The Rossini Edition

~ Release by Gioachino Rossini (see all versions of this release, 1 available)

Tracklist

1▶CD: L’inganno felice (cond. M. Minkowski)
2▶CD: La scala di seta - Disc 1 (cond. G. Ferro)
3▶CD: La scala di seta - Disc 2 (cond. G. Ferro)
4▶CD: Tancredi - Disc 1 (cond. G. Ferro)
5▶CD: Tancredi - Disc 2 (cond. G. Ferro)
6▶CD: Tancredi - Disc 3 (cond. G. Ferro)
7▶CD: L’italiana in Algeri - Disc 1 (cond. C. Scimone)
8▶CD: L’italiana in Algeri - Disc 2 (cond. C. Scimone)
9▶CD: Il turco in Italia - Disc 1 (cond. G. Gavazzeni)
10▼CD: Il turco in Italia - Disc 2 (cond. G. Gavazzeni)
#TitleRatingLength
1Il turco in Italia: Atto II, scena 1. “A proposito, amico”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 1. “A proposito, amico” (Selim, Poeta, Geronio) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
1:17
2Il turco in Italia: Atto II, scena 1. “D’ un bell’uso di Turchia”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 1. No. 8. Duetto “D’un bell’uso di Turchia” (Selim, Geronio) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
3:16
3Il turco in Italia: Atto II, scena 1. “Se Fiorilla di vender bramate”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 1. “Se Fiorilla di vender bramate” (Selim, Geronio) … Recitativo “Credea che questa scena” (Poeta) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
3:24
4Il turco in Italia: Atto II, scena 1. “Non v’è piacer perfetto se no procura amor”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 1. No. 9. Coro “Non v’è piacer perfetto se no procura amor” (Coro, Fiorilla) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
2:17
5Il turco in Italia: Atto II, scena 1. “Che Turca imperinente!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 1. Cavatina “Che turca impertinente!” (Fiorilla, Zaida, Selim) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
2:28
6Il turco in Italia: Atto II, scena 1. “Credete alle femmine che dicon d’amarvi”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 1. No. 10. Duetto “Credete alle femmine che dicon d’amarvi” (Selim, Fiorilla) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
1:52
7Il turco in Italia: Atto II, scena 1. “In Italia ceramente non si fa l’amor così”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 1. “In Italia certamente non si fa l’amor così” (Fiorilla, Selim) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
3:15
8Il turco in Italia: Atto II, scena 1. “Fermate”…”Cosa c’è?”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 1. Recitativo “Dove diamine è andata?” … “Fermate" … "Cosa c'è?" (Poeta, Geronio, Narciso) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
1:24
9Il turco in Italia: Atto II, scena 2. “E Selim non si vede!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 2. Recitativo “E Selim non si vede!” (Fiorilla, Narciso) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
2:13
10Il turco in Italia: Atto II, scena 2. “Oh! guadate che accidente!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 2. No. 14. Quintetto “Oh! guardate che accidente!” (Geronio, Narciso, Fiorilla, Zaida, Selim) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
3:20
11Il turco in Italia: Atto II, scena 2. “Dunque seguitemi”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 2. “Dunque seguitemi” (Geronio, Narciso, Fiorilla, Zaida, Selim, Coro) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
1:23
12Il turco in Italia: Atto II, scena 2. “Questo vecchio maledetto”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 2. “Questo vecchio maledetto” (Geronio, Narciso, Fiorilla, Zaida, Selim, Coro, Poeta) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia (The Turk in Italy)
part of:
Il turco in Italia: Atto II
2:43
