Die Klassiksammlung 17: Bizet: Vollkommenheit der Form

~ Pubblicazione di Georges Bizet (visualizza tutte le versioni di questa pubblicazione: 10 disponibili)

Elenco tracce

1▼CD
#TitoloValutazioneDurata
1Carmen-Suite Nr. 1: Prélude
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
compositore:
Georges Bizet (French composer)
parte di:
Carmen Suite no. 1
1:22
2Carmen-Suite Nr. 1: Aragonaise
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
parte di:
Carmen Suite no. 1
2:14
3Carmen-Suite Nr. 1: Intermezzo
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
parte di:
Carmen Suite no. 1
2:41
4Carmen-Suite Nr. 1: Seguidilla
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
parte di:
Carmen Suite no. 1
1:54
5Carmen-Suite Nr. 1: Les Dragons d’Alcala
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
parte di:
Carmen Suite no. 1
1:37
6Carmen-Suite Nr. 1: Les Toreadors
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
si basa su:
Carmen : Prélude
parte di:
Carmen Suite no. 1
2:20
7Carmen-Suite Nr. 2: Marche de contre baderos
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: I. Marche des contrebandiers
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
parte di:
Carmen Suite no. 2
3:58
8Carmen-Suite Nr. 2: Habanera
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz e Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Carmen Suite no. 2: II. Habanera
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
parte di:
Carmen Suite no. 2
42:12
9Carmen-Suite Nr. 2: Nocturne
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: III. Nocturne
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
parte di:
Carmen Suite no. 2
4:10
10Carmen-Suite Nr. 2: Chant de Toreadors
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) e Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: IV. Chanson du toréador
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
parte di:
Carmen Suite no. 2
2:40
11Carmen-Suite Nr. 2: La garde montante
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) e Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: V. La Garde montante
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
parte di:
Carmen Suite no. 2
3:53
12Carmen-Suite Nr. 2: Danse bohème
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: VI. Danse bohème
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
parte di:
Carmen Suite no. 2
4:34
13L’Arlesienne-Suite Nr. 1: Prélude
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) e Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
parte di:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
6:43
14L’Arlesienne-Suite Nr. 1: Menuett
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
parte di:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
2:45
15L’Arlesienne-Suite Nr. 1: Adagietto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
parte di:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
2:52
16L’Arlesienne-Suite Nr. 1: Carillon
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) e Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
parte di:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
4:51
17L’Arlesienne-Suite Nr. 2: Pastorale
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
arrangiatore:
Ernest Guiraud (French composer)
parte di:
L’Arlésienne Suite no. 2 (for orchestra)
5:13
18L’Arlesienne-Suite Nr. 2: Intermezzo
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
arrangiatore:
Ernest Guiraud (French composer)
parte di:
L’Arlésienne Suite no. 2 (for orchestra)
3:41
19L’Arlesienne-Suite Nr. 2: Menuett
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
arrangiatore:
Ernest Guiraud (French composer)
parte di:
L’Arlésienne Suite no. 2 (for orchestra)
3:59
20L’Arlesienne-Suite Nr. 2: Farandole
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
arrangiatore:
Ernest Guiraud (French composer)
parte di:
L’Arlésienne Suite no. 2 (for orchestra)
3:28

Accreditamenti

Pubblicazione

parte di:Die Klassiksammlung (numero: 17) (ordine: 18)
Discogs:https://www.discogs.com/release/1213659 [info]