Aussie Legends

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-02-25).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇭🇷 Croatia (hr) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇧🇾 Belarus (by) 🇷🇺 Russian Federation (ru) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-02-25 13:58 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Boys in Town
bass:
Rick Grossman
drums (drum set):
Richard Harvey (Australian drummer)
guitar:
Bjarn Ohlin and Mark McEntee
keyboard:
Bjarn Ohlin
vocals:
Christina Amphlett
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983)
recording of:
Boys in Town
writer:
Chrissy Amphlett, Mark McEntee and Jeremy Paul (bassist, Air Supply, Divinyls)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) and EMI Songs
Divinyls32:52
2The Real Thing
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) and EMI Music Australia Pty. Limited (not for release label use!) (in 1969)
recording of:
The Real Thing
lyricist and composer:
John B. Young (Australian singer)
writer:
Johnny Young (Australian singer)
publisher:
Chappell/Morris Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Russell Morris6:22
3Not Pretty Enough
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001)
recording of:
Not Pretty Enough
lyricist and composer:
Kasey Chambers (Australian country singer‐songwriter)
publisher:
Mushroom Music Pty. Ltd. and Sony/ATV Music Publishing Australia Pty Ltd.
Kasey Chambers3:20
4Cry in Shame
recording engineer:
Terry Manning (US recording engineer) (from 1988-08 until 1988-09)
producer and mixer:
Terry Manning (US recording engineer)
bass:
Johnny 'Tatt' Dalzell (from 1988-08 until 1988-09)
guitar:
Diesel (Australian pop rock aka Mark Lizotte) (from 1988-08 until 1988-09)
saxophone and background vocals:
Bernie Bremond (from 1988-08 until 1988-09)
instruments arranger:
Brent Eccles and Terry Manning (US recording engineer)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (from 1988-08 until 1988-09)
recording of:
Cry in Shame (from 1988-08 until 1988-09)
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs
Johnny Diesel & the Injectors34:44
5I Still Call Australia Home (single version)
recording of:
I Still Call Australia Home
lyricist and composer:
Peter Allen (Australian singer‐songwriter)
Peter Allen3:57
6The Special Two
acoustic guitar and electric guitar:
Stuart Mathis (guitarist)
double bass [upright bass]:
Carlos Cordova
drums (drum set):
Dean Butterworth
keyboard:
Jamie Muhoberac
percussion:
Debra Dobkin
part of:
triple j’s Hottest 100 of Australian Songs (number: 52)
recording of:
The Special Two
lyricist and composer:
Missy Higgins
Missy Higgins34:26
7Forever Now
recording of:
Forever Now
publisher:
Steve Prestwich
lyricist and composer:
Steve Prestwich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
Cold Chisel4:28
8Pleasure and Pain
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985) and Chrysalis Records, Inc. (not for release label use!) (in 1985)
recording of:
Pleasure and Pain
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
Hebbes Music Group Pty. Ltd., Warner Chappell and Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:54
9Errol
engineer:
Dave Marett (engineer)
producer:
Peter Dawkins
acoustic guitar, electric guitar and slide guitar:
Simon Binks (from 1981-03 until 1981-04)
bass:
Paul Williams (bassist in 'Australian Crawl') (from 1981-03 until 1981-04)
drums (drum set) and percussion:
Bill McDonough (from 1981-03 until 1981-04)
guitar:
Guy McDonough (from 1981-03 until 1981-04) and Brad Robinson (from 1981-03 until 1981-04)
piano and lead vocals:
James Reyne (from 1981-03 until 1981-04)
phonographic copyright (℗) by:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1981) and Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 1981)
recorded at and mixed at:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (from 1981-03 until 1981-04)
recording of:
Errol (from 1981-03 until 1981-04)
writer:
Guy McDonough and James Reyne
publisher:
Warner/Chappell Pty. Ltd.
