Not Fade Away: The Complete Studio Recordings and More

~ Release by Buddy Holly (see all versions of this release, 1 available)

Annotation

Note: Many tracks in this box set need to be assigned to the proper artist ("The Crickets").
KillWhenCooked

Annotation last modified on 2010-02-21 19:45 UTC.

Tracklist

1▶CD: 1949–1956: Family Home – Wichita Falls – Lubbock – Nashville – Clovis
2▶CD: 1956–1957: Nashville – Family Garage – Clovis
3▼CD: 1957–1958: Clovis – Oklahoma City – New York
#TitleArtistRatingLength
1Ready Teddy
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (from 1957-05 until 1957-07)
drums (drum set):
Jerry Allison (from 1957-05 until 1957-07)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07) and Niki Sullivan (from 1957-05 until 1957-07)
piano:
Vi Petty (from 1957-05 until 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
cover recording of:
Ready Teddy (from 1957-05 until 1957-07)
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
Buddy Holly51:31
2Valley of Tears
recorded in:
Clovis, New Mexico, United States (from 1957-05 until 1957-07)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (from 1957-05 until 1957-07)
drums (drum set):
Jerry Allison (from 1957-05 until 1957-07)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07) and Niki Sullivan (from 1957-05 until 1957-07)
piano:
Vi Petty (from 1957-05 until 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07)
cover recording of:
Valley of Tears (from 1957-05 until 1957-07)
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter and Travis Music Co.
Buddy Holly2:08
3That’ll Be the Day (greetings to Bob Thiele)
recorded in:
Clovis, New Mexico, United States (from 1957-06-29 until 1957-06-30)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (from 1957-06-29 until 1957-06-30)
drums (drum set):
Jerry Allison (from 1957-06-29 until 1957-06-30)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-06-30) and Niki Sullivan (from 1957-06-29 until 1957-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-06-30)
partial recording of:
That’ll Be the Day (from 1957-06-29 until 1957-06-30)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly0:34
4That’ll Be the Day (greetings to Murray Deutch)
recorded in:
Clovis, New Mexico, United States (from 1957-06-29 until 1957-06-30)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (from 1957-06-29 until 1957-06-30)
drums (drum set):
Jerry Allison (from 1957-06-29 until 1957-06-30)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-06-30) and Niki Sullivan (from 1957-06-29 until 1957-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-06-30)
partial recording of:
That’ll Be the Day (from 1957-06-29 until 1957-06-30)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly0:31
5That’ll Be the Day (greetings to Bill Randle)
recorded in:
Clovis, New Mexico, United States (from 1957-06-29 until 1957-06-30)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (from 1957-06-29 until 1957-06-30)
drums (drum set):
Jerry Allison (from 1957-06-29 until 1957-06-30)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-06-30) and Niki Sullivan (from 1957-06-29 until 1957-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-06-30)
partial recording of:
That’ll Be the Day (from 1957-06-29 until 1957-06-30)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly0:34
6Peggy Sue (alternate take)
recorded in:
Clovis, New Mexico, United States (on 1957-07-01)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
recording of:
Peggy Sue (on 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
Buddy Holly2:33
7Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
Buddy Holly4.52:31
8Listen to Me
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
Listen to Me (from 1957-06-29 until 1957-07-01)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
writer:
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
Buddy Holly3.52:22
9Oh Boy (undubbed)
recorded in:
Clovis, New Mexico, United States (on 1957-07-01)
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
recording of:
Oh, Boy! (on 1957-07-01)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Buddy Holly2:09
10I’m Gonna Love You Too
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
I’m Gonna Love You Too (from 1957-06-29 until 1957-07-01)
writer:
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
Buddy Holly4.52:14
11Send Me Some Lovin’ (undubbed)
recorded in:
Clovis, New Mexico, United States (on 1957-07-12)
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-12)
drums (drum set):
Jerry Allison (on 1957-07-12)
guitar:
Niki Sullivan (on 1957-07-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-12)
cover recording of:
Send Me Some Lovin’ (on 1957-07-12)
lyricist:
Leo Price
composer:
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. and Sony/ATV Songs LLC
The Crickets2:37
12It’s Too Late (undubbed)
recorded in:
Clovis, New Mexico, United States (on 1957-07-12)
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-12)
drums (drum set):
Jerry Allison (on 1957-07-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-12)
cover recording of:
It’s Too Late (on 1957-07-12)
lyricist and composer:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. and Unichappell Music, Inc.
