The Rossini Edition

~ Release by Gioachino Rossini (see all versions of this release, 1 available)

Tracklist

1▶CD: L’inganno felice (cond. M. Minkowski)
2▶CD: La scala di seta - Disc 1 (cond. G. Ferro)
3▶CD: La scala di seta - Disc 2 (cond. G. Ferro)
4▶CD: Tancredi - Disc 1 (cond. G. Ferro)
5▶CD: Tancredi - Disc 2 (cond. G. Ferro)
6▶CD: Tancredi - Disc 3 (cond. G. Ferro)
7▶CD: L’italiana in Algeri - Disc 1 (cond. C. Scimone)
8▶CD: L’italiana in Algeri - Disc 2 (cond. C. Scimone)
9▶CD: Il turco in Italia - Disc 1 (cond. G. Gavazzeni)
10▶CD: Il turco in Italia - Disc 2 (cond. G. Gavazzeni)
11▶CD: Il barbiere di Siviglia - Disc 1 (cond. J. Levine)
12▼CD: Il barbiere di Siviglia - Disc 2 (cond. J. Levine)
#TitleRatingLength
1Il barbiere di Siviglia: Act I, Scene II. "Finora in questa camera" (Berta, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
0:40
2Il barbiere di Siviglia: Act I, Scene II. "Ehi, di casa, buona gente" (Almaviva, Bartolo, Rosina, Berta, Basilio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
8:22
3Il barbiere di Siviglia: Act I, Scene II. "Che cosa accadde, signori miei" (Almaviva, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
3:44
4Il barbiere di Siviglia: Act I, Scene II. "Fredda ed immobile" (Rosina, Almaviva, Bartolo, Figaro, Basilio, Berta)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
3:20
5Il barbiere di Siviglia: Act I, Scene II. "Ma signor... ma un dottor" (Bartolo, Coro, Rosina, Basilio, Berta, Almaviva, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
4:47
6Il barbiere di Siviglia: Act II. "Ma vedi il mio destino!" (Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
0:52
7Il barbiere di Siviglia: Act II. "Pace e gioia sia con voi" (Almaviva, Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
2:50
8Il barbiere di Siviglia: Act II. "Insomma, mio signore, chi è lei?" (Bartolo, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
2:22
9Il barbiere di Siviglia: Act II. "Venite, signorina" (Bartolo, Rosina, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. “Venite, signorina” (Bartolo, Rosina, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
1:05
10Il barbiere di Siviglia: Act II. "Contro un cor che accende amore" (Rosina, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir
soprano vocals and soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals and tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05, in 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
7:32
11Il barbiere di Siviglia: Act II. "Bella voce! Bravissima!" (Almaviva, Rosina, Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
0:38
12Il barbiere di Siviglia: Act II. "Quando mi sei vicina" (Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
1:02
13Il barbiere di Siviglia: Act II. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
2:52
14Il barbiere di Siviglia: Act II. "Don Basilio! Cosa veggo!" (Rosina, Almaviva, Figaro, Bartolo, Basilio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
11:07
15Il barbiere di Siviglia: Act II. "Che vecchio sospettoso!" (Berta)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
0:30
16Il barbiere di Siviglia: Act II. "Il vecchiotto cerca moglie" (Berta)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
3:28
17Il barbiere di Siviglia: Act II. "Dunque voi Don Alonso" (Bartolo, Basilio, Rosina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Dunque voi” - “Per forza o per amore” (Bartolo, Basilio, Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
