Down the Line: Rarities

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1My Two-Timin’ Woman
recorded in:
Lubbock, Texas, United States (in 1949)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1949)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1949)
cover recording of:
My Two Timin’ Woman (in 1949)
lyricist and composer:
Hank Snow
publisher:
Unichappell Music, Inc.
Buddy Holly2:15
2Footprints in the Snow
recorded in:
Lubbock, Texas, United States (in 1953)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1953) and Bob Montgomery (USA) (in 1953)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1953) and Bob Montgomery (USA) (in 1953)
cover recording of:
Footprints in the Snow (in 1953)
composer:
Rupert Jones (“The Father of Bluegrass”)
is based on:
I Traced Her Little Footmarks in the Snow
Buddy and Bob1:20
3Flower of My Heart
recorded in:
Wichita Falls, Texas, United States (from 1954 until 1955)
bass:
Larry Welborn (from 1954 until 1955)
fiddle:
Sonny Curtis (from 1954 until 1955)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
steel guitar:
Don Guess (best known for his association with Buddy Holly) (from 1954 until 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
recording of:
Flower of My Heart (from 1954 until 1955)
writer:
Don Guess (best known for his association with Buddy Holly) and Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy and Bob42:36
4Door to My Heart
recorded in:
Wichita Falls, Texas, United States (from 1954 until 1955)
bass:
Larry Welborn (from 1954 until 1955)
fiddle:
Sonny Curtis (from 1954 until 1955)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
steel guitar:
Don Guess (best known for his association with Buddy Holly) (from 1954 until 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
recording of:
Door to My Heart (from 1954 until 1955)
writer:
Bob Montgomery (USA)
publisher:
Wren Music Co.
Buddy and Bob32:23
5Soft Place in My Heart
recorded in:
Wichita Falls, Texas, United States (from 1954 until 1955)
bass:
Don Guess (best known for his association with Buddy Holly) (from 1954 until 1955)
fiddle:
Sonny Curtis (from 1954 until 1955)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
recording of:
Soft Place in My Heart (from 1954 until 1955)
lyricist and composer:
Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy and Bob42:16
6Gotta Get You Near Me Blues
recorded in:
Wichita Falls, Texas, United States (from 1954 until 1955)
bass:
Don Guess (best known for his association with Buddy Holly) (from 1954 until 1955)
fiddle:
Sonny Curtis (from 1954 until 1955)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
recording of:
Gotta Get You Near Me Blues (from 1954 until 1955)
writer:
Bob Montgomery (USA)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Buddy and Bob31:53
7I Gambled My Heart
recorded in:
Wichita Falls, Texas, United States (from 1954 until 1955)
bass:
Don Guess (best known for his association with Buddy Holly) (from 1954 until 1955)
fiddle:
Sonny Curtis (from 1954 until 1955)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
recording of:
I Gambled My Heart (from 1954 until 1955)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy and Bob42:43
8You and I Are Through
recorded in:
Clovis, New Mexico, United States (from 1963-10 until 1964-12)
producer:
Norman Petty
bass:
Larry Welborn (on 1955-06-07)
drums (drum set):
Jerry Allison (on 1955-06-07)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1955-06-07), Bob Montgomery (USA) (on 1955-06-07), Keith McCormack (from 1963-10 until 1964-12) and George Tomsco (from 1963-10 until 1964-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1955-06-07) and Bob Montgomery (USA) (on 1955-06-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
You and I Are Through (from 1955-06-07 until 1964-12)
lyricist and composer:
Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy Holly2:05
9Down the Line
recording of:
Down the Line
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), Bob Montgomery (USA) and Norman Petty
publisher:
Wren Music Co.
Buddy and Bob32:03
10Baby, Let’s Play House
recorded in:
Wichita Falls, Texas, United States (in 1955)
bass:
Larry Welborn (in 1955)
drums (drum set):
Jerry Allison (in 1955)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955)
cover recording of:
Baby Let’s Play House (in 1955)
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music (BMI)
Buddy Holly2:28
11Moonlight Baby
recording of:
Baby, Won't You Come Out Tonight
lyricist and composer:
Don Guess (best known for his association with Buddy Holly)
publisher:
Universal Cedarwood Publishing
Buddy Holly1:58
12I Guess I Was Just a Fool
recording of:
I Guess I Was Just a Fool
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic Ltd. (BMI)
Buddy Holly2:19
13Don’t Come Back Knockin’
recorded in:
Wichita Falls, Texas, United States (on 1955-12-07)
bass:
Don Guess (best known for his association with Buddy Holly) (on 1955-12-07)
drums (drum set):
Jerry Allison (on 1955-12-07)
guitar:
Sonny Curtis (on 1955-12-07) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1955-12-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1955-12-07)
recording of:
Don’t Come Back Knockin’ (on 1955-12-07)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Sue Parrish
publisher:
BMG Platinum Songs US, Palace Music, Unichappell Music, Inc. and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
Buddy Holly2:00
14Love Me
The Crickets1:53
15Gone
cover recording of:
Gone
lyricist and composer:
Smokey Rogers
Buddy Holly41:12
16Gone (alternate take)
cover recording of:
Gone
lyricist and composer:
Smokey Rogers
Buddy Holly1:16
17Have You Ever Been Lonely (alternate take)
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
partial cover recording of:
Have You Ever Been Lonely? (from 1956-11 until 1956-12)
lyricist:
George Brown (aka Billy Hill) (US songwriter)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
Buddy Holly0:53
18Have You Ever Been Lonely
cover recording of:
Have You Ever Been Lonely?
