Aussie Legends

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-02-25).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇭🇷 Croatia (hr) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇧🇾 Belarus (by) 🇷🇺 Russian Federation (ru) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotazione modificata l'ultima volta il 2020-02-25 13:58 UTC.

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Boys in Town
basso :
Rick Grossman
batteria :
Richard Harvey (Australian drummer)
chitarra :
Bjarn Ohlin e Mark McEntee
tastiera :
Bjarn Ohlin
voce:
Christina Amphlett
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983)
registrazione di:
Boys in Town
autore:
Chrissy Amphlett, Mark McEntee e Jeremy Paul (bassist, Air Supply, Divinyls)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) e EMI Songs
Divinyls32:52
2The Real Thing
diritti fonografici (℗) detenuti da:
EMI Music Australia (defunct holding company, not for release label use!) e EMI Music Australia Pty. Limited (not for release label use!) (nel 1969)
registrazione di:
The Real Thing
paroliere e compositore:
John B. Young (Australian singer)
autore:
Johnny Young (Australian singer)
editore:
Chappell/Morris Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Russell Morris6:22
3Not Pretty Enough
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 2001)
registrazione di:
Not Pretty Enough
paroliere e compositore:
Kasey Chambers (Australian country singer‐songwriter)
editore:
Mushroom Music Pty. Ltd. e Sony/ATV Music Publishing Australia Pty Ltd.
Kasey Chambers3:20
4Cry in Shame
tecnico di registrazione:
Terry Manning (US recording engineer) (dal 1988-08 al 1988-09)
produttore e tecnico di missaggio:
Terry Manning (US recording engineer)
basso :
Johnny 'Tatt' Dalzell (dal 1988-08 al 1988-09)
chitarra :
Diesel (Australian pop rock aka Mark Lizotte) (dal 1988-08 al 1988-09)
sassofono e voce di accompagnamento:
Bernie Bremond (dal 1988-08 al 1988-09)
arrangiatore strumenti:
Brent Eccles e Terry Manning (US recording engineer)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti (dal 1988-08 al 1988-09)
registrazione di:
Cry in Shame (dal 1988-08 al 1988-09)
paroliere e compositore:
Diesel (Australian pop rock aka Mark Lizotte)
editore:
EMI Songs
Johnny Diesel & the Injectors34:44
5I Still Call Australia Home (single version)
registrazione di:
I Still Call Australia Home
paroliere e compositore:
Peter Allen (Australian singer‐songwriter)
Peter Allen3:57
6The Special Two
batteria :
Dean Butterworth
chitarra acustica e chitarra elettrica :
Stuart Mathis (guitarist)
contrabbasso [upright bass] :
Carlos Cordova
percussione :
Debra Dobkin
tastiera :
Jamie Muhoberac
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 52)
registrazione di:
The Special Two
paroliere e compositore:
Missy Higgins
Missy Higgins34:26
7Forever Now
registrazione di:
Forever Now
editore:
Steve Prestwich
paroliere e compositore:
Steve Prestwich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Cold Chisel4:28
8Pleasure and Pain
produttore:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985) e Chrysalis Records, Inc. (not for release label use!) (nel 1985)
registrazione di:
Pleasure and Pain
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
Hebbes Music Group Pty. Ltd., Warner Chappell e Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:54
9Errol
tecnico:
Dave Marett (engineer)
produttore:
Peter Dawkins
basso :
Paul Williams (bassist in 'Australian Crawl') (dal 1981-03 al 1981-04)
batteria e percussione :
Bill McDonough (dal 1981-03 al 1981-04)
chitarra :
Guy McDonough (dal 1981-03 al 1981-04) e Brad Robinson (dal 1981-03 al 1981-04)
chitarra acustica , chitarra elettrica e chitarra slide :
Simon Binks (dal 1981-03 al 1981-04)
pianoforte e voce principale:
James Reyne (dal 1981-03 al 1981-04)
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1981) e Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (nel 1981)
registrata presso e mixata presso:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (dal 1981-03 al 1981-04)
registrazione di:
Errol (dal 1981-03 al 1981-04)
autore:
Guy McDonough e James Reyne
editore:
Warner/Chappell Pty. Ltd.
