Aussie Legends

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-02-25).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇭🇷 Croatia (hr) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇧🇾 Belarus (by) 🇷🇺 Russian Federation (ru) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Anmerkung zuletzt geändert am 2020-02-25 13:58 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Boys in Town
Bass:
Rick Grossman
Gitarre:
Bjarn Ohlin und Mark McEntee
Keyboard:
Bjarn Ohlin
Schlagzeug:
Richard Harvey (Australian drummer)
vocals:
Christina Amphlett
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983)
recording of:
Boys in Town
Verfasser(in):
Chrissy Amphlett, Mark McEntee und Jeremy Paul (bassist, Air Supply, Divinyls)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) und EMI Songs
Divinyls32:52
2The Real Thing
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) und EMI Music Australia Pty. Limited (not for release label use!) (in 1969)
recording of:
The Real Thing
Texter und Komponist(in):
John B. Young (Australian singer)
Verfasser(in):
Johnny Young (Australian singer)
publisher:
Chappell/Morris Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Russell Morris6:22
3Not Pretty Enough
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001)
recording of:
Not Pretty Enough
Texter und Komponist(in):
Kasey Chambers (Australian country singer‐songwriter)
publisher:
Mushroom Music Pty. Ltd. und Sony/ATV Music Publishing Australia Pty Ltd.
Kasey Chambers3:20
4Cry in Shame
recording engineer:
Terry Manning (US recording engineer) (von 1988-08 bis 1988-09)
Produzent(in) und Mix:
Terry Manning (US recording engineer)
Bass:
Johnny 'Tatt' Dalzell (von 1988-08 bis 1988-09)
Gitarre:
Diesel (Australian pop rock aka Mark Lizotte) (von 1988-08 bis 1988-09)
Saxophon und Hintergrundgesang:
Bernie Bremond (von 1988-08 bis 1988-09)
instruments arranger:
Brent Eccles und Terry Manning (US recording engineer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten (von 1988-08 bis 1988-09)
recording of:
Cry in Shame (von 1988-08 bis 1988-09)
Texter und Komponist(in):
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs
Johnny Diesel & the Injectors34:44
5I Still Call Australia Home (single version)
recording of:
I Still Call Australia Home
Texter und Komponist(in):
Peter Allen (Australian singer‐songwriter)
Peter Allen3:57
6The Special Two
Akustikgitarre und E-Gitarre:
Stuart Mathis (guitarist)
Keyboard:
Jamie Muhoberac
Kontrabass [upright bass]:
Carlos Cordova
Perkussion:
Debra Dobkin
Schlagzeug:
Dean Butterworth
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 52)
recording of:
The Special Two
Texter und Komponist(in):
Missy Higgins
Missy Higgins34:26
7Forever Now
recording of:
Forever Now
publisher:
Steve Prestwich
Texter und Komponist(in):
Steve Prestwich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Cold Chisel4:28
8Pleasure and Pain
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985) und Chrysalis Records, Inc. (not for release label use!) (in 1985)
recording of:
Pleasure and Pain
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
Hebbes Music Group Pty. Ltd., Warner Chappell und Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:54
9Errol
Techniker(in):
Dave Marett (engineer)
Produzent(in):
Peter Dawkins
Akustikgitarre, E-Gitarre und Slide-Gitarre:
Simon Binks (von 1981-03 bis 1981-04)
Bass:
Paul Williams (bassist in 'Australian Crawl') (von 1981-03 bis 1981-04)
Gitarre:
Guy McDonough (von 1981-03 bis 1981-04) und Brad Robinson (von 1981-03 bis 1981-04)
Klavier und Sologesang:
James Reyne (von 1981-03 bis 1981-04)
Perkussion und Schlagzeug:
Bill McDonough (von 1981-03 bis 1981-04)
phonographisches Urheberrecht (℗) von:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1981) und Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 1981)
aufgenommen bei und mixed at:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australien (von 1981-03 bis 1981-04)
recording of:
Errol (von 1981-03 bis 1981-04)
Verfasser(in):
Guy McDonough und James Reyne
publisher:
Warner/Chappell Pty. Ltd.
