Annotation

1960 studio recording. Performed in german.

Conductor - Horst Stein
Orchestra - Staatskapelle Berlin
Chorus - Berliner Staatsoper

Floria Tosca - Stefania Woytowicz
Mario Cavaradossi - Sándor Kónya
Il barone Scarpia - Kim Borg
Il Sagristano - Günther Leib
Cesare Angelotti - Hellmuth Kaphahn
Spoletta - Werner Enders
Sciarrone - Reiner Süß
Un pastore - Michael Wein
Un carceriere - Reiner Süß

Annotation last modified on 2023-10-01 11:25 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1Tosca: Akt I. „Ha! Das gelang mir“
bass vocals [Angelotti]:
Hellmuth Kaphahn (operatic bass)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 1. Akt. Introduktion - „Ha! Das gelang mir” (Angelotti)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti)
part of:
Tosca: 1. Akt
Giacomo Puccini2:13
2Tosca: Akt I. „Da sind die Pinsel!“ … „Angelus Domini nuntiavit Mariae: Was tust du?“
baritone vocals [Sakristan]:
Günther Leib (baritone)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 1. Akt. „Da sind die Pinsel” - „Angelus Domini” - „Was tust du?” (Sakristan, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi)
part of:
Tosca: 1. Akt
Giacomo Puccini3:20
3Tosca: Akt I. „Gib mir die Farben!“
baritone vocals [Sakristan]:
Günther Leib (baritone)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
partial recording of:
Tosca: 1. Akt. „Gib mir die Farben” - „Wie sich die Bilder gleichen“ (Cavaradossi, Sakristan)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
part of:
Tosca: 1. Akt
Giacomo Puccini0:38
4Tosca: Akt I. „Wie sich die Bilder gleichen“
baritone vocals [Sakristan]:
Günther Leib (baritone)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
partial recording of:
Tosca: 1. Akt. „Gib mir die Farben” - „Wie sich die Bilder gleichen“ (Cavaradossi, Sakristan)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
part of:
Tosca: 1. Akt
Giacomo Puccini3:28
5Tosca: Akt I. „Was gibt’s da drinnen?“
bass vocals [Angelotti]:
Hellmuth Kaphahn (operatic bass)
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 1. Akt. „Euer Gnaden, darf ich?” - „Was gibt's” (Cavaradossi, Angelotti, Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca)
part of:
Tosca: 1. Akt
Giacomo Puccini1:08
6Tosca: Akt I. „Mario! Mario! Mario!“
baritone vocals [Sakristan]:
Günther Leib (baritone)
bass vocals [Scarpia]:
Kim Borg (operatic bass)
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 1. Akt. „Mario! Mario! – Betrogen?“ (Scarpia, Tosca, Sakristan)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano)
part of:
Tosca: 1. Akt
Giacomo Puccini7:17
7Tosca: Akt I. „Ach, die Augen! Mit deinen Augen kann kein andres“
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 1. Akt. „Mit deinen Augen…“ (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi)
part of:
Tosca: 1. Akt
Giacomo Puccini1:36
8Tosca: Akt I. „O Geliebte“
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 1. Akt. „O Geliebte“ (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Mia gelosa!” (Tosca, Cavaradossi)
part of:
Tosca: 1. Akt
Giacomo Puccini3:35
9Tosca: Akt I. „Sehr gut zwar meint es Tosca: So ging sie?“
bass vocals [Angelotti]:
Hellmuth Kaphahn (operatic bass)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 1. Akt. „Sehr gut zwar meint es Tosca“ – „Vom Kastell“ (Cavaradossi, Angelotti)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti)
part of:
Tosca: 1. Akt
Giacomo Puccini3:27
10Tosca: Akt I. „Frohe Neuigkeiten, euer Gnaden!“Giacomo Puccini1:40
11Tosca: Akt I. „Ein Tollhaus in der Kirche! “… „Schöne Wirtschaft!“
baritone vocals [Sakristan]:
Günther Leib (baritone)
bass vocals [Scarpia]:
Kim Borg (operatic bass)
tenor vocals [Spoletta]:
Werner Enders (German tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 1. Akt. „Ein Tollhaus in der Kirche” (Scarpia, Sakristan, Spoletta)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta)
part of:
Tosca: 1. Akt
Giacomo Puccini3:37
12Tosca: Akt I. „So also war es“
baritone vocals [Sakristan]:
Günther Leib (baritone)
bass vocals [Scarpia]:
Kim Borg (operatic bass)
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 1. Akt. „So also war es“ (Scarpia, Tosca, Sakristan)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano)
part of:
Tosca: 1. Akt
Giacomo Puccini3:14
13Tosca: Akt I. „Ich kam hierher, das Herz voll zum Zerspringen“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 1. Akt. „Ich kam hierher, das Herz voll zum Zerspringen“ (Tosca, Scarpia)