13Il turco in Italia: Atto II, scena 3. “Sì, mi è forta partir”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08, from 1958-08-31 until 1958-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08, from 1958-08-31 until 1958-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1958-08-31 until 1958-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08, from 1958-08-31 until 1958-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08, from 1958-08-31 until 1958-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 3. Recitativo “Sì, mi è forza partir” (Fiorilla, Poeta, Geronio) (from 1958-08-31 until 1958-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
1:18
14Il turco in Italia: Atto II, scena 3. “Son la vite sul campo appassita”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 3. No. 16. Finale secondo “Son la vite sul campo appassita” (Fiorilla, Poeta, Geronio) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
2:25
15Il turco in Italia: Atto II, scena 3. “Rida a voi sereno il cielo”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 3. “Rida a voi sereno il cielo” (Coro, Selim, Zaida, Fiorilla, Geronio, Poeta, Narciso) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
2:10
16Il turco in Italia: Atto II, scena 3. “Restate contenti”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Prosdocimo]:
Mariano Stabile (baritone) (from 1954-08-31 until 1954-09-08)
bass vocals [Geronio]:
Franco Calabrese (operatic bass) (from 1954-08-31 until 1954-09-08)
bass vocals [Selim]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-31 until 1954-09-08)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-31 until 1954-09-08)
mezzo-soprano vocals [Zaida]:
Jolanda Gardino (mezzo-soprano) (from 1954-08-31 until 1954-09-08)
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
tenor vocals [Narciso]:
Nicolai Gedda (tenor) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-31 until 1954-09-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto II, scena 3. “Restate contenti” (Coro, Selim, Zaida, Fiorilla, Geronio, Poeta, Narciso) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
0:55
11▶CD: Il barbiere di Siviglia - Disc 1 (cond. J. Levine)
12▶CD: Il barbiere di Siviglia - Disc 2 (cond. J. Levine)
13▶CD: La Cenerentola - Disc 1 (cond. V. Gui)
14▶CD: La Cenerentola - Disc 2 (cond. V. Gui)
15▶CD: Ermione - Disc 1 (cond. C. Scimone)
16▶CD: Ermione - Disc 2 (cond. C. Scimone)
17▶CD: Bianca e Falliero - Disc 1 (cond. D. Renzetti)
18▶CD: Bianca e Falliero - Disc 2 (cond. D. Renzetti)
19▶CD: Bianca e Falliero - Disc 3 (cond. D. Renzetti)
20▶CD: Zelmira (1822 version) - Disc 1 (cond. C. Scimone)
21▶CD: Zelmira (1822 version) - Disc 2 (cond. C. Scimone)
22▶CD: Semiramide - Disc 1 (cond. A. Zedda)
23▶CD: Semiramide - Disc 2 (cond. A. Zedda)
24▶CD: Semiramide - Disc 3 (cond. A. Zedda)
25▶CD: L’assedio di Corinto - Disc 1 (cond. T. Schippers; mixed 1820/1826 version)
26▶CD: L’assedio di Corinto - Disc 2 (cond. T. Schippers; mixed 1820/1826 version)
27▶CD: L’assedio di Corinto - Disc 3 (cond. T. Schippers; mixed 1820/1826 version)
28▶CD: Le Comte Ory - Disc 1 (cond. V. Gui)
29▶CD: Le Comte Ory - Disc 2 (cond. V. Gui)
30▶CD: Guillaume Tell - Disc 1 (cond. L. Gardelli)
31▶CD: Guillaume Tell - Disc 2 (cond. L. Gardelli)
32▶CD: Guillaume Tell - Disc 3 (cond. L. Gardelli)
33▶CD: Guillaume Tell - Disc 4 (cond. L. Gardelli)
34▶CD: Edipo a Colono (cond. C. Scimone)
35▶CD: Rossini: Bicentenary Gala Concert Disc 1
36▶CD: Rossini: Bicentenary Gala Concert Disc 2
37▶CD: Colbran, the Muse
38▶CD: The Rossini Tenor
39▶CD: Encore: Rossini
40▶CD: Rossini Mélodies
41▶CD: Giovanna d’Arco e Ariette rare
42▶CD
43▶CD
44▶CD
45▶CD: Stabat Mater (cond. A. Pappano)
46▶CD: Petite Messe solennelle (cond. A. Pappano)
47▶CD: Messa di Gloria (cond. S. Accardo) - Improvisations & Transcriptions
48▶CD: 6 Sonatas for Strings (cond. C. Scimone)
49▶CD: La Boutique fantasque - Péchés de vieillesse
50▶CD: Quartets for Flute, Clarinet, Horn & Bassoon - Introduction, Theme And Variations

