Complete Symphonies / Piano Concertos 1 & 2 / Fidelio

~ Release by Beethoven; Sir Simon Rattle (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
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1Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven8:37
2Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven7:07
3Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven4:04
4Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven5:43
5Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven16:21
6Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven15:14
7Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven6:02
8Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven12:08
2▼Digital Media
#TitleArtistRatingLength
1Symphony No. 2 in D Major, Op. 36: I. Adagio - Allegro con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio (Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio) (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven12:03
2Symphony No. 2 in D Major, Op. 36: II. Larghetto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 2 in D major, op. 36: II. Larghetto (Symphony No. 2 in D major, Op. 36: II. Larghetto) (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven10:20
3Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro (Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro) (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven3:32
4Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 2 in D major, op. 36: IV. Allegro molto (Symphony No. 2 in D major, Op. 36: IV. Allegro molto) (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven6:13
5Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:24
6Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven9:07
7Symphony No. 5 in C Minor, Op. 67: III. Allegro -
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven4:48
8Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Presto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven10:39
3▼Digital Media
#TitleArtistRatingLength
1Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven11:47
2Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 4 in B-flat major, op. 60: II. Adagio (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven9:53
3Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven5:28
4Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven6:44
5Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven12:36
6Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto moto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook") (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven12:21
7Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven5:24
8Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro -
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven4:00
9Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto) (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:21
4▼Digital Media
#TitleArtistRatingLength
1Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven14:10
2Symphony No. 7 in A Major, Op. 92: II. Allegretto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:25
3Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:29
4Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:55
5Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven9:29
6Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:59
7Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 8 in F major, op. 93: III. Tempo di menuetto (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven4:46
8Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 8 in F major, op. 93: IV. Allegro vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven7:42
5▼Digital Media
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1Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
engineer:
Andy Beer and Graham Kirkby (engineer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2002-05-12 until 2002-05-15)
conductor:
Simon Rattle (conductor) (from 2002-05-12 until 2002-05-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2002-05-12 until 2002-05-15)
live recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (from 2002-05-12 until 2002-05-15)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven16:56
2Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto
engineer:
Andy Beer and Graham Kirkby (engineer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2002-05-12 until 2002-05-15)
conductor:
Simon Rattle (conductor) (from 2002-05-12 until 2002-05-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2002-05-12 until 2002-05-15)
live recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (from 2002-05-12 until 2002-05-15)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven11:59
3Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato
engineer:
Andy Beer and Graham Kirkby (engineer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2002-05-12 until 2002-05-15)
conductor:
Simon Rattle (conductor) (from 2002-05-12 until 2002-05-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2002-05-12 until 2002-05-15)
live recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo (from 2002-05-12 until 2002-05-15)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven17:03
4Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (a) Presto - Allegro assai
engineer:
Andy Beer and Graham Kirkby (engineer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2002-05-12 until 2002-05-15)
conductor:
Simon Rattle (conductor) (from 2002-05-12 until 2002-05-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2002-05-12 until 2002-05-15)
live partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 2002-05-12 until 2002-05-15)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven6:19
5Symphony No. 9 in D Minor, Op. 125 "Choral": "O Freunde, nicht diese Töne!" (Ode to Joy)
engineer:
Andy Beer and Graham Kirkby (engineer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
baritone vocals:
Thomas Hampson (baritone) (from 2002-05-12 until 2002-05-15)
choir vocals:
City of Birmingham Symphony Chorus (from 2002-05-12 until 2002-05-15)
contralto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (from 2002-05-12 until 2002-05-15)
soprano vocals:
Barbara Bonney (soprano) (from 2002-05-12 until 2002-05-15)
tenor vocals:
Kurt Streit (tenor) (from 2002-05-12 until 2002-05-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2002-05-12 until 2002-05-15)
conductor:
Simon Rattle (conductor) (from 2002-05-12 until 2002-05-15)
chorus master:
