Now That’s What I Call Country

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Rhinestone Cowboy
phonographic copyright (℗) by:
Capitol Records Nashville (in 1975)
cover recording of:
Rhinestone Cowboy
lyricist and composer:
Larry Weiss (American singer-songwriter)
publisher:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
Glen Campbell4.53:13
2If I Said You Had a Beautiful Body (Would You Hold It Against Me)
engineer:
Jim Crosby (engineer) (in 1978) and Michael Lloyd (US guitarist/singer producer) (in 1978)
producer:
Michael Lloyd (US guitarist/singer producer) (in 1978)
acoustic guitar and lead vocals:
David Bellamy (Bellamy Brothers) (in 1978) and Howard Bellamy (Bellamy Brothers) (in 1978)
bass guitar:
Jesse Chambers (in 1978)
drums (drum set):
Rodney Price (drummer) (in 1978)
electric guitar:
Carl Chambers (in 1978)
keyboard:
Joe LaFrandre (in 1978)
steel guitar:
Danny Jones (US steel guitarist) (in 1978)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1980)
recording of:
If I Said You Had a Beautiful Body Would You Hold It Against Me (in 1978)
lyricist and composer:
David Bellamy (Bellamy Brothers)
The Bellamy Brothers33:15
3When You’re in Love With a Beautiful Woman
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
lyricist and composer:
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:50
4Mississippi
phonographic copyright (℗) by:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
lyricist and composer:
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:35
5Sing Me an Old Fashioned Song
recording of:
Sing Me an Old-Fashioned Song
writer:
Larry Henley (singer songwriter) and Johnny Slate
Billie Jo Spears3:29
6Snowbird
producer:
Brian Ahern
arranger:
Brian Ahern
phonographic copyright (℗) by:
EMI Music Canada (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 36)
recording of:
Snowbird
lyricist and composer:
Gene MacLellan
publisher:
Beechwood Music Canada and EMI Blackwood Music Inc.
Anne Murray4.52:09
7Annie’s Song
assistant engineer:
Artie Torgersen
engineer:
Mickey Crofford
additional producer and assistant producer:
Kris O'Connor
producer:
Milton Okun
bass:
Dick Kniss
guitar:
John Denver and Steve Weisberg
mandolin:
John Sommers (country music songwriter and multi- instrumentalist)
percussion:
Jim Gordon (US drummer with Derek and the Dominos)
lead vocals:
John Denver
conductor:
Lee Holdridge
arranger:
Lee Holdridge
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Annie’s Song (John Denver song) (on 1974-03-08)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
John Denver3.652:59
8You Light Up My Life
producer:
Joseph Brooks (US songwriter/film director)
arranger:
Joseph Brooks (US songwriter/film director)
produced for:
Mike Curb Productions
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 3) and Billboard: Greatest of All Time Hot 100 Songs (number: 12)
recording of:
You Light Up My Life
lyricist and composer:
Joseph Brooks (US songwriter/film director)
publisher:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 電通ミュージック・アンド・エンタテインメント PR第3事業部
part of:
The 50th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1977 winner)
Debby Boone53:37
9Talking in Your Sleep
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1978)
recording of:
Talking in Your Sleep (in 1978)
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Bobby Wood (American pianist, keyboard player and songwriter)
publisher:
G.O.A.L. Music Ltd. (publisher), Roger Cook Music and The International Music Network
Crystal Gayle22:54
10Angel of the Morning
recording engineer:
Joe Chiccarelli
associate producer:
Otha Young
producer:
Richard Landis
mixer:
Michael Verdick
arranger:
Charles Calello
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, United States
cover recording of:
Angel of the Morning (on 1980-09-04)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
Juice Newton4.354:12
11Every Which Way but Loose
Eddie Rabbitt2:51
12Ode to Billie Joe
phonographic copyright (℗) by:
Capitol Records Nashville (in 1967)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 191) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 412)
recording of:
Ode to Billie Joe (in 1967-03)
lyricist and composer:
Bobbie Gentry (Roberta Lee Streeter - American singer-songwriter)
publisher:
Larry Shayne Music, Inc. and Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:14
13I Can Help
engineer:
