Tracklist

1CD: Comiençan los motetes y cançiones a seys - Comiençan discantes
#TitleArtistRatingLength
1Benedicta es Regina caelorum (Jusquin)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Benedicta es Regina caelorum (Jusquin) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón7:01
2Benedicta es caelorum Regina (Jusquin)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Benedicta es caelorum regina, con segunda y tercera parte (Jusquin) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón10:10
3Sancta Maria (Verdelot)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Sancta Maria (Verdelot) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón6:59
4Ave Maria (Jusquin)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Ave Maria (Jusquin) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón6:22
5'Ultimi miei suspiri' (Verdelot)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Ultimi miei suspiri (Verdelot) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón5:42
6'Ardenti miei suspiri' (Verdelot)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Ardenti miei suspiri (Verdelot) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón6:27
7Differencias sobre las Vacas
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Diferencias sobre las Vacas [I] (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón3:45
8Differencias sobre el canto Ilano del 'Cavallero'
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Diferencias sobre El Canto del Caballero
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón3:06
9Differencias sobre la pavona Italiana
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Diferencias sobre la Pavana italiana (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón3:40
10Differencias sobre 'La dama de demanda'
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
Antonio de Cabezón3:05
11Differencias sobre el villancico de 'Quien te me enojó Isabel'
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
Antonio de Cabezón7:14
12'Duuiensela'
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
Antonio de Cabezón3:26
2CD: Comiençan los dúos para principiantes - Comiençan las obras de a tres para principiantes - Comiençan los motetes de a cuatro I - Comiençan los favordones de todos los ocho tonos
3CD: Comiençan los hymnos - Motetes de a quatro II - Comiençan quatro Kiries de cada tono
4CD: Comiençan los motetes de a cinco - Comiençan las canciones de a cinco - Comiençan los tientos
5CD: Tientos - Motetes a cinco - Canciones a cinco
6CD: Comiençan las canciones glosadas a quatro - Comiençan los versos de Magnificat sobre todos los ocho tonos I - Comiençan las obras de a quatro
7CD: Motetes a cinco III - Versos de Magnificat II - Discantes II