composer:
Giacomo Puccini (Italian composer)
translated version of:
Tosca: Atto I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia)
part of:
Tosca: 1. Akt
Giacomo Puccini4:23
14Tosca: Akt I. „Drei Häscher mit einem Wagen … Eilig…“Giacomo Puccini3:56
15Tosca: Akt II. „Tosca als Falke!“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
bass vocals [Sciarrone]:
Reiner Süß
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 1. Teil. Introduktion - „Fliege, du Falke” (Scarpia, Sciarrone)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone)
part of:
Tosca: 2. Akt
Giacomo Puccini2:58
16Tosca: Akt II. „Stärker ist der Genuß noch“ … „Spoletta wartet“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
bass vocals [Sciarrone]:
Reiner Süß
tenor vocals [Spoletta]:
Werner Enders (German tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 1. Teil. „Spoletta wartet” (Scarpia, Spoletta)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta)
part of:
Tosca: 2. Akt
recording of:
Tosca: 2. Akt, 1. Teil. „Stärker ist der Genuß noch“ (Scarpia, Sciarrone)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone)
part of:
Tosca: 2. Akt
Giacomo Puccini2:24
17Tosca: Akt II. „Doch schon etwas: Er ist da“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
tenor vocals [Spoletta]:
Werner Enders (German tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 1. Teil. „Doch schon etwas: Er ist da“ (Scarpia, Spoletta, Cavaradossi)
version of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi)
part of:
Tosca: 2. Akt
Giacomo Puccini2:17
18Tosca: Akt II. „Wo ist Angelotti?“ … „Mario, du hier?“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
tenor vocals [Spoletta]:
Werner Enders (German tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 1. Teil. „Ein Gewaltakt!” – „Gar so heftig” – „Mario, du hier?” (Scarpia, Cavaradossi, Spoletta, Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Mario, tu qui?” … "Pria le forme ordinarie” (Tosca, Cavaradossi, Scarpia)
translated version of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini2:50
19Tosca: Akt II. „Wir aber plaudern hier als gute Freunde“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
bass vocals [Sciarrone]:
Reiner Süß
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
tenor vocals [Spoletta]:
Werner Enders (German tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 1. Teil. „Wir aber plaudern hier als gute Freunde” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini1:14
20Tosca: Akt II. „Sciarrone, was sagt der Kavalier?“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
bass vocals [Sciarrone]:
Reiner Süß
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 1. Teil. „Sciarrone, was sagt der Kavalier?“ (Scarpia, Sciarrone, Tosca, Cavaradossi)
translated version of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi)
part of:
Tosca: 2. Akt
Giacomo Puccini2:49
21Tosca: Akt II. „Doch nun, Tosca, erkläret!“ … „Mario! Erlaubst du zu reden?“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
bass vocals [Sciarrone]:
Reiner Süß
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
tenor vocals [Spoletta]:
Werner Enders (German tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 1. Teil. „Doch nun, Tosca, erkläret!“ … „Mario! Erlaubst du zu reden?“ (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone)
translated version of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone)
part of:
Tosca: 2. Akt
Giacomo Puccini3:38
2CD
#TitleArtistRatingLength
1Tosca: Akt II. „Geliebter!“ … „Floria!“
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 1. Teil. „Floria!“ – „Geliebter!“ (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini1:06
2Tosca: Akt II. „Im Brunnen bei der Villa! Geh, Spoletta“ … „Neuigkeiten, Euer Gnaden!“ … „Viktoria!“Giacomo Puccini3:44
3Tosca: Akt II. „Soll die beschwor’ne Pflicht ich brechen einmal“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 2. Teil. „Soll die beschwor’ne Pflicht ich brechen einmal“ (Scarpia, Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini3:56
4Tosca: Akt II. „Nur der Schönheit weiht’ ich mein Leben“
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 2. Teil. „Nur der Schönheit weiht’ ich mein Leben“ (Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini3:05