Simon Halsey (conductor) (from 2002-05-12 until 2002-05-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2002-05-12 until 2002-05-15)
live partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 2002-05-12 until 2002-05-15)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Wiener Philharmoniker, Sir Simon Rattle, Barbara Bonney, Birgit Remmert, City Of Birmingham Symphony Chorus, Kurt Streit & Thomas Hampson17:40
6▼Digital Media
#TitleArtistRatingLength
1Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio
piano:
Lars Vogt (pianist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
recording of:
Cadenza to Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (Beethoven's original cadenza)
composer:
Ludwig van Beethoven (German composer)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven18:10
2Piano Concerto No. 1 in C Major, Op. 15: II. Largo
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven10:45
3Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando
piano:
Lars Vogt (pianist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven8:31
4Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven14:06
5Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven8:47
6Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven5:55
7▼Digital Media
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1Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
producer:
Stephen Johns (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2000-12-01 until 2000-12-03)
conductor:
Simon Rattle (conductor) (from 2000-12-01 until 2000-12-03)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2000-12-01 until 2000-12-03)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2000-12-01 until 2000-12-03)
live recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 2000-12-01 until 2000-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven47:21
2Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
producer:
Stephen Johns (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2000-12-01 until 2000-12-03)
conductor:
Simon Rattle (conductor) (from 2000-12-01 until 2000-12-03)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2000-12-01 until 2000-12-03)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2000-12-01 until 2000-12-03)
live recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (from 2000-12-01 until 2000-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven9:05
3Symphony No. 5 in C Minor, Op. 67: III. Allegro -
producer:
Stephen Johns (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2000-12-01 until 2000-12-03)
conductor:
Simon Rattle (conductor) (from 2000-12-01 until 2000-12-03)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2000-12-01 until 2000-12-03)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2000-12-01 until 2000-12-03)
live recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (from 2000-12-01 until 2000-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven4:50
4Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Presto
producer:
Stephen Johns (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2000-12-01 until 2000-12-03)
conductor:
Simon Rattle (conductor) (from 2000-12-01 until 2000-12-03)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2000-12-01 until 2000-12-03)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2000-12-01 until 2000-12-03)
live recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (from 2000-12-01 until 2000-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven10:36
5Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio (Cadenza by Glenn Gould)
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
recording of:
Cadenza to Beethoven: Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (Glenn Gould)
composer:
Glenn Gould (pianist)
publisher:
Barger and Barclay
is based on:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
part of:
Cadenzas to the Concerto no. 1 in C major for piano and orchestra by Beethoven, op. 15
Ludwig van Beethoven14:59
6Piano Concerto No. 1 in C Major, Op. 15: II. Largo (Cadenza by Glenn Gould)
Ludwig van Beethoven10:45
7Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando (Cadenza by Glenn Gould)
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
recording of:
Cadenza for the Rondo of Beethoven's Piano Concerto no. 1 in C major, op. 15 (Gould)
composer:
Glenn Gould (pianist)
publisher:
Barger and Barclay
is based on:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando
part of:
Cadenzas to the Concerto no. 1 in C major for piano and orchestra by Beethoven, op. 15
Ludwig van Beethoven9:00
8▼Digital Media
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1Fidelio, Op. 72: Overture
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Beethoven; Sir Simon Rattle & Berliner Philharmoniker6:49
2Fidelio, Op. 72, Act 1: "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
producer:
Stephen Johns (producer)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Berliner Philharmoniker, Juliane Banse & Rainer Trost4:42
3Fidelio, Op. 72, Act 1: "Armer Jaquino" (Marzelline)
producer:
Stephen Johns (producer)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Berliner Philharmoniker & Juliane Banse0:11
4Fidelio, Op. 72, Act 1: "O wär' ich schon mit dir vereint" (Marzelline)
producer:
Stephen Johns (producer)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Berliner Philharmoniker & Juliane Banse3:54
5Fidelio, Op. 72, Act 1: "Marzelline, ist Fidelio noch nicht zurückgekommen?" (Rocco, Marzelline, Leonore)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Berliner Philharmoniker, Angela Denoke, Juliane Banse & László Polgár0:34
6Fidelio, Op. 72, Act 1: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Berliner Philharmoniker, Angela Denoke, Juliane Banse, Rainer Trost & László Polgár3:35
7Fidelio, Op. 72, Act 1: "Höre, Fidelio, ich gebe dir meine Tochter zur Frau" (Rocco)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (from 2003-04-25 until 2003-04-28)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Berliner Philharmoniker & László Polgár0:12
8Fidelio, Op. 72, Act 1: "Hat man nicht auch Gold beineben" (Rocco)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Berliner Philharmoniker & László Polgár2:51
9Fidelio, Op. 72, Act 1: "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (from 2003-04-25 until 2003-04-28)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Berliner Philharmoniker, Angela Denoke, Juliane Banse & László Polgár0:57
