Cinema Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1All by Myself
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) und Arista Records, LLC (holding company - file NO releases here!) (in 1975)
Bearbeitung von:
All by Myself von Eric Carmen
recording of:
All by Myself
Texter:
Eric Carmen
Komponist(in):
Eric Carmen und Sergei Rachmaninov (Sergei Rachmaninow, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (beendet), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Let’s Pretend
basiert auf:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:32
2I’m Not a Girl, Not Yet a Woman
recording engineer:
Max Martin (Swedish record producer), Rami (Swedish record producer and songwriter) und Michael Tucker (engineer) (Sologesang)
assistierende(r) Techniker(in):
Charles McCrorey (Sologesang)
Techniker(in):
John Amatiello
Produzent(in) und Mix:
Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
Bassgitarre [bass]:
Tomas Lindberg (Swedish bass player)
Gitarre [guitars]:
Esbjörn Öhrwall
Hintergrundgesang:
Max Martin (Swedish record producer) und Jeanette Olsson
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2001)
produced for:
Maratone Productions
aufgenommen bei:
Battery Studios in Chicago, Illinois, Vereinigte Staaten (Sologesang) und Maratone Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
Maratone Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
I’m Not a Girl, Not Yet a Woman von Britney Spears
recording of:
I’m Not a Girl, Not Yet a Woman
Verfasser(in):
Dido (English singer‐songwriter), Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
publisher:
Maratone, Oldmara‐MXM, Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und Zomba Enterprises, Inc.
Teil von:
Golden Raspberry Award for Worst Original Song (Nummer: 2002)
Britney Spears2.83:50
3Use Me
Techniker(in):
Bob Hughes (engineer) und Phil Sheer
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
Akustikgitarre:
Benorce Blackmon (guitarist, producer, writer)
Clavinet und Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger)
E-Bass:
Melvin Dunlap
Perkussion und Schlagzeug:
James Gadson (American drummer)
Sologesang:
Bill Withers
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
aufgenommen bei:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Use Me
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.353:38
4Sway
assistierende(r) Techniker(in):
Matt Tait
Techniker(in):
Simon Sheridan
Produzent(in):
Bic Runga
assistierende(r) Mix:
Tom Banghart
Mix:
Matt Wallace (US producer & engineer)
Bass:
Aaron McDonald (bassist)
Cello:
Sally-Anne Brown (cellist)
Geige / Violine:
Kate Walshe (violinist)
Gitarre:
Andrew Thorne und Gary Verberne
Schlagzeug:
Wayne Bell (drums, percussion, New Zealand)
xylophone, Hintergrundgesang und Sologesang:
Bic Runga
Saiteninstrumente arranger:
Duncan Haynes
arranger:
Bic Runga
zusätzlich arranger:
Niall Macken und Nick Seymour (Nicholas More Seymour)
recording of:
Sway (Bic Runga)
Verfasser(in):
Bic Runga
publisher:
Warner Chappell Music (publisher as Warner/Chappell Music)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 6)
Bic Runga4.554:22
5Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.23:03
6Oye como va
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-08)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1970-07-08)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-08)
Gitarre:
Carlos Santana (am 1970-07-08)
Keyboard und Sologesang:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-08)
Perkussion:
Rico Reyes (am 1970-07-08)
Schlagzeug:
Michael Shrieve (drummer) (am 1970-07-08)
tabla:
Steven Saphore (am 1970-07-08)
Hintergrundgesang:
Rico Reyes (am 1970-07-08) und Carlos Santana (am 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 479)
cover recording of:
Oye como va (am 1970-07-08)
Texter und Komponist(in):
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) und Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Chanchullo
basiert auf:
Te enseñaré
Santana3.94:16
7San Francisco
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:58
8It’s Raining Men
Mix:
Randy Tominaga
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 36)
recording of:
It’s Raining Men
Verfasser(in):
Paul Jabara und Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:31
9I Say a Little Prayer
Produzent(in):
Andy Marvel
cover recording of:
I Say a Little Prayer
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Diana King3:35
10If You Let Me Stay
recording engineer und Mix:
Phil Legg
zusätzliche(r) Techniker(in):
Michael Brauer (engineer)
Produzent(in):
Howard Gray (UK producer, engineer, and electronic musician)
Bass:
Sean Oliver
Gitarre:
Pete Glenister
Keyboard:
Nick Plytas
Perkussion:
Terence Trent D’Arby (now known as Sananda Maitreya) und Frank Ricotti (percussionist)
Schlagzeug:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Lance Ellington (Strictly Come Dancing) und Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
Hintergrundgesang und Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987)
recording of:
If You Let Me Stay
Texter und Komponist(in):
Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music (Publishers) Ltd. und Young Terence Music (Publisher)
Terence Trent D’Arby3.153:08
11Here Comes the Hotstepper
Ini Kamoze4:08
12Here She Comes
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
Musikvideos:
Here She Comes (music video) von Bonnie Tyler
recording of:
Here She Comes
Texter:
Pete Bellotte (English lyricist and producer)
Komponist(in):
Giorgio Moroder
publisher:
G.M.P.C.
