alto / contralto), Domenico Trimarchi (bass-baritone), Nicola Zaccaria (operatic bass), Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir), I Solisti Veneti, Claudio Scimone (conductor)
La Cenerentola (1953 studio cast) by Gioachino Rossini (composer); Marina de Gabarain (mezzo-soprano), Juan Oncina (tenor), Sesto Bruscantini (bass-baritone), Alda Noni (soprano), Glyndebourne Festival Chorus & Orchestra, Vittorio Gui (conductor and composer)
La scala di seta by Gioachino Rossini (composer); Luciana Serra (soprano), Cecilia Bartoli (mezzo‐soprano), William Matteuzzi (tenor), Roberto Coviello (baritone), Natale de Carolis (Italian operatic baritone), Oslavio di Credico (tenor), Orchestra del Teatro Comunale di Bologna, Gabriele Ferro (conductor)
Messa di Gloria by Gioachino Rossini (composer); Antonacci (soprano), Manca di Nissa (contralto), Araiza (tenor), Gambill (tenor), Spagnoli (baritone), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Salvatore Accardo (violinist and conductor)
Petite messe solennelle by Gioachino Rossini (composer): Antonio Pappano (conductor and pianist), Marina Rebeka (soprano), Sara Mingardo (contralto), Francesco Meli (operatic tenor), Alex Esposito (Operatic bass baritone)
Semiramide by Gioachino Rossini (composer); Iano Tamar (soprano), Gloria Scalchi (mezzo-soprano), Michele Pertusi (operatic bass), Gregory Kunde (tenor), Coro Filarmonico di Praga (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestra del Teatro Comunale di Bologna, Alberto Zedda (conductor)
Tancredi by Gioachino Rossini (composer); Fiorenza Cossotto (mezzo-soprano), Lella Cuberli (soprano), Werner Hollweg (tenor), Nicola Ghiuselev (operatic bass), Helga Müller (mezzo-soprano), Lucia Rizzi (soprano / mezzo-soprano), Chor des WDR Köln, Cappella Coloniensis, Gabriele Ferro (conductor)
Zelmira by Gioachino Rossini (composer); Cecilia Gasdia (Italian operatic soprano), Bernarda Fink (mezzo-soprano), William Matteuzzi (tenor), Chris Merritt (American opera singer, tenor), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), I Solisti Veneti, Claudio Scimone (conductor)