10Fidelio, Op. 72, Act 1: "Gut, Söhnchen, gut, hab' immer Mut" (Rocco, Leonore, Marzelline)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Angela Denoke, Juliane Banse & László Polgár3:48
11Fidelio, Op. 72, Act 1: "Nur auf der Hut, dann geht es gut" (Rocco, Leonore, Marzelline)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Angela Denoke, Juliane Banse & László Polgár2:14
12Fidelio, Op. 72, Act 1: March
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle1:47
13Fidelio, Op. 72, Act 1: "Wo sind die Depeschen?" (Pizarro, Rocco)
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (from 2003-04-25 until 2003-04-28)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Alan Held & László Polgár0:42
14Fidelio, Op. 72, Act 1: "Ha! Welch' ein Augenblick!" (Pizarro, Chorus)
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle & Alan Held3:06
15Fidelio, Op. 72, Act 1: "Hauptmann! Besteigen Sie mit einem Trompeter" (Pizarro, Rocco)
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (from 2003-04-25 until 2003-04-28)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Alan Held & László Polgár0:18
16Fidelio, Op. 72, Act 1: "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Berliner Philharmoniker, Alan Held & László Polgár5:19
17Fidelio, Op. 72, Act 1: "Abscheulicher! Wo eilst du hin?" (Leonore)
producer:
Stephen Johns (producer)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle & Angela Denoke2:02
18Fidelio, Op. 72, Act 1: "Komm, Hoffnung, lass den letzten Stern" (Leonore)
producer:
Stephen Johns (producer)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle & Angela Denoke5:25
19Fidelio, Op. 72, Act 1: "Meister Rocco, Ihr verspracht so oft" (Leonore, Rocco, Marzelline)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Angela Denoke, Juliane Banse & László Polgár0:17
20Fidelio, Op. 72, Act 1: "O welche Lust" (Chor, Gefangener)
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo bass vocals [Second Prisoner]:
Ion Tibrea (Bass, member of the Arnold Schoenberg Choir) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [First Prisoner]:
Thomas Ebenstein (Tenor, member of the Arnold Schoenberg Choir) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Ion Tibrea & Thomas Ebenstein6:45
21Fidelio, Op. 72, Act 1: "Nun sprecht, wie ging's?" (Leonore, Rocco)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Angela Denoke & László Polgár4:56
22Fidelio, Op. 72, Act 1: "Ach! Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Alan Held, Angela Denoke, Juliane Banse, László Polgár & Rainer Trost2:13
23Fidelio, Op. 72, Act 1: "Leb wohl, du warmes Sonnenlicht" (Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven; Sir Simon Rattle, Alan Held, Angela Denoke, Juliane Banse, László Polgár & Rainer Trost3:19
9▼Digital Media
#TitleArtistRatingLength
1Fidelio, Op. 72, Act 2: "Gott! Welch' Dunkel hier!" (Florestan)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Beethoven; Sir Simon Rattle & Jon Villars5:12
2Fidelio, Op. 72, Act 2: "In des Lebens Frühlingstagen" (Florestan)
producer:
Stephen Johns (producer)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Beethoven; Sir Simon Rattle & Jon Villars4:37
3Fidelio, Op. 72, Act 2: "Wie kalt ist es hier!" (Leonore, Rocco)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Beethoven; Sir Simon Rattle, Angela Denoke & László Polgár1:42
4Fidelio, Op. 72, Act 2: "Nur hurtig fort, nur frisch gegraben" (Rocco, Leonore)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Beethoven; Sir Simon Rattle, Angela Denoke & László Polgár3:57
5Fidelio, Op. 72, Act 2: "Er erwacht" (Leonore, Rocco, Florestan)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Beethoven; Sir Simon Rattle, Angela Denoke, Jon Villars & László Polgár0:49
6Fidelio, Op. 72, Act 2: "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Beethoven; Sir Simon Rattle, Angela Denoke, Jon Villars & László Polgár6:04
7Fidelio, Op. 72, Act 2: "Alles ist bereit" (Rocco, Florestan, Leonore, Pizarro)
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (from 2003-04-25 until 2003-04-28)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Beethoven; Sir Simon Rattle, Alan Held, Angela Denoke, Jon Villars & László Polgár0:20
8Fidelio, Op. 72, Act 2: "Er sterbe! ... Vater Rocco!" (Pizarro, Florestan, Leonore, Rocco, Jaquino)
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Beethoven; Sir Simon Rattle, Alan Held, Angela Denoke, Jon Villars, László Polgár & Rainer Trost3:28
9Fidelio, Op. 72, Act 2: "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco)
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Beethoven; Sir Simon Rattle, Alan Held, Angela Denoke, Jon Villars & László Polgár1:09
10Fidelio, Op. 72, Act 2: "O namenlose Freude!" (Leonore, Florestan)
producer:
Stephen Johns (producer)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Beethoven; Sir Simon Rattle, Angela Denoke & Jon Villars3:33
11Fidelio, Op. 72, Act 2: "Heil sei dem Tag" (Chorus)
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Beethoven; Sir Simon Rattle1:52
12Fidelio, Op. 72, Act 2: "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline)
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo bass vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Beethoven; Sir Simon Rattle, Alan Held, Angela Denoke, Juliane Banse, László Polgár & Thomas Quasthoff4:37
13Fidelio, Op. 72, Act 2: "O Gott! Welch' ein Augenblick!" (Leonore, Florestan, Don Fernando, Marzelline, Rocco, Chorus)
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo bass vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Beethoven; Sir Simon Rattle, Angela Denoke, Jon Villars, Juliane Banse, László Polgár & Thomas Quasthoff2:58
14Fidelio, Op. 72, Act 2: "Wer ein holdes Weib errungen" (Chor, Florestan, Leonore, Marzelline, Jaquino, Don Fernando, Ro
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo bass vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Beethoven; Sir Simon Rattle, Angela Denoke, Juliane Banse, Jon Villars, Rainer Trost, Thomas Quasthoff, László Polgár & Arnold Schoenberg Chor3:57

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phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2010)
purchase for download:https://music.apple.com/gb/album/694189842 [info]
stream for free:https://open.spotify.com/album/73jjiTz6IsFeBz74cS104h [info]
https://www.deezer.com/album/639208 [info]
streaming page:https://music.apple.com/gb/album/694189842 [info]
https://tidal.com/album/4345895 [info]