Australian Crawl33:30
10Buy Me a Pony
assistente tecnico:
Aaron Pratley
tecnico:
Phil McKellar (Australian producer and engineer)
produttore:
Phil McKellar (Australian producer and engineer) e Spiderbait
diritti fonografici (℗) detenuti da:
Polydor Records Australia (nel 1996)
registrata presso:
Studio 301 (Studios 301, 301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (nel 1996-03)
video musicali:
Buy Me a Pony di Spiderbait
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1996)
registrazione di:
Buy Me a Pony (nel 1996-03)
paroliere e compositore:
Janet English, Kram (singer/drummer from Spiderbait) e Damian Whitty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Music Publishing Australia Pty Ltd.
Spiderbait31:44
11Rain
diritti fonografici (℗) detenuti da:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (nel 1984)
registrazione di:
Rain (Dragon song)
autore:
Marc Hunter, Todd Hunter (Todd Stuart Hunter of Dragon) e Johanna Pigott
editore:
Essex Music of Australia Pty. Ltd.
Dragon3:39
12Better Be Home Soon
tecnico di registrazione:
Tchad Blake
produttore:
Mitchell Froom
tecnico di missaggio:
Bob Clearmountain
basso elettrico [bass] :
Nick Seymour (Nicholas More Seymour)
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra e voce principale:
Neil Finn
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1988)
mixata per:
Fast Forward Productions, Ltd.
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 38)
registrazione di:
Better Be Home Soon
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Mushroom Publishing e Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:08
13Songbird
assistente tecnico:
Claire Lewis (mostly credited as assistant engineer)
tecnico e tecnico di missaggio:
Tchad Blake
produttore:
Tchad Blake e Bernard Fanning
chitarra :
Bernard Fanning
voce:
Bernard Fanning
mixata presso e lavorazione tecnica effettuata presso:
Real World Studios in Box, Wiltshire, England, Regno Unito
registrazione di:
Songbird
paroliere e compositore:
Bernard Fanning
registrazione di:
Songbird
Bernard Fanning32:36
14White Noise
assistente tecnico:
Scott Altizio (engineer) e James Frazee
tecnico:
John Agnello (engineer & producer)
tecnico aggiunto:
Stewart Lerman e Ted Young (engineer)
produttore:
John Agnello (engineer & producer) e The Living End (Australian punk band)
assistente tecnico di missaggio:
Kory Aaron e DP Samuels (engineer)
tecnico di missaggio:
Brendan O’Brien (engineer)
tecnico di missaggio aggiunto:
Billy Bowers (US engineer)
diritti fonografici (℗) detenuti da:
Dew Process (nel 2008) e Universal Music Australia (see annotation before using) (nel 2008)
registrata presso:
Water Music Studios in Hoboken, New Jersey, Stati Uniti
mixata presso:
Silent Sound Studios in Atlanta, Georgia, Stati Uniti
parte di:
triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (numero: 23)
registrazione di:
White Noise
paroliere e compositore:
Chris Cheney (The Living End frontman)
editore:
Universal Music Publishing Australia Pty Ltd (Australian subsidiary of Universal Music Publishing Group)
The Living End33:44
15Khe Sanh
tecnico:
Alan Wright (engineer)
armonica (a bocca) :
Dave Blight
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
chitarra acustica :
Peter Walker (Australian producer & engineer)
organo e pianoforte :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (nel 1991, nel 2001) e Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1991)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 8)
registrazione di:
Khe Sanh
paroliere e compositore:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
editore:
Rondor Music, Rondor Music (Australia) Pty Ltd e Universal Music Publishing Group, Pty. Ltd
Cold Chisel4:11
16(Baby I’ve Got You) On My Mind
assistente tecnico:
Catherine Claire (engineer)
tecnico:
Nick DiDia
tecnico aggiunto:
Anton Hagop
produttore:
Nick DiDia e Tony Reyes (songwriter/producer/multi‐instrumentalist)
tecnico di missaggio:
Brendan O’Brien (engineer)
registrata presso:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia (dal 2003-01 al 2003-02)
mixata presso:
Southern Tracks in Atlanta, Georgia, Stati Uniti (nel 2003-03)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 70)
registrazione di:
(Baby I've Got You) On My Mind (dal 2003-01 al 2003-02)
autore:
Powderfinger (Australian rock band)
editore:
Kobalt Music Publishing Australia P/L
Powderfinger33:21
17Somebody That I Used to Know
tecnico di registrazione:
Wally De Backer (chitarra basso)