Bonnie Tyler3:20
13Moving on Up
Produzent(in) und Mix:
M People
recording of:
Moving On Up
Verfasser(in):
Heard und Pickering (of M People and Quando Quango)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Ltd. (PRS‐affiliated)
M People2.653:31
14Hound Dog
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
cover recording of:
Hound Dog (am 1956-07-02)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Elvis Presley3.752:14
15Footloose
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Kenny Loggins4.13:47
16The Final Countdown
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
Musikvideo für:
The Final Countdown von Europe (Swedish band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 66) und Cachitos Nochevieja 2022 (Nummer: 155)
recording of:
The Final Countdown
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe4.055:07
2Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:02
2(I’ve Had) The Time of My Life
assistierende(r) Techniker(in):
Jeff DeMorris (Aufgabe: 2nd assistant engineer) und Dan Nebenzal (Aufgabe: 1st assistant engineer)
Techniker(in):
Carmine Rubino
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley und Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal und Carmine Rubino
arranger:
Gene Page (conductor, composer, arranger and record producer)
zusätzlich arranger:
John D’Andrea und Michael Lloyd (US guitarist/singer producer)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (in 1987) und Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
produced for:
Mike Curb Productions
aufgenommen bei:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
(I’ve Had) The Time of My Life
Texter:
Franke Previte
Komponist(in):
John DeNicola und Donald Markowitz
publisher:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) und R.U. Cyrius Publishing (in 1987)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (beendet), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1987 winner)
Bill Medley & Jennifer Warnes3.754:47
3No Ordinary LoveSade5:24
4From the Heart
Another Level4:53
5Just Like You
recording of:
Just Like You
Verfasser(in):
Kevin Moore und John Lewis Parker
Keb’ Mo’33:25
6Calling You
Linda Wesley5:22
7The Very Thought of You
Gitarre:
Freddie Green (am 1938-09-15)
Klavier:
Margaret Johnson (1930s jazz pianist) (am 1938-09-15)
Kontrabass:
Walter Page (am 1938-09-15)
Tenorsaxophon:
Lester Young (saxophonist) (am 1938-09-15)
Trompete:
Buck Clayton (am 1938-09-15)
vocals:
Billie Holiday (am 1938-09-15)
recording of:
The Very Thought of You (am 1938-09-15)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
Billie Holiday and Her Orchestra2:45
8I’m Kissing You
recording of:
Kissing You
Verfasser(in):
Tim Atack (twin brother of Keith Atack) und Des’ree
Teil von:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
Des’ree3.754:51
9Reasons
Techniker(in):
George Massenburg
Koproduzent(in):
Charles Stepney (musician, producer, arranger and songwriter)
Produzent(in):
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire und Charles Stepney (musician, producer, arranger and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
Samples von:
That’s the Way of the World von Earth, Wind & Fire (in 1975-03)
recording of:
Reasons
Verfasser(in):
Philip Bailey, Charles Stepney (musician, producer, arranger and songwriter) und Maurice White (Earth, Wind & Fire)
Earth, Wind & Fire2.754:59
10You Make Me Sick
recording engineer:
Paul Boutin und Edward Quesada
Schlagzeug-Programmierung:
Anthony President (Ainsworth Prasad)
zusätzliche Schlagzeug-Programmierung:
Brainz Dimilo
Produzent(in):
Babyface (R&B musician Kenny Edmonds), Brainz Dimilo und Anthony President (Ainsworth Prasad)
assistierende(r) Mix:
Victor McCoy (engineer)
Mix:
Manny Marroquin
Instrumente:
Anthony President (Ainsworth Prasad)
Hintergrundgesang:
Sherree Ford-Payne
Hintergrundgesang und Sologesang:
P!nk (American singer/songwriter)
phonographisches Urheberrecht (℗) von:
LaFace Records LLC (in 2000)
aufgenommen bei:
Brandon’s Way Recording in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The TracKen Place in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
You Make Me Sick von P!nk (American singer/songwriter) und You Make Me Sick von P!nk (American singer/songwriter)
recording of:
You Make Me Sick (in 2000)
Texter:
Marthony Tabb
Komponist(in):
Obi Nwobosi (Brainz) und Ainsworth Prasad
publisher:
EMI April Music Inc. und Universal Music Corp. (USA, affiliated with ASCAP)
P!nk3.84:07
11In the Wee Small Hours of the Morning
Produzent(in):
Frank Filipetti und Marty Paich
Solo-Trompete:
Marvin Stamm
Sologesang:
Carly Simon
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1990)
cover recording of:
In the Wee Small Hours of the Morning
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Carly Simon43:15
12So in Love
vocals:
Lara Fabian (Belgian singer)
cover recording of:
So in Love (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
Lara Fabian3:32
13Broken Bicycles
assistierende(r) Techniker(in):
Kathy Morton
Techniker(in):
Bones Howe und Biff Dawes
Produzent(in):
Bones Howe
Bass:
Greg Cohen (von 1980-10 bis 1981-09)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (von 1980-10 bis 1981-09)
vocals:
Tom Waits (von 1980-10 bis 1981-09)
remixer:
Bones Howe
aufgenommen bei:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1980-10 bis 1981-09)
recording of:
Broken Bicycles (von 1980-10 bis 1981-09)
Texter und Komponist(in):
Tom Waits
Tom Waits2:51
14Stand by Your Man
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Tammy Wynette (in 1968)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 473)
recording of:
Stand by Your Man (in 1968)
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:38
15Maneater
assistierende(r) Techniker(in):
Bruce Buckhalter (Engineer), Barry Harris (engineer) und Michael Somer-Abbott
Techniker(in):
Neil Kernon
Koproduzent(in):
Neil Kernon
Produzent(in):
Daryl Hall und John Oates
Mix:
Hugh Padgham
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:32
16Oh, Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.22:58
3Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 28) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 63)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.44:06
2Ghostbusters
Produzent(in):
Ray Parker Jr.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Teil von:
Billboard Hot 100: 2025-11-15 (Nummer: 22)
recording of:
Ghostbusters
Texter und Komponist(in):
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) und Raydiola Music (in 1984)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
basiert auf:
I Want a New Drug
Ray Parker Jr.3.94:05
3Turn the Beat Around
vocals:
Gloria Estefan
cover recording of:
Turn the Beat Around
Verfasser(in):
Gerald Jackson (American pianist and singer with group Touch of Class) und Pete Jackson (US disco producer)
Gloria Estefan43:53
4I Believe I Can FlyR. Kelly5:22
5We Are
recording of:
We Are
Verfasser(in):
