Now That’s What I Call Country

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶Digitales Medium
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Rhinestone Cowboy
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975)
cover recording of:
Rhinestone Cowboy
Texter und Komponist(in):
Larry Weiss (American singer-songwriter)
publisher:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Glen Campbell4.53:13
2If I Said You Had a Beautiful Body (Would You Hold It Against Me)
Techniker(in):
Jim Crosby (engineer) (in 1978) und Michael Lloyd (US guitarist/singer producer) (in 1978)
Produzent(in):
Michael Lloyd (US guitarist/singer producer) (in 1978)
Akustikgitarre und Sologesang:
David Bellamy (Bellamy Brothers) (in 1978) und Howard Bellamy (Bellamy Brothers) (in 1978)
Bassgitarre:
Jesse Chambers (in 1978)
E-Gitarre:
Carl Chambers (in 1978)
Keyboard:
Joe LaFrandre (in 1978)
Schlagzeug:
Rodney Price (drummer) (in 1978)
Steel-Gitarre:
Danny Jones (US steel guitarist) (in 1978)
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1980)
recording of:
If I Said You Had a Beautiful Body Would You Hold It Against Me (in 1978)
Texter und Komponist(in):
David Bellamy (Bellamy Brothers)
The Bellamy Brothers33:15
3When You’re in Love With a Beautiful Woman
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:50
4Mississippi
phonographisches Urheberrecht (℗) von:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
Texter und Komponist(in):
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:35
5Sing Me an Old Fashioned Song
recording of:
Sing Me an Old-Fashioned Song
Verfasser(in):
Larry Henley (singer songwriter) und Johnny Slate
Billie Jo Spears3:29
6Snowbird
Produzent(in):
Brian Ahern
arranger:
Brian Ahern
phonographisches Urheberrecht (℗) von:
EMI Music Canada (in 1970)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 36)
recording of:
Snowbird
Texter und Komponist(in):
Gene MacLellan
publisher:
Beechwood Music Canada und EMI Blackwood Music Inc.
Anne Murray4.52:09
7Annie’s Song
assistierende(r) Techniker(in):
Artie Torgersen
Techniker(in):
Mickey Crofford
assistierende(r) Produzent(in) und zusätzliche(r) Produzent(in):
Kris O'Connor
Produzent(in):
Milton Okun
Bass:
Dick Kniss
Gitarre:
John Denver und Steve Weisberg
Mandoline:
John Sommers (country music songwriter and multi- instrumentalist)
Perkussion:
Jim Gordon (US drummer with Derek and the Dominos)
Sologesang:
John Denver
conductor:
Lee Holdridge
arranger:
Lee Holdridge
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Annie’s Song (John Denver song) (am 1974-03-08)
Texter:
John Denver (in 1973-01)
Komponist(in):
John Denver
gewidmet:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
Liedtexte geschrieben bei:
Aspen Mountain in Aspen, Colorado, Vereinigte Staaten (in 1973-01)
John Denver3.652:59
8You Light Up My Life
Produzent(in):
Joseph Brooks (US songwriter/film director)
arranger:
Joseph Brooks (US songwriter/film director)
produced for:
Mike Curb Productions
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 3) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 12)
recording of:
You Light Up My Life
Texter und Komponist(in):
Joseph Brooks (US songwriter/film director)
publisher:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 電通ミュージック・アンド・エンタテインメント PR第3事業部
Teil von:
The 50th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1977 winner)
Debby Boone53:37
9Talking in Your Sleep
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1978)
recording of:
Talking in Your Sleep (in 1978)
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) und Bobby Wood (American pianist, keyboard player and songwriter)
publisher:
G.O.A.L. Music Ltd. (publisher), Roger Cook Music und The International Music Network
Crystal Gayle22:54
10Angel of the Morning
recording engineer:
Joe Chiccarelli
Partner-Produzent(in):
Otha Young
Produzent(in):
Richard Landis
Mix:
Michael Verdick
arranger:
Charles Calello
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) und Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, Vereinigte Staaten
cover recording of:
Angel of the Morning (am 1980-09-04)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. und Unichappell Music
Juice Newton4.354:12
11Every Which Way but Loose
Eddie Rabbitt2:51
12Ode to Billie Joe
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1967)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 191) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 412)
recording of:
Ode to Billie Joe (in 1967-03)
Texter und Komponist(in):
Bobbie Gentry (Roberta Lee Streeter - American singer-songwriter)
publisher:
Larry Shayne Music, Inc. und Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:14
