Not Fade Away: The Complete Studio Recordings and More

~ Veröffentlichung von Buddy Holly (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Note: Many tracks in this box set need to be assigned to the proper artist ("The Crickets").
KillWhenCooked

Anmerkung zuletzt geändert am 2010-02-21 19:45 UTC.

Titelliste

1▶CD: 1949–1956: Family Home – Wichita Falls – Lubbock – Nashville – Clovis
2▶CD: 1956–1957: Nashville – Family Garage – Clovis
3▼CD: 1957–1958: Clovis – Oklahoma City – New York
Nr.TitelKünstlerBewertungLänge
1Ready Teddy
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-05 bis 1957-07)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07) und Niki Sullivan (von 1957-05 bis 1957-07)
Klavier:
Vi Petty (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
cover recording of:
Ready Teddy (von 1957-05 bis 1957-07)
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
Buddy Holly51:31
2Valley of Tears
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-05 bis 1957-07)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07) und Niki Sullivan (von 1957-05 bis 1957-07)
Klavier:
Vi Petty (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
cover recording of:
Valley of Tears (von 1957-05 bis 1957-07)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter und Travis Music Co.
Buddy Holly2:08
3That’ll Be the Day (greetings to Bob Thiele)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-06-29 bis 1957-06-30)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-06-29 bis 1957-06-30)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-06-30) und Niki Sullivan (von 1957-06-29 bis 1957-06-30)
Schlagzeug:
Jerry Allison (von 1957-06-29 bis 1957-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-06-30)
teilweise recording of:
That’ll Be the Day (von 1957-06-29 bis 1957-06-30)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly0:34
4That’ll Be the Day (greetings to Murray Deutch)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-06-29 bis 1957-06-30)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-06-29 bis 1957-06-30)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-06-30) und Niki Sullivan (von 1957-06-29 bis 1957-06-30)
Schlagzeug:
Jerry Allison (von 1957-06-29 bis 1957-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-06-30)
teilweise recording of:
That’ll Be the Day (von 1957-06-29 bis 1957-06-30)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly0:31
5That’ll Be the Day (greetings to Bill Randle)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-06-29 bis 1957-06-30)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-06-29 bis 1957-06-30)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-06-30) und Niki Sullivan (von 1957-06-29 bis 1957-06-30)
Schlagzeug:
Jerry Allison (von 1957-06-29 bis 1957-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-06-30)
teilweise recording of:
That’ll Be the Day (von 1957-06-29 bis 1957-06-30)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly0:34
6Peggy Sue (alternate take)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
recording of:
Peggy Sue (am 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
Buddy Holly2:33
7Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
Buddy Holly4.52:31
8Listen to Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
Listen to Me (von 1957-06-29 bis 1957-07-01)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
Verfasser(in):
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
Buddy Holly3.52:22
9Oh Boy (undubbed)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
recording of:
Oh, Boy! (am 1957-07-01)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
Buddy Holly2:09
10I’m Gonna Love You Too
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
I’m Gonna Love You Too (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty und Niki Sullivan
publisher:
MPL (Paul McCartney-related) (beendet), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
Buddy Holly4.52:14
11Send Me Some Lovin’ (undubbed)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-07-12)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-12)
Gitarre:
Niki Sullivan (am 1957-07-12)
Schlagzeug:
Jerry Allison (am 1957-07-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-12)
cover recording of:
Send Me Some Lovin’ (am 1957-07-12)
Texter:
Leo Price
Komponist(in):
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. und Sony/ATV Songs LLC
The Crickets2:37
12It’s Too Late (undubbed)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-07-12)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-12)
Schlagzeug:
Jerry Allison (am 1957-07-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-12)
cover recording of:
It’s Too Late (am 1957-07-12)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. und Unichappell Music, Inc.
Buddy Holly2:24
13Oh Boy
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
Hintergrundgesang:
Bob Lapham (am 1957-08-18), Bill Pickering (am 1957-08-18) und John Pickering (vocalist and leader of The Picks) (am 1957-08-18)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01, am 1957-08-18)