Australian Crawl33:30
10Buy Me a Pony
assistierende(r) Techniker(in):
Aaron Pratley
Techniker(in):
Phil McKellar (Australian producer and engineer)
Produzent(in):
Phil McKellar (Australian producer and engineer) und Spiderbait
phonographisches Urheberrecht (℗) von:
Polydor Records Australia (in 1996)
aufgenommen bei:
Studio 301 (Studios 301, 301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australien (in 1996-03)
Musikvideos:
Buy Me a Pony von Spiderbait
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1996)
recording of:
Buy Me a Pony (in 1996-03)
Texter und Komponist(in):
Janet English, Kram (singer/drummer from Spiderbait) und Damian Whitty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing Australia Pty Ltd.
Spiderbait31:44
11Rain
phonographisches Urheberrecht (℗) von:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 1984)
recording of:
Rain (Dragon song)
Verfasser(in):
Marc Hunter, Todd Hunter (Todd Stuart Hunter of Dragon) und Johanna Pigott
publisher:
Essex Music of Australia Pty. Ltd.
Dragon3:39
12Better Be Home Soon
recording engineer:
Tchad Blake
Produzent(in):
Mitchell Froom
Mix:
Bob Clearmountain
E-Bass [bass]:
Nick Seymour (Nicholas More Seymour)
Gitarre und Sologesang:
Neil Finn
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1988)
gemixt für:
Fast Forward Productions, Ltd.
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 38)
recording of:
Better Be Home Soon
Texter und Komponist(in):
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Mushroom Publishing und Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:08
13Songbird
assistierende(r) Techniker(in):
Claire Lewis (mostly credited as assistant engineer)
Techniker(in) und Mix:
Tchad Blake
Produzent(in):
Tchad Blake und Bernard Fanning
Gitarre:
Bernard Fanning
vocals:
Bernard Fanning
mixed at und engineered at:
Real World Studios in Box, Wiltshire, England, Vereinigtes Königreich
recording of:
Songbird
Texter und Komponist(in):
Bernard Fanning
recording of:
Songbird
Bernard Fanning32:36
14White Noise
assistierende(r) Techniker(in):
Scott Altizio (engineer) und James Frazee
Techniker(in):
John Agnello (engineer & producer)
zusätzliche(r) Techniker(in):
Stewart Lerman und Ted Young (engineer)
Produzent(in):
John Agnello (engineer & producer) und The Living End (Australian punk band)
assistierende(r) Mix:
Kory Aaron und DP Samuels (engineer)
Mix:
Brendan O’Brien (engineer)
zusätzliche(r) Mix:
Billy Bowers (US engineer)
phonographisches Urheberrecht (℗) von:
Dew Process (in 2008) und Universal Music Australia (see annotation before using) (in 2008)
aufgenommen bei:
Water Music Studios in Hoboken, New Jersey, Vereinigte Staaten
mixed at:
Silent Sound Studios in Atlanta, Georgia, Vereinigte Staaten
Teil von:
triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (Nummer: 23)
recording of:
White Noise
Texter und Komponist(in):
Chris Cheney (The Living End frontman)
publisher:
Universal Music Publishing Australia Pty Ltd (Australian subsidiary of Universal Music Publishing Group)
The Living End33:44
15Khe Sanh
Techniker(in):
Alan Wright (engineer)
Akustikgitarre:
Peter Walker (Australian producer & engineer)
Bass:
Phil Small
Gitarre:
Ian Moss
Klavier und Orgel:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
Mundharmonika:
Dave Blight
Schlagzeug:
Steve Prestwich
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (in 1991, in 2001) und Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1991)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 8)
recording of:
Khe Sanh
Texter und Komponist(in):
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Rondor Music, Rondor Music (Australia) Pty Ltd und Universal Music Publishing Group, Pty. Ltd
Cold Chisel4:11
16(Baby I’ve Got You) On My Mind
assistierende(r) Techniker(in):
Catherine Claire (engineer)
Techniker(in):
Nick DiDia
zusätzliche(r) Techniker(in):
Anton Hagop
Produzent(in):
Nick DiDia und Tony Reyes (songwriter/producer/multi‐instrumentalist)
Mix:
Brendan O’Brien (engineer)
aufgenommen bei:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australien (von 2003-01 bis 2003-02)
mixed at:
Southern Tracks in Atlanta, Georgia, Vereinigte Staaten (in 2003-03)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 70)
recording of:
(Baby I've Got You) On My Mind (von 2003-01 bis 2003-02)
Verfasser(in):
Powderfinger (Australian rock band)
publisher:
Kobalt Music Publishing Australia P/L
