One Hell of a Ride

~ Release by Willie Nelson (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Good Hearted Woman
producer:
Waylon Jennings (US country musician) and Ray Pennington
bass:
Duke Goff (in 1972)
drums (drum set):
Richie Albright (in 1972)
guitar:
Waylon Jennings (US country musician) (in 1972), Billy Ray Reynolds (in 1972) and Larry Whitmore (in 1972)
harmonica:
Roger Crabtree (in 1972)
steel guitar:
Ralph Mooney (in 1972)
vocals:
Waylon Jennings (US country musician) (in 1972) and Willie Nelson (in 1972)
phonographic copyright (℗) by:
BMG Entertainment (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recording of:
Good Hearted Woman (in 1972)
writer:
Waylon Jennings (US country musician) and Willie Nelson
publisher:
Baron Music Publishing Co. and Willie Nelson Music
cover recording of:
Good Hearted Woman
writer:
Waylon Jennings (US country musician) and Willie Nelson
publisher:
Baron Music Publishing Co. and Willie Nelson Music
Waylon & Willie3.352:58
2You Left a Long, Long Time Ago
producer:
Felton Jarvis
bass:
Henry Strzelecki (on 1971-10-28)
drums (drum set):
Jerry Carrigan (US drummer) (on 1971-10-28)
guitar:
David Kirby (US country singer/songwriter) (on 1971-10-28) and Chip Young (American session guitarist, bassist, producer in the genre of country) (on 1971-10-28)
piano:
Hargus “Pig” Robbins (on 1971-10-28)
steel guitar:
Weldon Myrick (on 1971-10-28)
vocals:
Willie Nelson (on 1971-10-28)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1971-10-28)
recording of:
You Left Me a Long, Long Time Ago (on 1971-10-28)
lyricist and composer:
Willie Nelson
Willie Nelson42:42
3She’s Not for You
producer:
Chet Atkins (on 1965-01-12)
bass:
Henry Strzelecki (on 1965-01-12)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1965-01-12)
electric guitar:
Jerry Kennedy (on 1965-01-12)
guitar:
Willie Nelson (on 1965-01-12) and Velma Smith (Nashville A-Team) (on 1965-01-12)
piano:
Hargus “Pig” Robbins (on 1965-01-12)
steel guitar:
Pete Drake (steel guitar player) (on 1965-01-12)
viola:
Martin Katahn (on 1965-01-12)
violin:
Brenton Banks (on 1965-01-12), Solie Fott (on 1965-01-12), George Binkley, III (violinist, session musician) (on 1965-01-12) and Lillian Vann Hunt (on 1965-01-12)
background vocals:
Dorothy Dillard (on 1965-01-12), Anita Kerr (on 1965-01-12), Louis Nunley (on 1965-01-12) and William Wright, Jr. (in the Anita Kerr Singers) (on 1965-01-12)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1965-01-12)
recording of:
She’s Not for You (on 1965-01-12)
lyricist and composer:
Willie Nelson
publisher:
Sony/ATV Tree Publishing
Willie Nelson2:31
4You Ought to Hear Me Cry
producer:
Chet Atkins and Felton Jarvis (on 1967-02-22)
bass:
Henry Strzelecki (on 1967-02-22)
drums (drum set):
William Paul Ackerman (US studio drummer) (on 1967-02-22)
guitar:
Grady Martin (country/rockabilly guitarist) (on 1967-02-22)
guitar [rhythm guitar]:
Velma Smith (Nashville A-Team) (on 1967-02-22)
piano:
Jerry Smith (Nashville keyboardist, songwriter, publisher & producer) (on 1967-02-22)
steel guitar:
Jimmy Day (on 1967-02-22)
background vocals:
Dorothy Dillard (on 1967-02-22), Priscilla Hubbard (on 1967-02-22), Louis Nunley (on 1967-02-22) and William Wright, Jr. (in the Anita Kerr Singers) (on 1967-02-22)
vocals:
Willie Nelson (on 1967-02-22)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1967-02-22)
recording of:
You Ought to Hear Me Cry (on 1967-02-22)
lyricist and composer:
Willie Nelson
publisher:
Sony/ATV Tree Publishing
Willie Nelson2:42
5It Should Be Easier Now
bass:
Henry Strzelecki (on 1965-04-08)
drums (drum set):
Jerry Carrigan (US drummer) (on 1965-04-08)
electric guitar:
Jerry Kennedy (on 1965-04-08)
guitar:
Willie Nelson (on 1965-04-08) and Velma Smith (Nashville A-Team) (on 1965-04-08)
steel guitar:
Pete Drake (steel guitar player) (on 1965-04-08)
vocals:
Willie Nelson (on 1965-04-08)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1965-04-08)
recording of:
It Should Be Easier Now (on 1965-04-08)
lyricist and composer:
Willie Nelson
Willie Nelson2:46
6Mammas Don’t Let Your Babies Grow Up to Be Cowboys
recording engineer:
Dan Wallin
assistant engineer:
Ollie Cotton
producer:
Dave Grusin (American pianist and score composer), Willie Nelson, Sydney Pollack and Larry Rosen
vocals:
Willie Nelson (in 1979-11)
remixer:
Larry Rosen
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
cover recording of:
Mammas Don’t Let Your Babies Grow Up to Be Cowboys (in 1979-11)
writer:
Ed Bruce (American country music songwriter, singer and actor) and Patsy Bruce
publisher:
Tree Publishing Inc.