produttore:
Wally De Backer
assistente tecnico di missaggio:
Wally De Backer
tecnico di missaggio:
François Tétaz (Australian film composer)
campionatore [guitar, flutes, percussion and synth samples] :
Wally De Backer
chitarra basso :
Lucas Taranto
voce di accompagnamento e voce principale:
Kimbra (New Zealand singer-songwriter) e Wally De Backer
diritti fonografici (℗) detenuti da:
Samples ’n’ Seconds Records (nel 2011) e Samples ’n’ Seconds Records Pty Ltd (nel 2011)
registrata presso:
Lucas' Loungeroom in Melbourne, Victoria, Australia (basso) e The Barn in Merricks, Shire of Mornington Peninsula, Victoria, Australia (basso)
mixata presso:
Moose Mastering in Richmond, Queensland, Australia
campionamenti:
Seville di Luiz Bonfá
video musicali:
Somebody That I Used to Know di Gotye feat. Kimbra (New Zealand singer-songwriter)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 10), Billboard Year-End Hot 100 singles of 2012 (numero: 1), MIA Award: Song of the Year (numero: 2011), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 8), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2013 winner), Triple J’s Hottest 100: Twenty Years (2013) (numero: 9), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 24), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2011), Billboard: Greatest of All Time Hot 100 Songs (numero: 36), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 49), Stereogum: The 200 Best Songs of the 2010s (numero: 161) e Indie 88: Top 500 Indie Rock Songs (numero: 404)
registrazione di:
Somebody That I Used to Know
paroliere:
Walter De Backer
compositore:
Luiz Bonfá e Walter De Backer
editore:
J. Albert & Son Pty. Ltd., Kobalt Music Publishing Australia Pty Ltd, Op Shop Songs Pty Ltd., Songs of Kobalt Music Publishing, Unichappell Music, Inc. e Warner/Chappell Music Australia Pty. Ltd.
parte di:
Matuschkes Lieblinge 2011
Gotye4.154:05
18Straight Lines
tecnico di registrazione:
Nick Launay
assistente produttore:
Scott Horscroft (Australian producer) e Paul Mac (Australian musician, producer and remixer)
produttore:
Daniel Johns e Nick Launay
assistente tecnico di missaggio:
Giancarlo Gallo
tecnico di missaggio:
David Bottrill (producer / mixer)
diritti fonografici (℗) detenuti da:
Eleven: A Music Company (nel 2007)
registrata presso:
Seedy Underbelly Studio in Los Angeles, California, Stati Uniti
mixata presso:
Metalworks Recording Studio in Toronto, Ontario, Canada
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 28)
registrazione di:
Straight Lines
paroliere:
Daniel Johns
compositore:
Julian Hamilton (Austrailian singer-songwriter and keyboardist) e Daniel Johns
editore:
Big Fat Llama Music, EMI Music Publishing Australia Pty Ltd. (not for release label use!) e Sony/ATV Music Publishing Australia
Silverchair4.154:18
19Chains
programmazione e produttore:
David Tyson (Canadian producer/songwriter)
tecnico:
Greg Droman (American producer, mixing and audio engineer)
assistente tecnico di missaggio:
Steve Gallagher (engineer)
tecnico di missaggio:
Chris Lord‐Alge
chitarra :
Tim Pierce (US session guitarist)
tastiera :
David Tyson (Canadian producer/songwriter)
voce di accompagnamento:
Tina Arena e Marilyn Martin
arrangiatore:
David Tyson (Canadian producer/songwriter)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1994) e Sony Music Productions Ltd. (for copyrights use only) (nel 1994)
mixata presso:
Image Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
Chains
autore:
Tina Arena (nel 1993-10), Pam Reswick (American songwriter) (nel 1993-10) e Steve Werfel (nel 1993-10)
editore:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena34:22
20Never Tear Us Apart
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
INXS (nel 1987)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1987) e PolyGram International Music B.V. (not for release label use!) (nel 1987)
video musicali:
Never Tear Us Apart (music video) di INXS
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2025 (Australian Songs)) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 282)
registrazione di:
Never Tear Us Apart
paroliere e compositore:
Andrew Farriss (in band INXS) e Michael Hutchence
editore:
MCA Music Ltd., Stuffed Monkey e Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.83:05
21Great Southern Land
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 35)
registrazione di:
Great Southern Land
paroliere e compositore:
Iva Davies
editore:
EMI Songs Australia e EMI Songs Australia Pty. Ltd.
