Musical Highlights on Broadway

~ Veröffentlichung von The New York Theater Orchestra with The Broadway Choir (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Anmerkung

"Performed by The New York Theater with The Broadway Choir · Recording supervised by Paul Whitehead · Recorded at Iliad by Bob Wright"
cdbaby releases have it as The New York Theater Orchestra and The Broadway Choir.
this Paul Whitehead (i believe), this article connects him to his Iliad Studio in Nashville.

Anmerkung zuletzt geändert am 2022-05-15 02:48 UTC.

Titelliste

1▶CD
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Nr.TitelKünstlerBewertungLänge
1New York, New York
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Theme From “New York, New York” (usually just titled “New York, New York”)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
Kander & Ebb3:20
2Money, Money
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Money, Money (Cabaret, 1972 film version)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Carlin Music Corp.
Teil von:
Cabaret (musical)
Kander & Ebb3:00
3I Could Have Danced All Night
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
I Could Have Danced All Night (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Teil von:
My Fair Lady (full musical)
Lerner & Loewe3:48
4I've Got You Under My Skin
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Cole Porter3:35
5People
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
People (Funny Girl)
Texter:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
Komponist(in):
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Funny Girl (Broadway musical)
Jule Styne2:47
6There's No Business Like Show Business
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Annie Get Your Gun
Irving Berlin2:28
7Smoke Gets in Your Eyes
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Jerome Kern2:38
8Maria
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
West Side Story: Maria (Tony)
Texter:
Stephen Sondheim (in 1956)
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
West Side Story
Leonard Bernstein2:30
9Over the Rainbow
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Harold Arlen2:52
10Night and Day
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Cole Porter3:57
11She's So Beautiful
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
She’s So Beautiful (from the Dave Clark musical "Time")
Texter:
David Soames
Verfasser(in) und Komponist(in):
Hans Poulsen
publisher:
Spurs Music Publishing Ltd.
Hans Poulsen3:44
12Out Here on My Own
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Out Here on My Own
Texter:
Lesley Gore
Komponist(in):
Michael Gore (composer)
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Michael Gore3:11
4▶CD

Nennungen

Veröffentlichung

Fotografie:Richard Berenholtz (photographer)
sonstige Unterstützung:Gilbert Lederman (Aufgabe: marketed by)
Joost De Smedt (Aufgabe: marketed by)
mastering:Uwe Teichert (Belgian mastering engineer)
Verwertungsgesellschaft:SABAM (Belgium rights society; do not use this as a label or work publisher!)
urheberrechtlich geschützt (©) von:Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
mastered at:Digipro (Brussels branch) in Brussels (Region Brüssel-Hauptstadt), Belgien
Discogs:https://www.discogs.com/release/20072947 [Info]
ASIN:DE: B003ZUV3SK [Info]