| # | Title | Artist | Rating | Length |
|---|
| 1 | A Midsummer Night's Dream, op. 64, Act 1: "Over hill, over dale"- recording engineer:
- James Brown (in 1966), James Lock (in 1966) and Gordon Parry (in 1966)
- assistant producer:
- John Mordler
- producer:
- John Culshaw
- choir vocals:
- Choir of Downside School, Purley (in 1966) and Emanuel School Wandsworth, Boys’ Choir (in 1966)
- spoken vocals [Puck]:
- Stephen Terry (in 1966)
- treble vocals [Fairy]:
- Gordon Clark (in 1966), Richard Dakin (in 1966), John Pryor (in 1966) and Ian Wodehouse (in 1966)
- orchestra:
- London Symphony Orchestra (in 1966)
- conductor:
- Benjamin Britten (in 1966)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1967)
- recorded at:
- Walthamstow Assembly Hall in London , England, United Kingdom (in 1966)
- recording of:
- A Midsummer Night's Dream, op. 64: Act I. "Over hill, over dale" (Fairies, Puck) (in 1966)
- composer:
- Benjamin Britten (in 1960)
- part of:
- A Midsummer Night's Dream, op. 64: Act I
| Benjamin Britten | | 4:04 |
| 2 | A Midsummer Night's Dream, op. 64, Act 1: "Oberon is passing fell and wrath" | Benjamin Britten | | 3:06 |
| 3 | A Midsummer Night's Dream, op. 64, Act 1: "Well, go thy way" | Benjamin Britten | | 3:25 |
| 4 | A Midsummer Night's Dream, op. 64, Act 1: "How now my love?" | Benjamin Britten | | 4:33 |
| 5 | A Midsummer Night's Dream, op. 64, Act 1: "Be it on lion, bear, or wolf, or bull"- recording engineer:
- James Brown (in 1966), James Lock (in 1966) and Gordon Parry (in 1966)
- assistant producer:
- John Mordler
- producer:
- John Culshaw
- baritone vocals [Demetrius]:
- Thomas Hemsley (in 1966)
- countertenor vocals [Oberon]:
- Alfred Deller (in 1966)
- soprano vocals [Helena]:
- Heather Harper (in 1966)
- orchestra:
- London Symphony Orchestra (in 1966)
- conductor:
- Benjamin Britten (in 1966)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1967)
- recorded at:
- Walthamstow Assembly Hall in London , England, United Kingdom (in 1966)
- recording of:
- A Midsummer Night's Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena) (in 1966)
- composer:
- Benjamin Britten (in 1960)
- part of:
- A Midsummer Night's Dream, op. 64: Act I
| Benjamin Britten | | 3:40 |
| 6 | A Midsummer Night's Dream, op. 64, Act 1: "Welcome wanderer!" | Benjamin Britten | | 4:30 |
| 7 | A Midsummer Night's Dream, op. 64, Act 1: "Is all our company her?" | Benjamin Britten | | 7:37 |
| 8 | A Midsummer Night's Dream, op. 64, Act 1: "Fair love, you faint with wand'ring in the wood" | Benjamin Britten | | 2:41 |
| 9 | A Midsummer Night's Dream, op. 64, Act 1: "Through the forest have I gone" | Benjamin Britten | | 1:45 |
| 10 | A Midsummer Night's Dream, op. 64, Act 1: "Stay, though thou kill me, sweet Demetrius"- recording engineer:
- James Brown (in 1966), James Lock (in 1966) and Gordon Parry (in 1966)
- assistant producer:
- John Mordler
- producer:
- John Culshaw
- baritone vocals [Demetrius]:
- Thomas Hemsley (in 1966)
- mezzo-soprano vocals [Hermia]:
- Josephine Veasey (in 1966)
- soprano vocals [Helena]:
- Heather Harper (in 1966)
- tenor vocals [Lysander]:
- Peter Pears (in 1966)
- orchestra:
- London Symphony Orchestra (in 1966)
- conductor:
- Benjamin Britten (in 1966)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1967)
- recorded at:
- Walthamstow Assembly Hall in London , England, United Kingdom (in 1966)
- recording of:
- A Midsummer Night's Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia) (in 1966)
- composer:
- Benjamin Britten (in 1960)
- part of:
- A Midsummer Night's Dream, op. 64: Act I
| Benjamin Britten | | 5:15 |
| 11 | A Midsummer Night's Dream, op. 64, Act 1: "Come, now a roundel and a fairy song" | Benjamin Britten | | 1:59 |
| 12 | A Midsummer Night's Dream, op. 64, Act 1: "You spotted snakes with double tongue" | Benjamin Britten | | 2:14 |
| 13 | A Midsummer Night's Dream, op. 64, Act 1: "What thou seest when thou dost wake" | Benjamin Britten | | 1:47 |
| 14 | A Midsummer Night's Dream, op. 64, Act 2: Introduction: The wood | Benjamin Britten | | 3:20 |
| 15 | A Midsummer Night's Dream, op. 64, Act 2: "Are we all met?" | Benjamin Britten | | 7:36 |
| 16 | A Midsummer Night's Dream, op. 64, Act 2: "I see their knavery" | Benjamin Britten | | 3:05 |
| 17 | A Midsummer Night's Dream, op. 64, Act 2: "Be kind and courteous to this gentleman" | Benjamin Britten | | 1:17 |
| 18 | A Midsummer Night's Dream, op. 64, Act 2: "Hail, mortal, hail!"- recording engineer:
- James Brown (in 1966), James Lock (in 1966) and Gordon Parry (in 1966)
- assistant producer:
- John Mordler
- producer:
- John Culshaw
- bass-baritone vocals [Bottom]:
- Owen Brannigan (in 1966)
- soprano vocals [Tytania]:
- Elizabeth Harwood (in 1966)
- treble vocals [Fairy]:
- Gordon Clark (in 1966), Richard Dakin (in 1966), John Pryor (in 1966) and Ian Wodehouse (in 1966)
- orchestra:
- London Symphony Orchestra (in 1966)
- conductor:
- Benjamin Britten (in 1966)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1967)
- recorded at:
- Walthamstow Assembly Hall in London , England, United Kingdom (in 1966)
- recording of:
- A Midsummer Night's Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania) (in 1966)
- composer:
- Benjamin Britten (in 1960)
- part of:
- A Midsummer Night's Dream, op. 64: Act II
| Benjamin Britten | | 5:14 |
| 19 | A Midsummer Night's Dream, op. 64, Act 2: "I have a reas'nable good ear in music" | Benjamin Britten | | 3:39 |
| 20 | A Midsummer Night's Dream, op. 64, Act 2: "How now, mad spirit?" | Benjamin Britten | | 3:06 |
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