Chip Young (American session guitarist, bassist, producer in the genre of country)
producer:
Billy Swan and Chip Young (American session guitarist, bassist, producer in the genre of country)
acoustic guitar:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (in 1974)
bass:
Mike Leech (in 1974)
drums (drum set):
Hayward Bishop (in 1974)
electric guitar:
Chip Young (American session guitarist, bassist, producer in the genre of country) (in 1974) and Reggie Young (guitarist and songwriter) (in 1974)
instruments:
Paul Richmond (engineer) (in 1974)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Youngun Sound Studio in Murfreesboro, Tennessee, United States (in 1974)
recording of:
I Can Help (in 1974)
lyricist and composer:
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Billy Swan43:58
14I Walk the Line (stereo version)
recorded in:
Nashville, Tennessee, United States (on 1964-03-04)
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
acoustic guitar and lead vocals:
Johnny Cash (country music legend) (on 1964-03-04)
bass:
Marshall Grant (on 1964-03-04)
drums (drum set):
W.S. Holland (on 1964-03-04)
electric guitar:
Luther Perkins (on 1964-03-04)
guitar:
Norman Blake (bluegrass guitarist) (on 1964-03-04) and Bob Johnson (American banjo player from Chattanooga, Tennessee) (on 1964-03-04)
phonographic copyright (℗) by:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) (in 1964) and Don Law (in 1964)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-03-04)
recording of:
I Walk the Line (on 1964-03-04)
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.352:34
15King of the Road
recorded in:
Tennessee, United States (on 1964-11-03)
producer:
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (on 1964-11-03)
phonographic copyright (℗) by:
Smash (in 1965)
recording of:
King of the Road (on 1964-11-03)
lyricist:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
composer:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.52:26
16Kiss an Angel Good Mornin’
producer:
Jack Clement
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 19)
recording of:
Kiss an Angel Good Mornin' (1971 song) (in 1971)
lyricist and composer:
Ben Peters (country music songwriter)
recording of:
Kiss an Angel Good Mornin' (1971 song) (in 1994)
lyricist and composer:
Ben Peters (country music songwriter)
Charley Pride4.22:02
17Behind Closed Doors
recording of:
Behind Closed Doors
lyricist and composer:
Kenny O’Dell
publisher:
House of Gold Music, Inc.
Charlie Rich2:56
18D‐I‐V‐O‐R‐C‐E
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 59)
recording of:
D-I-V-O-R-C-E (1968 song) (in 1968)
lyricist:
Claude “Curly” Putman, Jr.
composer:
Bobby Braddock
Tammy Wynette3.252:56
19The End of the World
engineer:
Bill Porter (engineer)
producer:
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:38
20No Charge
J.J. Barrie3:43
21The Devil Went Down to Georgia
assistant recording engineer:
Steve Goostree (audio engineer, producer, mixer/ AV production)
recording engineer, engineer and mixer:
Paul Grupp
producer:
John Boylan
assistant mixer:
Dave Rideau (engineer) and Erik Zobler
bass guitar:
Charlie Hayward (Member of The Charlie Daniels Band)
drums (drum set):
Fred Edwards (drummer and songwriter) and Jim Marshall (photographer)
fiddle and lead vocals:
Charlie Daniels
guitar and background vocals:
Tom Crain
keyboard [keyboards]:
Joel "Taz" DiGregorio
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1979), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
produced for:
Sir Charles Productions
recorded at:
Woodland Studios in Nashville, Tennessee, United States
music videos:
The Devil Went Down to Georgia by The Charlie Daniels Band
recording of:
The Devil Went Down to Georgia
writer:
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain and James W. Marshall
publisher:
Songs of Universal, Inc. (BMI) and Hat Band Music (in 1979)
The Charlie Daniels Band4.73:36
22Man! I Feel Like a Woman!
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming, mixer and editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
fiddle:
Glen Duncan (bluegrass multi-instrument musician), Rob Hajacos, Aubrey Haynie and Joe Spivey
arranger:
Robert John “Mutt” Lange (Robert John Lange)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) and Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
music videos:
Man! I Feel Like a Woman! by Shania Twain
recording of:
Man! I Feel Like a Woman!