Australian Crawl33:30
10Buy Me a Pony
assistant engineer:
Aaron Pratley
engineer:
Phil McKellar (Australian producer and engineer)
producer:
Phil McKellar (Australian producer and engineer) and Spiderbait
phonographic copyright (℗) by:
Polydor Records Australia (in 1996)
recorded at:
Studio 301 (Studios 301, 301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (in 1996-03)
music videos:
Buy Me a Pony by Spiderbait
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1996)
recording of:
Buy Me a Pony (in 1996-03)
lyricist and composer:
Janet English, Kram (singer/drummer from Spiderbait) and Damian Whitty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Publishing Australia Pty Ltd.
Spiderbait31:44
11Rain
phonographic copyright (℗) by:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 1984)
recording of:
Rain (Dragon song)
writer:
Marc Hunter, Todd Hunter (Todd Stuart Hunter of Dragon) and Johanna Pigott
publisher:
Essex Music of Australia Pty. Ltd.
Dragon3:39
12Better Be Home Soon
recording engineer:
Tchad Blake
producer:
Mitchell Froom
mixer:
Bob Clearmountain
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric bass guitar [bass]:
Nick Seymour (Nicholas More Seymour)
guitar and lead vocals:
Neil Finn
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1988)
mixed for:
Fast Forward Productions, Ltd.
part of:
triple j’s Hottest 100 of Australian Songs (number: 38)
recording of:
Better Be Home Soon
lyricist and composer:
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Mushroom Publishing and Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:08
13Songbird
assistant engineer:
Claire Lewis (mostly credited as assistant engineer)
engineer and mixer:
Tchad Blake
producer:
Tchad Blake and Bernard Fanning
guitar:
Bernard Fanning
vocals:
Bernard Fanning
mixed at and engineered at:
Real World Studios in Box, Wiltshire, England, United Kingdom
recording of:
Songbird
lyricist and composer:
Bernard Fanning
recording of:
Songbird
Bernard Fanning32:36
14White Noise
additional engineer:
Stewart Lerman and Ted Young (engineer)
assistant engineer:
Scott Altizio (engineer) and James Frazee
engineer:
John Agnello (engineer & producer)
producer:
John Agnello (engineer & producer) and The Living End (Australian punk band)
additional mixer:
Billy Bowers (US engineer)
assistant mixer:
Kory Aaron and DP Samuels (engineer)
mixer:
Brendan O’Brien (engineer)
phonographic copyright (℗) by:
Dew Process (in 2008) and Universal Music Australia (see annotation before using) (in 2008)
recorded at:
Water Music Studios in Hoboken, New Jersey, United States
mixed at:
Silent Sound Studios in Atlanta, Georgia, United States
part of:
triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (number: 23)
recording of:
White Noise
lyricist and composer:
Chris Cheney (The Living End frontman)
publisher:
Universal Music Publishing Australia Pty Ltd (Australian subsidiary of Universal Music Publishing Group)
The Living End33:44
15Khe Sanh
engineer:
Alan Wright (engineer)
acoustic guitar:
Peter Walker (Australian producer & engineer)
bass:
Phil Small
drums (drum set):
Steve Prestwich
guitar:
Ian Moss
harmonica:
Dave Blight
organ and piano:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (in 1991, in 2001) and Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1991)
part of:
triple j’s Hottest 100 of Australian Songs (number: 8)
recording of:
Khe Sanh
lyricist and composer:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Rondor Music, Rondor Music (Australia) Pty Ltd and Universal Music Publishing Group, Pty. Ltd
Cold Chisel4:11
16(Baby I’ve Got You) On My Mind
additional engineer:
Anton Hagop
assistant engineer:
Catherine Claire (engineer)
engineer:
Nick DiDia
producer:
Nick DiDia and Tony Reyes (songwriter/producer/multi‐instrumentalist)
mixer:
Brendan O’Brien (engineer)
recorded at:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia (from 2003-01 until 2003-02)
mixed at:
Southern Tracks in Atlanta, Georgia, United States (in 2003-03)
part of:
triple j’s Hottest 100 of Australian Songs (number: 70)
recording of:
(Baby I've Got You) On My Mind (from 2003-01 until 2003-02)
writer:
Powderfinger (Australian rock band)
publisher:
Kobalt Music Publishing Australia P/L
Powderfinger33:21
17Somebody That I Used to Know
recording engineer:
Wally De Backer (bass guitar)
producer:
Wally De Backer
assistant mixer:
Wally De Backer
mixer:
François Tétaz (Australian film composer)
bass guitar:
Lucas Taranto
sampler [guitar, flutes, percussion and synth samples]:
Wally De Backer
background vocals and lead vocals:
Kimbra (New Zealand singer-songwriter) and Wally De Backer
phonographic copyright (℗) by:
Samples ’n’ Seconds Records (in 2011) and Samples ’n’ Seconds Records Pty Ltd (in 2011)
recorded at:
Lucas' Loungeroom in Melbourne, Victoria, Australia (bass) and The Barn in Merricks, Shire of Mornington Peninsula, Victoria, Australia (bass)
mixed at:
Moose Mastering in Richmond, Queensland, Australia
samples:
Seville by Luiz Bonfá
music videos:
Somebody That I Used to Know by Gotye feat. Kimbra (New Zealand singer-songwriter)
part of:
triple j’s Hottest 100 of Australian Songs (number: 10), Billboard Year-End Hot 100 singles of 2012 (number: 1), MIA Award: Song of the Year (number: 2011), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 8), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2013 winner), Triple J’s Hottest 100: Twenty Years (2013) (number: 9), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 24), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2011), Billboard: Greatest of All Time Hot 100 Songs (number: 36), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 49), Stereogum: The 200 Best Songs of the 2010s (number: 161) and Indie 88: Top 500 Indie Rock Songs (number: 404)
recording of:
Somebody That I Used to Know
lyricist:
Walter De Backer
composer:
Luiz Bonfá and Walter De Backer
publisher:
J. Albert & Son Pty. Ltd., Kobalt Music Publishing Australia Pty Ltd, Op Shop Songs Pty Ltd., Songs of Kobalt Music Publishing, Unichappell Music, Inc. and Warner/Chappell Music Australia Pty. Ltd.
part of:
Matuschkes Lieblinge 2011
Gotye4.154:05
18Straight Lines
recording engineer:
Nick Launay
assistant producer:
Scott Horscroft (Australian producer) and Paul Mac (Australian musician, producer and remixer)
producer:
Daniel Johns and Nick Launay
assistant mixer:
Giancarlo Gallo
mixer:
David Bottrill (producer / mixer)
phonographic copyright (℗) by:
Eleven: A Music Company (in 2007)
recorded at:
Seedy Underbelly Studio in Los Angeles, California, United States
mixed at:
Metalworks Recording Studio in Toronto, Ontario, Canada
part of:
triple j’s Hottest 100 of Australian Songs (number: 28)
recording of:
Straight Lines
lyricist:
Daniel Johns
composer:
Julian Hamilton (Austrailian singer-songwriter and keyboardist) and Daniel Johns
publisher:
Big Fat Llama Music, EMI Music Publishing Australia Pty Ltd. (not for release label use!) and Sony/ATV Music Publishing Australia
Silverchair4.154:18
19Chains
programming and producer:
David Tyson (Canadian producer/songwriter)
engineer:
Greg Droman (American producer, mixing and audio engineer)
assistant mixer:
Steve Gallagher (engineer)
mixer:
Chris Lord‐Alge
guitar:
Tim Pierce (US session guitarist)
keyboard:
David Tyson (Canadian producer/songwriter)
background vocals:
Tina Arena and Marilyn Martin
arranger:
David Tyson (Canadian producer/songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1994) and Sony Music Productions Ltd. (for copyrights use only) (in 1994)
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Chains
writer:
Tina Arena (in 1993-10), Pam Reswick (American songwriter) (in 1993-10) and Steve Werfel (in 1993-10)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena34:22
20Never Tear Us Apart
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
INXS (in 1987)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) and PolyGram International Music B.V. (not for release label use!) (in 1987)
music videos:
Never Tear Us Apart (music video) by INXS
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2025 (Australian Songs)) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 282)
recording of:
Never Tear Us Apart
lyricist and composer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey and Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.83:05
21Great Southern Land
part of:
triple j’s Hottest 100 of Australian Songs (number: 35)
recording of:
Great Southern Land
lyricist and composer:
Iva Davies
publisher:
EMI Songs Australia and EMI Songs Australia Pty. Ltd.