Andreas Carlsson (pop songwriter) und Jörgen Elofsson (Swedish songwriter and producer)
Ana Johnsson23:54
6Shy Guy
recording of:
Shy Guy
Verfasser(in):
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) und Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music und World of Andy Music
Diana King4:05
7Papa Loves Mambo
Produzent(in):
Joe Carlton
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1954-08-31) und The Ray Charles Singers (am 1954-08-31)
Orchester:
Mitchell Ayres and His Orchestra (am 1954-08-31)
recording of:
Papa Loves Mambo (am 1954-08-31)
Verfasser(in):
Al Hoffman, Dick Manning (American songwriter) und Bickley Reichner
Perry Como2.52:41
8Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle3.33:55
9Cuban Pete
Jim Carrey3:33
10Flowers on the Wall
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 116)
recording of:
Flowers on the Wall (in 1965)
Texter und Komponist(in):
Lew DeWitt
publisher:
Wallflower Music
The Statler Brothers42:20
11Return to Me
Produzent(in):
Glenn Rosenstein
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (vom 1993 bis heute)
recording of:
Return to Me
Verfasser(in):
Emil Adler und Julie Flanders
October Project3.74:15
12Remember Me
Techniker(in), Produzent(in) und Mix:
Kevin Shirley (producer & mixer)
Sologesang:
Steve Augeri
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Remember Me (Armageddon)
Verfasser(in):
Jack Blades (of Night Ranger), Jonathan Cain und Neal Schon
publisher:
No More Tails Music, Ranch Rock Music, So Much Music und Sony/ATV Songs LLC
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey35:28
13Won’t Back Down
Koproduzent(in):
Carl Bell
Produzent(in):
Michael Beinhorn
Mix:
Andy Wallace (engineer)
Fuel3:23
14Barracuda
Produzent(in):
Mike Flicker
Akustikgitarre:
Nancy Wilson (guitarist/singer of “Heart”) (von 1977-02 bis 1977-04)
Bassgitarre:
Steve Fossen (von 1977-02 bis 1977-04)
E-Gitarre:
Roger Fisher (US rock guitarist) (von 1977-02 bis 1977-04)
Gitarre und mellotron:
Howard Leese (von 1977-02 bis 1977-04)
Schlagzeug:
Michael Derosier (von 1977-02 bis 1977-04)
Sologesang:
Ann Wilson (lead singer of Heart) (von 1977-02 bis 1977-04)
arranger:
Heart (rock band, Ann and Nancy Wilson)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten (von 1977-02 bis 1977-04)
mixed at:
Royaltone Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten (von 1977-02 bis 1977-04)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 34)
recording of:
Barracuda (von 1977-02 bis 1977-04)
Verfasser(in):
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) und Nancy Wilson (guitarist/singer of “Heart”)
publisher:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) und Wilsongs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Heart4.24:22
15Living in America
assistierende(r) Techniker(in):
Jeff Lord‐Alge
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman
Bassgitarre:
T.M. Stevens (US bass player Thomas Michael Stevens)
Gitarre:
Dan Hartman und Stevie Ray Vaughan
Horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral und The Uptown Horns (US horn section, formed in 1980)
Keyboard:
Dan Hartman
membranophone:
Ray Marchica
Hintergrundgesang:
Dan Hartman und T.M. Stevens (US bass player Thomas Michael Stevens)
Sologesang:
James Brown (The Godfather of Soul)
recording of:
Living in America
Verfasser(in):
Dan Hartman und Charlie Midnight
publisher:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. und United Lion Music Inc.