version of:
Mama Don't Let Your Cowboys Grow Up to Be Babies
Waylon & Willie23:29
7If You Can Touch Her at All
producer:
Waylon Jennings (US country musician) and Willie Nelson
bass:
Duke Goff (from 1973-10-29 until 1973-10-30)
drums (drum set):
Richie Albright (from 1973-10-29 until 1973-10-30)
guitar:
Waylon Jennings (US country musician) (from 1973-10-29 until 1973-10-30)
organ and piano:
Dee Moeller (from 1973-10-29 until 1973-10-30)
trumpet:
Kyle Lehning (from 1973-10-29 until 1973-10-30)
vocals:
Waylon Jennings (US country musician) (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1973-10-29 until 1973-10-30, in 1977-11)
recording of:
If You Could Touch Her at All (from 1973-10-29 until 1977-11)
lyricist:
Lee Clayton
composer:
L. Clayton
publisher:
Resaca Music Publishing Co.
Waylon & Willie33:03
8I Can Get Off on You
producer:
Waylon Jennings (US country musician) (in 1977-11) and Willie Nelson (in 1977-11)
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (US country musician) (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11) and Reggie Young (guitarist and songwriter) (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals [vocal harmony]:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (country vocals) (in 1977-11)
vocals:
Waylon Jennings (US country musician) (in 1977-11) and Willie Nelson (in 1977-11)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recording of:
I Can Get Off on You (in 1977-11)
writer:
Waylon Jennings (US country musician) and Willie Nelson
publisher:
EMI Full Nelson Music, Nelson-Willie-Music Inc., Waylon Jennings Music and Willie Nelson Music
Waylon & Willie32:25
9Blackjack County Chain
producer:
Chet Atkins and Felton Jarvis
bass:
Henry Strzelecki (on 1967-02-22)
drums (drum set):
William Paul Ackerman (US studio drummer) (on 1967-02-22)
guitar:
Grady Martin (country/rockabilly guitarist) (on 1967-02-22)
guitar [rhythm guita]:
Velma Smith (Nashville A-Team) (on 1967-02-22)
piano:
Jerry Smith (Nashville keyboardist, songwriter, publisher & producer) (on 1967-02-22)
steel guitar:
Jimmy Day (on 1967-02-22)
background vocals:
Dorothy Dillard (on 1967-02-22), Priscilla Hubbard (on 1967-02-22), Louis Nunley (on 1967-02-22) and William Wright, Jr. (in the Anita Kerr Singers) (on 1967-02-22)
vocals:
Willie Nelson (on 1967-02-22)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1967-02-22)
recording of:
Blackjack County Chain (on 1967-02-22)
lyricist and composer:
Red Lane
publisher:
Sony/ATV Tree Publishing
Willie Nelson2:04
10Johnny One Time
producer:
Felton Jarvis
bass:
Roy "Junior" Huskey, Jr. (son of Roy Junior Huskey) (from 1968-07-08 until 1968-07-18)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (from 1968-07-08 until 1968-07-18)
guitar:
Chet Atkins (from 1968-07-08 until 1968-07-18) and Grady Martin (country/rockabilly guitarist) (from 1968-07-08 until 1968-07-18)
guitar [rhythm guitar]:
Ray Edenton (from 1968-07-08 until 1968-07-18)
instruments:
Harold Cruthirds (from 1968-07-08 until 1968-07-18)
piano:
Bill Pursell (from 1968-07-08 until 1968-07-18)
viola:
Howard Carpenter (US violinist, violist, composer, copyist, author & music professor) (from 1968-07-08 until 1968-07-18) and Martin Katahn (from 1968-07-08 until 1968-07-18)
violin:
Brenton Banks (from 1968-07-08 until 1968-07-18), Solie Fott (from 1968-07-08 until 1968-07-18), Lillian Vann Hunt (from 1968-07-08 until 1968-07-18) and Shelly Kurland (from 1968-07-08 until 1968-07-18)
vocals:
Willie Nelson (from 1968-07-08 until 1968-07-18)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (from 1968-07-08 until 1968-07-18)
cover recording of:
Johnny One Time (from 1968-07-08 until 1968-07-18)
writer:
Dallas Frazier (American songwriter and musician) and Arthur Leo “Doodle” Owens (American country music singer-songwriter)
publisher:
Sony/ATV Rose Music and Unichappell Music, Inc.