3:45
18Il barbiere di Siviglia: Act II. Thunderstorm (Orchestra)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
2:58
19Il barbiere di Siviglia: Act II. "Alfine eccoci qua" (Figaro, Almaviva, Rosina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
1:36
20Il barbiere di Siviglia: Act II. "Ah, qual colpo inaspettato!" (Rosina, Figaro, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
6:18
21Il barbiere di Siviglia: Act II. "Ah, disgraziati noi!" (Figaro, Almaviva, Rosina, Basilio, Bartolo, Ufficiale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass vocals [Uffizialer]:
Michael Rippon (operatic bass) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
2:24
22Il barbiere di Siviglia: Act II. "Insomma io ho tutti i torti" (Bartolo, Figaro, Basilio, Almaviva, Rosina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma io ho tutti i torti!” (Bartolo, Figaro, Basilio, Conte, Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
1:46
23Il barbiere di Siviglia: Act II. "Di sì felice innesto" (Figaro, Bartolo, Basilio, Berta, Coro, Rosina, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals and baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals and bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals and bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05) and Beverly Sills (soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals and tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
chorus master:
John Aldis (chorusmaster and conductor) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
2:16
13▶CD: La Cenerentola - Disc 1 (cond. V. Gui)
14▶CD: La Cenerentola - Disc 2 (cond. V. Gui)
15▶CD: Ermione - Disc 1 (cond. C. Scimone)
16▶CD: Ermione - Disc 2 (cond. C. Scimone)
17▶CD: Bianca e Falliero - Disc 1 (cond. D. Renzetti)
18▶CD: Bianca e Falliero - Disc 2 (cond. D. Renzetti)
19▶CD: Bianca e Falliero - Disc 3 (cond. D. Renzetti)
20▶CD: Zelmira (1822 version) - Disc 1 (cond. C. Scimone)
21▶CD: Zelmira (1822 version) - Disc 2 (cond. C. Scimone)
22▶CD: Semiramide - Disc 1 (cond. A. Zedda)
23▶CD: Semiramide - Disc 2 (cond. A. Zedda)
24▶CD: Semiramide - Disc 3 (cond. A. Zedda)
25▶CD: L’assedio di Corinto - Disc 1 (cond. T. Schippers; mixed 1820/1826 version)
26▶CD: L’assedio di Corinto - Disc 2 (cond. T. Schippers; mixed 1820/1826 version)
27▶CD: L’assedio di Corinto - Disc 3 (cond. T. Schippers; mixed 1820/1826 version)
28▶CD: Le Comte Ory - Disc 1 (cond. V. Gui)
29▶CD: Le Comte Ory - Disc 2 (cond. V. Gui)
30▶CD: Guillaume Tell - Disc 1 (cond. L. Gardelli)
31▶CD: Guillaume Tell - Disc 2 (cond. L. Gardelli)
32▶CD: Guillaume Tell - Disc 3 (cond. L. Gardelli)
33▶CD: Guillaume Tell - Disc 4 (cond. L. Gardelli)
34▶CD: Edipo a Colono (cond. C. Scimone)
35▶CD: Rossini: Bicentenary Gala Concert Disc 1
36▶CD: Rossini: Bicentenary Gala Concert Disc 2
37▶CD: Colbran, the Muse
38▶CD: The Rossini Tenor
39▶CD: Encore: Rossini
40▶CD: Rossini Mélodies
41▶CD: Giovanna d’Arco e Ariette rare
42▶CD
43▶CD
44▶CD
45▶CD: Stabat Mater (cond. A. Pappano)
46▶CD: Petite Messe solennelle (cond. A. Pappano)
47▶CD: Messa di Gloria (cond. S. Accardo) - Improvisations & Transcriptions
48▶CD: 6 Sonatas for Strings (cond. C. Scimone)
49▶CD: La Boutique fantasque - Péchés de vieillesse
50▶CD: Quartets for Flute, Clarinet, Horn & Bassoon - Introduction, Theme And Variations

