Cantatas, Vol. 2

~ Release by J.S. Bach; Fritz Werner, Agnes Giebel, Helmut Krebs, Heinrich-Schütz Choir, Heilbronn, Pforzheim Chamber Orchestra (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 1. Sinfonia.
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:42
2Ich hatte viel Bekümmernis, BWV 21: Prima Parte: Coro: "Ich hatte viel Bekümmernis"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:05
3Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 3. Aria (Soprano): "Seufzer, Tränen, Kummer, Not"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
soprano vocals:
Édith Selig (soprano) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:50
4Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 4. Recitativo (Tenore): "Wie hast du dich, mein Gott"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:50
5Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 5. Aria (Tenore): "Bäche von gesalznen Zähren"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (catch-all for unknown versions) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach5:58
6Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 6. Coro: "Was betrübst du dich, meine Seele"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:35
7Ich hatte viel Bekümmernis, BWV 21: Prima Parte: 7. Recitativo (Soprano, Basso): "Ach Jesu, meine Ruh"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Erich Wenk (bass-baritone) (in 1962-04)
soprano vocals:
Édith Selig (soprano) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:38
8Ich hatte viel Bekümmernis, BWV 21: Seconda Parte: 8. Duetto (Soprano, Basso): "Komm, mein Jesu"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
bass vocals:
Erich Wenk (bass-baritone) (in 1962-04)
soprano vocals:
Édith Selig (soprano) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:34
9Ich hatte viel Bekümmernis, BWV 21: Seconda Parte: 9. Coro: "Sei nun wieder zufrieden"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach6:09
10Ich hatte viel Bekümmernis, BWV 21: Seconda Parte: 10. Aria (Tenore): "Erfreue dich, Seele"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:52
11Ich hatte viel Bekümmernis, BWV 21: Seconda Parte: 11. Coro: "Das Lamm, das erwürget ist"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1962-04)
orchestra:
Pforzheim Chamber Orchestra (in 1962-04)
conductor:
Fritz Werner (German conductor and organist) (in 1962-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1962)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1962-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (in 1962-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:46
12Meine Seel erhebt den Herren, BWV 10: 1. [Coro]: "Meine Seel erhebt den Herren"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:49
13Meine Seel erhebt den Herren, BWV 10: 2. Aria (Soprano): "Herr, der du stark und mächtig bist"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
soprano vocals:
Maria Friesenhausen (German soprano) (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach8:05
14Meine Seel erhebt den Herren, BWV 10: 3. Recitativo (Tenore): "Des Höchsten Güt und Treu"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:23
15Meine Seel erhebt den Herren, BWV 10: 4. Aria (Basso): "Gewaltige Stößt Gott vom Stuhl"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
bass vocals:
Barry McDaniel (baritone) (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach3:07
16Meine Seel erhebt den Herren, BWV 10: 5. Duetto (Alto, Tenore): "Er denket der Barmherzigkeit"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
alto vocals:
Emmy Lisken (contralto) (in 1965)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:06
17Meine Seel erhebt den Herren, BWV 10: 6. Recitativo (Tenore): "Was Gott den Vätern alter Zeiten"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:13
18Meine Seel erhebt den Herren, BWV 10: 7. Choral (Coro): "Lob und Preis sei Gott dem VateR"
recording engineer:
Guy Laporte (in 1965)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1965)
orchestra:
Pforzheim Chamber Orchestra (in 1965)
conductor:
Fritz Werner (German conductor and organist) (in 1965)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1965)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (in 1965)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:12
19Schlage doch, gewünschte Stunde, BWV 53/Anh. II 23
recorded in:
Ilsfeld, Baden-Württemberg, Germany (in 1963-06)
recording engineer:
Peter Willemoës (in 1963-06)
producer:
Michel Garcin (French producer)
cello:
Jacoba Muckel (cellist) (in 1963-06)
organ:
Eva Hölderlin (organist) (in 1963-06)
violin:
György Terebesi (violinist) (in 1963-06)
alto vocals:
Claudia Hellmann (contralto) (in 1963-06)
orchestra:
Pforzheim Chamber Orchestra (in 1963-06)
conductor:
Fritz Werner (German conductor and organist) (in 1963-06)
recording of:
Aria, BWV 53 "Schlage doch, gewünschte Stunde" (in 1963-06)
composer:
[anonymous] (special purpose artist)
librettist:
Salomon Franck
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician) and Georg Melchior Hoffmann (composer and organist)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 53), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 53 / Anh. II 23‑>) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 703)
Johann Sebastian Bach8:25
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Credits

Release

manufactured in:EU (Europe)
art direction:Stuart Wilson (Art director)
liner notes:Nele Anders
Nicholas Anderson (producer and liner notes writer)
Alfred Dürr (German musicologist)
Ludwig Finscher (musicologist and author)
Wolfgang Marx (liner notes)
Gerhard Schumacher
remastering:Tony Bridge (mastering engineer)
Stephen Frost (sound engineer)
Tony Harrison (producer and sound engineer for classical music)
Mike Hatch (engineer/editor)
Limo Hearn
David Hinitt (UK recording engineer, early 21c)
Geoff Miles (editor and engineer)
Raphael Mouterde
booklet editor:Fabian Watkinson
artwork:Pieter Bruegel de Oude (in 1562: task: cover "The Fall of the Rebel Angel")
phonographic copyright (℗) by:Warner Classics (in 2004)
Warner Music UK Ltd. (not for release label use!) (in 2004)
art direction:WLP Ltd. (graphic design agency)
remastered at:Floating Earth Ltd. in London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/31180624 [info]