The Rossini Edition

~ Release by Gioachino Rossini (see all versions of this release, 1 available)

Tracklist

1▶CD: L’inganno felice (cond. M. Minkowski)
2▶CD: La scala di seta - Disc 1 (cond. G. Ferro)
3▶CD: La scala di seta - Disc 2 (cond. G. Ferro)
4▶CD: Tancredi - Disc 1 (cond. G. Ferro)
5▶CD: Tancredi - Disc 2 (cond. G. Ferro)
6▶CD: Tancredi - Disc 3 (cond. G. Ferro)
7▶CD: L’italiana in Algeri - Disc 1 (cond. C. Scimone)
8▶CD: L’italiana in Algeri - Disc 2 (cond. C. Scimone)
9▶CD: Il turco in Italia - Disc 1 (cond. G. Gavazzeni)
10▶CD: Il turco in Italia - Disc 2 (cond. G. Gavazzeni)
11▼CD: Il barbiere di Siviglia - Disc 1 (cond. J. Levine)
#TitleRatingLength
1Il barbiere di Siviglia: Overture
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
7:27
2Il barbiere di Siviglia: Act I, Scene I. "Piano, pianissimo, senza parlar" (Fiorello, Coro, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Fiorello]:
Joseph Galiano (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°1a. Introduzione “Piano, pianissimo” (Fiorello, Coro, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
2:57
3Il barbiere di Siviglia: Act I, Scene I. "Ecco ridente in cielo" (Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
tenor vocals and tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
4:55
4Il barbiere di Siviglia: Act I, Scene I. "Ehi, Fiorello" (Almaviva, Fiorello, Coro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Fiorello]:
Joseph Galiano (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°1c. Recitativo “Ehi, Fiorello” (Coro, Fiorello, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
1:07
5Il barbiere di Siviglia: Act I, Scene I. "Mille grazie, mio signore" (Coro, Almaviva, Fiorello)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Fiorello]:
Joseph Galiano (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°1d. “Mille grazie, mio signore” (Coro, Conte, Fiorello) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
1:49
6Il barbiere di Siviglia: Act I, Scene I. "Gente indiscreta!" (Almaviva, Fiorello, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Fiorello]:
Joseph Galiano (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°1e. “Gente indiscreta!” (Conte, Fiorello, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
1:13
7Il barbiere di Siviglia: Act I, Scene I. "La ran la le ra... Largo al factotum" (Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals and baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
4:33
8Il barbiere di Siviglia: Act I, Scene I. "Ah, che bella vita!" (Figaro, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°2b. “Ah che bella vita!” (Figaro, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
2:17
9Il barbiere di Siviglia: Act I, Scene I. "Non è venuto ancora" (Rosina, Almaviva, Bartolo, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°2c. “Non è venuto ancora” (Rosina, Conte, Bartolo, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
1:54
10Il barbiere di Siviglia: Act I, Scene I. "Le vostre assidue premure" (Figaro, Almaviva, Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°2d. “Le vostre assidue premure” (Figaro, Conte, Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
2:35
11Il barbiere di Siviglia: Act I, Scene I. "Se il mio nome saper voi bramate" (Almaviva, Rosina, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°3a. Canzone “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
2:22
12Il barbiere di Siviglia: Act I, Scene I. "Oh cielo!" (Almaviva, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°3b. “Oh cielo!” (Conte, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
1:03
13Il barbiere di Siviglia: Act I, Scene I. "All'idea di quel metallo" (Almaviva, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals and baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
tenor vocals and tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
9:08
14Il barbiere di Siviglia: Act I, Scene II. "Una voce poco fa" (Rosina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
soprano vocals:
Beverly Sills (soprano) (from 1974-08 until 1975-05, in 1975)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05, in 1975)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05, in 1975)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1975)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
5:45
15Il barbiere di Siviglia: Act I, Scene II. "Sì, sì, la vincerò" (Rosina, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°5b. “Sì, sì, la vincerò” (Rosina, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
1:21
16Il barbiere di Siviglia: Act I, Scene II. "Ah, disgraziato Figaro!" (Bartolo, Rosina, Berta, Ambrogio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Ambrogio]:
Michael Rippon (operatic bass) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°5c. “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
1:49
17Il barbiere di Siviglia: Act I, Scene II. "Ah! Barbiere d'inferno" (Bartolo, Basilio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°5d. “Ah! Barbiere d’inferno” (Bartolo, Basilio) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
1:50
18Il barbiere di Siviglia: Act I, Scene II. "La calunnia è un venticello" (Basilio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Basilio] and bass-baritone vocals:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
4:55
19Il barbiere di Siviglia: Act I, Scene II. "Ah! Che ne dite?" (Bartolo, Basilio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°6b. “Ah che ne dite?” (Basilio, Bartolo)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
0:36
20Il barbiere di Siviglia: Act I, Scene II. "Ma bravi! Ma benone!" (Figaro, Rosina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°6c. “Ma bravi! Ma benone!” (Figaro, Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
2:25
21Il barbiere di Siviglia: Act I, Scene II. "Dunque io son" (Rosina, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals and baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals and soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
4:58
22Il barbiere di Siviglia: Act I, Scene II. "Ora mi sento meglio" (Rosina, Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°7b. “Ora mi sento meglio” (Rosina, Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
1:54
23Il barbiere di Siviglia: Act I, Scene II. "A un dottor della mia sorte" (Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals and bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
6:06
12▶CD: Il barbiere di Siviglia - Disc 2 (cond. J. Levine)
13▶CD: La Cenerentola - Disc 1 (cond. V. Gui)
14▶CD: La Cenerentola - Disc 2 (cond. V. Gui)
15▶CD: Ermione - Disc 1 (cond. C. Scimone)
16▶CD: Ermione - Disc 2 (cond. C. Scimone)
17▶CD: Bianca e Falliero - Disc 1 (cond. D. Renzetti)
18▶CD: Bianca e Falliero - Disc 2 (cond. D. Renzetti)
19▶CD: Bianca e Falliero - Disc 3 (cond. D. Renzetti)
20▶CD: Zelmira (1822 version) - Disc 1 (cond. C. Scimone)
21▶CD: Zelmira (1822 version) - Disc 2 (cond. C. Scimone)
22▶CD: Semiramide - Disc 1 (cond. A. Zedda)
23▶CD: Semiramide - Disc 2 (cond. A. Zedda)
24▶CD: Semiramide - Disc 3 (cond. A. Zedda)
25▶CD: L’assedio di Corinto - Disc 1 (cond. T. Schippers; mixed 1820/1826 version)
26▶CD: L’assedio di Corinto - Disc 2 (cond. T. Schippers; mixed 1820/1826 version)
27▶CD: L’assedio di Corinto - Disc 3 (cond. T. Schippers; mixed 1820/1826 version)
28▶CD: Le Comte Ory - Disc 1 (cond. V. Gui)
29▶CD: Le Comte Ory - Disc 2 (cond. V. Gui)
30▶CD: Guillaume Tell - Disc 1 (cond. L. Gardelli)
31▶CD: Guillaume Tell - Disc 2 (cond. L. Gardelli)
32▶CD: Guillaume Tell - Disc 3 (cond. L. Gardelli)
33▶CD: Guillaume Tell - Disc 4 (cond. L. Gardelli)
34▶CD: Edipo a Colono (cond. C. Scimone)
35▶CD: Rossini: Bicentenary Gala Concert Disc 1
36▶CD: Rossini: Bicentenary Gala Concert Disc 2
37▶CD: Colbran, the Muse
38▶CD: The Rossini Tenor
39▶CD: Encore: Rossini
40▶CD: Rossini Mélodies
41▶CD: Giovanna d’Arco e Ariette rare
42▶CD
43▶CD
44▶CD
45▶CD: Stabat Mater (cond. A. Pappano)
46▶CD: Petite Messe solennelle (cond. A. Pappano)
47▶CD: Messa di Gloria (cond. S. Accardo) - Improvisations & Transcriptions
48▶CD: 6 Sonatas for Strings (cond. C. Scimone)
49▶CD: La Boutique fantasque - Péchés de vieillesse
50▶CD: Quartets for Flute, Clarinet, Horn & Bassoon - Introduction, Theme And Variations