Willie Nelson2:45
11Bring Me Sunshine
bass:
Roy "Junior" Huskey, Jr. (son of Roy Junior Huskey) (from 1968-07-08 until 1968-07-18)
cello:
Harold Cruthirds (from 1968-07-08 until 1968-07-18)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (from 1968-07-08 until 1968-07-18)
guitar:
Chet Atkins (from 1968-07-08 until 1968-07-18) and Grady Martin (country/rockabilly guitarist) (from 1968-07-08 until 1968-07-18)
guitar [rhythm guitar]:
Ray Edenton (from 1968-07-08 until 1968-07-18)
instruments:
Bill Pursell (from 1968-07-08 until 1968-07-18)
viola:
Howard Carpenter (US violinist, violist, composer, copyist, author & music professor) (from 1968-07-08 until 1968-07-18) and Martin Katahn (from 1968-07-08 until 1968-07-18)
violin:
Brenton Banks (from 1968-07-08 until 1968-07-18), Solie Fott (from 1968-07-08 until 1968-07-18), Lillian Vann Hunt (from 1968-07-08 until 1968-07-18) and Shelly Kurland (from 1968-07-08 until 1968-07-18)
vocals:
Willie Nelson (from 1968-07-08 until 1968-07-18)
engineered at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (from 1968-07-08 until 1968-07-18)
recording of:
Bring Me Sunshine (from 1968-07-08 until 1968-07-18)
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Edward Proffitt Music and Music Sales Corporation (American copyright holder in both popular and classical music)
Willie Nelson2:13
12I Just Can’t Let You Say Goodbye
producer:
Chet Atkins
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-08-02 until 1965-08-17)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (from 1965-08-02 until 1965-08-17)
electric guitar:
Wayne Moss (from 1965-08-02 until 1965-08-17)
guitar:
Willie Nelson (from 1965-08-02 until 1965-08-17)
guitar [rhythm guitar]:
Chet Atkins (from 1965-08-02 until 1965-08-17) and Ray Edenton (from 1965-08-02 until 1965-08-17)
piano:
Ray Stevens (US singer‐songwriter & comedian) (from 1965-08-02 until 1965-08-17)
violin:
Brenton Banks (from 1965-08-02 until 1965-08-17), Solie Fott (from 1965-08-02 until 1965-08-17), Kenneth Goldsmith (violinist) (from 1965-08-02 until 1965-08-17), Martin Katahn (from 1965-08-02 until 1965-08-17), Lillian Vann Hunt (from 1965-08-02 until 1965-08-17) and Shelly Kurland (from 1965-08-02 until 1965-08-17)
background vocals:
Dolores Edgin (from 1965-08-02 until 1965-08-17), Priscilla Hubbard (from 1965-08-02 until 1965-08-17) and Mildred Kirkham (from 1965-08-02 until 1965-08-17)
vocals:
Willie Nelson (from 1965-08-02 until 1965-08-17)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (from 1965-08-02 until 1965-08-17)
recording of:
I Just Can’t Let You Say Goodbye (from 1965-08-02 until 1965-08-17)
lyricist and composer:
Willie Nelson
publisher:
Sony/ATV Tree Publishing
Willie Nelson2:45
13Shotgun Willie
producer:
David Briggs (US producer and musician) and Arif Mardin
acoustic guitar:
Willie Nelson (in 1973)
baritone saxophone:
James Mitchell (US saxophonist/arranger) (in 1973)
bass:
Bee Spears (in 1973)
drums (drum set):
Paul English (US drummer for Willie Nelson) (in 1973)
electric guitar:
Steve Burgh (in 1973)
electric piano:
Jeff Gutcheon (in 1973)
piano:
Bobbie Nelson (in 1973)
resonator guitar [dobro]:
James Clayton Day (in 1973)
snare drum:
Steve Mosley (in 1973)
tenor saxophone:
Andrew Love (in 1973)
trombone:
Jack Hale (trombone) (in 1973)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1973)
vocals:
Willie Nelson (in 1973)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1973)
