Down the Line: Rarities

~ Veröffentlichung von Buddy Holly (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Last Night (undubbed)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-03-01)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-03-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-03-01)
Schlagzeug:
Jerry Allison (am 1957-03-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-03-01)
recording of:
Last Night (am 1957-03-01)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
Wren Music Co.
1:56
2Not Fade Away (partial alternate overdub)
recording of:
Not Fade Away
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
2:23
3Peggy Sue (alternate take)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
recording of:
Peggy Sue (am 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
2:33
4Oh Boy! (undubbed)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
recording of:
Oh, Boy! (am 1957-07-01)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
2:09
5That’s My Desire (two false starts plus undubbed master)
cover recording of:
That’s My Desire
Texter:
Carroll Loveday
Komponist(in):
Helmy Kresa
publisher:
Mills Music, Inc.
4:11
6Take Your Time (false start & partially undubbed take)
recording of:
Take Your Time
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3:32
7Fool’s Paradise (alternate take undubbed)
recording of:
Fool’s Paradise
Verfasser(in):
Sonny LeGlaire, Horace Linsley (songwriter) und Norman Petty
publisher:
McCartney Music, Inc. und Southern Music Publ. Co. Ltd.
2:30
8Fool’s Paradise (undubbed master)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1958-02-13)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-02-13)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
Orgel:
Norman Petty (am 1958-02-13)
Perkussion [cardboard box]:
Jerry Allison (am 1958-02-13)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
recording of:
Fool’s Paradise (am 1958-02-13)
Verfasser(in):
Sonny LeGlaire, Horace Linsley (songwriter) und Norman Petty
publisher:
McCartney Music, Inc. und Southern Music Publ. Co. Ltd.
2:32
9Fool’s Paradise (alternate #2, undubbed)
recording of:
Fool’s Paradise
Verfasser(in):
Sonny LeGlaire, Horace Linsley (songwriter) und Norman Petty
publisher:
McCartney Music, Inc. und Southern Music Publ. Co. Ltd.
2:33
10Think It Over (false start & rehearsal take, take 1)
recording of:
Think It Over
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
2:13
11Think It Over (undubbed alternate, take 2)
recording of:
Think It Over
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
1:51
12Think It Over (undubbed master, take 3)
recording of:
Think It Over
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
1:51
13Love’s Made a Fool of You (undubbed)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1958-06-02)
Produzent(in):
Norman Petty
Bass:
George Atwood (am 1958-06-02)
Gitarre:
Tommy Allsup (am 1958-06-02) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-06-02)
Schlagzeug:
Bo Clarke (am 1958-06-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-06-02)
recording of:
Love’s Made a Fool of You (am 1958-06-02)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Bob Montgomery (USA)
publisher:
Southern Music Ltd. (publisher) (in 1981)
2:04
14That’ll Be the Day (greetings to Bob Thiele)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-06-29 bis 1957-06-30)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-06-29 bis 1957-06-30)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-06-30) und Niki Sullivan (von 1957-06-29 bis 1957-06-30)
Schlagzeug:
Jerry Allison (von 1957-06-29 bis 1957-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-06-30)
teilweise recording of:
That’ll Be the Day (von 1957-06-29 bis 1957-06-30)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:35
15That’ll Be the Day (greetings to Murray Deutsch)
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:32
16That’s What They Say (with fragment)
recording of:
That’s What They Say
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
1:52
17What to Do
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-03)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-03)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-03)
recording of:
What to Do (am 1958-12-03)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
1:54
18Peggy Sue Got Married
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-05)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-05)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-05)
recording of:
Peggy Sue Got Married (am 1958-12-05)
Komponist(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
1:50
19That Makes It Tough
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-08)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-08)
recording of:
That Makes It Tough (am 1958-12-08)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
2:17
20Crying, Waiting, Hoping
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-14)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-14)
recording of:
Crying, Waiting, Hoping (am 1958-12-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic (UK) Limited und Southern Music Pub. Co. Ltd.
1:52
21Learning the Game
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-17)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-17)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-17)
recording of:
Learning the Game (am 1958-12-17)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Southern Music Pub. Co. Ltd.
1:34
22Wait Till the Sun Shines Nellie
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Wait ’till the Sun Shines, Nellie (von 1959-01-01 bis 1959-01-20)
Texter:
Andrew B. Sterling (American lyricist)
Komponist(in):
Harry Von Tilzer
1:14
23Slippin’ and Slidin’ (slow version #1)
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
E-Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (von 1959-01-01 bis 1959-01-20)
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
3:11
24Slippin’ and Slidin’ (slow version #2)
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (von 1959-01-01 bis 1959-01-20)
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
3:35
25Slippin’ and Slidin’ (fast version)
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (von 1959-01-01 bis 1959-01-20)
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
1:27
26[Buddy & Maria Elena Talking in Apartment]
3:28
27Dearest (fragment)
recording of:
Dearest
Verfasser(in):
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) und Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) und Twenty Nine Black Music (BMI)
1:13
28Dearest
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Dearest (von 1959-01-01 bis 1959-01-20)
Verfasser(in):
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) und Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) und Twenty Nine Black Music (BMI)
1:53
29[untitled instrumental]
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
1:20
30Love Is Strange
cover recording of:
Love Is Strange
Texter:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) und Sylvia Robinson
Verfasser(in):
Ethel Smith
Komponist(in):
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. und Ben Ghazi Music, Inc. (publisher) (in 1956)
1:43
31Smokey Joe’s Café
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Smokey Joe’s Cafe (von 1959-01-01 bis 1959-01-20)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Sony/ATV Songs LLC
2:14

Nennungen