recording of:
Oh, Boy! (von 1957-07-01 bis 1957-08-18)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
Buddy Holly42:09
14An Empty Cup (and a Broken Date)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29)
recording of:
An Empty Cup (and a Broken Date) (von 1957-09-29 bis 1957-10-14)
Verfasser(in):
Roy Orbison und Norman Petty
publisher:
Wren Music Co.
Buddy Holly2:13
15Rock Me My Baby
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29)
cover recording of:
Rock Me My Baby (von 1957-09-29 bis 1957-10-14)
Verfasser(in):
Susan Heather und Shorty Long (1950s country/rockabilly artist)
publisher:
Wren Music
The Crickets1:50
16You’ve Got Love
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29)
recording of:
You’ve Got Love (von 1957-09-29 bis 1957-10-14)
Verfasser(in):
Roy Orbison, Norman Petty und Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
The Crickets52:08
17Maybe Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 14)
recording of:
Maybe Baby (von 1957-09-29 bis 1957-10-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Pub und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
The Crickets3.752:03
18Last Night
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-03-01)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-03-01) und Niki Sullivan (am 1957-03-01)
Kontrabass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-03-01)
Schlagzeug:
Jerry Allison (am 1957-03-01)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14), John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14) und The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-10-12 bis 1957-10-14)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-03-01)
recording of:
Last Night (von 1957-03-01 bis 1957-10-14)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
Wren Music Co.
The Crickets51:55
19Send Me Some Lovin’
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-07-12, von 1957-10-12 bis 1957-10-14)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-12)
Gitarre:
Niki Sullivan (am 1957-07-12)
Schlagzeug:
Jerry Allison (am 1957-07-12)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-12)
cover recording of:
Send Me Some Lovin’ (von 1957-07-12 bis 1957-10-14)
Texter:
Leo Price
Komponist(in):
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. und Sony/ATV Songs LLC
The Crickets2:36
20It’s Too Late
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-07-12, von 1957-10-12 bis 1957-10-14)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-12)
Schlagzeug:
Jerry Allison (am 1957-07-12)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-12)
cover recording of:
It’s Too Late (von 1957-07-12 bis 1957-10-14)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. und Unichappell Music, Inc.
The Crickets2:24
21Tell Me How
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07) und Niki Sullivan (von 1957-05 bis 1957-07)
Kontrabass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-05 bis 1957-07)
membranophone:
Jerry Allison (von 1957-05 bis 1957-07)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14), John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14) und The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-10-12 bis 1957-10-14)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
recording of:
Tell Me How (von 1957-05 bis 1957-10-14)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
BMG Platinum Songs US und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Crickets42:00
22Little Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Klavier:
C. W. Kendall (am 1957-12-19)
Schlagzeug:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
recording of:
Little Baby (von 1957-05 bis 1957-07)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter), C. W. Kendall und Norman Petty
publisher:
BMG Platinum Songs US, Mellin Music, Peer International Corporation (BMI) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Buddy Holly51:57
23(You’re So Square) Baby I Don’t Care
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Schlagzeug:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (am 1957-12-19)
Texter:
Jerry Leiber (in 1957)
Komponist(in):
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
Buddy Holly51:37
24Look at Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Klavier:
Vi Petty (am 1957-12-19)
Perkussion [cardboard box]:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
recording of:
Look at Me (von 1957-05 bis 1957-07)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
Buddy Holly52:07
25Mona (rehearsal)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-02 bis 1957-12)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-02 bis 1957-12)
Schlagzeug:
Jerry Allison (von 1957-02 bis 1957-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-02 bis 1957-12)
cover recording of:
Mona (von 1957-02 bis 1957-12)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Buddy Holly2:06
26Mona (version 1)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-02 bis 1957-12)
Akustikgitarre:
Jerry Allison (von 1957-02 bis 1957-12) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-02 bis 1957-12)
Schlagzeug:
Jerry Allison (von 1957-02 bis 1957-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-02 bis 1957-12)
cover recording of:
Mona (von 1957-02 bis 1957-12)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Buddy Holly1:14
27Mona (version 2)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-02 bis 1957-12)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-02 bis 1957-12)
Schlagzeug:
Jerry Allison (von 1957-02 bis 1957-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-02 bis 1957-12)
cover recording of:
Mona (von 1957-02 bis 1957-12)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Buddy Holly3:25
28Mona (version 3)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-02 bis 1957-12)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-02 bis 1957-12)
Schlagzeug:
Jerry Allison (von 1957-02 bis 1957-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-02 bis 1957-12)
cover recording of:
Mona (in 1957-02)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Buddy Holly2:45
29Rave On
recorded in:
New York, New York, Vereinigte Staaten (am 1958-01-25)
Produzent(in):
Milton DeLugg, Norman Petty und Bob Thiele (producer & songwriter)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-01-25, am 1958-01-26)
Gitarre:
Donald Amone (am 1958-01-25), Al Caiola (am 1958-01-25) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-26)
Klavier:
Norman Petty (am 1958-01-25, am 1958-01-26)
Schlagzeug:
Jerry Allison (am 1958-01-25, am 1958-01-26)
Hintergrundgesang:
Robert Bollinger (am 1958-01-25), Robert Harter (am 1958-01-25), Abby Hoffer (am 1958-01-25), William Marine (am 1958-01-25) und Merril Ostrus (am 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-25, am 1958-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1958-01-26)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 154)
cover recording of:
Rave On (am 1958-01-26)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) und Wren Music Co.
Buddy Holly4.21:50
30That’s My Desire (two false starts plus undubbed master)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-01-25)
Produzent(in):
Milton DeLugg
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-01-25)
Gitarre:
Donald Amone (am 1958-01-25) und Al Caiola (am 1958-01-25)
Klavier:
Norman Petty (am 1958-01-25)
Schlagzeug:
Jerry Allison (am 1958-01-25)
Hintergrundgesang:
Robert Bollinger (am 1958-01-25), Robert Harter (am 1958-01-25), Abby Hoffer (am 1958-01-25), William Marine (am 1958-01-25) und Merril Ostrus (am 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-25)
cover recording of:
That’s My Desire (am 1958-01-25)
Texter:
Carroll Loveday
Komponist(in):
Helmy Kresa
publisher:
Mills Music, Inc.
Buddy Holly4:11
31Well… All Right
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-02-12)
Becken:
Jerry Allison (am 1958-02-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1958-02-12)
recording of:
Well… All Right (am 1958-02-12)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Music Publishing Inc.
Buddy Holly42:14
32Fool’s Paradise (alternate take 1)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1958-02-13)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-02-13)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
Orgel:
Norman Petty (am 1958-02-13)
Perkussion [cardboard box]:
Jerry Allison (am 1958-02-13)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
recording of:
Fool’s Paradise (am 1958-02-13)
Verfasser(in):
Sonny LeGlaire, Horace Linsley (songwriter) und Norman Petty
publisher:
McCartney Music, Inc. und Southern Music Publ. Co. Ltd.
Buddy Holly2:30
33Fool’s Paradise (alternate take 2)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1958-02-13)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-02-13)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
Orgel:
Norman Petty (am 1958-02-13)
Perkussion [cardboard box]:
Jerry Allison (am 1958-02-13)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
recording of:
Fool’s Paradise (am 1958-02-13)
Verfasser(in):
Sonny LeGlaire, Horace Linsley (songwriter) und Norman Petty
publisher:
McCartney Music, Inc. und Southern Music Publ. Co. Ltd.
Buddy Holly2:33
34Fool’s Paradise (undubbed master)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1958-02-13)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-02-13)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
Orgel:
Norman Petty (am 1958-02-13)
Perkussion [cardboard box]:
Jerry Allison (am 1958-02-13)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
recording of:
Fool’s Paradise (am 1958-02-13)
Verfasser(in):
Sonny LeGlaire, Horace Linsley (songwriter) und Norman Petty
publisher:
McCartney Music, Inc. und Southern Music Publ. Co. Ltd.
Buddy Holly2:30
4▶CD: 1958: Clovis – New York – Lubbock
5▶CD: 1959–1963: New York – Clovis
6▶CD: 1962–1968: Clovis

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Veröffentlichungsgruppe

Rezensionen:https://www.bbc.co.uk/music/reviews/p4hf [Info]