Down the Line: Rarities

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Last Night (undubbed)
recorded in:
Clovis, New Mexico, United States (on 1957-03-01)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-03-01)
drums (drum set):
Jerry Allison (on 1957-03-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01)
recording of:
Last Night (on 1957-03-01)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) and Norman Petty
publisher:
Wren Music Co.
1:56
2Not Fade Away (partial alternate overdub)
recording of:
Not Fade Away
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
2:23
3Peggy Sue (alternate take)
recorded in:
Clovis, New Mexico, United States (on 1957-07-01)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
recording of:
Peggy Sue (on 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
2:33
4Oh Boy! (undubbed)
recorded in:
Clovis, New Mexico, United States (on 1957-07-01)
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
recording of:
Oh, Boy! (on 1957-07-01)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
2:09
5That’s My Desire (two false starts plus undubbed master)
cover recording of:
That’s My Desire
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
4:11
6Take Your Time (false start & partially undubbed take)
recording of:
Take Your Time
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3:32
7Fool’s Paradise (alternate take undubbed)
recording of:
Fool’s Paradise
writer:
Sonny LeGlaire, Horace Linsley (songwriter) and Norman Petty
publisher:
McCartney Music, Inc. and Southern Music Publ. Co. Ltd.
2:30
8Fool’s Paradise (undubbed master)
recorded in:
Clovis, New Mexico, United States (on 1958-02-13)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-02-13)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
organ:
Norman Petty (on 1958-02-13)
percussion [cardboard box]:
Jerry Allison (on 1958-02-13)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
recording of:
Fool’s Paradise (on 1958-02-13)
writer:
Sonny LeGlaire, Horace Linsley (songwriter) and Norman Petty
publisher:
McCartney Music, Inc. and Southern Music Publ. Co. Ltd.
2:32
9Fool’s Paradise (alternate #2, undubbed)
recording of:
Fool’s Paradise
writer:
Sonny LeGlaire, Horace Linsley (songwriter) and Norman Petty
publisher:
McCartney Music, Inc. and Southern Music Publ. Co. Ltd.
2:33
10Think It Over (false start & rehearsal take, take 1)
recording of:
Think It Over
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
2:13
11Think It Over (undubbed alternate, take 2)
recording of:
Think It Over
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
1:51
12Think It Over (undubbed master, take 3)
recording of:
Think It Over
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
1:51
13Love’s Made a Fool of You (undubbed)
recorded in:
Clovis, New Mexico, United States (on 1958-06-02)
producer:
Norman Petty
bass:
George Atwood (on 1958-06-02)
drums (drum set):
Bo Clarke (on 1958-06-02)
guitar:
Tommy Allsup (on 1958-06-02) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
recording of:
Love’s Made a Fool of You (on 1958-06-02)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery (USA)
publisher:
Southern Music Ltd. (publisher) (in 1981)
2:04
14That’ll Be the Day (greetings to Bob Thiele)
recorded in:
Clovis, New Mexico, United States (from 1957-06-29 until 1957-06-30)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (from 1957-06-29 until 1957-06-30)
drums (drum set):
Jerry Allison (from 1957-06-29 until 1957-06-30)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-06-30) and Niki Sullivan (from 1957-06-29 until 1957-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-06-30)
partial recording of:
That’ll Be the Day (from 1957-06-29 until 1957-06-30)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:35
15That’ll Be the Day (greetings to Murray Deutsch)
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:32
16That’s What They Say (with fragment)
recording of:
That’s What They Say
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
1:52
17What to Do
recorded in:
New York, New York, United States (on 1958-12-03)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-03)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-03)
recording of:
What to Do (on 1958-12-03)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
1:54
18Peggy Sue Got Married
recorded in:
New York, New York, United States (on 1958-12-05)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-05)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-05)
recording of:
Peggy Sue Got Married (on 1958-12-05)
composer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
1:50
19That Makes It Tough
recorded in:
New York, New York, United States (on 1958-12-08)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-08)
recording of:
That Makes It Tough (on 1958-12-08)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
2:17
20Crying, Waiting, Hoping
recorded in:
New York, New York, United States (on 1958-12-14)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-14)
recording of:
Crying, Waiting, Hoping (on 1958-12-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Pub. Co. Ltd.
1:52
21Learning the Game
recorded in:
New York, New York, United States (on 1958-12-17)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-17)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-17)
recording of:
Learning the Game (on 1958-12-17)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Southern Music Pub. Co. Ltd.
1:34
22Wait Till the Sun Shines Nellie
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Wait ’till the Sun Shines, Nellie (from 1959-01-01 until 1959-01-20)
lyricist:
Andrew B. Sterling (American lyricist)
composer:
Harry Von Tilzer
1:14
23Slippin’ and Slidin’ (slow version #1)
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
electric guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (from 1959-01-01 until 1959-01-20)
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
3:11
24Slippin’ and Slidin’ (slow version #2)
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (from 1959-01-01 until 1959-01-20)
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
3:35
25Slippin’ and Slidin’ (fast version)
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (from 1959-01-01 until 1959-01-20)
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
1:27
26[Buddy & Maria Elena Talking in Apartment]
3:28
27Dearest (fragment)
recording of:
Dearest
writer:
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) and Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) and Twenty Nine Black Music (BMI)
1:13
28Dearest
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Dearest (from 1959-01-01 until 1959-01-20)
writer:
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) and Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) and Twenty Nine Black Music (BMI)
1:53
29[untitled instrumental]
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
1:20
30Love Is Strange
cover recording of:
Love Is Strange
lyricist:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) and Sylvia Robinson
writer:
Ethel Smith
composer:
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. and Ben Ghazi Music, Inc. (publisher) (in 1956)
1:43
31Smokey Joe’s Café
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Smokey Joe’s Cafe (from 1959-01-01 until 1959-01-20)
writer:
Jerry Leiber and Mike Stoller
publisher:
Sony/ATV Songs LLC
2:14