Icehouse25:17
22Chemical Heart
recording engineer:
Phil McKellar (Australian producer and engineer) (from 2001-09 until 2001-11)
assistant engineer:
Evan McHughan
producer:
Phil McKellar (Australian producer and engineer)
mixer:
D. Sardy (American score composer)
cello:
Kate Morgan (from 2001-09 until 2001-11)
viola:
Deborah Lander (violist) (from 2001-09 until 2001-11)
violin:
Adrian Keating (from 2001-09 until 2001-11) and Nguyen Bui (Japanese classical violinist and concermaster) (from 2001-09 until 2001-11)
conductor:
Jackie Orszaczky (from 2001-09 until 2001-11: strings)
strings arranger:
Jackie Orszaczky
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2002) and Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2002)
recorded at:
Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia (in 2001-09) and Dodgy (Ultimo, Sydney) in Sydney, New South Wales, Australia (in 2001-11)
mixed at:
Electric Lady in Greenwich Village, New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 68)
recording of:
Chemical Heart (from 2001-09 until 2001-11)
writer:
Grinspoon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Shock Music Publishing Pty. Ltd.
Grinspoon34:40
23Because I Love You
recording of:
Because I Love You (Masters Apprentices song)
writer:
Doug Ford and Jim Keays
publisher:
EMI Music Australia Pty. Limited (not for release label use!), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Masters Apprentices4:34
24Amazing
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001) and EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2001)
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2001)
recording of:
Amazing
lyricist and composer:
Alex Lloyd (Australian singer‐songwriter)
publisher:
Rondor Music (Australia) Pty Ltd
Alex Lloyd3.653:24
25Help Is on Its Way
recorded in:
Australia
engineer:
Paul Grupp and Ross Murray Cockle
producer:
John Boylan and Little River Band
phonographic copyright (℗) by:
EMI (Australia) Ltd. (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1977) and EMI Australia (company credits only; file no releases here!) (in 1977)
produced for:
Tumbleweed Productions
recording of:
Help Is on Its Way
lyricist and composer:
Glenn Shorrock
publisher:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) and Wheatley Music Pty Ltd.
Little River Band3:56
26Way Out West
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1992)
cover recording of:
Way Out West
writer:
Michael Bois, John Lee (Australian drummer, songwriter and singer), Broderick Smith, Chris Stockley (The Dingoes) and Kerryn Tolhurst (Australian musician)
publisher:
Cellar Music Co Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
James Blundell4:01
27Streets of Your Town
recording of:
Streets of Your Town
writer:
Robert Forster (Australian singer-songwriter & guitarist) and Grant McLennan
publisher:
Complete Music, Complete Music Ltd., Incomplete Music Inc., Universal Music Publishing MGB Australia and Wintrup Music
The Go‐Betweens3:37
28A Pub With No Beer (1979 version)
recording of:
A Pub With No Beer
lyricist and composer:
Gordon Parsons
publisher:
EMI Music Publishing (do not use as a release label!)
Slim Dusty3:01
29The Honeymoon Is Over
phonographic copyright (℗) by:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1993) and Polydor Records Australia (in 1993)
recording of:
The Honeymoon Is Over
writer:
James Cruikshank, Tex Perkins (Australian singer-songwriter Greg Perkins) and Dan Rumour
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Cruel Sea2.53:08