The Complete Roulette Studio Recordings of Count Basie and His Orchestra

~ Veröffentlichung von Count Basie & His Orchestra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelBewertungLänge
1Gee Baby, Ain’t I Good to You
alto saxophone:
Marshall Royal (am 1957-09-19)
alto saxophone und flute:
Frank Wess (am 1957-09-19)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-09-19)
Gitarre:
Freddie Green (am 1957-09-19)
Klavier:
Count Basie (pianist) (am 1957-09-19)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-09-19)
Posaune:
Henry Coker (jazz trombonist) (am 1957-09-19), Bill Hughes (jazz trombonist) (am 1957-09-19) und Benny Powell (jazz trombonist) (am 1957-09-19)
Schlagzeug:
Sonny Payne (am 1957-09-19)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-09-19) und Frank Foster (saxophonist) (am 1957-09-19)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-09-19), Thad Jones (American jazz trumpeter) (am 1957-09-19), Joe Newman (US jazz trumpeter) (am 1957-09-19) und Snooky Young (am 1957-09-19)
vocals:
Joe Williams (US jazz vocalist) (am 1957-09-19)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-09-19)
recording of:
Gee, Baby Ain’t I Good to You (am 1957-09-19)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:32
2Love Me Baby
alto saxophone:
Marshall Royal (am 1957-09-19)
alto saxophone und flute:
Frank Wess (am 1957-09-19)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-09-19)
Gitarre:
Freddie Green (am 1957-09-19)
Klavier:
Count Basie (pianist) (am 1957-09-19)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-09-19)
Posaune:
Henry Coker (jazz trombonist) (am 1957-09-19), Bill Hughes (jazz trombonist) (am 1957-09-19) und Benny Powell (jazz trombonist) (am 1957-09-19)
Schlagzeug:
Sonny Payne (am 1957-09-19)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-09-19) und Frank Foster (saxophonist) (am 1957-09-19)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-09-19), Thad Jones (American jazz trumpeter) (am 1957-09-19), Joe Newman (US jazz trumpeter) (am 1957-09-19) und Snooky Young (am 1957-09-19)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-09-19)
recording of:
Love Me Baby (am 1957-09-19)
Komponist(in):
Jimmy Mundy und William J. Tennyson, Jr.
arranger:
Jimmy Mundy
3:59
3Confessin’ the Blues
alto saxophone:
Marshall Royal (am 1957-09-19)
alto saxophone und flute:
Frank Wess (am 1957-09-19)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-09-19)
Gitarre:
Freddie Green (am 1957-09-19)
Klavier:
Count Basie (pianist) (am 1957-09-19)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-09-19)
Posaune:
Henry Coker (jazz trombonist) (am 1957-09-19), Bill Hughes (jazz trombonist) (am 1957-09-19) und Benny Powell (jazz trombonist) (am 1957-09-19)
Schlagzeug:
Sonny Payne (am 1957-09-19)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-09-19) und Frank Foster (saxophonist) (am 1957-09-19)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-09-19), Thad Jones (American jazz trumpeter) (am 1957-09-19), Joe Newman (US jazz trumpeter) (am 1957-09-19) und Snooky Young (am 1957-09-19)
vocals:
Joe Williams (US jazz vocalist) (am 1957-09-19)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-09-19)
recording of:
Confessin’ the Blues (am 1957-09-19)
Verfasser(in):
Walter Brown (US jazz/blues singer) und Jay McShann
publisher:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
2:49
4J and B
alto saxophone:
Marshall Royal (am 1957-09-19)
alto saxophone und flute:
Frank Wess (am 1957-09-19)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-09-19)
Gitarre:
Freddie Green (am 1957-09-19)
Klavier:
Count Basie (pianist) (am 1957-09-19)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-09-19)
Posaune:
Henry Coker (jazz trombonist) (am 1957-09-19), Bill Hughes (jazz trombonist) (am 1957-09-19) und Benny Powell (jazz trombonist) (am 1957-09-19)
Schlagzeug:
Sonny Payne (am 1957-09-19)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-09-19) und Frank Foster (saxophonist) (am 1957-09-19)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-09-19), Thad Jones (American jazz trumpeter) (am 1957-09-19), Joe Newman (US jazz trumpeter) (am 1957-09-19) und Snooky Young (am 1957-09-19)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-09-19)
recording of:
J and B (am 1957-09-19)
Komponist(in) und arranger:
Jimmy Mundy
2:47
5Flight of the Foo Birds
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
recording engineer:
Bob Arnold (engineer) (am 1957-10-21)
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Schlagzeug:
Sonny Payne (am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Flight of the Foo Birds (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
3:24
6Double-O
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Rohrblattinstrumente:
Marshall Royal
Schlagzeug:
Sonny Payne (, am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Double-O (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
2:46
7L’il Darlin’