lyricist:
George Brown (aka Billy Hill) (US songwriter)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
Buddy Holly1:18
19Brown-Eyed Handsome Man
cover recording of:
Brown Eyed Handsome Man
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly2:08
20Good Rockin’ Tonight
cover recording of:
Good Rockin’ Tonight
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
Buddy Holly1:57
21Rip It Up
recorded in:
Clovis, New Mexico, United States and Lubbock, Texas, United States (from 1956-11 until 1956-12)
producer:
Norman Petty
bass:
Stan Lark
drums (drum set):
Doug Roberts (drummer) and Jerry Allison (from 1956-11 until 1956-12)
guitar:
Keith McCormack, George Tomsco and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
piano:
Vi Petty
additional vocals:
Jerry Allison (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Rip It Up (from 1956-11 to ????)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
Buddy Holly1:25
22Blue Monday
cover recording of:
Blue Monday
writer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
Chappell Music (UK) and Chappell Music Ltd.
Buddy Holly1:57
23Honky Tonk
recorded in:
Clovis, New Mexico, United States and Lubbock, Texas, United States (from 1956-11 until 1956-12)
producer:
Norman Petty
bass:
Stan Lark
drums (drum set):
Doug Roberts (drummer) and Jerry Allison (from 1956-11 until 1956-12)
guitar:
Keith McCormack, George Tomsco and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
piano:
Vi Petty
cover recording of:
Honky Tonk (jazz instrumental) (from 1956-11 to ????)
composer:
Billy Butler (jazz guitarist), Bill Doggett, Clifford Scott and Berisford “Shep” Shepherd
Buddy Holly3:26
24Blue Suede Shoes
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
phonographic copyright (℗) by:
Geffen Records (in 1964) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Blue Suede Shoes (from 1956-11 until 1956-12)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly41:53
25Shake Rattle and Roll (partial)
cover recording of:
Shake, Rattle and Roll
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
Buddy Holly1:21
26Bo Diddley
recorded in:
Clovis, New Mexico, United States (from 1956-12 until 1957-01)
producer:
Norman Petty
bass:
Larry Welborn (from 1956-12 until 1957-01)
drums (drum set):
Jerry Allison (from 1956-12 until 1957-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
cover recording of:
Bo Diddley (from 1956-12 until 1957-01)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (until 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Good Music Ltd.
Buddy Holly2:20
27Ain’t Got No Home
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Ain’t Got No Home (from 1956-11 until 1956-12)
lyricist and composer:
Clarence “Frogman” Henry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Buddy Holly42:01
28Holly Hop
recording of:
Holly Hop
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications, Inc. (ASCAP, not to get confused with Sir Paul McCartney’s company or the company that goes by the name MPL Communications)
Buddy Holly1:36
2▼CD
#TitleRatingLength
1Last Night (undubbed)
recorded in:
Clovis, New Mexico, United States (on 1957-03-01)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-03-01)
drums (drum set):
Jerry Allison (on 1957-03-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01)
recording of:
Last Night (on 1957-03-01)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) and Norman Petty
publisher:
Wren Music Co.
1:56
2Not Fade Away (partial alternate overdub)
recording of:
Not Fade Away
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
2:23
3Peggy Sue (alternate take)
recorded in:
Clovis, New Mexico, United States (on 1957-07-01)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
recording of:
Peggy Sue (on 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
2:33
4Oh Boy! (undubbed)
recorded in:
Clovis, New Mexico, United States (on 1957-07-01)
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
recording of:
Oh, Boy! (on 1957-07-01)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
2:09
5That’s My Desire (two false starts plus undubbed master)
cover recording of:
That’s My Desire
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
4:11
6Take Your Time (false start & partially undubbed take)
recording of:
Take Your Time
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3:32
7Fool’s Paradise (alternate take undubbed)
recording of:
Fool’s Paradise
writer:
Sonny LeGlaire, Horace Linsley (songwriter) and Norman Petty
publisher:
McCartney Music, Inc. and Southern Music Publ. Co. Ltd.