13I Can Help
Techniker(in):
Chip Young (American session guitarist, bassist, producer in the genre of country)
Produzent(in):
Billy Swan und Chip Young (American session guitarist, bassist, producer in the genre of country)
Akustikgitarre:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (in 1974)
Bass:
Mike Leech (in 1974)
E-Gitarre:
Chip Young (American session guitarist, bassist, producer in the genre of country) (in 1974) und Reggie Young (guitarist and songwriter) (in 1974)
Instrumente:
Paul Richmond (engineer) (in 1974)
Schlagzeug:
Hayward Bishop (in 1974)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
Youngun Sound Studio in Murfreesboro, Tennessee, Vereinigte Staaten (in 1974)
recording of:
I Can Help (in 1974)
Texter und Komponist(in):
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Billy Swan43:58
14I Walk the Line (stereo version)
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-03-04)
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Akustikgitarre und Sologesang:
Johnny Cash (country music legend) (am 1964-03-04)
Bass:
Marshall Grant (am 1964-03-04)
E-Gitarre:
Luther Perkins (am 1964-03-04)
Gitarre:
Norman Blake (bluegrass guitarist) (am 1964-03-04) und Bob Johnson (American banjo player from Chattanooga, Tennessee) (am 1964-03-04)
Schlagzeug:
W.S. Holland (am 1964-03-04)
phonographisches Urheberrecht (℗) von:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) (in 1964) und Don Law (in 1964)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1964-03-04)
recording of:
I Walk the Line (am 1964-03-04)
Texter und Komponist(in):
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.352:34
15King of the Road
recorded in:
Tennessee, Vereinigte Staaten (am 1964-11-03)
Produzent(in):
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (am 1964-11-03)
phonographisches Urheberrecht (℗) von:
Smash (in 1965)
recording of:
King of the Road (am 1964-11-03)
Texter:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.52:26
16Kiss an Angel Good Mornin’
Produzent(in):
Jack Clement
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 19)
recording of:
Kiss an Angel Good Mornin' (1971 song) (in 1971)
Texter und Komponist(in):
Ben Peters (country music songwriter)
recording of:
Kiss an Angel Good Mornin' (1971 song) (in 1994)
Texter und Komponist(in):
Ben Peters (country music songwriter)
Charley Pride4.22:02
17Behind Closed Doors
recording of:
Behind Closed Doors
Texter und Komponist(in):
Kenny O’Dell
publisher:
House of Gold Music, Inc.
Charlie Rich2:56
18D‐I‐V‐O‐R‐C‐E
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 59)
recording of:
D-I-V-O-R-C-E (1968 song) (in 1968)
Texter:
Claude “Curly” Putman, Jr.
Komponist(in):
Bobby Braddock
Tammy Wynette3.252:56
19The End of the World
Techniker(in):
Bill Porter (engineer)
Produzent(in):
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:38
20No Charge
J.J. Barrie3:43
21The Devil Went Down to Georgia
Assistent recording engineer:
Steve Goostree (audio engineer, producer, mixer/ AV production)
recording engineer, Techniker(in) und Mix:
Paul Grupp
Produzent(in):
John Boylan
assistierende(r) Mix:
Dave Rideau (engineer) und Erik Zobler
Bassgitarre:
Charlie Hayward (Member of The Charlie Daniels Band)
Fiddle und Sologesang:
Charlie Daniels
Gitarre und Hintergrundgesang:
Tom Crain
Keyboard [keyboards]:
Joel "Taz" DiGregorio
Schlagzeug:
Fred Edwards (drummer and songwriter) und Jim Marshall (photographer)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1979), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
produced for:
Sir Charles Productions
aufgenommen bei:
Woodland Studios in Nashville, Tennessee, Vereinigte Staaten
Musikvideos:
The Devil Went Down to Georgia von The Charlie Daniels Band
recording of:
The Devil Went Down to Georgia
Verfasser(in):
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain und James W. Marshall
publisher:
Songs of Universal, Inc. (BMI) und Hat Band Music (in 1979)
The Charlie Daniels Band4.73:36
22Man! I Feel Like a Woman!
assistierende Programmierung:
Jay Alvarez und James Somberg
Programmierung, Mix und Editing:
Olle Romo (Swedish music producer, songwriter, and drummer)
zusätzliche Programmierung:
Bjorn Thornsrud
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Fiddle:
Glen Duncan (bluegrass multi-instrument musician), Rob Hajacos, Aubrey Haynie und Joe Spivey
arranger:
Robert John “Mutt” Lange (Robert John Lange)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) und Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
Musikvideos:
Man! I Feel Like a Woman! von Shania Twain
recording of:
Man! I Feel Like a Woman!