Buddy Holly2:24
13Oh Boy
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
background vocals:
Bob Lapham (on 1957-08-18), Bill Pickering (on 1957-08-18) and John Pickering (vocalist and leader of The Picks) (on 1957-08-18)
lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01, on 1957-08-18)
recording of:
Oh, Boy! (from 1957-07-01 until 1957-08-18)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Buddy Holly42:09
14An Empty Cup (and a Broken Date)
recorded in:
Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29)
recording of:
An Empty Cup (and a Broken Date) (from 1957-09-29 until 1957-10-14)
writer:
Roy Orbison and Norman Petty
publisher:
Wren Music Co.
Buddy Holly2:13
15Rock Me My Baby
recorded in:
Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29)
cover recording of:
Rock Me My Baby (from 1957-09-29 until 1957-10-14)
writer:
Susan Heather and Shorty Long (1950s country/rockabilly artist)
publisher:
Wren Music
The Crickets1:50
16You’ve Got Love
recorded in:
Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29)
recording of:
You’ve Got Love (from 1957-09-29 until 1957-10-14)
writer:
Roy Orbison, Norman Petty and Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
The Crickets52:08
17Maybe Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 14)
recording of:
Maybe Baby (from 1957-09-29 until 1957-10-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
The Crickets3.752:03
18Last Night
recorded in:
Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
producer:
Norman Petty
double bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-03-01)
drums (drum set):
Jerry Allison (on 1957-03-01)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-03-01) and Niki Sullivan (on 1957-03-01)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14), John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14) and The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-10-12 until 1957-10-14)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-03-01)
recording of:
Last Night (from 1957-03-01 until 1957-10-14)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) and Norman Petty
publisher:
Wren Music Co.
The Crickets51:55
19Send Me Some Lovin’
recorded in:
Clovis, New Mexico, United States (on 1957-07-12, from 1957-10-12 until 1957-10-14)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-12)
drums (drum set):
Jerry Allison (on 1957-07-12)
guitar:
Niki Sullivan (on 1957-07-12)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-12)
cover recording of:
Send Me Some Lovin’ (from 1957-07-12 until 1957-10-14)
lyricist:
Leo Price
composer:
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. and Sony/ATV Songs LLC
The Crickets2:36
20It’s Too Late
recorded in:
Clovis, New Mexico, United States (on 1957-07-12, from 1957-10-12 until 1957-10-14)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-12)
drums (drum set):
Jerry Allison (on 1957-07-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-12)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-12)
cover recording of:
It’s Too Late (from 1957-07-12 until 1957-10-14)
lyricist and composer:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. and Unichappell Music, Inc.
The Crickets2:24
21Tell Me How
producer:
Norman Petty
double bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (from 1957-05 until 1957-07)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07) and Niki Sullivan (from 1957-05 until 1957-07)
membranophone:
Jerry Allison (from 1957-05 until 1957-07)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14), John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14) and The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-10-12 until 1957-10-14)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
recording of:
Tell Me How (from 1957-05 until 1957-10-14)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
BMG Platinum Songs US and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Crickets42:00
22Little Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-12-19)
drums (drum set):
Jerry Allison (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
piano:
C. W. Kendall (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
recording of:
Little Baby (from 1957-05 until 1957-07)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), C. W. Kendall and Norman Petty
publisher:
BMG Platinum Songs US, Mellin Music, Peer International Corporation (BMI) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Buddy Holly51:57
23(You’re So Square) Baby I Don’t Care
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-12-19)
drums (drum set):
Jerry Allison (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (on 1957-12-19)
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
Buddy Holly51:37
24Look at Me
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
percussion [cardboard box]:
Jerry Allison (on 1957-12-19)
piano:
Vi Petty (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-12-19)
recording of:
Look at Me (from 1957-05 until 1957-07)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
Buddy Holly52:07
25Mona (rehearsal)
recorded in:
Clovis, New Mexico, United States (from 1957-02 until 1957-12)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-02 until 1957-12)