recording of:
Shotgun Willie (in 1973)
lyricist and composer:
Willie Nelson
publisher:
EMI Full Nelson Music
Willie Nelson3.52:42
14Sad Songs and Waltzes
producer:
Arif Mardin
bass:
Bee Spears (in 1973)
drums (drum set):
Paul English (US drummer for Willie Nelson) (in 1973)
electric piano:
Jeff Gutcheon (in 1973)
guitar:
Willie Nelson (in 1973)
piano:
Bobbie Nelson (in 1973)
vocals:
Willie Nelson (in 1973)
engineered at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1973)
recording of:
Sad Songs and Waltzes (in 1973)
lyricist and composer:
Willie Nelson (in 1964)
publisher:
Tree International
Willie Nelson2.53:10
15The Troublemaker
producer:
Arif Mardin
bass:
Dan Spears (in 1973)
drums (drum set):
Paul English (US drummer for Willie Nelson) (in 1973)
fiddle:
Doug Sahm (in 1973)
guitar:
Larry Gatlin (in 1973) and Willie Nelson (in 1973)
organ:
Jeff Gutcheon (in 1973)
pedal steel guitar and resonator guitar [dobro]:
James Clayton Day (in 1973)
piano:
Bobbie Nelson (in 1973)
lead vocals:
Willie Nelson (in 1973)
arranger:
Willie Nelson
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1973)
cover recording of:
Troublemaker
writer:
Bruce Belland and David Troy Somerville
Willie Nelson2.651:53
16Uncloudy Day
producer:
Arif Mardin
bass:
Dan Spears (in 1973)
drums (drum set):
Paul English (US drummer for Willie Nelson) (in 1973)
fiddle:
Doug Sahm (in 1973)
guitar:
Larry Gatlin (in 1973) and Willie Nelson (in 1973)
organ:
Jeff Gutcheon (in 1973)
pedal steel guitar and resonator guitar [dobro]:
James Clayton Day (in 1973)
piano:
Bobbie Nelson (in 1973)
background vocals:
Dee Moeller (in 1973), Doug Sahm (in 1973) and Sammi Smith (in 1973)
lead vocals:
Willie Nelson (in 1973)
arranger:
Willie Nelson
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1973)
recording of:
Uncloudy Day (in 1973)
lyricist and composer:
Willie Nelson
Willie Nelson2.54:42
17Bloody Mary Morning
recording engineer:
Jerry Masters (US bassist & engineer, in The Hombres) (on 1973-10-17) and Steve Melton (engineer) (on 1973-10-17)
engineer:
Jerry Masters (US bassist & engineer, in The Hombres) and Steve Melton (engineer)
producer:
Jerry Wexler
12 string guitar, acoustic guitar, electric guitar and resonator guitar [dobro]:
Fred Carter, Jr. (on 1973-10-17)
acoustic guitar:
Willie Nelson (on 1973-10-17)
acoustic guitar, electric guitar and resonator guitar [dobro]:
Pete Carr (US guitarist) (on 1973-10-17)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1973-10-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1973-10-17)
fiddle:
Al Lester (on 1973-10-17)
keyboard:
Barry Beckett (on 1973-10-17)
mandolin:
Johnny Gimble (on 1973-10-17)
pedal steel guitar:
John Hughey (on 1973-10-17)
vocals:
Willie Nelson (on 1973-10-17)
remixer:
Tom Dowd
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1973-10-17)
remixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Bloody Mary Morning (on 1973-10-17)
lyricist and composer:
Willie Nelson
Willie Nelson3.252:50
18I Still Can’t Believe You’re Gone
recording engineer:
Jerry Masters (US bassist & engineer, in The Hombres) (on 1973-10-17) and Steve Melton (engineer) (on 1973-10-17)
producer:
Jerry Wexler
12 string guitar, acoustic guitar, electric guitar and resonator guitar [dobro]:
Fred Carter, Jr. (on 1973-10-17)
acoustic guitar:
Willie Nelson (on 1973-10-17)
acoustic guitar, electric guitar and resonator guitar [dobro]:
Pete Carr (US guitarist) (on 1973-10-17)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1973-10-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1973-10-17)
fiddle and mandolin:
Johnny Gimble (on 1973-10-17)
keyboard:
Barry Beckett (on 1973-10-17)
pedal steel guitar:
John Hughey (on 1973-10-17)
vocals:
Willie Nelson (on 1973-10-17)
remixer:
Tom Dowd
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1973-10-17)
remixed at:
Criteria Studios in Miami, Florida, United States
recording of:
I Still Can’t Believe You’re Gone (on 1973-10-17)
lyricist and composer:
Willie Nelson
Willie Nelson2.54:19
19Blue Eyes Crying in the Rain
engineer:
Phil York
producer:
Willie Nelson
bass:
Bee Spears (in 1975-02)
drums (drum set):
Billy English (US drummer/percussionist for Willie Nelson) (in 1975-02) and Paul English (US drummer for Willie Nelson) (in 1975-02)
guitar:
Bucky Meadows (American session musician) (in 1975-02), Willie Nelson (in 1975-02) and Jody Payne (in 1975-02)
harmonica:
Mickey Raphael (in 1975-02)
mandolin:
Jody Payne (in 1975-02)
piano:
Bobbie Nelson (in 1975-02)
vocals:
Willie Nelson (in 1975-02)
arranger:
Willie Nelson
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recorded at:
Autumn Sound Studios in Garland, Texas, United States (in 1975-02)
part of:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (number: 16), Rolling Stone: The 200 Greatest Country Songs of All Time (number: 27), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 253) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 302)
cover recording of:
Blue Eyes Crying in the Rain (in 1975-02)
lyricist and composer:
Fred Rose (songwriter)
publisher:
Campbell Connelly & Co. Ltd., Milene Music (publisher) and Sony/ATV Milene Music
Willie Nelson3.82:21
20I’d Have to Be Crazy
producer:
Willie Nelson (in 1976)
bass:
Bee Spears (in 1976)
drums (drum set):
Rex Ludwick (US drummer) (in 1976)
guitar:
Willie Nelson (in 1976) and Jody Payne (in 1976)
harmonica:
Mickey Raphael (in 1976)
percussion:
Paul English (US drummer for Willie Nelson) (in 1976)
piano:
Bobbie Nelson (in 1976)
background vocals [second vocal]:
Steven Fromholz (in 1976)
vocals:
Willie Nelson (in 1976)
recorded at:
Autumn Sound Studios in Garland, Texas, United States (in 1976)
recording of:
I'd Have to Be Crazy (in 1976)
writer:
Steven Fromholz
publisher:
BMG Firefly and Prophecy Publishing
Willie Nelson23:27
21If You’ve Got the Money I’ve Got the Time
engineer:
Phil York
producer:
Willie Nelson
bass:
Bee Spears (in 1976)
drums (drum set):
Rex Ludwick (US drummer) (in 1976)
guitar:
Willie Nelson (in 1976) and Jody Payne (in 1976)
instruments:
Mickey Raphael (in 1976)
percussion:
Paul English (US drummer for Willie Nelson) (in 1976)
piano:
Bobbie Nelson (in 1976)
vocals:
Willie Nelson (in 1976)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
engineered at:
Autumn Sound Studios in Garland, Texas, United States (in 1976)
cover recording of:
If You’ve Got the Money I’ve Got the Time (in 1976)
writer:
Jim Beck (James Albert Beck, country music producer, talent agent, record promoter, recording studio owner, A&R engineer, music publisher) and Lefty Frizzell (US country singer & songwriter)
Willie Nelson3.352:06
22Always Late (With Your Kisses)
producer:
Willie Nelson
bass:
Bee Spears (in 1977-02)
drums (drum set):
Paul English (US drummer for Willie Nelson) (in 1977-02) and Rex Ludwick (US drummer) (in 1977-02)
guitar:
Willie Nelson (in 1977-02) and Jody Payne (in 1977-02)
harmonica:
Mickey Raphael (in 1977-02)
vocals:
Willie Nelson (in 1977-02)
recorded at:
January Sound Studios in Dallas, Texas, United States (in 1977-02)
cover recording of:
Always Late (with Your Kisses) (in 1977-02)
writer:
Blackie Crawford and Lefty Frizzell (US country singer & songwriter)
recording of:
Always Late (with Your Kisses)
writer:
Blackie Crawford and Lefty Frizzell (US country singer & songwriter)
Willie Nelson32:26
23She’s Gone, Gone, Gone
producer:
Willie Nelson
bass:
Bee Spears (in 1977-02)
drums (drum set):
Paul English (US drummer for Willie Nelson) (in 1977-02) and Rex Ludwick (US drummer) (in 1977-02)
guitar:
Willie Nelson (in 1977-02) and Jody Payne (in 1977-02)
harmonica:
Mickey Raphael (in 1977-02)
vocals:
Willie Nelson (in 1977-02)
recorded at:
January Sound Studios in Dallas, Texas, United States (in 1977-02)
cover recording of:
She's Gone, Gone, Gone (in 1977-02)
lyricist and composer:
Harlan Howard
Willie Nelson32:31
24I Never Go Around Mirrors
producer:
Willie Nelson
bass:
Bee Spears (in 1977-02)
drums (drum set):
Paul English (US drummer for Willie Nelson) (in 1977-02) and Rex Ludwick (US drummer) (in 1977-02)
guitar:
Willie Nelson (in 1977-02) and Jody Payne (in 1977-02)
harmonica:
Mickey Raphael (in 1977-02)
vocals:
Willie Nelson (in 1977-02)
recorded at:
January Sound Studios in Dallas, Texas, United States (in 1977-02)
cover recording of:
I Never Go Around Mirrors (in 1977-02)
writer:
Sanger D. Shafer (Sanger D. "Whitey" Shafer; American country songwriter and musician)
composer:
Lefty Frizzell (US country singer & songwriter) and Sanger D. Shafer
Willie Nelson4.652:37
25Stardust
engineer:
Donivan Cowart and Bradley Hartman
producer:
Booker T. Jones
vocals:
Willie Nelson (on 1977-12-12)
arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978)
recorded at:
The Enactron Truck in Los Angeles, California, United States (on 1977-12-12)
mixed at:
The Enactron Truck in Los Angeles, California, United States
cover recording of:
Stardust (the jazz standard) (on 1977-12-12)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Willie Nelson33:53
26Georgia on My Mind
engineer:
Donivan Cowart and Bradley Hartman
producer:
Booker T. Jones
vocals:
Willie Nelson (on 1977-12-12)
arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recorded at:
The Enactron Truck in Los Angeles, California, United States (on 1977-12-12)
mixed at:
The Enactron Truck in Los Angeles, California, United States
cover recording of:
Georgia on My Mind (on 1977-12-12)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Willie Nelson3.54:20
27A Song for You (live)
producer:
Willie Nelson
mixer:
Bradley Hartman
bass:
Chris Ethridge (in 1978-04) and Bee Spears (in 1978-04)
drums (drum set):
Paul English (US drummer for Willie Nelson) (in 1978-04) and Rex Ludwick (US drummer) (in 1978-04)
guitar:
Willie Nelson (in 1978-04) and Jody Payne (in 1978-04)
harmonica:
Mickey Raphael (in 1978-04)
piano:
Bobbie Nelson (in 1978-04)
vocals:
Willie Nelson (in 1978-04)
recorded at and engineered at:
Harrah’s Lake Tahoe in Stateline, Nevada, United States (in 1978-04)
mixed at:
The Enactron Truck in Los Angeles, California, United States
live cover recording of:
A Song for You (in 1978-04)
lyricist and composer:
Leon Russell
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Willie Nelson2:46
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