Verfasser(in):
Eilleen Regina Lange und Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain43:55
23Achy Breaky Heart
Produzent(in):
Jim Cotton und Joe Scaife
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 2011)
Musikvideos:
Achy Breaky Heart von Billy Ray Cyrus
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 464)
cover recording of:
Achy Breaky Heart
Texter und Komponist(in):
Donald L. Tress
Billy Ray Cyrus2.53:24
24Pontoon
Teil von:
Taste Of Country: Top Songs of 2012 (Nummer: 3), Grammy Award: Best Country Duo/Group Performance nominees (Nummer: 2013 winner) und Billboard Year-End Hot 100 singles of 2012 (Nummer: 67)
recording of:
Pontoon
Verfasser(in):
Barry Dean (US pop/country songwriter), Natalie Hemby und Luke Laird (country music songwriter)
Little Big Town2.13:31
25Redneck Woman
Assistent recording engineer:
Paul Hart (country producer)
recording engineer und Mix:
Bart Pursley
zusätzlich recording engineer:
Todd Gunnerson und Steve Marcantonio
Partner-Produzent(in):
John Rich (US country musician, Big & Rich, Lonestar)
Produzent(in):
Joe Scaife und Mark Wright (country music producer & songwriter)
assistierende(r) Mix:
Paul Hart (country producer) und Lowell Reynolds
Teil von:
Holler's Best 2000s Country Songs (Nummer: 5) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 197)
recording of:
Redneck Woman
Verfasser(in):
John Rich (US country musician, Big & Rich, Lonestar) und Gretchen Wilson
Gretchen Wilson53:42
26Boot Scootin’ Boogie
Produzent(in):
Don Cook (US country producer/songwriter) und Scott Hendricks (producer)
Mix:
Scott Hendricks (producer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
mixed at:
Castle Recording Studios in Franklin, Tennessee, Vereinigte Staaten
Musikvideos:
Boot Scootin’ Boogie von Brooks & Dunn
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1993)
recording of:
Boot Scootin’ Boogie
Texter und Komponist(in):
Ronnie Dunn (American country music singer-songwriter and record producer)
Brooks & Dunn3.753:17
27Dance the Night Away
Produzent(in):
Don Cook (US country producer/songwriter) und Raul Malo (The Mavericks lead singer, country music)
phonographisches Urheberrecht (℗) von:
MCA Records Nashville (a division of MCA Records Inc.) (in 1997)
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1999)
recording of:
Dance the Night Away
Texter und Komponist(in):
Raul Malo (The Mavericks lead singer, country music)
publisher:
EMI Blackwood Music Inc. und Rumbalo Music
The Mavericks3.44:22
28Queen of Hearts
recording engineer:
Joe Chiccarelli
Partner-Produzent(in):
Otha Young
Produzent(in):
Richard Landis
Mix:
Michael Verdick
arranger:
Charles Calello
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, Vereinigte Staaten
cover recording of:
Queen of Hearts (am 1980-10-21)
Texter und Komponist(in):
Hank DeVito
publisher:
Bug Music (music publishing) und Drunk Monkey Music (in 1979)
Juice Newton3.83:24
29Foggy Mountain Breakdown
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1965-09-03)
Fiddle:
Paul Warren (US fiddler) (am 1965-09-03)
Gitarre:
Lester Flatt (am 1965-09-03)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-09-03)
Kontrabass:
Jake Tullock (country stand-up bass) (am 1965-09-03) und Joe Zinkan (am 1965-09-03)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-03)
Resonatorgitarre:
Josh Graves (am 1965-09-03)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-09-03)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 57)
recording of:
Foggy Mountain Breakdown (am 1965-09-03)
Komponist(in):
Earl Scruggs
Flatt & Scruggs2:20
30Theme From “The Dukes of Hazzard” (Good Ol’ Boys)
Produzent(in):
Richie Albright
Bass:
Jerry Bridges (von 1980 bis 1980-06-23)
Gitarre:
Waylon Jennings (US country musician) (von 1980 bis 1980-06-23), Gordon Payne (von 1980 bis 1980-06-23) und Randy Scruggs (von 1980 bis 1980-06-23)
Klavier:
Clifford Barny Robertson (von 1980 bis 1980-06-23)
Resonatorgitarre:
Ralph Mooney (von 1980 bis 1980-06-23)
Schlagzeug:
Richie Albright (von 1980 bis 1980-06-23)
Hintergrundgesang:
Carter Robertson (von 1980 bis 1980-06-23)
Sologesang:
Waylon Jennings (US country musician) (von 1980 bis 1980-06-23)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1980), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1980) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
aufgenommen bei:
American Studios in Nashville, Tennessee, Vereinigte Staaten (in 1980, am 1980-06-23)
recording of:
Theme From the Dukes of Hazzard (Good Ol’ Boys) (von 1980 bis 1980-06-23)
Komponist(in):
Waylon Jennings (US country musician)
publisher:
Rich Way Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Waylon Jennings3.52:07
31Convoy
5-saitiges Banjo:
Steve Hanson (banjo player with C.W. McCall)
Bass:
Brian Sampson
Gitarre:
Ron Cooley
Schlagzeug:
Chip Davis (founder of Mannheim Steamroller)
arranger:
Chip Davis (founder of Mannheim Steamroller)
recording of:
Convoy
Texter:
C.W. McCall
Komponist(in):
Chip Davis (founder of Mannheim Steamroller)
C.W. McCall53:48
32Margaritaville
Produzent(in):
Norbert Putnam
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 106)
recording of:
Margaritaville (in 1976-11)
Texter und Komponist(in):
Jimmy Buffett
Jimmy Buffett4.654:10
33Games People Play (remastered)
vocals:
Joe South (in 1968)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Games People Play (in 1968)
Texter und Komponist(in):
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
Joe South33:32
34I Recall a Gypsy Woman
Produzent(in):
Allen Reynolds und Don Williams (country singer-songwriter)
vocals:
Don Williams (country singer-songwriter)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1973)
recording of:
I Recall a Gypsy Woman (1973 song)
Verfasser(in):
Bob McDill und Allen Reynolds
publisher:
Jack Music, Inc., Morning Music und PolyGram Music Publishing Ltd.
