Die Klassiksammlung 17: Bizet: Vollkommenheit der Form

~ Uitgave van Georges Bizet (Bekijk alle versies van deze uitgave, 10 beschikbaar)

Nummerlijst

1▼cd
#TitelWaarderingDuur
1Carmen-Suite Nr. 1: Prélude
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
componist:
Georges Bizet (French composer)
deel van:
Carmen Suite no. 1
1:22
2Carmen-Suite Nr. 1: Aragonaise
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
deel van:
Carmen Suite no. 1
2:14
3Carmen-Suite Nr. 1: Intermezzo
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
deel van:
Carmen Suite no. 1
2:41
4Carmen-Suite Nr. 1: Seguidilla
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
componist:
Georges Bizet (French composer)
verzorgde het arrangement:
Ernest Guiraud (French composer)
is gebaseerd op:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
deel van:
Carmen Suite no. 1
1:54
5Carmen-Suite Nr. 1: Les Dragons d’Alcala
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
deel van:
Carmen Suite no. 1
1:37
6Carmen-Suite Nr. 1: Les Toreadors
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is gebaseerd op:
Carmen : Prélude
deel van:
Carmen Suite no. 1
2:20
7Carmen-Suite Nr. 2: Marche de contre baderos
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 2: I. Marche des contrebandiers
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
deel van:
Carmen Suite no. 2
3:58
8Carmen-Suite Nr. 2: Habanera
orkest:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz en Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
is een opname van:
Carmen Suite no. 2: II. Habanera
componist:
Georges Bizet (French composer)
verzorgde het arrangement:
Ernest Guiraud (French composer)
is gebaseerd op:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
deel van:
Carmen Suite no. 2
42:12
9Carmen-Suite Nr. 2: Nocturne
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 2: III. Nocturne
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
deel van:
Carmen Suite no. 2
4:10
10Carmen-Suite Nr. 2: Chant de Toreadors
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) en Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 2: IV. Chanson du toréador
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
deel van:
Carmen Suite no. 2
2:40
11Carmen-Suite Nr. 2: La garde montante
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) en Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 2: V. La Garde montante
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
deel van:
Carmen Suite no. 2
3:53
12Carmen-Suite Nr. 2: Danse bohème
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 2: VI. Danse bohème
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
deel van:
Carmen Suite no. 2
4:34
13L’Arlesienne-Suite Nr. 1: Prélude
orkest:
London Festival Orchestra (Alfred Scholz pseudonym) en Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym) en Alfred Scholz
is een opname van:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra)
componist:
Georges Bizet (French composer) (in 1872)
deel van:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
6:43
14L’Arlesienne-Suite Nr. 1: Menuett
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Cesare Cantieri (an Alfred Scholz pseudonym) en Alfred Scholz
is een opname van:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra)
componist:
Georges Bizet (French composer) (in 1872)
deel van:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
2:45
15L’Arlesienne-Suite Nr. 1: Adagietto
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Cesare Cantieri (an Alfred Scholz pseudonym) en Alfred Scholz
is een opname van:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
componist:
Georges Bizet (French composer) (in 1872)
deel van:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
2:52
16L’Arlesienne-Suite Nr. 1: Carillon
orkest:
London Festival Orchestra (Alfred Scholz pseudonym) en Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym) en Alfred Scholz
is een opname van:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
componist:
Georges Bizet (French composer) (in 1872)
deel van:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
4:51
17L’Arlesienne-Suite Nr. 2: Pastorale
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Cesare Cantieri (an Alfred Scholz pseudonym) en Alfred Scholz
is een opname van:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra)
componist:
Georges Bizet (French composer) (in 1872)
verzorgde het arrangement:
Ernest Guiraud (French composer)
deel van:
L’Arlésienne Suite no. 2 (for orchestra)
5:13
18L’Arlesienne-Suite Nr. 2: Intermezzo
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Cesare Cantieri (an Alfred Scholz pseudonym) en Alfred Scholz
is een opname van:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra)
componist:
Georges Bizet (French composer) (in 1872)
verzorgde het arrangement:
Ernest Guiraud (French composer)
deel van:
L’Arlésienne Suite no. 2 (for orchestra)
3:41
19L’Arlesienne-Suite Nr. 2: Menuett
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Cesare Cantieri (an Alfred Scholz pseudonym) en Alfred Scholz
is een opname van:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra)
componist:
Georges Bizet (French composer) (in 1872)
verzorgde het arrangement:
Ernest Guiraud (French composer)
deel van:
L’Arlésienne Suite no. 2 (for orchestra)
3:59
20L’Arlesienne-Suite Nr. 2: Farandole
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Cesare Cantieri (an Alfred Scholz pseudonym) en Alfred Scholz
is een opname van:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
componist:
Georges Bizet (French composer) (in 1872)
verzorgde het arrangement:
Ernest Guiraud (French composer)
deel van:
L’Arlésienne Suite no. 2 (for orchestra)
3:28

Relaties

Uitgave

deel van:Die Klassiksammlung (nummer: 17) (volgorde: 18)
Discogs:https://www.discogs.com/release/1213659 [info]