Tracklist

1CD
#TitleRatingLength
1Gee Baby, Ain’t I Good to You
alto saxophone:
Marshall Royal (on 1957-09-19)
alto saxophone and flute:
Frank Wess (on 1957-09-19)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-09-19)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-09-19)
drums (drum set):
Sonny Payne (on 1957-09-19)
guitar:
Freddie Green (on 1957-09-19)
piano:
Count Basie (pianist) (on 1957-09-19)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-09-19) and Frank Foster (saxophonist) (on 1957-09-19)
trombone:
Henry Coker (jazz trombonist) (on 1957-09-19), Bill Hughes (jazz trombonist) (on 1957-09-19) and Benny Powell (jazz trombonist) (on 1957-09-19)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-09-19), Thad Jones (American jazz trumpeter) (on 1957-09-19), Joe Newman (US jazz trumpeter) (on 1957-09-19) and Snooky Young (on 1957-09-19)
vocals:
Joe Williams (US jazz vocalist) (on 1957-09-19)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-09-19)
recording of:
Gee, Baby Ain’t I Good to You (on 1957-09-19)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
2:32
2Love Me Baby
alto saxophone:
Marshall Royal (on 1957-09-19)
alto saxophone and flute:
Frank Wess (on 1957-09-19)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-09-19)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-09-19)
drums (drum set):
Sonny Payne (on 1957-09-19)
guitar:
Freddie Green (on 1957-09-19)
piano:
Count Basie (pianist) (on 1957-09-19)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-09-19) and Frank Foster (saxophonist) (on 1957-09-19)
trombone:
Henry Coker (jazz trombonist) (on 1957-09-19), Bill Hughes (jazz trombonist) (on 1957-09-19) and Benny Powell (jazz trombonist) (on 1957-09-19)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-09-19), Thad Jones (American jazz trumpeter) (on 1957-09-19), Joe Newman (US jazz trumpeter) (on 1957-09-19) and Snooky Young (on 1957-09-19)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-09-19)
recording of:
Love Me Baby (on 1957-09-19)
composer:
Jimmy Mundy and William J. Tennyson, Jr.
arranger:
Jimmy Mundy
3:59
3Confessin’ the Blues
alto saxophone:
Marshall Royal (on 1957-09-19)
alto saxophone and flute:
Frank Wess (on 1957-09-19)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-09-19)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-09-19)
drums (drum set):
Sonny Payne (on 1957-09-19)
guitar:
Freddie Green (on 1957-09-19)
piano:
Count Basie (pianist) (on 1957-09-19)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-09-19) and Frank Foster (saxophonist) (on 1957-09-19)
trombone:
Henry Coker (jazz trombonist) (on 1957-09-19), Bill Hughes (jazz trombonist) (on 1957-09-19) and Benny Powell (jazz trombonist) (on 1957-09-19)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-09-19), Thad Jones (American jazz trumpeter) (on 1957-09-19), Joe Newman (US jazz trumpeter) (on 1957-09-19) and Snooky Young (on 1957-09-19)
vocals:
Joe Williams (US jazz vocalist) (on 1957-09-19)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-09-19)
recording of:
Confessin’ the Blues (on 1957-09-19)
writer:
Walter Brown (US jazz/blues singer) and Jay McShann
publisher:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
2:49
4J and B
alto saxophone:
Marshall Royal (on 1957-09-19)
alto saxophone and flute:
Frank Wess (on 1957-09-19)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-09-19)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-09-19)
drums (drum set):
Sonny Payne (on 1957-09-19)
guitar:
Freddie Green (on 1957-09-19)
piano:
Count Basie (pianist) (on 1957-09-19)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-09-19) and Frank Foster (saxophonist) (on 1957-09-19)
trombone:
Henry Coker (jazz trombonist) (on 1957-09-19), Bill Hughes (jazz trombonist) (on 1957-09-19) and Benny Powell (jazz trombonist) (on 1957-09-19)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-09-19), Thad Jones (American jazz trumpeter) (on 1957-09-19), Joe Newman (US jazz trumpeter) (on 1957-09-19) and Snooky Young (on 1957-09-19)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-09-19)
recording of:
J and B (on 1957-09-19)
composer and arranger:
Jimmy Mundy
2:47
5Flight of the Foo Birds
recorded in:
New York, New York, United States (on 1957-10-21)
recording engineer:
Bob Arnold (engineer) (on 1957-10-21)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (jazz trombonist) (on 1957-10-21)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-21), Thad Jones (American jazz trumpeter) (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Flight of the Foo Birds (on 1957-10-21)
composer and arranger:
Neal Hefti
3:24
6Double-O
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (, on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (jazz trombonist) (on 1957-10-21)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-21), Thad Jones (American jazz trumpeter) (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Double-O (on 1957-10-21)
composer and arranger:
Neal Hefti
2:46
7L’il Darlin’
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (, on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (jazz trombonist) (on 1957-10-21)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-21), Thad Jones (American jazz trumpeter) (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
woodwind:
Frank Wess
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Lil’ Darlin’ (on 1957-10-21)
composer and arranger:
Neal Hefti
54:51
8Whirly-Birds
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (, on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (jazz trombonist) (on 1957-10-21)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-21), Thad Jones (American jazz trumpeter) (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Whirly-bird (on 1957-10-21)
