Cinema Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Mrs. Robinson
tecnico di registrazione:
Roy Halee (il 1968-02-02)
assistente produttore:
Bob Johnston (US record producer and early rockebilly singer)
produttore:
Art Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1968-02-02)
chitarra :
Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
voce:
Art Garfunkel (il 1968-02-02) e Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1968) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 270)
registrazione di:
Mrs. Robinson (il 1968-02-02)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:02
2(I’ve Had) The Time of My Life
assistente tecnico:
Jeff DeMorris (incarico: 2nd assistant engineer) e Dan Nebenzal (incarico: 1st assistant engineer)
tecnico:
Carmine Rubino
produttore:
Michael Lloyd (US guitarist/singer producer)
voce:
Bill Medley e Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal e Carmine Rubino
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore aggiunto:
John D’Andrea e Michael Lloyd (US guitarist/singer producer)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (nel 1987) e Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (nel 1987)
è stato produttore per:
Mike Curb Productions
registrata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
(I’ve Had) The Time of My Life
paroliere:
Franke Previte
compositore:
John DeNicola e Donald Markowitz
editore:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (nel 1987), Jemava Music Corp. (nel 1987), Knockout Music Inc. (nel 1987) e R.U. Cyrius Publishing (nel 1987)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (conclusa), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
parte di:
The 60th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1987 winner)
Bill Medley & Jennifer Warnes3.754:47
3No Ordinary Love
registrazione di:
No Ordinary Love
paroliere:
Sade Adu
compositore:
Sade Adu e Stuart Matthewman
editore:
Angel Music Ltd., Sony ATV Songs LLC e Sony/ATV Music Publishing UK Ltd.
Sade5:24
4From the Heart
Another Level4:53
5Just Like You
registrazione di:
Just Like You
autore:
Kevin Moore e John Lewis Parker
Keb’ Mo’33:25
6Calling You
Linda Wesley5:22
7The Very Thought of You
chitarra :
Freddie Green (il 1938-09-15)
contrabbasso :
Walter Page (il 1938-09-15)
pianoforte :
Margaret Johnson (1930s jazz pianist) (il 1938-09-15)
sassofono tenore :
Lester Young (saxophonist) (il 1938-09-15)
tromba :
Buck Clayton (il 1938-09-15)
voce:
Billie Holiday (il 1938-09-15)
registrazione di:
The Very Thought of You (il 1938-09-15)
paroliere e compositore:
Ray Noble
editore:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) e Warner Bros. Music (publisher; do NOT use as release label)
Billie Holiday and Her Orchestra2:45
8I’m Kissing You
registrazione di:
Kissing You
autore:
Tim Atack (twin brother of Keith Atack) e Des’ree
parte di:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
Des’ree3.64:51
9Reasons
tecnico:
George Massenburg
co-produttore:
Charles Stepney (musician, producer, arranger and songwriter)
produttore:
Maurice White (Earth, Wind & Fire)
arrangiatore:
Earth, Wind & Fire e Charles Stepney (musician, producer, arranger and songwriter)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1975)
campionamenti da:
That’s the Way of the World di Earth, Wind & Fire (nel 1975-03)
registrazione di:
Reasons
autore:
Philip Bailey, Charles Stepney (musician, producer, arranger and songwriter) e Maurice White (Earth, Wind & Fire)
Earth, Wind & Fire2.754:59
10You Make Me Sick
tecnico di registrazione:
Paul Boutin e Edward Quesada
programmazione degli strumenti:
Anthony President (Ainsworth Prasad)
programmazione degli strumenti aggiuntiva:
Brainz Dimilo
produttore:
Babyface (R&B musician Kenny Edmonds), Brainz Dimilo e Anthony President (Ainsworth Prasad)
assistente tecnico di missaggio:
Victor McCoy (engineer)
tecnico di missaggio:
Manny Marroquin
strumenti:
Anthony President (Ainsworth Prasad)
voce di accompagnamento:
Sherree Ford-Payne
voce di accompagnamento e voce principale:
P!nk (American singer/songwriter)
diritti fonografici (℗) detenuti da:
LaFace Records LLC (nel 2000)
registrata presso:
Brandon’s Way Recording in Los Angeles, California, Stati Uniti
mixata presso:
The TracKen Place in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
You Make Me Sick di P!nk (American singer/songwriter) e You Make Me Sick di P!nk (American singer/songwriter)
registrazione di:
You Make Me Sick (nel 2000)
paroliere:
Marthony Tabb
compositore:
Obi Nwobosi (Brainz) e Ainsworth Prasad
editore:
EMI April Music Inc. e Universal Music Corp. (USA, affiliated with ASCAP)
P!nk3.84:07
11In the Wee Small Hours of the Morning
produttore:
Frank Filipetti e Marty Paich
tromba solista :
Marvin Stamm
voce principale:
Carly Simon
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1990)
registrazione cover di:
In the Wee Small Hours of the Morning
paroliere:
Bob Hilliard
compositore:
David Mann (American songwriter)
editore:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company e Rytvoc, Inc. (ASCAP)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Carly Simon43:15
12So in Love
voce:
Lara Fabian (Belgian singer)
registrazione cover di:
So in Love (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
editore:
Chappell & Co., Inc. (USA)
parte di:
Kiss Me, Kate (musical)
Lara Fabian3:32
13Broken Bicycles
assistente tecnico:
Kathy Morton
tecnico:
Bones Howe e Biff Dawes
produttore:
Bones Howe
basso :
Greg Cohen (dal 1980-10 al 1981-09)
pianoforte :
Pete Jolly (American jazz pianist, accordionist, and composer) (dal 1980-10 al 1981-09)
voce:
Tom Waits (dal 1980-10 al 1981-09)
remixer:
Bones Howe
registrata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (dal 1980-10 al 1981-09)
registrazione di:
Broken Bicycles (dal 1980-10 al 1981-09)
paroliere e compositore:
Tom Waits
Tom Waits2:51
14Stand by Your Man
produttore:
Billy Sherrill (US songwriter/producer/arranger)
voce principale:
Tammy Wynette (nel 1968)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 473)
registrazione di:
Stand by Your Man (nel 1968)
autore:
Billy Sherrill (US songwriter/producer/arranger) e Tammy Wynette
editore:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. e EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette3.82:38
15Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:32
16Oh, Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.32:58
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Pubblicazione

diritti fonografici (℗) detenuti da:SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A. (do not use as a release label! IT subsidiary of SBME) (nel 2006)
streaming gratuito:https://open.spotify.com/album/3C6iaVkLq1wJYKAO2DVpyO [info]
https://www.deezer.com/album/1440942 [info]