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Holzblasinstrumente:
Frank Wess
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Rohrblattinstrumente:
Marshall Royal
Schlagzeug:
Sonny Payne (, am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Lil’ Darlin’ (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
54:51
8Whirly-Birds
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Rohrblattinstrumente:
Marshall Royal
Schlagzeug:
Sonny Payne (, am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Whirly-bird (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
3:51
9Duet
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
recording engineer:
Bob Arnold (engineer) (am 1957-10-21)
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Schlagzeug:
Sonny Payne (am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Duet (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
4:12
10The Kid From Red Bank
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
recording engineer:
Bob Arnold (engineer) (am 1957-10-21)
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Rohrblattinstrumente:
Charles Fowlke (baritone saxophonist) (am 1957-10-21), Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21), Frank Foster (saxophonist) (am 1957-10-21), Marshall Royal (am 1957-10-21) und Frank Wess (am 1957-10-21)
Schlagzeug:
Sonny Payne (am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
The Kid From Red Bank (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
2:41
11Midnight Blue
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Rohrblattinstrumente:
Marshall Royal
Schlagzeug:
Sonny Payne (am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Midnight Blue (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
4:28
12Teddy the Toad
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-21)
recording engineer:
Bob Arnold (engineer) (am 1957-10-21)
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (am 1957-10-21)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-21)
Gitarre:
Freddie Green (am 1957-10-21)
Klavier:
Count Basie (pianist) (am 1957-10-21)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-21)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-21), Al Grey (trombone) (am 1957-10-21) und Benny Powell (jazz trombonist) (am 1957-10-21)
Rohrblattinstrumente:
Charles Fowlke (baritone saxophonist) (am 1957-10-21), Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21), Frank Foster (saxophonist) (am 1957-10-21), Marshall Royal (am 1957-10-21) und Frank Wess (am 1957-10-21)
Schlagzeug:
Sonny Payne (am 1957-10-21)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-21) und Frank Foster (saxophonist) (am 1957-10-21)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-21), Thad Jones (American jazz trumpeter) (am 1957-10-21), Joe Newman (US jazz trumpeter) (am 1957-10-21) und Snooky Young (am 1957-10-21)
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-21)
recording of:
Teddy the Toad (am 1957-10-21)
Komponist(in) und arranger:
Neal Hefti
3:19
13The Late Late Show (vocal version)
recording engineer:
Bob Arnold (engineer) (am 1957-10-22)
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (am 1957-10-22)
alto saxophone und flute:
Frank Wess (am 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-22)
Gitarre:
Freddie Green (am 1957-10-22)
Klavier:
Count Basie (pianist) (am 1957-10-22)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-22)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-22), Al Grey (trombone) (am 1957-10-22) und Benny Powell (jazz trombonist) (am 1957-10-22)
Rohrblattinstrumente:
Charles Fowlke (baritone saxophonist) (am 1957-10-22), Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-22), Frank Foster (saxophonist) (am 1957-10-22), Marshall Royal (am 1957-10-22) und Frank Wess (am 1957-10-22)
Schlagzeug:
Sonny Payne (am 1957-10-22)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-22) und Frank Foster (saxophonist) (am 1957-10-22)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-22), Thad Jones (American jazz trumpeter) (am 1957-10-22), Joe Newman (US jazz trumpeter) (am 1957-10-22) und Snooky Young (am 1957-10-22)
vocals:
Joe Williams (US jazz vocalist) (am 1957-10-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-22)
recording of:
The Late Late Show (am 1957-10-22)
Texter:
Murray Berlin
Komponist(in):
Roy Alfred (Tin Pan Alley lyricist and composer)
3:04
14Silks and Satins
recording engineer:
Bob Arnold (engineer) (am 1957-10-22)
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (am 1957-10-22)
alto saxophone und flute:
Frank Wess (am 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-22)
Gitarre:
Freddie Green (am 1957-10-22)
Klavier:
Count Basie (pianist) (am 1957-10-22)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-22)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-22), Al Grey (trombone) (am 1957-10-22) und Benny Powell (jazz trombonist) (am 1957-10-22)
Rohrblattinstrumente:
Charles Fowlke (baritone saxophonist) (am 1957-10-22), Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-22), Frank Foster (saxophonist) (am 1957-10-22), Marshall Royal (am 1957-10-22) und Frank Wess (am 1957-10-22)
Schlagzeug:
Sonny Payne (am 1957-10-22)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-22) und Frank Foster (saxophonist) (am 1957-10-22)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-22), Thad Jones (American jazz trumpeter) (am 1957-10-22), Joe Newman (US jazz trumpeter) (am 1957-10-22) und Snooky Young (am 1957-10-22)
arranger:
Jimmy Mundy
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-22)
recording of:
Silks and Satins (am 1957-10-22)
Komponist(in) und arranger:
Jimmy Mundy
4:05
15Sleepwalker’s Serenade (alternate take)
alto saxophone:
Marshall Royal (am 1957-10-22)
alto saxophone und flute:
Frank Wess (am 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-22)
Gitarre:
Freddie Green (am 1957-10-22)
Klavier:
Count Basie (pianist) (am 1957-10-22)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-22)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-22), Al Grey (trombone) (am 1957-10-22) und Benny Powell (jazz trombonist) (am 1957-10-22)
Schlagzeug:
Sonny Payne (am 1957-10-22)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-22) und Frank Foster (saxophonist) (am 1957-10-22)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-22), Thad Jones (American jazz trumpeter) (am 1957-10-22), Joe Newman (US jazz trumpeter) (am 1957-10-22) und Snooky Young (am 1957-10-22)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-22)
recording of:
Sleepwalker’s Serenade (am 1957-10-22)
Komponist(in):
Neal Hefti und Jimmy Mundy
arranger:
Jimmy Mundy
3:37
16Sleepwalker’s Serenade
alto saxophone:
Marshall Royal (am 1957-10-22)
alto saxophone und flute:
Frank Wess (am 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-22)
Gitarre:
Freddie Green (am 1957-10-22)
Klavier:
Count Basie (pianist) (am 1957-10-22)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-22)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-22), Al Grey (trombone) (am 1957-10-22) und Benny Powell (jazz trombonist) (am 1957-10-22)
Schlagzeug:
Sonny Payne (am 1957-10-22)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-22) und Frank Foster (saxophonist) (am 1957-10-22)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-22), Thad Jones (American jazz trumpeter) (am 1957-10-22), Joe Newman (US jazz trumpeter) (am 1957-10-22) und Snooky Young (am 1957-10-22)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-22)
recording of:
Sleepwalker’s Serenade (am 1957-10-22)
Komponist(in):
Neal Hefti und Jimmy Mundy
arranger:
Jimmy Mundy
3:39
17The Late Late Show
alto saxophone:
Marshall Royal (am 1957-10-22)
alto saxophone und flute:
Frank Wess (am 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-22)
Gitarre:
Freddie Green (am 1957-10-22)
Klavier:
Count Basie (pianist) (am 1957-10-22)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-22)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-22), Al Grey (trombone) (am 1957-10-22) und Benny Powell (jazz trombonist) (am 1957-10-22)
Schlagzeug:
Sonny Payne (am 1957-10-22)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-22) und Frank Foster (saxophonist) (am 1957-10-22)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-22), Thad Jones (American jazz trumpeter) (am 1957-10-22), Joe Newman (US jazz trumpeter) (am 1957-10-22) und Snooky Young (am 1957-10-22)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-22)
instrumental recording of:
The Late Late Show (am 1957-10-22)
Texter:
Murray Berlin
Komponist(in):
Roy Alfred (Tin Pan Alley lyricist and composer)
2:52
18Splanky
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-22)
recording engineer:
Bob Arnold (engineer) (am 1957-10-22)
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (am 1957-10-22)
alto saxophone und flute und Holzblasinstrumente:
Frank Wess (am 1957-10-22)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1957-10-22)
Gitarre:
Freddie Green (am 1957-10-22)
Klavier:
Count Basie (pianist) (am 1957-10-22)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-10-22)
Posaune:
Henry Coker (jazz trombonist) (am 1957-10-22), Al Grey (trombone) (am 1957-10-22) und Benny Powell (jazz trombonist) (am 1957-10-22)
Schlagzeug:
Sonny Payne (am 1957-10-22)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1957-10-22) und Frank Foster (saxophonist) (am 1957-10-22)
Trompete:
Wendell Culley (jazz trumpeter) (am 1957-10-22), Thad Jones (American jazz trumpeter) (am 1957-10-22), Joe Newman (US jazz trumpeter) (am 1957-10-22) und Snooky Young (am 1957-10-22)
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-10-22)
recording of:
Splanky (am 1957-10-22)
Komponist(in) und arranger:
Neal Hefti
publisher:
Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
3:37
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Discogs:https://www.discogs.com/master/852591 [Info]