Don Williams33:24
35Good Year for the Roses
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Elvis Costello
cover recording of:
A Good Year for the Roses
Texter und Komponist(in):
Jerry Chesnut
Elvis Costello & The Attractions4.253:07
36Labelled With Love
Produzent(in):
Roger Bechirian und Elvis Costello
Bass:
John Bentley (UK bassist, member of Squeeze)
Gitarre:
Chris Difford und Glenn Tilbrook
Keyboard:
Paul Carrack
Schlagzeug:
Gilson Lavis
Sologesang:
Glenn Tilbrook
recording of:
Labelled With Love
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
Squeeze3.54:31
37Me and Bobby McGee
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul Rothchild
Akustikgitarre und Sologesang:
Janis Joplin (am 1970-09-25)
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25)
Gast-Bongos und Gast-Conga:
Bobbye Hall
Gast-Bongos und Conga:
Bobbye Hall (am 1970-09-25)
Gast-Tamburin:
Sandra Crouch (am 1970-09-25)
Gitarre:
John Till (rock guitarist) (am 1970-09-25)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25)
Orgel:
Ken Pearson (am 1970-09-25)
Schlagzeug:
Clark Pierson (am 1970-09-25)
Hintergrundgesang:
Phil Badella (am 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25), John Cooke (am 1970-09-25), Janis Joplin (am 1970-09-25), Vince Mitchell (am 1970-09-25), Ken Pearson (am 1970-09-25), Clark Pierson (am 1970-09-25) und John Till (rock guitarist) (am 1970-09-25)
Interpret(in):
Full Tilt Boogie (am 1970-09-25)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-25)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 148)
cover recording of:
Me and Bobby McGee (am 1970-09-25)
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:28
38Blue Eyes Crying in the Rain
Techniker(in):
Phil York
Produzent(in):
Willie Nelson
Bass:
Bee Spears (in 1975-02)
Gitarre:
Bucky Meadows (American session musician) (in 1975-02), Willie Nelson (in 1975-02) und Jody Payne (in 1975-02)
Klavier:
Bobbie Nelson (in 1975-02)
Mandoline:
Jody Payne (in 1975-02)
Mundharmonika:
Mickey Raphael (in 1975-02)
Schlagzeug:
Billy English (US drummer/percussionist for Willie Nelson) (in 1975-02) und Paul English (US drummer for Willie Nelson) (in 1975-02)
vocals:
Willie Nelson (in 1975-02)
arranger:
Willie Nelson
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
aufgenommen bei:
Autumn Sound Studios in Garland, Texas, Vereinigte Staaten (in 1975-02)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 16), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 27), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 253) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 302)
cover recording of:
Blue Eyes Crying in the Rain (in 1975-02)
Texter und Komponist(in):
Fred Rose (songwriter)
publisher:
Campbell Connelly & Co. Ltd., Milene Music (publisher) und Sony/ATV Milene Music
Willie Nelson3.82:19
39Help Me Make It Through the Night
Techniker(in):
Tommy Strong
Produzent(in):
Fred Foster
vocals:
Kris Kristofferson
aufgenommen bei:
Monument Recording Studio in Nashville, Tennessee, Vereinigte Staaten
recording of:
Help Me Make It Through the Night (in 1969)
Texter und Komponist(in):
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. und KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Kris Kristofferson4.52:21
40I Love You Because
Techniker(in):
Bill Porter (engineer)
Produzent(in):
Chet Atkins und Anita Kerr
arranger:
Anita Kerr
recording of:
I Love You Because (am 1962-10-12)
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
Jim Reeves32:46

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:NOW That's What I Call Music LLP (British holding company) (in 2021)
Streaming-Seite:https://music.apple.com/gb/album/1552462372 [Info]

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 99)