2:30
8Fool’s Paradise (undubbed master)
recorded in:
Clovis, New Mexico, United States (on 1958-02-13)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-02-13)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
organ:
Norman Petty (on 1958-02-13)
percussion [cardboard box]:
Jerry Allison (on 1958-02-13)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
recording of:
Fool’s Paradise (on 1958-02-13)
writer:
Sonny LeGlaire, Horace Linsley (songwriter) and Norman Petty
publisher:
McCartney Music, Inc. and Southern Music Publ. Co. Ltd.
2:32
9Fool’s Paradise (alternate #2, undubbed)
recording of:
Fool’s Paradise
writer:
Sonny LeGlaire, Horace Linsley (songwriter) and Norman Petty
publisher:
McCartney Music, Inc. and Southern Music Publ. Co. Ltd.
2:33
10Think It Over (false start & rehearsal take, take 1)
recording of:
Think It Over
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
2:13
11Think It Over (undubbed alternate, take 2)
recording of:
Think It Over
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
1:51
12Think It Over (undubbed master, take 3)
recording of:
Think It Over
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
1:51
13Love’s Made a Fool of You (undubbed)
recorded in:
Clovis, New Mexico, United States (on 1958-06-02)
producer:
Norman Petty
bass:
George Atwood (on 1958-06-02)
drums (drum set):
Bo Clarke (on 1958-06-02)
guitar:
Tommy Allsup (on 1958-06-02) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
recording of:
Love’s Made a Fool of You (on 1958-06-02)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery (USA)
publisher:
Southern Music Ltd. (publisher) (in 1981)
2:04
14That’ll Be the Day (greetings to Bob Thiele)
recorded in:
Clovis, New Mexico, United States (from 1957-06-29 until 1957-06-30)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (from 1957-06-29 until 1957-06-30)
drums (drum set):
Jerry Allison (from 1957-06-29 until 1957-06-30)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-06-30) and Niki Sullivan (from 1957-06-29 until 1957-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-06-30)
partial recording of:
That’ll Be the Day (from 1957-06-29 until 1957-06-30)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:35
15That’ll Be the Day (greetings to Murray Deutsch)
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:32
16That’s What They Say (with fragment)
recording of:
That’s What They Say
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
1:52
17What to Do
recorded in:
New York, New York, United States (on 1958-12-03)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-03)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-03)
recording of:
What to Do (on 1958-12-03)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
1:54
18Peggy Sue Got Married
recorded in:
New York, New York, United States (on 1958-12-05)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-05)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-05)
recording of:
Peggy Sue Got Married (on 1958-12-05)
composer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
1:50
19That Makes It Tough
recorded in:
New York, New York, United States (on 1958-12-08)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-08)
recording of:
That Makes It Tough (on 1958-12-08)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
2:17
20Crying, Waiting, Hoping
recorded in:
New York, New York, United States (on 1958-12-14)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-14)
recording of:
Crying, Waiting, Hoping (on 1958-12-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Pub. Co. Ltd.
1:52
21Learning the Game
recorded in:
New York, New York, United States (on 1958-12-17)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-17)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-17)
recording of:
Learning the Game (on 1958-12-17)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Southern Music Pub. Co. Ltd.
1:34
22Wait Till the Sun Shines Nellie
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Wait ’till the Sun Shines, Nellie (from 1959-01-01 until 1959-01-20)
lyricist:
Andrew B. Sterling (American lyricist)
composer:
Harry Von Tilzer
1:14
23Slippin’ and Slidin’ (slow version #1)
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
electric guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (from 1959-01-01 until 1959-01-20)
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
3:11
24Slippin’ and Slidin’ (slow version #2)
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (from 1959-01-01 until 1959-01-20)
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
3:35
25Slippin’ and Slidin’ (fast version)
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (from 1959-01-01 until 1959-01-20)
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
1:27
26[Buddy & Maria Elena Talking in Apartment]
3:28
27Dearest (fragment)
recording of:
Dearest
writer:
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) and Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) and Twenty Nine Black Music (BMI)
1:13
28Dearest
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Dearest (from 1959-01-01 until 1959-01-20)
writer:
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) and Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) and Twenty Nine Black Music (BMI)
1:53
29[untitled instrumental]
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
1:20
30Love Is Strange
cover recording of:
Love Is Strange
lyricist:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) and Sylvia Robinson
writer:
Ethel Smith
composer:
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. and Ben Ghazi Music, Inc. (publisher) (in 1956)
1:43
31Smokey Joe’s Café
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Smokey Joe’s Cafe (from 1959-01-01 until 1959-01-20)
writer:
Jerry Leiber and Mike Stoller
publisher:
Sony/ATV Songs LLC
2:14