5Tosca: Akt II. „Siehe mit gefalteten Händen hier“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 2. Teil. „Siehe mit gefalteten Händen hier“ (Tosca, Scarpia)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia)
part of:
Tosca: 2. Akt
Giacomo Puccini3:36
6Tosca: Akt II. „Welche Route nehmt ihr?“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 2. Teil. „Welche Route nehmt ihr?“ (Scarpia, Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini1:31
7Tosca: Akt II. „Tosca, endlich bist du mein!“
bass vocals [Scarpia]:
Kim Borg (operatic bass)
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 2. Akt, 2. Teil. „Tosca, endlich bist du mein!“ (Scarpia, Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini4:35
8Tosca: Akt III. „Ach, meine Seufzer“
treble vocals [Ein Hirte]:
Michael Wein (German treble vocalist)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 3. Akt. Introduktion – „Ach, meine Seufzer“ (Ein Hirte)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore)
part of:
Tosca: 3. Akt
Giacomo Puccini6:14
9Tosca: Akt III. „Mario Cavaradossi? Hierher!“
bass vocals [Schließer]:
Reiner Süß
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 3. Akt. „Mario Cavaradossi? – Hierher” (Schließer, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi)
part of:
Tosca: 3. Akt
Giacomo Puccini1:39
10Tosca: Akt III. Einleitung zu „Und es blitzten die Sterne“
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 3. Akt. Einleitung zu „Und es blitzten die Sterne“
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: 3. Akt
Giacomo Puccini1:00
11Tosca: Akt III. „Und es blitzten die Sterne“
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 3. Akt. „Und es blitzen die Sterne” (Cavaradossi) (“E lucevan le stelle”)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
part of:
Tosca: 3. Akt
Giacomo Puccini2:56
12Tosca: Akt III. „Geleit für Floria Tosca!“
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 3. Akt. „Ha! Geleit für Floria Tosca!” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
Giacomo Puccini2:41
13Tosca: Akt III. „Die zarten Hände“
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
partial recording of:
Tosca: 3. Akt. „Die zarten Hände” - „Bald naht sich die Stunde” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)
translated version of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
Giacomo Puccini1:34
14Tosca: Akt III. „Wisse: Nah ist die Stunde“
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
partial recording of:
Tosca: 3. Akt. „Die zarten Hände” - „Bald naht sich die Stunde” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)
translated version of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
Giacomo Puccini1:42
15Tosca: Akt III. „Nur deinetwegen wollt’ ich noch nicht sterben“Giacomo Puccini2:16
16Tosca: Akt III. „Und sie kommen nicht“ … „Sprich noch einmal von dem künftigen Schönen“
bass vocals [Sciarrone]:
Reiner Süß
choir vocals:
Chor der Deutschen Staatsoper Berlin
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Spoletta]:
Werner Enders (German tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 3. Akt. „Und sie kommen nicht” (Tosca, Sciarrone, Spoletta, Chor)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta)
part of:
Tosca: 3. Akt
Giacomo Puccini2:05
17Tosca: Akt III. „Es ist Zeit!“ … „Ich komme“
bass vocals [Schließer]:
Reiner Süß
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Cavaradossi]:
Sándor Kónya (Hungarian tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 3. Akt. „Es ist Zeit!“ … „Ich komme“ (Schließer, Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
Giacomo Puccini0:36
18Tosca: Akt III. „Welche Umständlichkeiten!“
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 3. Akt. „Welche Umständlichkeiten!“ (Tosca)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca)
part of:
Tosca: 3. Akt
Giacomo Puccini2:15
19Tosca: Akt III. „Aber jetzt, Mario! Mario!“
bass vocals [Sciarrone]:
Reiner Süß
choir vocals:
Chor der Deutschen Staatsoper Berlin
soprano vocals [Tosca]:
Stefania Woytowicz (soprano)
tenor vocals [Spoletta]:
Werner Enders (German tenor)
orchestra:
Staatskapelle Berlin
conductor:
Horst Stein (conductor)
recording of:
Tosca: 3. Akt. „Aber jetzt, Mario! Mario!“ (Tosca, Stimmen, Sciarrone, Spoletta)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta)
part of:
Tosca: 3. Akt
Giacomo Puccini1:27