composer and arranger:
Neal Hefti
3:51
9Duet
recorded in:
New York, New York, United States (on 1957-10-21)
recording engineer:
Bob Arnold (engineer) (on 1957-10-21)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (jazz trombonist) (on 1957-10-21)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-21), Thad Jones (American jazz trumpeter) (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Duet (on 1957-10-21)
composer and arranger:
Neal Hefti
4:12
10The Kid From Red Bank
recorded in:
New York, New York, United States (on 1957-10-21)
recording engineer:
Bob Arnold (engineer) (on 1957-10-21)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Charles Fowlke (baritone saxophonist) (on 1957-10-21), Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21), Frank Foster (saxophonist) (on 1957-10-21), Marshall Royal (on 1957-10-21) and Frank Wess (on 1957-10-21)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (jazz trombonist) (on 1957-10-21)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-21), Thad Jones (American jazz trumpeter) (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
The Kid From Red Bank (on 1957-10-21)
composer and arranger:
Neal Hefti
2:41
11Midnight Blue
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (jazz trombonist) (on 1957-10-21)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-21), Thad Jones (American jazz trumpeter) (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Midnight Blue (on 1957-10-21)
composer and arranger:
Neal Hefti
4:28
12Teddy the Toad
recorded in:
New York, New York, United States (on 1957-10-21)
recording engineer:
Bob Arnold (engineer) (on 1957-10-21)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Charles Fowlke (baritone saxophonist) (on 1957-10-21), Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21), Frank Foster (saxophonist) (on 1957-10-21), Marshall Royal (on 1957-10-21) and Frank Wess (on 1957-10-21)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (jazz trombonist) (on 1957-10-21)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-21), Thad Jones (American jazz trumpeter) (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Teddy the Toad (on 1957-10-21)
composer and arranger:
Neal Hefti
3:19
13The Late Late Show (vocal version)
recording engineer:
Bob Arnold (engineer) (on 1957-10-22)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22)
reeds:
Charles Fowlke (baritone saxophonist) (on 1957-10-22), Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22), Frank Foster (saxophonist) (on 1957-10-22), Marshall Royal (on 1957-10-22) and Frank Wess (on 1957-10-22)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (jazz trombonist) (on 1957-10-22)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-22), Thad Jones (American jazz trumpeter) (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
vocals:
Joe Williams (US jazz vocalist) (on 1957-10-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
recording of:
The Late Late Show (on 1957-10-22)
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
3:04
14Silks and Satins
recording engineer:
Bob Arnold (engineer) (on 1957-10-22)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22)
reeds:
Charles Fowlke (baritone saxophonist) (on 1957-10-22), Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22), Frank Foster (saxophonist) (on 1957-10-22), Marshall Royal (on 1957-10-22) and Frank Wess (on 1957-10-22)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (jazz trombonist) (on 1957-10-22)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-22), Thad Jones (American jazz trumpeter) (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
arranger:
Jimmy Mundy
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
recording of:
Silks and Satins (on 1957-10-22)
composer and arranger:
Jimmy Mundy
4:05
15Sleepwalker’s Serenade (alternate take)
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (jazz trombonist) (on 1957-10-22)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-22), Thad Jones (American jazz trumpeter) (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
recording of:
Sleepwalker’s Serenade (on 1957-10-22)
composer:
Neal Hefti and Jimmy Mundy
arranger:
Jimmy Mundy
3:37
16Sleepwalker’s Serenade
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (jazz trombonist) (on 1957-10-22)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-22), Thad Jones (American jazz trumpeter) (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
recording of:
Sleepwalker’s Serenade (on 1957-10-22)
composer:
Neal Hefti and Jimmy Mundy
arranger:
Jimmy Mundy
3:39
17The Late Late Show
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (jazz trombonist) (on 1957-10-22)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-22), Thad Jones (American jazz trumpeter) (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
instrumental recording of:
The Late Late Show (on 1957-10-22)
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
2:52
18Splanky
recorded in:
New York, New York, United States (on 1957-10-22)
recording engineer:
Bob Arnold (engineer) (on 1957-10-22)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (jazz trombonist) (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (jazz trombonist) (on 1957-10-22)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-10-22), Thad Jones (American jazz trumpeter) (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
recording of:
Splanky (on 1957-10-22)
composer and arranger:
Neal Hefti
publisher:
Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
3:37
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