Icehouse25:17
22Chemical Heart
tecnico di registrazione:
Phil McKellar (Australian producer and engineer) (dal 2001-09 al 2001-11)
assistente tecnico:
Evan McHughan
produttore:
Phil McKellar (Australian producer and engineer)
tecnico di missaggio:
D. Sardy (American score composer)
viola :
Deborah Lander (violist) (dal 2001-09 al 2001-11)
violino :
Adrian Keating (dal 2001-09 al 2001-11) e Nguyen Bui (Japanese classical violinist and concermaster) (dal 2001-09 al 2001-11)
violoncello :
Kate Morgan (dal 2001-09 al 2001-11)
direttore d'orchestra:
Jackie Orszaczky (dal 2001-09 al 2001-11: archi)
arrangiatore archi :
Jackie Orszaczky
diritti fonografici (℗) detenuti da:
Universal Music Australia (see annotation before using) (nel 2002) e Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (nel 2002)
registrata presso:
Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia (nel 2001-09) e Dodgy (Ultimo, Sydney) in Sydney, New South Wales, Australia (nel 2001-11)
mixata presso:
Electric Lady in Greenwich Village, New York, New York, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 68)
registrazione di:
Chemical Heart (dal 2001-09 al 2001-11)
autore:
Grinspoon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Shock Music Publishing Pty. Ltd.
Grinspoon34:40
23Because I Love You
registrazione di:
Because I Love You (Masters Apprentices song)
autore:
Doug Ford e Jim Keays
editore:
EMI Music Australia Pty. Limited (not for release label use!), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Masters Apprentices4:34
24Amazing
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 2001) e EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 2001)
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2001)
registrazione di:
Amazing
paroliere e compositore:
Alex Lloyd (Australian singer‐songwriter)
editore:
Rondor Music (Australia) Pty Ltd
Alex Lloyd3.653:24
25Help Is on Its Way
registrata a:
Australia
tecnico:
Paul Grupp e Ross Murray Cockle
produttore:
John Boylan e Little River Band
diritti fonografici (℗) detenuti da:
EMI (Australia) Ltd. (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (nel 1977) e EMI Australia (company credits only; file no releases here!) (nel 1977)
è stato produttore per:
Tumbleweed Productions
registrazione di:
Help Is on Its Way
paroliere e compositore:
Glenn Shorrock
editore:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) e Wheatley Music Pty Ltd.
Little River Band3:56
26Way Out West
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1992)
registrazione cover di:
Way Out West
autore:
Michael Bois, John Lee (Australian drummer, songwriter and singer), Broderick Smith, Chris Stockley (The Dingoes) e Kerryn Tolhurst (Australian musician)
editore:
Cellar Music Co Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Pty. Ltd.
James Blundell4:01
27Streets of Your Town
registrazione di:
Streets of Your Town
autore:
Robert Forster (Australian singer-songwriter & guitarist) e Grant McLennan
editore:
Complete Music, Complete Music Ltd., Incomplete Music Inc., Universal Music Publishing MGB Australia e Wintrup Music
The Go‐Betweens3:37
28A Pub With No Beer (1979 version)
registrazione di:
A Pub With No Beer
paroliere e compositore:
Gordon Parsons
editore:
EMI Music Publishing (do not use as a release label!)
Slim Dusty3:01
29The Honeymoon Is Over
diritti fonografici (℗) detenuti da:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1993) e Polydor Records Australia (nel 1993)
registrazione di:
The Honeymoon Is Over
autore:
James Cruikshank, Tex Perkins (Australian singer-songwriter Greg Perkins) e Dan Rumour
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Cruel Sea2.53:08