Die Klassiksammlung 17: Bizet: Vollkommenheit der Form

~ Veröffentlichung von Georges Bizet (alle Versionen dieser Veröffentlichung ansehen, 10 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Carmen-Suite Nr. 1: Prélude
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
Komponist(in):
Georges Bizet (French composer)
Teil von:
Carmen Suite no. 1
1:22
2Carmen-Suite Nr. 1: Aragonaise
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
Teil von:
Carmen Suite no. 1
2:14
3Carmen-Suite Nr. 1: Intermezzo
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
Teil von:
Carmen Suite no. 1
2:41
4Carmen-Suite Nr. 1: Seguidilla
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
Komponist(in):
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
basiert auf:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
Teil von:
Carmen Suite no. 1
1:54
5Carmen-Suite Nr. 1: Les Dragons d’Alcala
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
Teil von:
Carmen Suite no. 1
1:37
6Carmen-Suite Nr. 1: Les Toreadors
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Ungarische Nationalphilharmonie), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
basiert auf:
Carmen : Prélude
Teil von:
Carmen Suite no. 1
2:20
7Carmen-Suite Nr. 2: Marche de contre baderos
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
Teil von:
Carmen Suite no. 2
3:58
8Carmen-Suite Nr. 2: Habanera
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slowakisches Radio Symphonie Orchester Bratislava) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz und Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen Suite no. 2: II. Habanera
Komponist(in):
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
basiert auf:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
Teil von:
Carmen Suite no. 2
42:12
9Carmen-Suite Nr. 2: Nocturne
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: III. Nocturne
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
Teil von:
Carmen Suite no. 2
4:10
10Carmen-Suite Nr. 2: Chant de Toreadors
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym) und Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
Teil von:
Carmen Suite no. 2
2:40
11Carmen-Suite Nr. 2: La garde montante
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym) und Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: V. La Garde montante
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
Teil von:
Carmen Suite no. 2
3:53
12Carmen-Suite Nr. 2: Danse bohème
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: VI. Danse bohème
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
Teil von:
Carmen Suite no. 2
4:34
13L’Arlesienne-Suite Nr. 1: Prélude
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
6:43
14L’Arlesienne-Suite Nr. 1: Menuett
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
2:45
15L’Arlesienne-Suite Nr. 1: Adagietto
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
2:52
16L’Arlesienne-Suite Nr. 1: Carillon
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
4:51
17L’Arlesienne-Suite Nr. 2: Pastorale
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
Teil von:
L’Arlésienne Suite no. 2 (for orchestra)
5:13
18L’Arlesienne-Suite Nr. 2: Intermezzo
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
Teil von:
L’Arlésienne Suite no. 2 (for orchestra)
3:41
19L’Arlesienne-Suite Nr. 2: Menuett
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
Teil von:
L’Arlésienne Suite no. 2 (for orchestra)
3:59
20L’Arlesienne-Suite Nr. 2: Farandole
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
Teil von:
L’Arlésienne Suite no. 2 (for orchestra)
3:28

Nennungen

Veröffentlichung

Teil von:Die Klassiksammlung (Nummer: 17) (Reihenfolge: 18)
Discogs:https://www.discogs.com/release/1213659 [Info]