Die 10 Symphonien / Orchesterlieder

~ Release by Gustav Mahler; Philharmonia Orchestra, Staatskapelle Dresden, Giuseppe Sinopoli, Edita Gruberová, Waltraud Meier, Bryn Terfel u.a. (see all versions of this release, 1 available)

Tracklist

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1Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Poco adagio
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:48
2Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Più mosso. Allegro moderato
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:34
3Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Waldung, sie schwankt heran
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:07
4Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Ewiger Wonnebrand
producer:
Wolfgang Stengel
solo baritone vocals [Pater Ecstaticus]:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:28
5Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Wie Felsenabgrund mir zu Füßen
producer:
Wolfgang Stengel
solo bass vocals [Pater Profundus]:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:50
6Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Gerettet ist das edle Glied - Hände verschlinget euch
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:53
7Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Jene Rosen, aus den Händen
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:43
8Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Uns bleibt ein Erdenrest
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo alto vocals:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:24
9Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:10
10Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Höchste Herrscherin der Welt
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:07
11Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:29
12Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Bei der Liebe - Bei dem Bronn - Bei dem hochgeweihten Orte
producer:
Wolfgang Stengel
solo alto vocals [Maria Aegyptiaca]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo alto vocals [Mulier Samaritana]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Magna Peccatrix]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:21
13Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Neige, neige du Ohnegleichen
producer:
Wolfgang Stengel
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:58
14Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Er überwächst uns schon
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:46
15Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Vom edlen Geisterchor umgeben - Komm! Hebe dich zu höhern Sphären - Blicket auf zum Retterblick
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler8:03
16Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Alles Vergängliche ist nur ein Gleichnis
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:31
17Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:48
18Lieder eines fahrenden Gesellen: Ging heut' morgen übers Feld
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:22
19Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:23
20Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:46
7▶CD
8▶CD
9▶CD
10▶CD
11▶CD
12▶CD

Credits

Release

alto vocals:松尾和子
Waltraud Meier (mezzo-soprano)
フランク永井
Iris Vermillion (mezzo-soprano)
baritone vocals:Sir Thomas Allen (baritone)
bass vocals:Hans Sotin (operatic bass)
choir vocals:Southend Boys’ Choir
mezzo-soprano vocals:Brigitte Fassbaender (mezzo-soprano)
soprano vocals:Angela Maria Blasi (soprano)
Rosalind Plowright (soprano / mezzo soprano)
Cheryl Studer (soprano)
tenor vocals:Keith Lewis (tenor)
part of:Eloquence (Deutsche Grammophon/Decca/Philips Classics, et al.; classical series established in 1999) (order: 317)
ASIN:DE: B003LQSHBO [info]