Musical Highlights on Broadway

~ Pubblicazione di The New York Theater Orchestra with The Broadway Choir (visualizza tutte le versioni di questa pubblicazione: 5 disponibili)

Annotazione

"Performed by The New York Theater with The Broadway Choir · Recording supervised by Paul Whitehead · Recorded at Iliad by Bob Wright"
cdbaby releases have it as The New York Theater Orchestra and The Broadway Choir.
this Paul Whitehead (i believe), this article connects him to his Iliad Studio in Nashville.

Annotazione modificata l'ultima volta il 2022-05-15 02:48 UTC.

Elenco tracce

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#TitoloArtistaValutazioneDurata
1New York, New York
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione di:
Theme From “New York, New York” (usually just titled “New York, New York”)
dedicata a:
New York, New York, Stati Uniti
paroliere:
Fred Ebb (lyricist)
compositore:
John Kander (composer)
editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (conclusa), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
New York, New York (1977 musical film soundtrack)
Kander & Ebb3:20
2Money, Money
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione di:
Money, Money (Cabaret, 1972 film version)
paroliere:
Fred Ebb (lyricist)
compositore:
John Kander (composer)
editore:
Carlin Music Corp.
parte di:
Cabaret (musical)
Kander & Ebb3:00
3I Could Have Danced All Night
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione di:
I Could Have Danced All Night (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
parte di:
My Fair Lady (full musical)
Lerner & Loewe3:48
4I've Got You Under My Skin
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Cole Porter3:35
5People
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione cover di:
People (Funny Girl)
paroliere:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (nel 1963)
compositore:
Jule Styne (nel 1963)
editore:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Funny Girl (Broadway musical)
Jule Styne2:47
6There's No Business Like Show Business
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione di:
There’s No Business Like Show Business (from “Annie Get Your Gun”)
paroliere e compositore:
Irving Berlin
editore:
Irving Berlin Ltd., Irving Berlin Music Company e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Annie Get Your Gun
Irving Berlin2:28
7Smoke Gets in Your Eyes
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione di:
Smoke Gets in Your Eyes
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
Jerome Kern2:38
8Maria
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione di:
West Side Story: Maria (Tony)
paroliere:
Stephen Sondheim (nel 1956)
compositore:
Leonard Bernstein (American conductor, composer, pianist) (nel 1956)
editore:
Campbell Connelly & Co. Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
parte di:
West Side Story
Leonard Bernstein2:30
9Over the Rainbow
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Over the Rainbow (The Wizard of Oz)
paroliere:
Yip Harburg (nel 1938)
compositore:
Harold Arlen (nel 1938)
eseguita per la prima volta da:
Judy Garland (nel 1939)
editore:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 12th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1939 winner)
parte di:
The Wizard of Oz (1942 Arlen/Harburg musical)
parte di:
The Wizard of Oz (1939 film soundtrack)
Harold Arlen2:52
10Night and Day
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Cole Porter3:57
11She's So Beautiful
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione di:
She’s So Beautiful (from the Dave Clark musical "Time")
paroliere:
David Soames
autore e compositore:
Hans Poulsen
editore:
Spurs Music Publishing Ltd.
Hans Poulsen3:44
12Out Here on My Own
tecnico di registrazione:
Bob Wright (recording engineer)
produttore:
Joost De Smedt e Paul Whitehead (producer of specialty music programs for television and records since 1971) (incarico: recordings supervised by)
voce:
The Broadway Choir
orchestra:
The New York Theater Orchestra
diritti fonografici (℗) detenuti da:
Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
registrata presso:
Iliad Studios in Nashville, Tennessee, Stati Uniti
registrazione di:
Out Here on My Own
paroliere:
Lesley Gore
compositore:
Michael Gore (composer)
parte di:
The 53rd Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1980 nominee)
Michael Gore3:11
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Accreditamenti

Pubblicazione

fotografia:Richard Berenholtz (photographer)
supporto a vario titolo:Gilbert Lederman (incarico: marketed by)
Joost De Smedt (incarico: marketed by)
tecnico di mastering:Uwe Teichert (Belgian mastering engineer)
società di diritti:SABAM (Belgium rights society; do not use this as a label or work publisher!)
copyright (©) detenuto da:Impuls International N.V. (for copyrights use, parent of Impuls International) (nel 1994)
mastering effettuato presso:Digipro (Brussels branch) in Brussels (Brussels-Capital Region), Belgio
Discogs:https://www.discogs.com/release/20072947 [info]
ASIN:DE: B003ZUV3SK [info]