Powderfinger33:21
17Somebody That I Used to Know
recording engineer:
Wally De Backer (Bassgitarre)
Produzent(in):
Wally De Backer
assistierende(r) Mix:
Wally De Backer
Mix:
François Tétaz (Australian film composer)
Bassgitarre:
Lucas Taranto
Sampler [guitar, flutes, percussion and synth samples]:
Wally De Backer
Hintergrundgesang und Sologesang:
Kimbra (New Zealand singer-songwriter) und Wally De Backer
phonographisches Urheberrecht (℗) von:
Samples ’n’ Seconds Records (in 2011) und Samples ’n’ Seconds Records Pty Ltd (in 2011)
aufgenommen bei:
Lucas' Loungeroom in Melbourne, Victoria, Australien (Bass) und The Barn in Merricks, Shire of Mornington Peninsula, Victoria, Australien (Bass)
mixed at:
Moose Mastering in Richmond, Queensland, Australien
Samples:
Seville von Luiz Bonfá
Musikvideos:
Somebody That I Used to Know von Gotye feat. Kimbra (New Zealand singer-songwriter)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 10), Billboard Year-End Hot 100 singles of 2012 (Nummer: 1), MIA Award: Song of the Year (Nummer: 2011), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 8), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2013 winner), Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 9), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 24), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2011), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 36), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 49), Stereogum: The 200 Best Songs of the 2010s (Nummer: 161) und Indie 88: Top 500 Indie Rock Songs (Nummer: 404)
recording of:
Somebody That I Used to Know
Texter:
Walter De Backer
Komponist(in):
Luiz Bonfá und Walter De Backer
publisher:
J. Albert & Son Pty. Ltd., Kobalt Music Publishing Australia Pty Ltd, Op Shop Songs Pty Ltd., Songs of Kobalt Music Publishing, Unichappell Music, Inc. und Warner/Chappell Music Australia Pty. Ltd.
Teil von:
Matuschkes Lieblinge 2011
Gotye4.154:05
18Straight Lines
recording engineer:
Nick Launay
assistierende(r) Produzent(in):
Scott Horscroft (Australian producer) und Paul Mac (Australian musician, producer and remixer)
Produzent(in):
Daniel Johns und Nick Launay
assistierende(r) Mix:
Giancarlo Gallo
Mix:
David Bottrill (producer / mixer)
phonographisches Urheberrecht (℗) von:
Eleven: A Music Company (in 2007)
aufgenommen bei:
Seedy Underbelly Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Metalworks Recording Studio in Toronto, Ontario, Kanada
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 28)
recording of:
Straight Lines
Texter:
Daniel Johns
Komponist(in):
Julian Hamilton (Austrailian singer-songwriter and keyboardist) und Daniel Johns
publisher:
Big Fat Llama Music, EMI Music Publishing Australia Pty Ltd. (not for release label use!) und Sony/ATV Music Publishing Australia
Silverchair4.154:18
19Chains
Programmierung und Produzent(in):
David Tyson (Canadian producer/songwriter)
Techniker(in):
Greg Droman (American producer, mixing and audio engineer)
assistierende(r) Mix:
Steve Gallagher (engineer)
Mix:
Chris Lord‐Alge
Gitarre:
Tim Pierce (US session guitarist)
Keyboard:
David Tyson (Canadian producer/songwriter)
Hintergrundgesang:
Tina Arena und Marilyn Martin
arranger:
David Tyson (Canadian producer/songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1994) und Sony Music Productions Ltd. (for copyrights use only) (in 1994)
mixed at:
Image Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Chains
Verfasser(in):
Tina Arena (in 1993-10), Pam Reswick (American songwriter) (in 1993-10) und Steve Werfel (in 1993-10)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena34:22
20Never Tear Us Apart
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
INXS (in 1987)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) und PolyGram International Music B.V. (not for release label use!) (in 1987)
Musikvideos:
Never Tear Us Apart (music video) von INXS
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2025 (Australian Songs)) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 282)
recording of:
Never Tear Us Apart
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey und Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.83:05
21Great Southern Land
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 35)
recording of:
Great Southern Land
Texter und Komponist(in):
Iva Davies
publisher:
EMI Songs Australia und EMI Songs Australia Pty. Ltd.