Credits

Release group

includes:Bianca e Falliero by Gioachino Rossini (composer); Katia Ricciarelli (soprano), Chris Merritt (American opera singer, tenor), Marilyn Horne (American operatic mezzo-soprano), Giorgio Surjan (bass-baritone), The London Sinfonietta Opera Orchestra, Donato Renzetti (Italian conductor)
Edipo a Colono by Rossini (composer); Ghiuselev (operatic bass), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Claudio Scimone (conductor)
Ermione by Rossini (composer); Gasdia (Italian operatic soprano), Zimmermann (mezzo-soprano), Merritt (American opera singer, tenor), Chœur Philharmonique de Prague (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Claudio Scimone (conductor)
Il barbiere di Siviglia (London, 1975) by Gioachino Rossini (composer); Beverly Sills (soprano), Sherrill Milnes (baritone), Nicolai Gedda (tenor), Renato Capecchi (baritone), Fedora Barbieri (mezzo-soprano), Ruggero Raimondi (bass-baritone), The John Alldis Choir, London Symphony Orchestra, James Levine (US conductor and pianist)
Il turco in Italia (1954 studio cast) by Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
L’assedio di Corinto (Live, 1969-04-11, Milano) by Gioachino Rossini (composer); Beverly Sills (soprano), Marilyn Horne (American operatic mezzo-soprano), Franco Bonisolli (tenor), Thomas Schippers (conductor and composer)
L’inganno felice by Gioachino Rossini (composer); Annick Massis (soprano), Raúl Giménez (tenor), Rodney Gilfry (baritone), Pietro Spagnoli (baritone), Lorenzo Regazzo (bass-baritone), Le Concert des Tuileries, Marc Minkowski (bassoonist and conductor)
L’italiana in Algeri (1980 studio cast) by Gioachino Rossini (composer); Marilyn Horne (American operatic mezzo-soprano), Samuel Ramey (bass-baritone), Ernesto Palacio (Peruvian tenor), Kathleen Battle (soprano), Clara Foti (alto / contralto), Domenico Trimarchi (bass-baritone), Nicola Zaccaria (operatic bass), Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir), I Solisti Veneti, Claudio Scimone (conductor)
La Cenerentola (1953 studio cast) by Gioachino Rossini (composer); Marina de Gabarain (mezzo-soprano), Juan Oncina (tenor), Sesto Bruscantini (bass-baritone), Alda Noni (soprano), Glyndebourne Festival Chorus & Orchestra, Vittorio Gui (conductor and composer)
La scala di seta by Gioachino Rossini (composer); Luciana Serra (soprano), Cecilia Bartoli (mezzo‐soprano), William Matteuzzi (tenor), Roberto Coviello (baritone), Natale de Carolis (Italian operatic baritone), Oslavio di Credico (tenor), Orchestra del Teatro Comunale di Bologna, Gabriele Ferro (conductor)
Messa di Gloria by Gioachino Rossini (composer); Antonacci (soprano), Manca di Nissa (contralto), Araiza (tenor), Gambill (tenor), Spagnoli (baritone), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Salvatore Accardo (violinist and conductor)
Petite messe solennelle by Gioachino Rossini (composer): Antonio Pappano (conductor and pianist), Marina Rebeka (soprano), Sara Mingardo (contralto), Francesco Meli (operatic tenor), Alex Esposito (Operatic bass baritone)
Semiramide by Gioachino Rossini (composer); Iano Tamar (soprano), Gloria Scalchi (mezzo-soprano), Michele Pertusi (operatic bass), Gregory Kunde (tenor), Coro Filarmonico di Praga (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestra del Teatro Comunale di Bologna, Alberto Zedda (conductor)
Tancredi by Gioachino Rossini (composer); Fiorenza Cossotto (mezzo-soprano), Lella Cuberli (soprano), Werner Hollweg (tenor), Nicola Ghiuselev (operatic bass), Helga Müller (mezzo-soprano), Lucia Rizzi (soprano / mezzo-soprano), Chor des WDR Köln, Cappella Coloniensis, Gabriele Ferro (conductor)
Zelmira by Gioachino Rossini (composer); Cecilia Gasdia (Italian operatic soprano), Bernarda Fink (mezzo-soprano), William Matteuzzi (tenor), Chris Merritt (American opera singer, tenor), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), I Solisti Veneti, Claudio Scimone (conductor)