Obras de Música - Complete Edition

~ Release by Antonio de Cabezón, Claudio Astronio, Harmonices Mundi, La Moranda, Quartetto Italiano di Viole da Gamba (see all versions of this release, 1 available)

Tracklist

1▶CD: Comiençan los motetes y cançiones a seys - Comiençan discantes
2▶CD: Comiençan los dúos para principiantes - Comiençan las obras de a tres para principiantes - Comiençan los motetes de a cuatro I - Comiençan los favordones de todos los ocho tonos
3▶CD: Comiençan los hymnos - Motetes de a quatro II - Comiençan quatro Kiries de cada tono
4▼CD: Comiençan los motetes de a cinco - Comiençan las canciones de a cinco - Comiençan los tientos
#TitleArtistRatingLength
1Si bona suscepimus (Philippe Verdeloth)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón6:38
2Aspice Domine (Jaqueth) (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón7:35
3Je fille quanile medona (Adrian Villart)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón1:16
4Pis ne me pul venir (Criquillon)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón2:55
5Aiule vos sola verdura (Lupus)
editor:
Peter Golser (engineer)
harpsichord:
Claudio Astronio (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón3:06
6Ayme qui Voldra (Gomberth)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón4:14
7Durmendo un jorno (Verdeloth)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón4:15
8Triste de par (Gomberth)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón3:25
9Je suis ayme (Criquillon)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón3:15
10Tiento del segundo tono (harpsichord)
editor:
Peter Golser (engineer)
harpsichord:
Claudio Astronio (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
recording of:
Obras de música: Tiento del segundo tono [I] (from 1997-09-22 until 1997-09-24)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón4:06
11Tiento del quarto tono (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Tiento del quarto tono [I] (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón3:50
12Tiento del primer tono (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Tiento del primer tono [I] (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón5:51
13Tiento del sobre 'Qui lo dira' (harpsichord)
editor:
Peter Golser (engineer)
harpsichord:
Claudio Astronio (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
recording of:
Obras de música: Tiento sobre Qui la dira (from 1997-09-22 until 1997-09-24)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón3:52
14Tiento del segundo tono (regal)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
recording of:
Obras de música: Tiento del segundo tono [II] (from 1997-08-18 until 1997-08-19)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón2:45
15Tiento del tercer tono (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Tiento del tercer tono (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón5:28
5▶CD: Tientos - Motetes a cinco - Canciones a cinco
6▶CD: Comiençan las canciones glosadas a quatro - Comiençan los versos de Magnificat sobre todos los ocho tonos I - Comiençan las obras de a quatro
7▶CD: Motetes a cinco III - Versos de Magnificat II - Discantes II