Credits

Release group

includes:Bianca e Falliero by Gioachino Rossini (composer); Katia Ricciarelli (soprano), Chris Merritt (American opera singer, tenor), Marilyn Horne (American operatic mezzo-soprano), Giorgio Surjan (bass-baritone), The London Sinfonietta Opera Orchestra, Donato Renzetti (Italian conductor)
Edipo a Colono by Rossini (composer); Ghiuselev (operatic bass), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Claudio Scimone (conductor)
Ermione by Rossini (composer); Gasdia (Italian operatic soprano), Zimmermann (mezzo-soprano), Merritt (American opera singer, tenor), Chœur Philharmonique de Prague (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Claudio Scimone (conductor)
Il barbiere di Siviglia (London, 1975) by Gioachino Rossini (composer); Beverly Sills (soprano), Sherrill Milnes (baritone), Nicolai Gedda (tenor), Renato Capecchi (baritone), Fedora Barbieri (mezzo-soprano), Ruggero Raimondi (bass-baritone), The John Alldis Choir, London Symphony Orchestra, James Levine (US conductor and pianist)
Il turco in Italia (1954 studio cast) by Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
L’assedio di Corinto (Live, 1969-04-11, Milano) by Gioachino Rossini (composer); Beverly Sills (soprano), Marilyn Horne (American operatic mezzo-soprano), Franco Bonisolli (tenor), Thomas Schippers (conductor and composer)
L’inganno felice by Gioachino Rossini (composer); Annick Massis (soprano), Raúl Giménez (tenor), Rodney Gilfry (baritone), Pietro Spagnoli (baritone), Lorenzo Regazzo (bass-baritone), Le Concert des Tuileries, Marc Minkowski (bassoonist and conductor)
L’italiana in Algeri (1980 studio cast) by Gioachino Rossini (composer); Marilyn Horne (American operatic mezzo-soprano), Samuel Ramey (bass-baritone), Ernesto Palacio (Peruvian tenor), Kathleen Battle (soprano), Clara Foti (alto / contralto), Domenico Trimarchi (bass-baritone), Nicola Zaccaria (operatic bass), Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir), I Solisti Veneti, Claudio Scimone (conductor)
La Cenerentola (1953 studio cast) by Gioachino Rossini (composer); Marina de Gabarain (mezzo-soprano), Juan Oncina (tenor), Sesto Bruscantini (bass-baritone), Alda Noni (soprano), Glyndebourne Festival Chorus & Orchestra, Vittorio Gui (conductor and composer)
La scala di seta by Gioachino Rossini (composer); Luciana Serra (soprano), Cecilia Bartoli (mezzo‐soprano), William Matteuzzi (tenor), Roberto Coviello (baritone), Natale de Carolis (Italian operatic baritone), Oslavio di Credico (tenor), Orchestra del Teatro Comunale di Bologna, Gabriele Ferro (conductor)
Messa di Gloria by Gioachino Rossini (composer); Antonacci (soprano), Manca di Nissa (contralto), Araiza (tenor), Gambill (tenor), Spagnoli (baritone), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Salvatore Accardo (violinist and conductor)
Petite messe solennelle by Gioachino Rossini (composer): Antonio Pappano (conductor and pianist), Marina Rebeka (soprano), Sara Mingardo (contralto), Francesco Meli (operatic tenor), Alex Esposito (Operatic bass baritone)
Semiramide by Gioachino Rossini (composer); Iano Tamar (soprano), Gloria Scalchi (mezzo-soprano), Michele Pertusi (operatic bass), Gregory Kunde (tenor), Coro Filarmonico di Praga (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestra del Teatro Comunale di Bologna, Alberto Zedda (conductor)
Tancredi by Gioachino Rossini (composer); Fiorenza Cossotto (mezzo-soprano), Lella Cuberli (soprano), Werner Hollweg (tenor), Nicola Ghiuselev (operatic bass), Helga Müller (mezzo-soprano), Lucia Rizzi (soprano / mezzo-soprano), Chor des WDR Köln, Cappella Coloniensis, Gabriele Ferro (conductor)
Zelmira by Gioachino Rossini (composer); Cecilia Gasdia (Italian operatic soprano), Bernarda Fink (mezzo-soprano), William Matteuzzi (tenor), Chris Merritt (American opera singer, tenor), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), I Solisti Veneti, Claudio Scimone (conductor)