drums (drum set):
Jerry Allison (from 1957-02 until 1957-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-02 until 1957-12)
cover recording of:
Mona (from 1957-02 until 1957-12)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Buddy Holly2:06
26Mona (version 1)
recorded in:
Clovis, New Mexico, United States (from 1957-02 until 1957-12)
acoustic guitar:
Jerry Allison (from 1957-02 until 1957-12) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-02 until 1957-12)
drums (drum set):
Jerry Allison (from 1957-02 until 1957-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-02 until 1957-12)
cover recording of:
Mona (from 1957-02 until 1957-12)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Buddy Holly1:14
27Mona (version 2)
recorded in:
Clovis, New Mexico, United States (from 1957-02 until 1957-12)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-02 until 1957-12)
drums (drum set):
Jerry Allison (from 1957-02 until 1957-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-02 until 1957-12)
cover recording of:
Mona (from 1957-02 until 1957-12)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Buddy Holly3:25
28Mona (version 3)
recorded in:
Clovis, New Mexico, United States (from 1957-02 until 1957-12)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-02 until 1957-12)
drums (drum set):
Jerry Allison (from 1957-02 until 1957-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-02 until 1957-12)
cover recording of:
Mona (in 1957-02)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Buddy Holly2:45
29Rave On
recorded in:
New York, New York, United States (on 1958-01-25)
producer:
Milton DeLugg, Norman Petty and Bob Thiele (producer & songwriter)
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-01-25, on 1958-01-26)
drums (drum set):
Jerry Allison (on 1958-01-25, on 1958-01-26)
guitar:
Donald Amone (on 1958-01-25), Al Caiola (on 1958-01-25) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-26)
piano:
Norman Petty (on 1958-01-25, on 1958-01-26)
background vocals:
Robert Bollinger (on 1958-01-25), Robert Harter (on 1958-01-25), Abby Hoffer (on 1958-01-25), William Marine (on 1958-01-25) and Merril Ostrus (on 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-25, on 1958-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1958-01-26)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 154)
cover recording of:
Rave On (on 1958-01-26)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
Buddy Holly4.21:50
30That’s My Desire (two false starts plus undubbed master)
recorded in:
New York, New York, United States (on 1958-01-25)
producer:
Milton DeLugg
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-01-25)
drums (drum set):
Jerry Allison (on 1958-01-25)
guitar:
Donald Amone (on 1958-01-25) and Al Caiola (on 1958-01-25)
piano:
Norman Petty (on 1958-01-25)
background vocals:
Robert Bollinger (on 1958-01-25), Robert Harter (on 1958-01-25), Abby Hoffer (on 1958-01-25), William Marine (on 1958-01-25) and Merril Ostrus (on 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-25)
cover recording of:
That’s My Desire (on 1958-01-25)
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
Buddy Holly4:11
31Well… All Right
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-02-12)
cymbal:
Jerry Allison (on 1958-02-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-02-12)
recording of:
Well… All Right (on 1958-02-12)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
Buddy Holly42:14
32Fool’s Paradise (alternate take 1)
recorded in:
Clovis, New Mexico, United States (on 1958-02-13)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-02-13)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
organ:
Norman Petty (on 1958-02-13)
percussion [cardboard box]:
Jerry Allison (on 1958-02-13)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
recording of:
Fool’s Paradise (on 1958-02-13)
writer:
Sonny LeGlaire, Horace Linsley (songwriter) and Norman Petty
publisher:
McCartney Music, Inc. and Southern Music Publ. Co. Ltd.
Buddy Holly2:30
33Fool’s Paradise (alternate take 2)
recorded in:
Clovis, New Mexico, United States (on 1958-02-13)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-02-13)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
organ:
Norman Petty (on 1958-02-13)
percussion [cardboard box]:
Jerry Allison (on 1958-02-13)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
recording of:
Fool’s Paradise (on 1958-02-13)
writer:
Sonny LeGlaire, Horace Linsley (songwriter) and Norman Petty
publisher:
McCartney Music, Inc. and Southern Music Publ. Co. Ltd.
Buddy Holly2:33
34Fool’s Paradise (undubbed master)
recorded in:
Clovis, New Mexico, United States (on 1958-02-13)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-02-13)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
organ:
Norman Petty (on 1958-02-13)
percussion [cardboard box]:
Jerry Allison (on 1958-02-13)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
recording of:
Fool’s Paradise (on 1958-02-13)
writer:
Sonny LeGlaire, Horace Linsley (songwriter) and Norman Petty
publisher:
McCartney Music, Inc. and Southern Music Publ. Co. Ltd.
Buddy Holly2:30
4▶CD: 1958: Clovis – New York – Lubbock
5▶CD: 1959–1963: New York – Clovis
6▶CD: 1962–1968: Clovis