writer:
Eilleen Regina Lange and Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain43:55
23Achy Breaky Heart
producer:
Jim Cotton and Joe Scaife
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 2011)
music videos:
Achy Breaky Heart by Billy Ray Cyrus
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 464)
cover recording of:
Achy Breaky Heart
lyricist and composer:
Donald L. Tress
Billy Ray Cyrus2.53:24
24Pontoon
part of:
Taste Of Country: Top Songs of 2012 (number: 3), Grammy Award: Best Country Duo/Group Performance nominees (number: 2013 winner) and Billboard Year-End Hot 100 singles of 2012 (number: 67)
recording of:
Pontoon
writer:
Barry Dean (US pop/country songwriter), Natalie Hemby and Luke Laird (country music songwriter)
Little Big Town2.13:31
25Redneck Woman
additional recording engineer:
Todd Gunnerson and Steve Marcantonio
assistant recording engineer:
Paul Hart (country producer)
recording engineer and mixer:
Bart Pursley
associate producer:
John Rich (US country musician, Big & Rich, Lonestar)
producer:
Joe Scaife and Mark Wright (country music producer & songwriter)
assistant mixer:
Paul Hart (country producer) and Lowell Reynolds
part of:
Holler's Best 2000s Country Songs (number: 5) and Rolling Stone: The 200 Greatest Country Songs of All Time (number: 197)
recording of:
Redneck Woman
writer:
John Rich (US country musician, Big & Rich, Lonestar) and Gretchen Wilson
Gretchen Wilson53:42
26Boot Scootin’ Boogie
producer:
Don Cook (US country producer/songwriter) and Scott Hendricks (producer)
mixer:
Scott Hendricks (producer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
mixed at:
Castle Recording Studios in Franklin, Tennessee, United States
music videos:
Boot Scootin’ Boogie by Brooks & Dunn
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1993)
recording of:
Boot Scootin’ Boogie
lyricist and composer:
Ronnie Dunn (American country music singer-songwriter and record producer)
Brooks & Dunn3.753:17
27Dance the Night Away
producer:
Don Cook (US country producer/songwriter) and Raul Malo (The Mavericks lead singer, country music)
phonographic copyright (℗) by:
MCA Records Nashville (a division of MCA Records Inc.) (in 1997)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1999)
recording of:
Dance the Night Away
lyricist and composer:
Raul Malo (The Mavericks lead singer, country music)
publisher:
EMI Blackwood Music Inc. and Rumbalo Music
The Mavericks3.44:22
28Queen of Hearts
recording engineer:
Joe Chiccarelli
associate producer:
Otha Young
producer:
Richard Landis
mixer:
Michael Verdick
arranger:
Charles Calello
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, United States
cover recording of:
Queen of Hearts (on 1980-10-21)
lyricist and composer:
Hank DeVito
publisher:
Bug Music (music publishing) and Drunk Monkey Music (in 1979)
Juice Newton3.83:24
29Foggy Mountain Breakdown
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle:
Paul Warren (US fiddler) (on 1965-09-03)
guitar:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 57)
recording of:
Foggy Mountain Breakdown (on 1965-09-03)
composer:
Earl Scruggs
Flatt & Scruggs2:20
30Theme From “The Dukes of Hazzard” (Good Ol’ Boys)
producer:
Richie Albright
bass:
Jerry Bridges (from 1980 until 1980-06-23)
drums (drum set):
Richie Albright (from 1980 until 1980-06-23)
guitar:
Waylon Jennings (US country musician) (from 1980 until 1980-06-23), Gordon Payne (from 1980 until 1980-06-23) and Randy Scruggs (from 1980 until 1980-06-23)
piano:
Clifford Barny Robertson (from 1980 until 1980-06-23)
resonator guitar:
Ralph Mooney (from 1980 until 1980-06-23)
background vocals:
Carter Robertson (from 1980 until 1980-06-23)
lead vocals:
Waylon Jennings (US country musician) (from 1980 until 1980-06-23)
phonographic copyright (℗) by:
BMG Music (in 1980), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1980) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1980, on 1980-06-23)
recording of:
Theme From the Dukes of Hazzard (Good Ol’ Boys) (from 1980 until 1980-06-23)
composer:
Waylon Jennings (US country musician)
publisher:
Rich Way Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Waylon Jennings3.52:07
31Convoy
bass:
Brian Sampson
drums (drum set):
Chip Davis (founder of Mannheim Steamroller)
five-string banjo:
Steve Hanson (banjo player with C.W. McCall)
guitar:
Ron Cooley
arranger:
Chip Davis (founder of Mannheim Steamroller)
recording of:
Convoy
lyricist:
C.W. McCall
composer:
Chip Davis (founder of Mannheim Steamroller)
C.W. McCall53:48
32Margaritaville
producer:
Norbert Putnam
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 106)
recording of:
Margaritaville (in 1976-11)
lyricist and composer:
Jimmy Buffett
Jimmy Buffett4.654:10
33Games People Play (remastered)
vocals:
Joe South (in 1968)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Games People Play (in 1968)
lyricist and composer:
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
Joe South33:32
34I Recall a Gypsy Woman
producer:
Allen Reynolds and Don Williams (country singer-songwriter)
vocals:
Don Williams (country singer-songwriter)
phonographic copyright (℗) by:
ABC Records, Inc (in 1973)
recording of:
I Recall a Gypsy Woman (1973 song)
writer:
Bob McDill and Allen Reynolds
publisher:
Jack Music, Inc., Morning Music and PolyGram Music Publishing Ltd.