Credits

Release group

includes:Bianca e Falliero by Gioachino Rossini (composer); Katia Ricciarelli (soprano), Chris Merritt (American opera singer, tenor), Marilyn Horne (American operatic mezzo-soprano), Giorgio Surjan (bass-baritone), The London Sinfonietta Opera Orchestra, Donato Renzetti (Italian conductor)
Edipo a Colono by Rossini (composer); Ghiuselev (operatic bass), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Claudio Scimone (conductor)
Ermione by Rossini (composer); Gasdia (Italian operatic soprano), Zimmermann (mezzo-soprano), Merritt (American opera singer, tenor), Chœur Philharmonique de Prague (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Claudio Scimone (conductor)
Il barbiere di Siviglia (London, 1975) by Gioachino Rossini (composer); Beverly Sills (soprano), Sherrill Milnes (baritone), Nicolai Gedda (tenor), Renato Capecchi (baritone), Fedora Barbieri (mezzo-soprano), Ruggero Raimondi (bass-baritone), The John Alldis Choir, London Symphony Orchestra, James Levine (US conductor and pianist)
Il turco in Italia (1954 studio cast) by Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
L’assedio di Corinto (Live, 1969-04-11, Milano) by Gioachino Rossini (composer); Beverly Sills (soprano), Marilyn Horne (American operatic mezzo-soprano), Franco Bonisolli (tenor), Thomas Schippers (conductor and composer)
L’inganno felice by Gioachino Rossini (composer); Annick Massis (soprano), Raúl Giménez (tenor), Rodney Gilfry (baritone), Pietro Spagnoli (baritone), Lorenzo Regazzo (bass-baritone), Le Concert des Tuileries, Marc Minkowski (bassoonist and conductor)
L’italiana in Algeri (1980 studio cast) by Gioachino Rossini (composer); Marilyn Horne (American operatic mezzo-soprano), Samuel Ramey (bass-baritone), Ernesto Palacio (Peruvian tenor), Kathleen Battle (soprano), Clara Foti (alto / contralto), Domenico Trimarchi (bass-baritone), Nicola Zaccaria (operatic bass), Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir), I Solisti Veneti, Claudio Scimone (conductor)
La Cenerentola (1953 studio cast) by Gioachino Rossini (composer); Marina de Gabarain (mezzo-soprano), Juan Oncina (tenor), Sesto Bruscantini (bass-baritone), Alda Noni (soprano), Glyndebourne Festival Chorus & Orchestra, Vittorio Gui (conductor and composer)
La scala di seta by Gioachino Rossini (composer); Luciana Serra (soprano), Cecilia Bartoli (mezzo‐soprano), William Matteuzzi (tenor), Roberto Coviello (baritone), Natale de Carolis (Italian operatic baritone), Oslavio di Credico (tenor), Orchestra del Teatro Comunale di Bologna, Gabriele Ferro (conductor)
Messa di Gloria by Gioachino Rossini (composer); Antonacci (soprano), Manca di Nissa (contralto), Araiza (tenor), Gambill (tenor), Spagnoli (baritone), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Salvatore Accardo (violinist and conductor)
Petite messe solennelle by Gioachino Rossini (composer): Antonio Pappano (conductor and pianist), Marina Rebeka (soprano), Sara Mingardo (contralto), Francesco Meli (operatic tenor), Alex Esposito (Operatic bass baritone)
Semiramide by Gioachino Rossini (composer); Iano Tamar (soprano), Gloria Scalchi (mezzo-soprano), Michele Pertusi (operatic bass), Gregory Kunde (tenor), Coro Filarmonico di Praga (Czech Philharmonic Chorus, Prague Philharmonic Choir), Orchestra del Teatro Comunale di Bologna, Alberto Zedda (conductor)
Tancredi by Gioachino Rossini (composer); Fiorenza Cossotto (mezzo-soprano), Lella Cuberli (soprano), Werner Hollweg (tenor), Nicola Ghiuselev (operatic bass), Helga Müller (mezzo-soprano), Lucia Rizzi (soprano / mezzo-soprano), Chor des WDR Köln, Cappella Coloniensis, Gabriele Ferro (conductor)
Zelmira by Gioachino Rossini (composer); Cecilia Gasdia (Italian operatic soprano), Bernarda Fink (mezzo-soprano), William Matteuzzi (tenor), Chris Merritt (American opera singer, tenor), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), I Solisti Veneti, Claudio Scimone (conductor)