Icehouse25:17
22Chemical Heart
recording engineer:
Phil McKellar (Australian producer and engineer) (von 2001-09 bis 2001-11)
assistierende(r) Techniker(in):
Evan McHughan
Produzent(in):
Phil McKellar (Australian producer and engineer)
Mix:
D. Sardy (American score composer)
Bratsche / Viola:
Deborah Lander (violist) (von 2001-09 bis 2001-11)
Cello:
Kate Morgan (von 2001-09 bis 2001-11)
Geige / Violine:
Adrian Keating (von 2001-09 bis 2001-11) und Nguyen Bui (Japanese classical violinist and concermaster) (von 2001-09 bis 2001-11)
conductor:
Jackie Orszaczky (von 2001-09 bis 2001-11: Saiteninstrumente)
Saiteninstrumente arranger:
Jackie Orszaczky
phonographisches Urheberrecht (℗) von:
Universal Music Australia (see annotation before using) (in 2002) und Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2002)
aufgenommen bei:
Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australien (in 2001-09) und Dodgy (Ultimo, Sydney) in Sydney, New South Wales, Australien (in 2001-11)
mixed at:
Electric Lady in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 68)
recording of:
Chemical Heart (von 2001-09 bis 2001-11)
Verfasser(in):
Grinspoon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Shock Music Publishing Pty. Ltd.
Grinspoon34:40
23Because I Love You
recording of:
Because I Love You (Masters Apprentices song)
Verfasser(in):
Doug Ford und Jim Keays
publisher:
EMI Music Australia Pty. Limited (not for release label use!), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Masters Apprentices4:34
24Amazing
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001) und EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2001)
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2001)
recording of:
Amazing
Texter und Komponist(in):
Alex Lloyd (Australian singer‐songwriter)
publisher:
Rondor Music (Australia) Pty Ltd
Alex Lloyd3.653:24
25Help Is on Its Way
recorded in:
Australien
Techniker(in):
Paul Grupp und Ross Murray Cockle
Produzent(in):
John Boylan und Little River Band
phonographisches Urheberrecht (℗) von:
EMI (Australia) Ltd. (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1977) und EMI Australia (company credits only; file no releases here!) (in 1977)
produced for:
Tumbleweed Productions
recording of:
Help Is on Its Way
Texter und Komponist(in):
Glenn Shorrock
publisher:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) und Wheatley Music Pty Ltd.
Little River Band3:56
26Way Out West
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1992)
cover recording of:
Way Out West
Verfasser(in):
Michael Bois, John Lee (Australian drummer, songwriter and singer), Broderick Smith, Chris Stockley (The Dingoes) und Kerryn Tolhurst (Australian musician)
publisher:
Cellar Music Co Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Pty. Ltd.
James Blundell4:01
27Streets of Your Town
recording of:
Streets of Your Town
Verfasser(in):
Robert Forster (Australian singer-songwriter & guitarist) und Grant McLennan
publisher:
Complete Music, Complete Music Ltd., Incomplete Music Inc., Universal Music Publishing MGB Australia und Wintrup Music
The Go‐Betweens3:37
28A Pub With No Beer (1979 version)
recording of:
A Pub With No Beer
Texter und Komponist(in):
Gordon Parsons
publisher:
EMI Music Publishing (do not use as a release label!)
Slim Dusty3:01
29The Honeymoon Is Over
phonographisches Urheberrecht (℗) von:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1993) und Polydor Records Australia (in 1993)
recording of:
The Honeymoon Is Over
Verfasser(in):
James Cruikshank, Tex Perkins (Australian singer-songwriter Greg Perkins) und Dan Rumour
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Cruel Sea2.53:08