Don Williams33:24
35Good Year for the Roses
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Elvis Costello
cover recording of:
A Good Year for the Roses
lyricist and composer:
Jerry Chesnut
Elvis Costello & The Attractions4.253:07
36Labelled With Love
producer:
Roger Bechirian and Elvis Costello
bass:
John Bentley (UK bassist, member of Squeeze)
drums (drum set):
Gilson Lavis
guitar:
Chris Difford and Glenn Tilbrook
keyboard:
Paul Carrack
lead vocals:
Glenn Tilbrook
recording of:
Labelled With Love
lyricist:
Chris Difford
composer:
Glenn Tilbrook
Squeeze3.54:31
37Me and Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin (on 1970-09-25)
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25)
drums (drum set):
Clark Pierson (on 1970-09-25)
guest bongos and guest congas:
Bobbye Hall
guest bongos and congas:
Bobbye Hall (on 1970-09-25)
guest tambourine:
Sandra Crouch (on 1970-09-25)
guitar:
John Till (rock guitarist) (on 1970-09-25)
organ:
Ken Pearson (on 1970-09-25)
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25)
background vocals:
Phil Badella (on 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25), John Cooke (on 1970-09-25), Janis Joplin (on 1970-09-25), Vince Mitchell (on 1970-09-25), Ken Pearson (on 1970-09-25), Clark Pierson (on 1970-09-25) and John Till (rock guitarist) (on 1970-09-25)
performer:
Full Tilt Boogie (on 1970-09-25)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:28
38Blue Eyes Crying in the Rain
engineer:
Phil York
producer:
Willie Nelson
bass:
Bee Spears (in 1975-02)
drums (drum set):
Billy English (US drummer/percussionist for Willie Nelson) (in 1975-02) and Paul English (US drummer for Willie Nelson) (in 1975-02)
guitar:
Bucky Meadows (American session musician) (in 1975-02), Willie Nelson (in 1975-02) and Jody Payne (in 1975-02)
harmonica:
Mickey Raphael (in 1975-02)
mandolin:
Jody Payne (in 1975-02)
piano:
Bobbie Nelson (in 1975-02)
vocals:
Willie Nelson (in 1975-02)
arranger:
Willie Nelson
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recorded at:
Autumn Sound Studios in Garland, Texas, United States (in 1975-02)
part of:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (number: 16), Rolling Stone: The 200 Greatest Country Songs of All Time (number: 27), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 253) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 302)
cover recording of:
Blue Eyes Crying in the Rain (in 1975-02)
lyricist and composer:
Fred Rose (songwriter)
publisher:
Campbell Connelly & Co. Ltd., Milene Music (publisher) and Sony/ATV Milene Music
Willie Nelson3.82:19
39Help Me Make It Through the Night
engineer:
Tommy Strong
producer:
Fred Foster
vocals:
Kris Kristofferson
recorded at:
Monument Recording Studio in Nashville, Tennessee, United States
recording of:
Help Me Make It Through the Night (in 1969)
lyricist and composer:
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. and KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Kris Kristofferson4.52:21
40I Love You Because
engineer:
Bill Porter (engineer)
producer:
Chet Atkins and Anita Kerr
arranger:
Anita Kerr
recording of:
I Love You Because (on 1962-10-12)
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
Jim Reeves32:46

Credits

Release

phonographic copyright (℗) by:NOW That's What I Call Music LLP (British holding company) (in 2021)
streaming page:https://music.apple.com/gb/album/1552462372 [info]

Release group

part of:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (order: 99)