James Brown3.354:43
16Sunshine of Your Love
cover recording of:
Sunshine of Your Love
Verfasser(in):
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce und Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
Living Colour45:16
17I Will Be Strong
Produzent(in):
Giorgio Moroder und Richie Zito
recording of:
I Will Be Strong
Texter:
Tom Whitlock
Komponist(in):
Giorgio Moroder
Eddie Money3:20
18Gonna Fly Now
recorded in:
New York, New York, Vereinigte Staaten (von 1976-10 bis 1976-12)
Techniker(in):
Joe Jorgensen
Produzent(in):
Jay Chattaway
alto saxophone:
Mike Migliore (von 1976-10 bis 1976-12) und George Young (saxophonist) (von 1976-10 bis 1976-12)
baritone saxophone:
Bobby Militello (von 1976-10 bis 1976-12)
Bass:
Gordon Johnson (von 1976-10 bis 1976-12), Gary King (jazz bassist, arranger and songwriter) (von 1976-10 bis 1976-12) und Will Lee (US jazz/rock bassist) (von 1976-10 bis 1976-12)
Gitarre:
George Benson (jazz guitarist/singer) (von 1976-10 bis 1976-12), Eric Gale (von 1976-10 bis 1976-12), Jeff Layton (von 1976-10 bis 1976-12) und Lance Quinn (von 1976-10 bis 1976-12)
Keyboard:
Kenny Ascher (von 1976-10 bis 1976-12), Biff Hannon (von 1976-10 bis 1976-12) und Bob James (US jazz keyboardist, arranger and producer) (von 1976-10 bis 1976-12)
Perkussion:
Phil Kraus (von 1976-10 bis 1976-12) und Ralph MacDonald (von 1976-10 bis 1976-12)
Posaune:
Wayne Andre (von 1976-10 bis 1976-12), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (von 1976-10 bis 1976-12), Roger Homefield (von 1976-10 bis 1976-12), Julian Priester (von 1976-10 bis 1976-12), Randy Purcell (von 1976-10 bis 1976-12) und Dave Taylor (US jazz bass trombonist) (von 1976-10 bis 1976-12)
Saiteninstrumente:
Alfred Brown (viola) (von 1976-10 bis 1976-12), Harry Cykman (von 1976-10 bis 1976-12), Max Ellen (von 1976-10 bis 1976-12), Paul Gershman (von 1976-10 bis 1976-12), Harold Kohon (von 1976-10 bis 1976-12), Charles Libove (von 1976-10 bis 1976-12), Harry Lookofsky (von 1976-10 bis 1976-12), Charles McCracken (cellist) (von 1976-10 bis 1976-12), Marvin Morgenstern (von 1976-10 bis 1976-12), David Nadien (von 1976-10 bis 1976-12), Eugene Noye (von 1976-10 bis 1976-12), Max Pollikoff (von 1976-10 bis 1976-12), Matthew Raimondi (von 1976-10 bis 1976-12), Alan Shulman (cellist and composer) (von 1976-10 bis 1976-12), Richard Sortomme (violinist/composer) (von 1976-10 bis 1976-12) und Emanuel Vardi (von 1976-10 bis 1976-12)
Schlagzeug:
Peter Erskine (US jazz drummer) (von 1976-10 bis 1976-12), Harvey Mason (jazz drummer) (von 1976-10 bis 1976-12) und Allan Schwartzberg (von 1976-10 bis 1976-12)
Sopransaxophon:
Mark Colby (saxophonist) (von 1976-10 bis 1976-12)
Tenorsaxophon:
Joe Farrell (von 1976-10 bis 1976-12)
Trompete:
Jim Bossy (von 1976-10 bis 1976-12), Randy Brecker (von 1976-10 bis 1976-12), Jon Faddis (von 1976-10 bis 1976-12), Bernie Glow (von 1976-10 bis 1976-12), Stan Mark (von 1976-10 bis 1976-12), Marky Markowitz (von 1976-10 bis 1976-12), Joe Mosello (von 1976-10 bis 1976-12), Dennis Noday (von 1976-10 bis 1976-12), Al Rubin (von 1976-10 bis 1976-12), Marvin Stamm (von 1976-10 bis 1976-12) und Ron Tooley (American trumpeter) (von 1976-10 bis 1976-12)
Waldhorn:
Don Corrado (von 1976-10 bis 1976-12) und Brooks Tillotson (von 1976-10 bis 1976-12)
conductor:
Jay Chattaway (von 1976-10 bis 1976-12)
arranger:
Jay Chattaway
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!)
instrumental recording of:
Gonna Fly Now (in 1976)
Texter:
Carol Connors und Ayn Robbins
Komponist(in):
Bill Conti
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 49th Academy Award for Best Original Song (Nummer: 2)
recording of:
Gonna Fly Now
Texter:
Carol Connors und Ayn Robbins
Komponist(in):
Bill Conti
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 49th Academy Award for Best Original Song (Nummer: 2)
Maynard Ferguson54:22

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A. (do not use as a release label! IT subsidiary of SBME) (in 2006)
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https://www.deezer.com/album/1440942 [Info]