Cinema Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶Digitales Medium
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:02
2(I’ve Had) The Time of My Life
assistierende(r) Techniker(in):
Jeff DeMorris (Aufgabe: 2nd assistant engineer) und Dan Nebenzal (Aufgabe: 1st assistant engineer)
Techniker(in):
Carmine Rubino
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley und Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal und Carmine Rubino
arranger:
Gene Page (conductor, composer, arranger and record producer)
zusätzlich arranger:
John D’Andrea und Michael Lloyd (US guitarist/singer producer)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (in 1987) und Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
produced for:
Mike Curb Productions
aufgenommen bei:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
(I’ve Had) The Time of My Life
Texter:
Franke Previte
Komponist(in):
John DeNicola und Donald Markowitz
publisher:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) und R.U. Cyrius Publishing (in 1987)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (beendet), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1987 winner)
Bill Medley & Jennifer Warnes3.754:47
3No Ordinary Love
recording of:
No Ordinary Love
Texter:
Sade Adu
Komponist(in):
Sade Adu und Stuart Matthewman
publisher:
Angel Music Ltd., Sony ATV Songs LLC und Sony/ATV Music Publishing UK Ltd.
Sade5:24
4From the Heart
Another Level4:53
5Just Like You
recording of:
Just Like You
Verfasser(in):
Kevin Moore und John Lewis Parker
Keb’ Mo’33:25
6Calling You
Linda Wesley5:22
7The Very Thought of You
Gitarre:
Freddie Green (am 1938-09-15)
Klavier:
Margaret Johnson (1930s jazz pianist) (am 1938-09-15)
Kontrabass:
Walter Page (am 1938-09-15)
Tenorsaxophon:
Lester Young (saxophonist) (am 1938-09-15)
Trompete:
Buck Clayton (am 1938-09-15)
vocals:
Billie Holiday (am 1938-09-15)
recording of:
The Very Thought of You (am 1938-09-15)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
Billie Holiday and Her Orchestra2:45
8I’m Kissing You
Techniker(in):
Jim Abbiss und Andy Todd (UK electronic producer/keyboardist, member of Republica)
Produzent(in):
Tim Atack (twin brother of Keith Atack), Des’ree und Nellee Hooper
Saiteninstrumente [string] arranger:
Craig Armstrong (Scottish score composer)
recording of:
Kissing You
Verfasser(in):
Tim Atack (twin brother of Keith Atack) und Des’ree
Teil von:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
Des’ree3.74:51
9Reasons
Techniker(in):
George Massenburg
Koproduzent(in):
Charles Stepney (musician, producer, arranger and songwriter)
Produzent(in):
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire und Charles Stepney (musician, producer, arranger and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
Samples von:
That’s the Way of the World von Earth, Wind & Fire (in 1975-03)
recording of:
Reasons
Verfasser(in):
Philip Bailey, Charles Stepney (musician, producer, arranger and songwriter) und Maurice White (Earth, Wind & Fire)
Earth, Wind & Fire2.754:59
10You Make Me Sick
recording engineer:
Paul Boutin und Edward Quesada
Schlagzeug-Programmierung:
Anthony President (Ainsworth Prasad)
zusätzliche Schlagzeug-Programmierung:
Brainz Dimilo
Produzent(in):
Babyface (R&B musician Kenny Edmonds), Brainz Dimilo und Anthony President (Ainsworth Prasad)
assistierende(r) Mix:
Victor McCoy (engineer)
Mix:
Manny Marroquin
Instrumente:
Anthony President (Ainsworth Prasad)
Hintergrundgesang:
Sherree Ford-Payne
Hintergrundgesang und Sologesang:
P!nk (American singer/songwriter)
phonographisches Urheberrecht (℗) von:
LaFace Records LLC (in 2000)
aufgenommen bei:
Brandon’s Way Recording in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The TracKen Place in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
You Make Me Sick von P!nk (American singer/songwriter) und You Make Me Sick von P!nk (American singer/songwriter)
recording of:
You Make Me Sick (in 2000)
Texter:
Marthony Tabb
Komponist(in):
Obi Nwobosi (Brainz) und Ainsworth Prasad
publisher:
EMI April Music Inc. und Universal Music Corp. (USA, affiliated with ASCAP)
P!nk3.84:07
11In the Wee Small Hours of the Morning
Produzent(in):
Frank Filipetti und Marty Paich
Solo-Trompete:
Marvin Stamm
Sologesang:
Carly Simon
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1990)
cover recording of:
In the Wee Small Hours of the Morning
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Carly Simon43:15
12So in Love
vocals:
Lara Fabian (Belgian singer)
cover recording of:
So in Love (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
Lara Fabian3:32
13Broken Bicycles
assistierende(r) Techniker(in):
Kathy Morton
Techniker(in):
Bones Howe und Biff Dawes
Produzent(in):
Bones Howe
Bass:
Greg Cohen (von 1980-10 bis 1981-09)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (von 1980-10 bis 1981-09)
vocals:
Tom Waits (von 1980-10 bis 1981-09)
remixer:
Bones Howe
aufgenommen bei:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1980-10 bis 1981-09)
recording of:
Broken Bicycles (von 1980-10 bis 1981-09)
Texter und Komponist(in):
Tom Waits
Tom Waits2:51
14Stand by Your Man
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Tammy Wynette (in 1968)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 473)
recording of:
Stand by Your Man (in 1968)
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette3.82:38
15Maneater
assistierende(r) Techniker(in):
Bruce Buckhalter (Engineer), Barry Harris (engineer) und Michael Somer-Abbott
Techniker(in):
Neil Kernon
Koproduzent(in):
Neil Kernon
Produzent(in):
Daryl Hall und John Oates
Mix:
Hugh Padgham
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:32
16Oh, Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:58
3▶Digitales Medium

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A. (do not use as a release label! IT subsidiary of SBME) (in 2006)
kostenlos streamen:https://open.spotify.com/album/3C6iaVkLq1wJYKAO2DVpyO [Info]
https://www.deezer.com/album/1440942 [Info]